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Guest Post: Writing Holidays with Evan J. Peterson

Every culture tells stories. We keep our history alive this way. We all have rituals, whether they are secular or deeply religious. When you’re worldbuilding, you can communicate a plethora of culture and history through the traditions and festivals your characters observe.

Coming up on December 10th, I’ll teach Christmas in Narnia: Creating Traditions for Fictional Cultures for the Rambo Academy for Wayward Writers. Pardon the frosty pun, but a fictional holiday is an excellent tip to the iceberg of your world’s history. Consider the wealth of similarities and differences of the festivals of lights that originate from the Northern Hemisphere of our planet alone:

During the season of autumn into midwinter, things get darker and colder in most of the NH. The further north you go, the more stark that dark and cold becomes. Many traditions originating in the Northern Hemisphere have celebrations and rituals revolving around light and warmth at this time. India and its diaspora bring us Diwali and Deepavali, two different but similar multi-day festivals of lights, color, and life. Judaism celebrates Hanukkah as the observance of a historical miracle”“eight nights of light produced from barely any fuel oil. A fun side note: we eat fried foods like latkes and donuts on Hanukkah to represent the bounty of the oil! Who wouldn’t love a holiday that prescribes feasting on greasy carbs?

On Christmas, people celebrate the birth of the Christ child, destined to bring light, love, and goodness into a harsh world. As Christianity spread through Europe, this tradition appropriated, fused with, and replaced several midwinter traditions, such as the birth of God of the Wood on the winter solstice. This nature-based deity literally brings the light and warmth back into the world as the days finally grow longer instead of shorter. In addition to a festival of eating and drinking (lots of drinking), popular Christmas tradition involves putting candles and electric lights on everything, particularly an evergreen tree. That tradition did not come from Nazareth.

Notice that these traditions change over time and will even be different in each family or community. Just as no ethnic group is a monolith, neither is any religious or secular culture. There’s so much room here for worldbuilding, not to mention internal as well as external conflict. Some progressive Jewish families have introduced an orange among the symbolic food (roasted egg, lamb bone, bitter herb, et al.) of the Passover Seder plate, meant to remind us of the struggle of women, lgbtq+ folks, and people of color in Judaism as well as all who face intersectional struggles and are often left out of the popular image of the Jewish community.

I have a Jewish mother and an essentially Unitarian father. I grew up with secular Christmas as well as a heritage-rich Hanukkah, but I’ve always gravitated toward Pagan traditions. As a kid, I was particularly smitten with the Egyptian and Greco-Roman pantheons and stories, and I assume this is because I grew up in Miami, Florida. Flowers, fruit, and flowing water made more spiritual sense to me than the scarcity theme prevalent in Abrahamic traditions. This is the sort of subtlety that can communicate the history of a culture; temperate or tropical traditions are more likely to celebrate abundance and indulgence. Desert cultures are more likely to emphasize struggle, scarcity, and abstinence, but also patience and most importantly, charity. It’s no coincidence that Islam, Judaism, and Christianity share these values and emerged from cultures living under harsh political and geographical conditions.

This brings us to another important subtlety of cultural norms. How hot is “hot?” How cold is “cold?” For that matter, how far is “far?” Does “nice” mean polite and friendly, or does it mean kind and empathic? These are the questions that shape so many nuances of a community and its culture, whether macro scale or micro. And don’t overlook the secular traditions”“what does Tax Day tell us about capitalist cultures? What about the Queen’s Jubilee? For that matter, what about Juneteenth?

For more on this, please join me for Christmas in Narnia: Creating Traditions for Fictional Cultures on December 10th. Happy holidays!

Bio:

Evan J. Peterson is an author, game writer, and Clarion West alum. His latest book is METAFLESH: Poems in the Voices of the Monster (ARUS Entertainment), and recent work includes Drag Star! (Choice of Games), the world’s first drag performance RPG. His writing appears in Weird Tales, Arcana: The Tarot Poetry Anthology, and Queers Destroy Horror. Evan’s serial novel, Better Living Through Alchemy, will be published in 2023 by Broken Eye Books. linktr.ee/evanjpeterson can tell you more.

