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Guest Post: Storytelling Ourselves Out of Paralysis

Storytelling Ourselves Out of Paralysis

by Christina De La Rocha and Ariel Kroon

One of the best things about science fiction is that it lets us try futures on for size. Do you look good in dystopia, finding the hero within while you rise from the wreckage of civilization, raging through the thrills of a dangerous world? Or do you look better invading the spaces that technology is about to open up for us, stumbling into unintended consequences hilarious, heart-wrenching, and severe?  

The growing solarpunk movement thinks you’d look best in a near future of the sort we’d actually like to live in. The cheerful color scheme complements every complexion. The hope here is that by narrating ourselves into a future where things have turned out well, we can increasingly believe that such a future is possible. Then, armed with that vision of what we could accomplish, we might wake up and start working on it instead of keep sleepwalking into the perfect storm of man-made misfortunes bearing down upon us.  

Because we really are sleepwalking right now. To take it a metaphor further, we, the people of Earth, are the deer staring paralyzed into the headlights of global warming, decimated ecosystems, accelerating economic inequality, racism, sexism, homophobia, transphobia, misogyny, failing states, refugees, wars, the pandemic, misinformation and propaganda, totalitarianism, hatred, and division. The here and now could easily turn out to be the prologue of a dystopia that only the most savage will enjoy and it’s hard to imagine there will be much in the way of heroes.  

In fact, we’re doing worse than sleepwalking. Those of us who have been shouting about greenhouse gas emissions and the state of the environment for decades are baffled that the collective response of humanity has been to drive its car faster toward the brick wall.  

But at the individual level, it’s almost understandable. We are worried but overwhelmed, thinking, how could I possibly do anything about every single issue we’re facing? How could any action I take make any difference at all? So what if we’re on track for having to deal with catastrophic climate change and ecological collapse at the same time that the maximum number of human beings that will have ever simultaneously existed on Earth will all be needing to eat, live somewhere, and have a job. What can I do about that (except move to Montana and start stockpiling guns, ammo, and freeze-dried food)?  

But, honestly, enough of that narrative, says solarpunk. What a horrible, self-fulfilling prophecy. Better to decide that we can do something about these problems. That we can create a positive future for ourselves, especially if we start solving problems together. After all, problem solving and cooperation are things our species excels at.  

Would it help get us moving if we started weaving ourselves into narratives in which we have acted to make the future a better place to be? Why don’t we try it? Let’s start creating visions of ourselves having dramatic episodes in fabulous yet feasible futures.  

That can mean setting stories”’full of human dreams, passions, conflicts, and conundrums”’in a world where we have changed the way we do everything, having gone green, clean, friendly, fair, just, inclusive, and supportive of as many people as possible. It can also mean telling tales set amongst the conflicts that will arise as we ditch fossil fuels for renewables (hopefully) in time to avert global warming disaster. Other stories might involve our attempts to engage safely in sun-shading or carbon sequestration to dial global warming down before we trip over climate tipping points of no return. In these stories, characters could romp through cities that we have revamped into working better for people or through lushly rewilding landscapes made possible by our overhaul of agriculture and our abandonment of overconsumption. Some tales could even be fables woven through with the warmth of cultures that have backed away from today’s every person for themselves attitude in favor of community, belonging, and collective problem solving.  

But how could stories showing us thriving in the midst of or on the other side of the remaking we need to do to our societies, methods of energy production, and infrastructure help us take action?  

Well… what if they stoked our enthusiasm for the revolution we are about to undergo that will be as disruptive as the Industrial Revolution that dragged us toward modernity and didn’t rest until it had set the stage for world wars, the collapse of a couple of empires, and the covering of so much of the planet in roads, cars, concrete, and a whole lot more people? Then we would no longer be paralyzed by our fear of such a great set of changes.  

But even if these stories just normalize little things, like driving electric cars, living near wind farms, having solar panels and heat pumps, or availing ourselves of the extensive and convenient public transportation networks that we deserve to have, they could still help us shake that fear of the future that has been paralyzing us.  

It is, at any rate, worth a shot, and it’s a shot that Solarpunk Magazine is taking.  

You probably haven’t met Solarpunk Magazine yet, as it’s the new kid on the block who hasn’t actually moved in yet. Our first issue will burst upon the scene in January 2022. We already have some great stories, pleasing poems, and fabulous non-fiction lined up for you.  

