The Wayward Wormhole - Barbados February 2026 / The Art of the Novella

A major joy of my new Kindle is finding free books. I figured other people might appreciate some of the finds (and might share some of their own – bonus!).

So here’s a slew of classic science fiction novels, available free online on Project Gutenberg. (Kindle users, it’s so so easy to mail files onto your Kindle, although it’s not free when you’re moving books on there, but costs a .15 per MB, with a book running 2-4 MB, depending.)

1. Flatland by Edwin Abbot. The story of life in two dimensions, written in 1884 by an English schoolmaster, it originally boasted “A Square” as author.
2. A Princess of Mars by Edgar Rice Burroughs. One of the great pulp writers, Burroughs’ work is well represented on Project Gutenberg, and provides a taste of old school sf at its best. including the Mars, Pellucidar, and Tarzan series.
3. R.U.R. by Karel Capek. This Czechoslovakian play first was staged in 1921. It deals with the rise of the robots, and their final rebellion against the humans.
4. Herland by Charlotte Perkins Gilman. Written by one of the early suffrage leaders, Gilman posits a society without men, and in the tradition of such utopian fiction, explains it at length.
5. Deathworld by Harry Harrison. The first of the Deathworld series, this deals with gambler Jason dinAlt and his visit to the deadliest planet in the universe.
6. Beyond Lies the Wub by Philip K. Dick. No one can be a science fiction fan without at least a little Philip K. Dick in their reading background (in my opinion). Prolific, full of wild imagination, and talented, he produced novels and short stories that are a major influence on the field. Others to read by Dick: Valis, Ubik), Flow My Tears, the Policeman Said, and (always) Do Androids Dream of Electric Sheep (which inspired the movie Bladerunner). I’m happy to see so many P.K. Dick novels available on the Kindle, but I miss Eye in the Sky and The Man in the High Castle.
7. Time Traders by Andre Norton. Norton brought countless readers to f&sf through her YA novels. Time Traders is the first of a series and follows sharp-jawed, keen-eyed Ross Murdock in his quest for lost alien technology.
8. Galaxy Primes by E.E. Smith. Another of the Golden Age writers, Smith does space opera like no one else. Here two men and two men are lost in space and must somehow chart their way back to their home planet, Earth.
9. Invisible Man by H.G. Wells. There’s a lot of Wells to pick from, but this is one of my favorites, and certainly has inspired plenty of other works, both books and movies. I’ll note that you should read Ralph Ellison’s version first – while not strictly sf, it’s surreal and enlightening and a great take on the idea.

And the tenth? I’m leaving it up to you to supply, dear readers – what would you suggest, what have you found online that delighted or amazed you?

(Coming tomorrow: story prompt!!)

#mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; }
/* Add your own MailChimp form style overrides in your site stylesheet or in this style block.
We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. */

One of the questions being raised repeatedly on a discussion board I participate on is the question of electronic rights. Should a magazine be able to buy a story and display it on their website in perpetuity without additional payment? Does it make a different whether or not it’s behind a paywall? If there’s no additional payment, when should rights revert? What happens with something like an anthology that is in electronic form and hence won’t go out of print the way a hard-copy edition does?

I’m presuming that most people reading this know that normally when you “sell” a story to a publication, what they’re actually buying is the right to publish it in a particular form. You, the author, retain any rights not spelled out in the contract. You can (and I encourage you to) sell the story again as a reprint, and you may want to look at forms like audio or in another language.

This is something that’s still very new, and it’s not something that’s been factored in when lists like SFWA-qualifying markets were put together. It’s not mentioned on sites like Ralan.com or the Submission Grinder. As a writer, though, you need to be aware of what you’re selling.

Take some time to skim through the contract and find out what the publication is buying. What’s the “exclusive period,” the period where they are the only ones that can print it? What forms are they planning to release your work in? Here’s a Columbia Law School resource that may be helpful in trying to decipher legalese.

If you’re publishing, how do you feel about perpetual rights? Is the horse already well out of the barn as far as that goes, or can writers push back on the practice of acquiring perpetual rights without payment?

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.