Site: www.evanjpeterson.com
Twitter: @evanjpeterson
Insta: @evan.j.peterson

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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An Apology to the F&SF Community, and Particularly to Those who Look to Me for Leadership

So let me start out by saying I screwed up, and in a way that I should have known better than to do. The problem is that the Wayward Wormhole intensive writing workshop that I’m hosting is in one way absolutely not up to standard, and that is its lack of accessibility. This is particularly unacceptable given that I have called out inaccessible venues in the past.

I’ve also called out economically inaccessible stuff, and yet this workshop, unlike the other school efforts, does not have guaranteed scholarships in place to help make the workshop cost easier on anyone, although we’ve structured fees to try to fund at least two scholarships this year.

I made this poor choice in part because ““ while this is not an excuse ““ 2022 was the year of the biggest changes of my life (the end of a 20+ year partnership and a cross-country move) and I just let the wheeeeee castle vibe carry me along past any thoughts other than how do I make spending my birthday in a Spanish castle a reality? And when the voices in my head stopped saying that and one in the back nervously raised its hand and said hey what about accessibility, I told myself we’d addressed that by making sure there was a virtual version.

Except now that I’ve thought about it, that’s not enough, because the virtual version lacks some features that the on-location includes. So I apologize to the community for setting a bad example. I apologize to my teachers for having involved them in this ethical lapse. And I apologize, abjectly, to my students for having let them down in this regard.

Given that I have already made a substantial down payment that is nonrefundable and which I can’t afford to lose, what are the material steps I can do to show I understand I fucked up and mean to make it right?

  1. The first is already done. The location we have for next year is fully accessible physically, and that is a requirement for all future locations.
  2. The second is that we will be providing a yearly full scholarship in memory of Vonda N. McIntyre.
  3. The third is that a quarter of my profits from this year’s workshop will be donated to a charity that advances accessibility issues, like the American Association of People with Disabilities. (I want to research the best choice here.)
  4. The fourth is that I have learned from it and, as the friend I was talking to about it put it, gained a point in humility, so I can do better going forward and not let whee castle override the let’s look this over before agreeing notion.

So. There you have it.

Best,
Cat

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How I Use Instagram

picture of a tortoiseshell cat
My instagram features household cats Raven and Taco plus downstairs restaurant cat Maggie. This is Taco.
Still working frantically on the update for the Creating an Online Presence for Writers book, plus prepping for this weekend’s online class. One big change since the last version is Instagram‘s rocket upward in popularity. Here in 2016, it is the number two social media network in number of users, second only after Facebook.

It lets you post pictures, often with some sort of caption, and see what other people are posting. Unlike Facebook, it doesn’t play fast and loose with what you see, but gives you a stream composed of everyone you’re following.

Instagram features a number of filters as well as some basic editing tools that can be applied to uploaded photos. You can add extra filters with the 100 Cameras in 1 app or if you would like to edit the image extensively, try Pixlr-o-matic (http://pixlr.com/).

Random thrift store objects make great Instagram pictures.
Random thrift store objects make great Instagram pictures.
For me, the two major advantages to Instagram are that a) it’s accessible via my cell phone, which I have with me far more often than my computer, plus b ) it connects with several other social networks, so I can grab a picture at an event, post it to Instagram, and have it autopost in turn to Facebook and Twitter. Similarly, I use it in the kitchen or at restaurant to snap pictures of food.

What do I post overall? Here’s a breakdown of the last 100 Instagram photos on my stream. Only five categories (event, books, and writing process photos) might be considered promotional; you’ll note those pictures occur roughly one in five times; even there, none of them directly sell a book, just mention it, and many are focused on other people and/or their work.

  • things that amused or delighted me: 17
  • food I’ve cooked: 12
  • the cats: 10
  • miscellaneous travel photos: 7
  • miscellaneous household photos: 7
  • miscellaneous event photos: 6
  • books: 5
  • my writing process: 5
  • birds: 4
  • flowers: 3
  • photos from the cat calendar Aunt Nona gave us for Christmas with sundry amusing handwritten additions: 3
  • refrigerator poems: 3
  • restaurant food: 3
  • sunsets: 3
  • clouds: 2
  • dioramas constructed of household objects: 2
  • my shoes: 2
  • rainbows: 2
  • the foam on top of my latte, hashtagged #seattle: 2
  • photos of friends/family: 2
  • other people at events: 1
  • selfies with people at events: 1
  • selfies: 1
  • things that creeped me out: 1
  • holiday collage: 1

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