But paying contributors professional rates takes funding and, in his day and age, that means a Kickstarter campaign. Check out ours, which will run until October 30, 2021. For $5, you can secure your copy of our inaugural issue. $10 gets you the first two issues. $25 scores you the whole first year (which is six issues). Plenty of other goodies are on offer as well!  

Every $4K that rolls in funds one issue. As of October 11th, we’ve secured enough funding for the first four issues, and we’re hopeful about getting enough funding for the entire first year. So come pitch in and help us storytell a wonderful future into existence.  

Speaking of which, you can also support Solarpunk Magazine by writing. We need your solarpunk stories, poems, essays, interviews, and articles. Our first ever window for submissions will be open from Nov 1-14, 2021 and we are looking forward to reading your visions of a future we could happily inhabit together in peace, prosperity, and greenery.


BIOS: Ariel Kroon and Christina De La Rocha are non-fiction editors at Solarpunk Magazine.

Ariel (she/her) is a recent PhD in English Literature, specifically in the field of Canadian post-apocalyptic science fiction published between 1948 and 1989. In addition to academic interests in feminist posthumanism and affect theory, she enjoys and pursues speculative futures with an environmental bent, queer optimism, radical hope, and garden dirt. She is an ancient Tumblrkid and hugely appreciative of solarpunk and hopepunk communities. You can find some of her talks on YouTube or read her personal webpage.  

Christina, a recovering biogeochemist and oceanographer raised in Los Angeles, California, has washed up on the shores of northern Germany and lives in a settlement with notably more chickens, cows, and alpacas in it than people. She has published a pop sci book or two, has had a few stories and articles published in Analog, tries to be entertaining on Twitter (@xtinadlr), and occasionally updates her website.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Guest Post: Walnut & Pumpkin Risotto by Ben Isham-Smith

Raised by an Italian mother (don’t let my embarrassingly anglicized name fool you), the kitchen formed the hub of all activity in our home growing up. Not just for cooking meals, but also entertaining, welcoming guests, and even eating.

If anything happened in our home, it happened in the kitchen.

Few recipes stir up the memories and emotions I associate with then as risotto does. My mother had her own go-to risotto recipe that had evolved over the years she had learned it from her own mother, and it became a monthly tradition for her to cook up a batch of risotto rice, leek and chicken, which would keep us going for days.

I’m a big fan of meals that can be cooked in a pot. Not just because they can often be a bit more “Ëœhands off’ than other types of recipe (I’m infuriatingly lazy), but also because I find there’s more room to improvise and tweak it in line with your own personal preferences.

This risotto recipe is a bit braver than more traditional takes on the Northern Italian dish. It matches traditional risotto elements, like white wine, onion and garlic, with a much more outlandish pumpkin and walnuts. If I’m honest, I don’t think my Italian grandparents would approve (in fact, I know they wouldn’t – they never forgave me for my lazy tiramisu recipe) but if I didn’t deliberately undermine them at every given opportunity, then what kind of grandson would I be?

The truth is though, despite my tweaking on it, the recipe does still remind me of learning to cook in our home kitchen in the middle of the Berkshire countryside. And if a recipe can stir up intense memories like that, then it’s served its purpose.

One of the greatest cooking fallacies is that making a good risotto takes a lot of time and skill. Well, you’ll be glad to hear it only requires a good amount of time, and simply no skill. Fortunately this means that even someone as clueless as me can make it.

All this recipe needs is a lot of patience, and definitely a lot of stirring. Your arm might take a little while to forgive you, but the dish you get at the end more than makes up for it

If you’re making this in autumn or fall then you might already be drowning in pumpkin-inspired dishes (pumpkin lattes, pumpkin cookies, even pumpkin peanut butter), but this is too good not to try. Furthermore, it’s a great dish to break out for Thanksgiving as a vegetarian alternative to the more traditional meat-heavy meals on offer.

That said, I still love to break it out year-round, and enjoy it just as much in the summer.

Pumpkin & Walnut Risotto
Prep Time
10 mins
Cook Time
45 mins
Total Time
55 mins

Servings: 2 people
Ingredients
1 cube Vegetable Stock
500 ml Water boiled
50 g Butter
1 White Onion. Finely Diced
1 Stick of Celery. Finely Diced
1 Garlic Clove. Finely Diced
150 g Arborio Risotto Rice
125 ml White Wine
150 g Pumpkin Puree
25 g Butter
50 g Roquefort Cheese crumbled
50 g Walnuts chopped
Salt and pepper to taste

