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Guest Post: Writing Holidays with Evan J. Peterson

Every culture tells stories. We keep our history alive this way. We all have rituals, whether they are secular or deeply religious. When you’re worldbuilding, you can communicate a plethora of culture and history through the traditions and festivals your characters observe.

Coming up on December 10th, I’ll teach Christmas in Narnia: Creating Traditions for Fictional Cultures for the Rambo Academy for Wayward Writers. Pardon the frosty pun, but a fictional holiday is an excellent tip to the iceberg of your world’s history. Consider the wealth of similarities and differences of the festivals of lights that originate from the Northern Hemisphere of our planet alone:

During the season of autumn into midwinter, things get darker and colder in most of the NH. The further north you go, the more stark that dark and cold becomes. Many traditions originating in the Northern Hemisphere have celebrations and rituals revolving around light and warmth at this time. India and its diaspora bring us Diwali and Deepavali, two different but similar multi-day festivals of lights, color, and life. Judaism celebrates Hanukkah as the observance of a historical miracle”“eight nights of light produced from barely any fuel oil. A fun side note: we eat fried foods like latkes and donuts on Hanukkah to represent the bounty of the oil! Who wouldn’t love a holiday that prescribes feasting on greasy carbs?

On Christmas, people celebrate the birth of the Christ child, destined to bring light, love, and goodness into a harsh world. As Christianity spread through Europe, this tradition appropriated, fused with, and replaced several midwinter traditions, such as the birth of God of the Wood on the winter solstice. This nature-based deity literally brings the light and warmth back into the world as the days finally grow longer instead of shorter. In addition to a festival of eating and drinking (lots of drinking), popular Christmas tradition involves putting candles and electric lights on everything, particularly an evergreen tree. That tradition did not come from Nazareth.

Notice that these traditions change over time and will even be different in each family or community. Just as no ethnic group is a monolith, neither is any religious or secular culture. There’s so much room here for worldbuilding, not to mention internal as well as external conflict. Some progressive Jewish families have introduced an orange among the symbolic food (roasted egg, lamb bone, bitter herb, et al.) of the Passover Seder plate, meant to remind us of the struggle of women, lgbtq+ folks, and people of color in Judaism as well as all who face intersectional struggles and are often left out of the popular image of the Jewish community.

I have a Jewish mother and an essentially Unitarian father. I grew up with secular Christmas as well as a heritage-rich Hanukkah, but I’ve always gravitated toward Pagan traditions. As a kid, I was particularly smitten with the Egyptian and Greco-Roman pantheons and stories, and I assume this is because I grew up in Miami, Florida. Flowers, fruit, and flowing water made more spiritual sense to me than the scarcity theme prevalent in Abrahamic traditions. This is the sort of subtlety that can communicate the history of a culture; temperate or tropical traditions are more likely to celebrate abundance and indulgence. Desert cultures are more likely to emphasize struggle, scarcity, and abstinence, but also patience and most importantly, charity. It’s no coincidence that Islam, Judaism, and Christianity share these values and emerged from cultures living under harsh political and geographical conditions.

This brings us to another important subtlety of cultural norms. How hot is “hot?” How cold is “cold?” For that matter, how far is “far?” Does “nice” mean polite and friendly, or does it mean kind and empathic? These are the questions that shape so many nuances of a community and its culture, whether macro scale or micro. And don’t overlook the secular traditions”“what does Tax Day tell us about capitalist cultures? What about the Queen’s Jubilee? For that matter, what about Juneteenth?

For more on this, please join me for Christmas in Narnia: Creating Traditions for Fictional Cultures on December 10th. Happy holidays!

Bio:

Evan J. Peterson is an author, game writer, and Clarion West alum. His latest book is METAFLESH: Poems in the Voices of the Monster (ARUS Entertainment), and recent work includes Drag Star! (Choice of Games), the world’s first drag performance RPG. His writing appears in Weird Tales, Arcana: The Tarot Poetry Anthology, and Queers Destroy Horror. Evan’s serial novel, Better Living Through Alchemy, will be published in 2023 by Broken Eye Books. linktr.ee/evanjpeterson can tell you more.

Site: www.evanjpeterson.com
Twitter: @evanjpeterson
Insta: @evan.j.peterson

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What's Coming Up: Valentine Day Events

Class: Different Kinds of Love: Writing Relationships that Aren’t Romantic
Next class date: Saturday, February 13, 2021, 9:30-11:30 AM Pacific Time.
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There are plenty of loves that aren’t romantic in nature, ties of friendship or family. What sorts of speculative stories come from those alliances, and how does a writer convey the relationship in a way that makes the reader feel its strength? In this class, we’ll talk about how to write about non-romantic relationships as well as performing writing exercises designed to fine-tune your ability to convey these nuances.

