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Heading Into the 2nd Half of the Year

This edition of the newsletter contains:

  • Where I’m at with current projects and upcoming appearances
  • Some new classes for August and September
  • Join the street team for Devil’s Gun!
  • Wayward Wormhole Progress Report
  • Lots and lots of links
  • Moving away from Twitter? Here’s where to find me on other social media platforms.

Where I’m At. Figuratively and Literally

Hello! It’s almost August and time has certainly flown by this year! I’m working on the dev edits for RUMOR HAS IT, the third space opera book and finishing up writing WINGS OF TABAT, the last book in the Tabat Quartet. That’ll make two books delivered this year, along with at least a handful of story sales, several of which I’m really looking forward to announcing!

A non-writing project has been the reclamation of my backyard, including planting lots of insect-friendly flowers and herbs. I harvested my first (but surely not last) summer squash this morning, and spent a few minutes watching a variety of bees enjoying both the newly-blooming sunflowers as well as the (by design) unmowed clover patch that has been christened “Beelandia.”

I will be at GenCon next week and Chicago FanCon the following weekend. After that, my next appearance will be in early September at DragonCon, followed by a reading in NYC mid-September.

 New Classes for August and September

How to Give Great Interviews with Randee Dawn, August 26th, 9:30-11:30 AM Pacific time

Got a passion project you want people to notice or buy? Then you’ll want to know how to speak to professionals with big megaphones out there: reporters! Veteran entertainment journalist and author Randee Dawn has been on both sides of the microphone, and in this class you’ll learn how to pitch, to prepare for your interviews, and become the kind of expert reporters want to call back.

Join Randee Dawn for a workshop in which she teaches you how to get and make the most of interview opportunities.

Dial Up Your Dialogue with Cat Rambo, August 26th, 1-   3 PM Pacific time

Want to make your dialogue more interesting, intriguing, and indicative of character behavior? How do you know to leave in and leave out? How can you use dialogue to successfully deliver vital information? How do you make characters distinctive through their voices?

Join Cat Rambo for a workshop in which they teach you the ins and outs of dialogue.

How Not To Shoot Yourself In The Foot with Mur Lafferty, August 27th, 9:30-11:30 AM Pacific time

You’ve mastered submission guidelines and cover letters! But that’s just the outskirts of the wild land of the pro author. This class offers advice on how to avoid some common early career mistakes, from how to choose the right agent to dealing with procrastination, self doubt, and more. We will also run a successful author “LARP” to illustrate some points. It may get silly. Bring dice. F&SF author Mur Lafferty will help you navigate the various pitfalls you may stumble upon in your journey.

Join Mur Lafferty for a session filled with practical, irreverent advice designed to give you practical, applicable skills on planning your career and then executing that plan.

The First Draft Novel Blues with Cat Rambo, August 27th, 1-3 PM Pacific time

You’ve got a first draft of your novel now, in all its messy glory. How do you go about revising it and getting it to the point where you’re ready to give it to your beta readers? How do you track the changes and account for the fact that a change to a first chapter can bubble all the way through to the end. Find out how to create a road map to guide you through the process.

Join Cat Rambo for a workshop in which they teach you what to do next.

Keep Your Reader on The Edge of Their Seat: Creating Tension in Your Writing with Cat Rambo, September 17, 9:30-11:30 AM Pacific time

How do you keep your reader wondering what’s happening next, and eagerly racing through your pages to find out? How do you create suspense and tension in a scene, and how tense is TOO tense? What factors remove tension from a situation? Find out how to dial up the tension and keep your reader eager to find out what happens next.

Join Cat Rambo for a workshop in which they teach you how to be more tense. 😉

Prosthetic Dreaming: How to Use ChatGPT, Meditation, and Surrealism To Unlock Your Creativity with Henry Lien and Jerry Lee Davis, September 17, 1-4 PM Pacific time.

AI represents an existential crisis for humans, forcing us to face the question of whether there are more of us than needed. This question is particularly confronting for artists, many of whom already question the value of their own creations and themselves.

