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Guest Post: Storytelling Ourselves Out of Paralysis

Storytelling Ourselves Out of Paralysis

by Christina De La Rocha and Ariel Kroon

One of the best things about science fiction is that it lets us try futures on for size. Do you look good in dystopia, finding the hero within while you rise from the wreckage of civilization, raging through the thrills of a dangerous world? Or do you look better invading the spaces that technology is about to open up for us, stumbling into unintended consequences hilarious, heart-wrenching, and severe?  

The growing solarpunk movement thinks you’d look best in a near future of the sort we’d actually like to live in. The cheerful color scheme complements every complexion. The hope here is that by narrating ourselves into a future where things have turned out well, we can increasingly believe that such a future is possible. Then, armed with that vision of what we could accomplish, we might wake up and start working on it instead of keep sleepwalking into the perfect storm of man-made misfortunes bearing down upon us.  

Because we really are sleepwalking right now. To take it a metaphor further, we, the people of Earth, are the deer staring paralyzed into the headlights of global warming, decimated ecosystems, accelerating economic inequality, racism, sexism, homophobia, transphobia, misogyny, failing states, refugees, wars, the pandemic, misinformation and propaganda, totalitarianism, hatred, and division. The here and now could easily turn out to be the prologue of a dystopia that only the most savage will enjoy and it’s hard to imagine there will be much in the way of heroes.  

In fact, we’re doing worse than sleepwalking. Those of us who have been shouting about greenhouse gas emissions and the state of the environment for decades are baffled that the collective response of humanity has been to drive its car faster toward the brick wall.  

But at the individual level, it’s almost understandable. We are worried but overwhelmed, thinking, how could I possibly do anything about every single issue we’re facing? How could any action I take make any difference at all? So what if we’re on track for having to deal with catastrophic climate change and ecological collapse at the same time that the maximum number of human beings that will have ever simultaneously existed on Earth will all be needing to eat, live somewhere, and have a job. What can I do about that (except move to Montana and start stockpiling guns, ammo, and freeze-dried food)?  

But, honestly, enough of that narrative, says solarpunk. What a horrible, self-fulfilling prophecy. Better to decide that we can do something about these problems. That we can create a positive future for ourselves, especially if we start solving problems together. After all, problem solving and cooperation are things our species excels at.  

Would it help get us moving if we started weaving ourselves into narratives in which we have acted to make the future a better place to be? Why don’t we try it? Let’s start creating visions of ourselves having dramatic episodes in fabulous yet feasible futures.  

That can mean setting stories”’full of human dreams, passions, conflicts, and conundrums”’in a world where we have changed the way we do everything, having gone green, clean, friendly, fair, just, inclusive, and supportive of as many people as possible. It can also mean telling tales set amongst the conflicts that will arise as we ditch fossil fuels for renewables (hopefully) in time to avert global warming disaster. Other stories might involve our attempts to engage safely in sun-shading or carbon sequestration to dial global warming down before we trip over climate tipping points of no return. In these stories, characters could romp through cities that we have revamped into working better for people or through lushly rewilding landscapes made possible by our overhaul of agriculture and our abandonment of overconsumption. Some tales could even be fables woven through with the warmth of cultures that have backed away from today’s every person for themselves attitude in favor of community, belonging, and collective problem solving.  

But how could stories showing us thriving in the midst of or on the other side of the remaking we need to do to our societies, methods of energy production, and infrastructure help us take action?  

Well… what if they stoked our enthusiasm for the revolution we are about to undergo that will be as disruptive as the Industrial Revolution that dragged us toward modernity and didn’t rest until it had set the stage for world wars, the collapse of a couple of empires, and the covering of so much of the planet in roads, cars, concrete, and a whole lot more people? Then we would no longer be paralyzed by our fear of such a great set of changes.  

But even if these stories just normalize little things, like driving electric cars, living near wind farms, having solar panels and heat pumps, or availing ourselves of the extensive and convenient public transportation networks that we deserve to have, they could still help us shake that fear of the future that has been paralyzing us.  

