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2021 Publications, Appearances, and Other Notable Things

Text reads "2021 Publications, Appearances, and Other Notable Things."It’s been a great year. Here’s some highlights. I have tried to identify what length and genre everything is, as well as where you can get it. The podcast I work with, IF THIS GOES ON (Don’t Panic), is eligible for Hugo nominations.

In January, my story “Shot Through with Shards of Light” appeared in SPACE: 1975, SPACE OPERA STORIES, 70S STYLE edited by Robert Jeschonek. This story is set in the same universe as my space opera, YOU SEXY THING, and grew out of thinking about a particular aspect of that universe.

March of 2021, my short story “Crazy Beautiful” appeared in The Magazine of F&SF as part of Sheree Renee Thomas’s inaugural issue. This story is very important to me, speaking about something that I deeply care about, and I’ve been stoked that so many people liked it. It is my only story that starts with a Bob Ross quote. Rich Horton said of it, “Perhaps my favorite story from early in 2021.”

In April, Jennifer Brozek and I turned in the manuscript for our co-edited anthology, THE REINVENTED HEART. So exciting! I got a piece of game writing in, with “The Sisterhood of the Shovel,” which appeared in THE WELL from Shoeless Pete Games.

My Beneath Ceaseless Skies novelette, Every Breath a Question, Every Heartbeat an Answer, also appeared in April. This is a Tabat story, and features the protagonists of “Hoofsore and Weary” and “Brittle Are My Boughs, And Sorrowful My Heart.”

Some things reviewers said about Every Breath a Question, Every Heartbeat an Answer

In May, the third book of the Tabat Quartet, EXILES OF TABAT, appeared from Wordfire Press. In it, Bella, Teo, and Lucy all adventure outside the city, with very different results. The final book, GODS OF TABAT, will appear in 2022.

In July, a story that my spouse Wayne and I wrote together, “Stand and Deliver,” appeared in DARK MATTER magazine. It’s a story of fatherhood and time travel…sort of.

In August I actually did some traveling. I went to Laramie, Wyoming, and was part of the Laucnh Pad workshop, an effort aimed at getting more science into one’s science fiction, and I learned so much that I’ve got an entire notebook’s worth of notes.

In October, my flash piece “A Tourist’s Guide to Terror,” appeared in Jennifer Brozek’s anthology, 99 TINY TERRORS.

In early November, my collaboration with Jermaine Martin, “Riders of the Void,” appeared in GUNFIGHT ON EUROPA STATION, edited by David Boop. We took one of my favorite westerns, “Shane,” and used it as the spark to start our story and I’m pleased with the result!

In mid-November, my long-delayed space opera, YOU SEXY THING, appeared finally! Amazon named it one of the 20 best F&SF books of 2021 and there’s been some great reviews. Here’s some of what people have said.

  • “…a thoroughly entertaining sci-fi romp” – Publishers Weekly
  • “A romp. If you’re the kind of person who likes Mass Effect, or enjoyed Valerie Valdes’s Chilling Effect and Prime Deceptions, or fell head-over-heels for Tim Pratt’s Axiom trilogy”¦ then this book is definitely for you. This is a fast, zippy novel that hides some surprisingly substantial emotional heavy lifting under its hood”¦. Cozy-with-a-soupçon-of-suspense hoot-and-a-half.” “•Locus
  • …a delightful, action-filled space jaunt, packed with engaging alien species, a bioship that learns emotions, and witty references.” ““ Library Journal
  • “Rambo absolutely nails it.” – BookPage
  • “Fun, fantastic, and delicious”•I loved it!””•Ann Leckie, author of Ancillary Justice
  • This action-packed space opera is loads of fun.” “•BuzzFeed

I did a lot of other stuff, like teaching for the Norwescon Writers Workshop, Cascade Writers, Williamette Writers, and Clarion West. I read for Older Writer’s Grant for Speculative Lit Foundation as well as for a middle grade contest. I did a holy crapton of readings, and plenty of panels, which I should have tracked better in order to include here.

The school did nicely again this year and I added several on-demand classes of my own:

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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So I Wrote This Novella

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I’m turning in something today that I’ve never tried before: a novella.

Back when I was first approached about the Fathomless Abyss, it involved an initial story and a later novella. Sure, I said, and whacked out a story for the first Fathomless Abyss book, TALES FROM THE FATHOMLESS ABYSS. It was “A Querulous Flute of Bone”, which I based on an O.Henry story, and which I think is one of my best stories to date. If you don’t believe me, spring for the 99 cent download and tell me if I’m wrong.

Then I started on the novella. The first thing I did was look up the length requirements. Wikipedia told me the official SFWA definition was 17500 to 40000 words. So just a long short story, right?


The problem with that was that…I write short. I excel at under 4000 words. So I turned again to a model. I’d been thinking about issues of addiction and so I decided I was going to write about that, and use William S. Burroughs’ JUNKY as my starting point. And I was going to throw in a touch of Lovecraft for spookiness and make the drug of my protagonist’s choice something a bit weird. And I wanted to reference some of the cool stuff the other Fathomless Abyss writers had added to the world.

I was telling a life story, from early days in an Abyssal village, through journeys to all sorts of points, culminating in some sort of…well, you know…climax. There was a chase for one thing, then another chase for what it turned into. I wanted to include something about the philosopher-king Nackle, whose teachings figured in “A Flute of Querulous Bone.” I wanted mushrooms and hallucinogenic wasp stings and pack llamas. I sketched out an outline and started writing. And I kept folding in stuff I wanted to include as I ran across it and then I reread Joe Lansdale’s THE COMPLETE DRIVE-IN and decided to not worry about being too weird and things all fell together…

And I became aware it was too long. Too, too, too long to finish on deadline. But I had the first half written and there was a good place midway to split the narrative, and so I said to Phil, “What if I do a pair of novellas, this first half, and then give you the second half for later release?”

So that’s what we have. I’m turning in A SEED ON THE WIND this time and A CAVERN RIPE WITH DREAMS will follow on its heels.

Wikipedia quotes Warren Cariou when discussing novella structure:

The novella is generally not as formally experimental as the long story and the novel can be, and it usually lacks the subplots, the multiple points of view, and the generic adaptability that are common in the novel. It is most often concerned with personal and emotional development rather than with the larger social sphere. The novella generally retains something of the unity of impression that is a hallmark of the short story, but it also contains more highly developed characterization and more luxuriant description.[7]

I know mine is focused on the development of a protagonist who I fear is somewhat unlovable. I’ve tried for interesting characterization and today I’m finishing up adding a layer of luxuriant description.

If you’ve come looking for advice on writing novellas, I’m not sure I have any. Perhaps you, the readers, can tell me what you think of them and what you’ve done when trying that form. I know Rachel Swirsky is a champ at writing them. What do you think – do you like novellas? What do or don’t you enjoy seeing in them? Can you think of anyone you think does them exceedingly well?

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