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I am Cat Rambo, and This is What I Believe


I am Cat Rambo, and this is what I believe.

I believe every human being has dignity and worth. That one should treat others with respect, including their pronouns and the pronunciation of their name. That people should be free to live, worship, and connect with the universe as they please. That decency, ethics, and accountability are core values. That understanding and acknowledging one’s own privilege is part of that accountability.

I believe stories matter. That they shape how people think about and understand their lives and the world at large. That they gift us with hope and empathy.

I believe that all paths to publishing – traditional, indie, small press, crowdfunded – are valid for writers and that nowadays more and more people are able to create their own art and tell their own stories in a new way that has created a wealth of great new writing, including many stories that wouldn’t have been told through traditional publishing.

I believe that historically the publishing industry has – like the world around it – disadvantaged people for reasons of sex, race, religion, disability, sexuality, social class, and a host of other isms, and that this has affected who has and hasn’t been able to be published. Because of that, we all need to continue to push towards an industry – and world – where that is not the case.

I believe my students are a major part of my legacy. They provide me with joy and pride as they work and write and do things in a world that is not particularly kind to people who create art. I try to live my life in a way that will not disappoint them.

I believe in the power of thank yous, because they say “I saw what you did and it’s appreciated”. And I believe in volunteering, because giving back to the community when you have the time and resources is a duty as well as often a joy. The science fiction and fantasy world runs on volunteer power, and acknowledging those volunteers is vital.

I believe that I am the product of many influences, including my Unitarian Universalist faith, which draws in turn from Buddhism, Christianity, Hinduism, Humanism, Islam, Judaism, and Paganism. And all of those influences lead me to believe one should strive to leave the world a better place rather than a worse one.

I believe that claiming to be apolitical is itself a political act, and one bolstered by privilege.

I believe that what is happening in Gaza is wrong, and that there needs to be an immediate, and permanent, ceasefire. Over 40,000 have died in Gaza so far, most of them women and children. That is uncategorically wrong and it is symptomatic of a world where other wars are being waged on those who cannot fight back, primarily the poor.

I believe that a system that drives the vast majority of the wealth up to a specific few, rather than benefiting all, is broken and needs to be replaced. And I believe that those wealthy few are doing their best to foster divisions between the groups they’re exploiting, in order to keep anyone from noticing.

I believe in science and the power of rational thought. And that destroying books, whether by burning, shredding, or other means, is a symbolic destruction of the ability to think and learn.

I believe that people trying to hurt other people in petty ways are often – perhaps even usually – deeply in pain themselves, and that generally it’s better to hope they find the help they need than to try to hurt them back. Hate begets hate, which is sad when that hate is a twisted call for help.

I believe that karma is a force that works in this universe and that continuing to send out good energy and positive vibes will stand me in far greater stead than not. Kurt Vonnegut Jr. said “Be careful what you pretend to be, because you may become it.” I have never pretended to be anyone or anything other than what I am. And that’s what I will continue to be.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Catching My Breath and What's Coming Up

Altered-America-Revised-Cover-ebookMost of the last couple of months has been focused on one of several things: finishing the beta draft of Hearts of Tabat, finishing up the second edition of Creating an Online Presence for Writers, sorting through details for the release of Altered America: Steampunk Stories, or SFWA’s Nebulas Conference, which took place midmonth in Chicago, and which I blogged about last week.

So here’s some highlights of my summer schedulee.

Tomorrow I’ll post the list of classes for June and July, which includes a round of the Writing F&SF Stories workshop (Wednesday evenings) as well as the Advanced Workshop (Tuesday evenings). I’m not 100% sure, but I think that’s the last round of classes for 2016, aside from a workshop I am doing for Clarion West this fall and maybe a co-taught one every once in a while. I’ve got a lot of travel coming up in the latter half of the year and I’d like to be able to focus on writing and SFWA as well. Whether or not I decide to run for office again next year depends in part on how much I can manage to get done this year.

In answer to several people asking about the difference between the two multi-session workshops — I created the Advanced one for people who took the first F&SF one and wanted more. If you haven’t taken the first, you should do that rather than the Advanced Workshop, regardless of skill level, because it lays out my theories of storytelling in a coherent way while the second ranges wildly all over the place.