It is, at any rate, worth a shot, and it’s a shot that Solarpunk Magazine is taking.  

You probably haven’t met Solarpunk Magazine yet, as it’s the new kid on the block who hasn’t actually moved in yet. Our first issue will burst upon the scene in January 2022. We already have some great stories, pleasing poems, and fabulous non-fiction lined up for you.  

But paying contributors professional rates takes funding and, in his day and age, that means a Kickstarter campaign. Check out ours, which will run until October 30, 2021. For $5, you can secure your copy of our inaugural issue. $10 gets you the first two issues. $25 scores you the whole first year (which is six issues). Plenty of other goodies are on offer as well!  

Every $4K that rolls in funds one issue. As of October 11th, we’ve secured enough funding for the first four issues, and we’re hopeful about getting enough funding for the entire first year. So come pitch in and help us storytell a wonderful future into existence.  

Speaking of which, you can also support Solarpunk Magazine by writing. We need your solarpunk stories, poems, essays, interviews, and articles. Our first ever window for submissions will be open from Nov 1-14, 2021 and we are looking forward to reading your visions of a future we could happily inhabit together in peace, prosperity, and greenery.


BIOS: Ariel Kroon and Christina De La Rocha are non-fiction editors at Solarpunk Magazine.

Ariel (she/her) is a recent PhD in English Literature, specifically in the field of Canadian post-apocalyptic science fiction published between 1948 and 1989. In addition to academic interests in feminist posthumanism and affect theory, she enjoys and pursues speculative futures with an environmental bent, queer optimism, radical hope, and garden dirt. She is an ancient Tumblrkid and hugely appreciative of solarpunk and hopepunk communities. You can find some of her talks on YouTube or read her personal webpage.  

Christina, a recovering biogeochemist and oceanographer raised in Los Angeles, California, has washed up on the shores of northern Germany and lives in a settlement with notably more chickens, cows, and alpacas in it than people. She has published a pop sci book or two, has had a few stories and articles published in Analog, tries to be entertaining on Twitter (@xtinadlr), and occasionally updates her website.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Guest Post: Finding Your Heroes and Yourself by Elle E. Ire

Threadbare, the first novel in my Storm Fronts series, gets a mass market edition and hits physical bookstores this month. It’s the realization of a lifelong dream, to see my work on an actual shelf in an actual store, to pull it from the others and turn it face out so everyone can see this thing I’ve created. Every time I walk into a Books-A-Million or a Barnes & Noble or some wonderful independent bookseller, I’ve imagined being able to point at a novel’s spine with my own name on it and say, “Look at this! I made this! I’m the person whose name is on this cover!”

And with this moment fast approaching, I’ve been doing a lot of thinking about the influences on my work and how Threadbare and the other novels in the series came to be, and specifically all the pieces and parts that went into the protagonist, Vick Corren. Vick is a lot of kickass and a lot of emotional hot mess with some identity crises and self-esteem issues thrown in for good measure. Add in her bisexuality and there weren’t a lot of characters I could draw from as templates, at least not when I was growing up.

I’m dating myself, but when I was a preteen and teenager, finding strong female role models was a challenge, and finding ones who weren’t heterosexual much more so. There were competent, intelligent, accomplished women on TV, but they generally weren’t the leads. So the rare shows like The Bionic Woman and Wonder Woman were eye-opening. And when Princess Leia snatched the blaster away from Han Solo during her own rescue and got all of them out of that Death Star corridor by blowing a hole in the trash chute and demanding that Han get inside, well, I knew I wanted to write women just like that””women who could rescue themselves, with some help on occasion, but still, women who acted rather than reacted, women who didn’t sit around helplessly awaiting the hero but rather women who were the heroes.