This workshop embraces AI as an art supply by recognizing that an artist’s contribution is not just to create something out of thin air, but to observe the startling connections between seemingly unconnected things that no one else has noticed. AI, specifically ChatGPT, can be a remarkable tool to bombard your brain, help you enter your creativity sideways, and give you the “x-ray specs” to see those unseen connections.

The workshop uses meditation and Surrealistic parlour games to bridge between ChatGPT’s sometimes spooky, sometimes hollow responses and your own subconscious. The workshop uses AI ethically, consulting it not to create anything but simply as a lens to see connections in the artist’s mind and the world. This workshop is structured to help all artists, but is particularly useful to those working in narrative mediums (fiction, non-fiction, drama, film/tv).

This workshop is taught by author Henry Lien, who has nearly 20 years’ experience as a Surrealist art dealer, and author/playwright Jerry Lee Davis, who has over 20 years’ experience teaching meditation.

“You will need access to ChatGPT for the workshop. You will need to create a free account to do so. Here is the link. Note that there is also an iOS app for iPhone and iPad. Here is the link. Please make sure you are downloading the official ChatGPT app by OpenAI, and not downloading one of the many copy-cats.

Here is a partial list of countries where ChatGPT is available and not available. https://www.mlyearning.org/what-countries-is-chat-gpt-available/ “

Cost of classes is $99, or $79 for former Rambo Academy students and Patreon supporters. To register for a class or classes, mail the name(s) of the class, and how you would like to pay (Paypal, Venmo, or other means.)

Looking for something else? Here’s the list of available class videos as well as the portal for the Rambo Academy’s on-demand classes.

The school will be on hiatus for the month of November, while the Wayward Wormhole Intensive Writing Workshop is taking place. The resident Wayward Wormhole students have been selected. We’re excited to congratulate M Levine, Beston Barnett, Cryus Fisher, Sarah Grey, Gio Clairval, Em Dupre, Madhu Guruprasad, Marissa James, Rosemary Smith, Stephanie Johnson, and Auden Patrick. Want in on the virtual version? You can find the details here.

Join the Disco Space Opera Street Team!

Check out the cool buttons I just got for RUMOR HAS IT! Want to join the street team for the book and get a pair of these buttons for yourself? Mail me at cat@kittywumpus.net with the subject line Street Team and I’ll stick them in the mail to you. (I have a limited amount for overseas fans, so mail fast if that’s your situation.) Optional street team activities include: posting pics wearing the buttons or of the book in a bookstore, requesting the book via your local library system, posting reviews or recommendations, and the most active promoters will be getting a follow-up thank you!

Lotsa Links

Cat-Related Links

Community Links

Market News and Related Links

Leaving Twitter and want to find me on other social media? Check the list here.

That’s it for now! Take care and keep writing!  -Cat

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Chez Rambo Reading, January 2019

I’m tracking my reading on a monthly basis again as part of 2019’s effort to be more methodical about record keeping. So here’s what i read, along with some notes on it, as i start building up in order to be doing more regular lengthy reviews again.