June 10 is the release of Altered America, which is a compilation of all my steampunk stories. Patreon supporters at the $5 level and above will get a free electronic copy ten days in advance. This has ten stories in it altogether, a number of which were published on Patreon. I hope to do a similar mini-collection of near-future SF by the end of the year, which will also go to Patreon supporters beforehand.

June also sees the release of a Storybundle of writing books organized by Kris Rusch that includes the 2nd edition of Creating an Online Presence, which is why I spent part of last month frantically getting that updated in time.

Bud Sparhawk and I wrote a novelette together, “Haunted,” that should appear in July’s Abyss and Apex. It’s space fantasy. I think. We had a lot of fun with it,but it’s definitely not a comedy.

July 5th will feature the release of both the class and book version of Moving from Idea to Draft. You’ll see several other classes appearing in the Rambo Academy for Wayward Writers, including classes from Rachel Swirsky, Juliette Wade, and a couple of other folks.

Summer conventions include the Locus Awards weekend, Westercon, GenCon, Worldcon, and Dragoncon. After that I am off to Beijing for the Chinese Nebulas and will spend several weeks in China. Following that, Griffcon in Indiana, the Surrey Writers Conference, Orycon, and maybe WFC. (I’m not sure about that last. It’s been a travel-heavy year, and WFC isn’t my favorite convention. It always feels very anxious and unwelcoming, no matter what city I experience it in.)

Writing wise, I am completing the currently half-drafted YA novel based on “Circus in the Bloodwarm Rain,” which is currently laboring under the working titleConflagration and starting to flesh out the outline for the next Tabat book, Exiles of Tabat, which is the third of the quartet.

As always, plenty of stories are flowing and currently floating around in forms ranging from inchoate to semi-final draft. Right now I’m completing the Wizards of West Seattle story and realizing the concept’s going to end up becoming an ongoing series that probably will go out once a month or so on Patreon. I’m also thinking about a RPG supplement based on the copious notes I’ve been accumulating.

In SFWA areas, I’m focusing on a new committee that I’ll be working with, the Membership Retention Committee, whose job will be to look at the new member experience for SFWA members as well as how to keep the organization useful for members. (If you’re interested in volunteering with that, feel free to drop me a line.) Other efforts include a) working with SFWA fundraising, b) a small musical endeavor that I just prodded someone about and which involves Tom Lehrer (yes, that Tom Lehrer), and c) helping out where I can with some of M.C.A. Hogarth’s amazing efforts, such as this mysterious thing here lurking under a tarp that I am not at liberty to discuss. *mouths the words “SFWA University” then is dragged away by the SFWA honey badgers while shouting something about a guidebook*

Three other important SFWA things:

  1. I’ll be watching the results of our decision to admit game writers with keen interest. I can tell you that the initial set is criteria is being voted on right now and I expect to see it announced soon.
  2. An effort is in the works that I think will prove a lovely tribute to longtime SFWA volunteer Bud Webster and which will, in the longtime SFWA tradition, provide a benefit for professional writers at every level of their careers.
  3. And we’ll (finally) be announcing some of the partnerships we’ve been making — you saw reps from Amazon, Audible, BookBub, Draft2Digital, Kickstarter, Kobo and Patreon at the Nebulas and those relationships are going to extend beyond the weekend and give our members special resources and relationships at all of those companies — and others, including one that I am super-stoked to have facilitated.

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Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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Useful Gifts for Writers: Bookplates

With 2020’s vicissitudes, I haven’t been doing any book signings this year. I suspect 2021 will be much the same, which is one reason I’m getting book plates made for some of those upcoming books: one for the Tabat books, one for Carpe Glitter, and a very cool “Cat Rambo” one that combines some of the motifs and symbols important to me. In the meantime, I’ve picked up some simple bookplates to use.

Want to give one of my books to someone and include a special touch? Drop me an e-mail telling me who you want the bookplate made to, and which book you’re planning on putting it in, and I’ll put a signed bookplate in the mail to you. Or want it signed to you for one of the books you already have or are planning to acquire? I’m happy to do that too.

Want your own bookplates? I got mine through Bookplate Inc. I got some extra to stick in books I occasionally loan out; that way they may come back to me. I’m still trying to remember who I gave my collection of Zenna Henderson stories to.

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