This was where my character, Vick Corren, got her roots. If you read Threadbare you will absolutely see the influence of Jamie Sommers and Leia Organa. Vick has an AI in her head, a sentient computer that makes her stronger, faster, and a lot more resourceful than the average human, much like Sommers’s bionics. But she’s also got Leia’s attitude. Don’t mess with Vick. She’s definitely no-nonsense.

However, I also wanted her to have a softer side. It’s important to me that my characters not seem too impervious, too perfect, too invulnerable. Vick might look like she has it all together when she’s on a mission for her organization of mercenary soldiers, but when the battle ends, when the action stops, when she starts having feelings for someone beyond friendship, she’s just as insecure and confused as anyone heading into their first real romance.

Who could I draw from for those character traits? Well, Leia again, for one. Her resistance to (and inevitable falling for) Han Solo are still some of my favorite scenes to watch over and over again. Battlestar Galactica had some wonderful episodes in which Athena and Cassiopeia put Starbuck in his place. (Yes, his. The original Starbuck was male””dating myself again.) And much like Leia, Colonel Wilma Deering of Buck Rogers fame was another great character displaying both professional competence and romantic insecurity, especially when it came to her relationship with Buck.

Not to say all my influences were from television and film. I was an avid reader from a very young age, and it didn’t take me long to gravitate to the female protagonists of books by Anne McCaffrey, Elizabeth Moon, and Tanya Huff, to name my favorites. These amazing authors showed me how to write characters who could be both strong and sensitive, not necessarily at the exact same time, but at just the right moments, with a balance of each.

And yet, Vick Corren still felt to me as if something was off.

I wrote an entire novel for her, Assassin’s Nightmare. It earned me my first agent representation, but don’t go looking for it in bookstores. It never sold. And I firmly believe the reason for this is that the character was trying to not only tell me something about herself, but teach me about my self as well. Vick Corren is bisexual. So am I.

It took me way too long to figure that out about both of us, but once I did, things really took off. I set Vick aside for a while and wrote my first published novel, Vicious Circle, featuring a bisexual female protagonist. By now, I’d discovered Xena: Warrior Princess, and that was a game changer. Here at last was a character who was obviously bisexual, whether the network executives wanted to state it openly or not. Here was a character with significant flaws striving to redeem herself and admit to herself that she was worthy of love. If you read Vicious Circle or Threadbare, you will definitely see that influence in both main characters. We even marketed Vicious Circle as “Xena: Warrior Princess in space with the subtext as the main text.”

Shortly thereafter, another major influence, author J.A. Pitts, and his Sarah Jane Beauhall series beginning with Black Blade Blues proved that a lesbian blacksmith protagonist for a series could sell to a major New York publisher. (There were probably others, but that’s the one I was aware of in 2010. Got recommendations for me to read? I’m all ears. Toss them in the comments!) With that discovery, I was ready to give Vick Corren another chance, and another novel””Threadbare. No, I didn’t crack New York publishing, but it’s out there in the world, one more book for women who share my orientation and interests to find themselves in, one more role model proving that women can lead adventures of their own.

Final thoughts? Whatever it is you want to write, write it. Listen to your heart. If you write from there, the emotions will come across on the page, and your writing will find its market. Keep hunting until you find your role models. Learn from those who have come before you, the ones who make you feel. And finally, if you can’t find what you’re looking for on bookstore shelves… go create it, so that your work will be there for the next reader who feels just like you.


Bio: Elle Ire writes science fiction novels featuring kick-ass women who fall in love with each other. Her first novel, VICIOUS CIRCLE, released from Torquere Press in November, 2015, and was rereleased in January, 2020, by DSP Publications. Her second novel, THREADBARE, the first in the STORM FRONTS series, was released in August, 2019, by DSP Publications followed by the sequels PATCHWORK and WOVEN in 2020. Her work is represented by Naomi Davis at the Bookends Literary Agency.