  • I have been binge-reading Robert J. Crane’s Out of the Box series and finished up Badder, Nemesis, Apex, Time, Remember, Hero, and Flashback. These are highly satisfying superhero novels and I’m really looking forward to the next installment, which is book #24.
  • I also tried to add more nonfiction to my reading list in 2019. The first of these was Seth Godin’s This is Marketing: You Can’t Be Seen Until You Learn to See, which I found myself taking a lot of notes on. I’ve been reading a number of works on marketing and pricing for the Rambo Academy and it’s been handy but right now I feel like I have been slogging through the same grad-level text on pricing for a kerjillion years.
  • Because I work with some clients as a writing coach, I found The Coaching Habit: Say Less, Ask More, and Change the Way You Lead Forever by Michael Bungay Stamer useful, particularly the listen more, talk less part.
  • William Gibson’s The Peripheral was a terrific read and I’m working on an essay that is an appreciation of Gibson and his work. He’s our latest SFWA Grand master and I’m looking forward to meeting him at the Nebulas.
  • I read Diane Morrison’s Once Upon a Time in The Wyrd West in order to blurb it. Here’s the blurb I sent: Saskatchewan gunslinger elves in a world vividly real and detailed. Morrison shows us a rarely explored Weird West landscape. Really a fun book for Weird Western lovers.
  • A space romp that I really enjoyed, I read Elizabeth McCoy’s Queen of Roses at the suggestion of M.C.A. Hogarth to think about for an upcoming Storybundle. Pleased to say I’m including it, because it’s a really fun read with a great AI protagonist, Sarafina.
  • The book Astounding: John W. Campbell, Isaac Asimov, Robet A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction by Alec Nevala-Lee was an interesting read, particularly since Nevala-Lee’s take on a few figures differed from ones I’d been presented with in the past, particularly Randall Garrett. An acquaintance (now passed) used to insist that Garrett’s habit of walking up to women at parties and saying “I’m Randall Garrett, let’s fuck” was an example of someone unbound by stifling social norms and that no one ever took offense at it, while Nevala-Lee describes Garrett as “a bearded Texan who was known within the science fiction community as a drunk and a sexual predator” (p. 321) following up with a description of Garrett’s actions when engaged to Campbell’s daughter Jane that makes him seem like a pretty awful guy. Anyhow, if you are into SF history, this has a goodly amount, plus a nicely thorough bibliography for further reading.
  • I’m very fond of Kindle Unlimited, given how many books I consume on a weekly basis. There’s a lot of quality titles on it, and this is one of them. Currently by Sarah Mensinga features a fascinating world and a resourceful refugee heroine.
  • Bird Box by Josh Malerman was in many ways similar to the movie, although the ending is slightly different. Dunno that one has to both read the book and see the movie, unless you really dig understanding the differences between the two forms, in which case it might greatly interest you.
  • Lies Sleeping by Ben Aaronovitch finished up the terrific Rivers of London urban fantasy police procedural series and I am amore thant a little sad to say goodbye to its fabulous characters, particularly Peter Grant and Leslie.
  • Niall Slater’s The Second Death of Daedalus Mole is not findable in e-form on the Amazon store, but I read it on my e-reader and no longer remember how I came across it. However, it’s another fun space romp, and recommended.
  • Charlie Holmberg’s The Plastic Magician is part of the Paper Magician series and is a worthy addition, although it didn’t charm me the way the earlier books did.
  • While on the road, I binged on some K.J. Charles, which are M/M Regency romances, and read through An Unseen Attraction, An Unnatural Vice, An Unsuitable Heir (I love Pen!), A Gentleman’s Position, A Fashionable Indulgence, and A Seditious Affair.
  • The Last to See Me by M. Dresser was a subtle and lovely read, one of those books that’s thoroughly speculative yet emphasizing its literary qualities. Some beautiful description, and a slowly unfolding mystery about a modern day ghost resisting the exorcist who’s been summoned to clear her away from the house she haunts.
  • Queen of the Dark Things by C. Robert Cargill is the sequel to a book I haven’t read but now have to go pick up. The setting is both Austin, Texas and Australia in a nicely done modern fantasy that would have been called horror twenty years ago.
  • Another nonfiction read, The Myth of Capitalism: Monopolies and the Death of Competition by Jonathan Tepper and Denise Hearn is a sobering read with a lot of relevance to today’s politics and the rule of the kleptocracy. Well written and clearly laid out.
  • The Wild Dead by Carrie Vaughn is also a sequel where I need to go find the first book. This lovely, understated read reminded me of Kim Stanbley Robinson crossed with Ursula K. Le Guin. Beautifully done.
  • Baking Powder Wars: The Cutthroat Food Fight that Revolutionized Cooking, by Linda Critello is food history and fascinating, particularly if you ever wondered about the difference between cream of tartar and baking powder.
  • Superhero Syndrome by Caryn Larringa is the promising start to another superhero series available on Kindle Unlimited, but it’s the only one available still, although it originally appeared in 2017.
  • Molly Tanzer’s Creatures of Want and Ruin is a solid read, and a follow-up to her Creatures of Will and Temper, though it’s set in Prohibition America while its predecessor was Victorian England. Enjoyable and engaging, it was a great read to finish out the month with.