Class: Where Babies Come From: Speculative Reproduction
Next class date: Saturday, February 13, 2021, 1:00-3:00 PM Pacific Time.
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How do magic and technology change the possibilities of reproduction? Whether on Earth or in alien lands, through futuristic science, historical alchemy, or outright sorcery, this class examines ways to reinvent the process of reproduction in your fiction.

Class: Consent is Sexy: Writing Consensual Scenes
Instructor: Sarah Buhrman
Next class date: Sunday, February 14, 2021, 9:30-11:30 AM Pacific Time.

Consent is sexy. But how do you include consent without throwing ice water on the seduction? Keep those steamy scenes hot while making sure all parties, even the fictional ones, are respected and respect boundaries. Specific examples may include references to actions and kinks, however, content will be kept at PG-13 levels.

Class: In Flagrante Delicto: Writing Effective Sex Scenes
Instructor: Catherine Lundoff
The next class date is Sunday, February 14, 2021, 1:00-3:00 PM Pacific Time.

Live classes are taught online, are limited to 15 participants, and require reliable Internet connection, although in the past participants have logged on from coffee shops, cafes, and even an airplane. A webcam is strongly suggested but not required.

See http://www.kittywumpus.net/blog/upcoming-online-classes/ for the full list of upcoming online classes.

Tired of fading to black every time your characters get intimate? Not quite sure what to do once they’re in the clinch? Want characters whose romantic moments have some spark, sizzle, and steam to them? Learn some of the building blocks for writing about sex and writing it well.

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Presenting #CritClub

I’m pleased to announce that the Rambo Academy for Wayward Writers is once again expanding its offerings.

This answers a question that writers have expressed to me over and over again in workshops, on panels, in e-mail and one-on-one conversations, including several of the mentoring sessions I did last weekend at DragonCon:

How do I find a writing group of other fantasy and science fiction writers so I can trade critiques?

I’ve got an answer now that I feel 100% happy with: the Rambo Academy for Wayward Writers #Critclub.

#CritClub is an online space where fantasy and science fiction writers of all levels can talk with each other and exchange story and novel critiques. Its Discord server provides chat rooms where members can trade critiques as well as discuss market news, tips, and trends, recent rejections, and supportive advice and feedback. Critiquing is totally optional and there is no pressure to participate! Join for the gossip and chatter if you feel so inclined.

Ways to sign up for #Critclub:

  • Do you support me on Patreon at the $2 or more level? Then you’re already signed up and should be able to access the Discord server.
  • Are you already a member on the Chez Rambo server? Like the Patreon supporters, your access is already there. Thanks for being part of the community!
  • Subscribe using one of the buttons below for $5 per month or $50 per year. After you subscribe, you will receive acknowledgement and an invitation to the Discord server within 24 hours.
  • Can’t afford it? I understand that these expenses add up. As with the classes, I’ve got plenty of free slots available, with the only criteria being that you think it would be useful to you as a writer but can’t afford it. I particularly encourage you to apply if you’re a writer of color, QUILTBAG, a person with disabilities, or are otherwise othered. We want you as part of the community. There is no obligation to participate in the critiquing portion.

How the Critclub Critique System Works

Members receive 3 credits when they sign up; everyone currently participating has 3 as well.

The cost of putting a story up for critique is:

  • 1 credit for a story up to 7500
  • If the piece is longer, 1 additional credit for every 5000 words above that

You earn credits at the same rate. Credits are non-transferable.

Initially this will run on the honor system; if need be, we’ll add something more formal. Tips and formatting for critiquing are here, but as a rule of thumb, critiques should be at least 250 words (ish) and address developmental issues rather than line edits (unless the author requests otherwise).

Additional Rambo Academy for Wayward Writers Community Benefits

Each week, channel #thepanel will feature discussion centered on a specific topic, sometimes with guest moderators to lead discussion. September’s topics are: Week 1: Conventional Talk (Whether Conventions are worthwhile and how to make the most of them), Week 2: The Coaxing, Care, and Feeding of Story Ideas, Week 3: The Fine Art of Rejectomancy, or How to Use Rejections to Get Better, and Week 4: What’s the Slush Pile Like?

Channels include Rejectomancy for discussing submissions, Motivation, Market News and Book Club for discussing recent reading, among others.

Payment Options
Monthly : $5.00 USD – monthly
Yearly : $60.00 USD – monthly

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