Chat with her on Twitter: https://twitter.com/ElleEIre or Facebook: https://www.facebook.com/ElleE.IreAuthor/

Learn more at her website: http://www.elleire.com.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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On Eating Frog Legs and White Asparagus by Jennifer Brozek

Imagine this. You are nine or ten or eleven years old. In your “tweens” as the hip kids call it. Or is that “cool”? You have moved to a foreign country “overseas” because your father was stationed there and you are experiencing non-American food for the first time. Belgium. A little country partially notable by the fact that NATO exists within it. (And so much more…)

First, it is all hotel food because there are no quarters available for you and your military family in SHAPE, Belgium (Supreme Headquarters Allied Powers Europe). And the food is good. I mean, really good. We’re talking fresh fruit, chocolate croissants, and Belgian waffles. My mom complained that she gained a pound for every day we were required to stay in that hotel. I don’t remember how long. It was too long for nine-year-old me. I just wanted a home and my things around me.

Then we were there. Living in a 300-year-old manor house in Brugelette, Belgium in 1979 because “the franc was so good.” The backyard was bigger than any school playground I’d ever played in before. The house had history. Real history. This is where “Dear Penpal, Belgium 1980” was born. “Dear Penpal, Belgium 1980” is a unique, middle grade-appropriate ghost story told through 24 physical letters that I am kickstarting from March 26th to April 26th.

In the letters a recipient will receive, I’ve included description of fritz. Real fritz (I’m convinced that Belgium is the only place to get this near-mythical food) and fritz stands with their paper cone conveyances for food beyond fritz. The only thing I really remember were the fried meatballs my father loved so much with a condiment concoction we called “goopy.” We recreated it at home with a mixture of ketchup and mayo. Dad insisted on having goopy with his fries for the rest of his life. 

I also remember going to 3-hour long meals at a tiny Belgian restaurant…whose name I never knew…that had maybe five tables, where I ate all manner of things. In this place, we were known as “the polite American family” and they would bump other reservations for us if Dad called. It was within this restaurant that I learned to be fearless about “foreign” cuisine. I would willingly taste everything at least once. 

I had two favorites: Frog legs (that really did taste like gamy chicken) in the most delicious sauce and white asparagus. The frog legs were a treat. A birthday meal. The same with the white asparagus that I thought was a special type of asparagus. It took me into my adulthood before I looked up how white asparagus was made. (I’m not going to tell you. You need to look it up yourself.) But, since then I have always loved asparagus and I consider any restaurant to serve white asparagus high class indeed. 

My time in Belgium gave me a boon. That boon is the ability to say “yes” to whatever local cuisine is offered to me. As a Guest of Honor at GothCon in Gothenburg, Sweden, I was offered smoked puffin as an appetizer at a restaurant that was located at the corner of Baldur’s Gate and Odin’s Way. I accepted. It was fine. Not really to my taste, but I’m glad I did taste it. As a Guest of Honor at Tracon in Tampere, Finland at a Viking feast, the interesting food I was offered included duck heart (so tasty) and tar ice cream (a campfire in ice cream form). Both of which were marvels to taste. My hosts were so pleased that I was willing to try the food from their country. American GoHs have a reputation of being shy around “exotic” food.

Living in Belgium during my formative years gave me a willingness, and a fearlessness, to try foods outside my comfort zone, and I have been richer for that experience. My rule is: I am willing to try anything once. Twice if I am in a bad mood the first time. It’s a rule I encourage others to adopt. Otherwise, you won’t know what you are missing. 

I hope you check out my new passion project: “Dear Penpal, Belgium 1980”? Won’t you be my penpal?

Jennifer Brozek is an award winning author, editor, and tie-in writer. A Secret Guide to Fighting Elder Gods, Never Let Me Sleep, and The Last Days of Salton Academy were all finalists for the Bram Stoker Award. She won the Scribe Award for best tie-in Young Adult novel, The Nellus Academy Incident, and won an Australian Shadows Award for best edited publication. Visit Jennifer’s worlds at jenniferbrozek.com, or follow her social media accounts on LinkTree.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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