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Opinion: On Baen Books, Moderating Discussion Boards, & Political Expression

A few days ago writer Jason Sanford published an investigative report into what was happening on the discussion boards known as “Baen’s Bar,” run by the fantasy and science fiction publisher Baen Books, specifically in its Politics group, where people were posting in support of the Jan 6 coup attempt and suggesting ways it could be better organized and executed. Baen, as well as some authors, replied. Others replied to them. Now I’m weighing in too.

To put this in context, let me say: I have decades of experience with online moderation. I have been a moderator on three lively BBSes, a game discussion board, and was for a good time the head moderator of the Science Fiction and Fantasy Writers of America‘s private discussion forums, including during the period the organization’s board ejected Vox Day. I may have spent more words discussing moderation policy with Jerry Pournelle than any other human being (I understand some ARPANET administrators might also be in the running.) In trying to navigate all that, I’ve done a lot of reading about online culture, communication, and how text works. My friends tell me I have good people skills.

In the interest of full disclosure, I’m technically a Baen author. I have a story in a couple of Baen anthologies and another in an upcoming one. I also was the main decider in the choice to give Toni Weisskopf a Kate Wilhelm Solstice award in 2016 in acknowledgment of how much she has shaped the field. I have never been on their discussion boards, as far as I can remember.

As such, I have a Lot of Opinions, and a few observations.

1) Boards have to have moderators and rules, and superloose ones like “no hitting” are dangerous. One person’s affectionate verbal love tap of greeting may be someone else’s roundhouse swing. This is why moderation is exhausting, usually thankless, and involves a lot of arguing with people about why their posts needed to be amended or removed. I salute anyone who tries to run one, let alone successfully. One thing that makes the SFWA ones work nowadays is patient moderation plus a willingness of the overall administration to back the moderators up.

SFWA does this because such moderation is important for an organization. If you want a board to be useful to all of your users, you keep it a place where if someone posts a question, they get an answer, rather than a series of insults and a Tubgirl shot. Otherwise, why are you putting money into maintaining those boards? For a company like Baen, they are an extension of the business and should represent it in a way that serves all, rather than a small vocal portion, of your customer base.

2) Those moderators create and sustain the culture of a discussion board. I read Eric Flint’s essay up to the point where he said “a never-heard-of-him who uses the monicker of Theoryman”. And then I started thinking maybe he’d read a different piece, because while I respect Eric and his opinion, the difference between Theoryman being some rando and the fact that Theoryman is actually a board moderator is such a big one that it feels like Eric went into Sanford’s piece already angry and determined what he would find, to the point where he skimmed for stuff to corroborate that and skipped everything else. [Later edit: I corrected this passage to note that I did, in fact, read the entirety of Flint’s essay and also learned that the moderator was a longtime member but had only two months earlier become a moderator.]

There is a pattern where authors defending these posts all take the stance of “oh, they were so awful I personally stopped reading them but I am still sure they couldn’t have held anything harmful.” My first reaction to the observation, “I stopped visiting “Politics” about”¦ oh, I dunno. Twenty-three years ago?” is that perhaps what he says about it 23 years ago will be somewhat more informed than “here’s what’s happening 23 years later as people with a certain amount invested in this argument have described it to me.” (And it seems contradictory doing that when also maintaining Mercedes Lackey/Larry Dixon’s experience of getting driven off the boards 23 years ago was so long ago that it’s meaningless.)

3) Talking about politics has always been fraught. Nowadays even more so. In 2020, I tried adding a politics channel to my Discord server, and shattered one of my most valued friendships in the process. We no longer have that channel. And it cannot be ignored that this year’s attempt to take our country by force was organized on electronic message boards and coordinated in the same way.