Instructions

  1. Add the vegetable stock cube to the boiling water and stir in thoroughly.
  2. Heat up a large frying pan over a medium heat, add 25g of the butter.
  3. Once the butter has melted, add the onion and celery. Cook for 10 minutes until softened.
  4. Stir in the rice, until the grains start to turn translucent at the edges.
  5. Turn up the heat a notch to medium-high, adding in the white wine. Stir until all the wine has disappeared. Add the dried sage.
  6. Slowly stir in the vegetable stock by adding in one full ladle at a time, stirring continuously until fully incorporated and the rice is cooked. Do this over the course of about half an hour.
  7. Stir in the pumpkin puree and take off the heat. Place a lid on top and leave to rest for 5 minutes.
  8. As the risotto rests, melt the other 25g of butter in a separate frying pan add the walnuts to toast.
  9. Serve the risotto. Top with the crumbled roquefort cheese and buttered toasted walnuts.

About the author:
Ben is a former semi-pro cyclist and big eater. Now he is just a big eater. He writes about food and drink for lazy cooks at The Eat Down.

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Guest Post from Rhonda Eudaly: Writing Is Only Glamorous Until This Face Appears

Joseph Eastwood's Facebook Meme Card
Joseph Eastwood’s Facebook Meme Card
Note from Cat: today’s guest blog post comes from Rhonda Eudaly. It’s the latest installment in the cavalcade of content here celebrating the upcoming release of my first novel, Beasts of Tabat.

I thought long and hard about what to write about for this guest post opportunity. It’s like a bizarre Open Mic Night thing. Most of you don’t know me, but I can’t see my hecklers until it’s too late. So what to do? Try to be pithy? Try to be funny? Then the Meme Card came up on Facebook… Editing is 30% Improvement and 70% making this face. And so…is this thing on?

There’s a lot to learn when it comes to writing. You can do it for years and years and still learn stuff (in fact, my opinion is that you should always be learning stuff). I’ve done quite a bit of short story work for…a while…now, as well as working on braided novels and a couple of other formats. And while those are great, I’m currently doing the final edit on my novel before it’s published. And, well, FACE.

Doing a solo novel, especially for the first time, is so different from anything else I’ve ever done. First was the editorial phone call, which – while supportive also made me wonder what the heck I was thinking sending out this…thing. When the manuscript came back, I prepared for the red, but was a complete wuss about looking at it. Fortunately, there are whole pages that don’t have marks on them…and I’ll take what I can get – but still…ow. What made it better? Was hearing J. Kathleen Cheney say, “My editor made me rewrite the back half of my book…”

Editing with a buddy.
Editing with a buddy.
Then the other real work began. Reading through and seeing the problems and notes and implementing them. As with initial drafts, I’m a Pen/Paper person. I like ink, and the low tech version meant I could carry it with me wherever I went – in case there was an opportunity to work on it. It helped that I was diving in right around ConDFW, where I’m surrounded by support. Cheney, offer to do a “pre-final” read through for me. It gave her an excuse to procrastinate on something, so win/win.

Now, I’m in the process of a strange hybrid editing…thing. I had my electronic file of the manuscript. I had the track changes file from Cheney, and the paper edits. Time to learn a new skill – which I did. I combined the two electronic files first and creating yet another file (in Word 2007 and up, it’s in the “Review” ribbon under “Compare” nifty little trick). Now, while I’m inputting my paper edits mostly from my publisher/editor, but some I made one my own, I also have Cheney’s notes. Made my life easier, but still…there’s the FACE.

Making editing more comfortable.
Making editing more comfortable.
Seriously? In some cases, WHAT DID I DO? What is that sentence? Thank Goodness for editors and friends – and this is AFTER it’s been through other people and sent out to publishers for – because yeesh. I’m still kinda embarrassed about what I sent out to several editors before this one took the chance on me. Editors are a good, good thing. The editing process is not glamorous. It’s not at all fun – not like that first blush of a new story or a new set of characters – but it’s a necessary thing. My goal is to make the FACE less and less going forward, but I also don’t want to be solely responsible for brilliance. It’s just too much of a burden, and by having good editors (and friends) involved, the story is stronger than I could’ve made it on my own.

So listen to your editors. They’re like Mothers. They know what they’re talking about, and they know what’s good for you, and just maybe help make that 30/70% ratio will skew higher.

Bio: Rhonda Eudaly lives in Arlington, Texas with her husband, and two dogs. She’s ventured into several industries and occupations for a wide variety of experience. She has a well-rounded publication history in both fiction and non-fiction many of which can be found on www.RhondaEudaly.com.

Want to write your own guest post? Here’s the guidelines.
#sfwapro

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

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