There are plenty of places online where people can talk politics. So many of them, in such a variety of flavors. Saying “this can’t happen here” is very different than “This can’t happen everywhere.” Take that cigarette outside and smoke it, but you can’t do it here in the bar. I would be heartily surprised if multiple alternative places for the regular posters to talk about the best way to take down American cities haven’t already sprung up, and of course the meta-discussion of all of this “cancel culture” is freely taking place online.

4) Free speech is a great ideal, up to the point where it’s being used to promote killing people. Popper’s Paradox applies.

Speech can also hurt people. The effect on a person’s physical — not to mention mental — health from verbal abuse has been documented over and over again. And, as we have seen, speech can incite riots that kill people. Want more? Search on “online trolls drove to suicide” but prepare yourself. For some, it’s their victory condition. Or was that just a joke, hee hee, they say, denying their own words in the middle of saying them.

5) What “if you can’t stand the heat, get out of the kitchen,” aka “people who are too weak should avoid this discourse” says is “only certain people get to speak here.” And that’s shitty, no matter how many noble words you try to dress it up with. As an analogy, we make things wheelchair accessible so those folks can enjoy them, rather than declaring everything off-limits to them.

Or maybe that’s just a stance some folks are simply incapable of comprehending. The reaction to the idea of a character in a wheelchair in D&D 5E was overall positive, but it got heartily derided by some people who didn’t take a minute to think about how much that might matter to another player.

I am so tired of this argument, which so often gets used by people who have, indeed, fought the good fight but somewhere along the line also acquired the idea that only people who’ve gotten punched in the face for speaking get to talk. That’s what underlies someone talking about “swooning” or “pearl-clutching” and don’t even get me started on some of the gender stuff that gets draped onto that rhetoric like a six year old putting tinsel on a Christmas tree.

But I also want to point out that some people are getting pretty hot under the collar about an attack on the publisher, when it’s an article that talks specifically about the message boards and the behavior happening on them. Info about the publisher hosting those boards is provided for context. It does seem possible for a publisher to be both publishing left-wing and right-wing stuff at the same time, so maybe we can abandon that question and look at what Sanford’s actually talking about: not what’s happening on the publication list, but on the message boards.

If that discussion is so upsetting for them that they can’t undertake it without saying things like “you should be thrown from a plane for saying this,” then perhaps that portion of the audience might could wanna take their own advice regarding the temperature in this particular kitchen, because at this party there’s a bunch of people talking in there already without threatening to defenestrate anyone.

6) Online harassment is used by a number of folks to silence other people and it includes tactics like SWATting, contacting one’s employer, doxxing, and worse. Jason Sanford is experiencing some of this right now, to the point where he’s had to take his Twitter and Patreon private, but he’s not the first, nor will he be the last. It is shitty and invasive, and it’s something that can constantly ambush you.

Moreover, stochastic terrorism is a thing, and it’s one that some of the “my wishing you were dead wasn’t really a death threat because I didn’t say I’d do it personally” yahoos are hoping for. That hope that someone will be hurt as a result of their rhetoric flickers dimly in the depths of their creepy little souls, even when they claim otherwise, because here in America, it’s a possibility every time they stir up an audience to think of their opponents as NPCs rather than people. And it’s something that is particularly hard on the vulnerable. If you’re a white male experiencing harassment, know that if you were a woman of color, you’d be getting it a hundred times worse, whether you acknowledge that or not.

So… I don’t know what will happen with Baen’s discussion boards. I hope that they’ll do what sometimes happens as a result of these challenges: emerge as something better and more useful, something that creates more community ties than eroding them. Because it’s a time and place when we need more kind, brave words and less hateful, thoughtless rhetoric, and I feel any efforts to establish that is where true heroism lies. Thank you for issuing the challenge, Jason. I hope people rise to meet it.

March 18 addendum: An organized campaign to smear and harass Sanford, including threats against people at his workplace and doxxing people associated with him, is still ongoing a month later and shows no sign of ceasing.

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