ebooks

A major joy of my new Kindle is finding free books. I figured other people might appreciate some of the finds (and might share some of their own – bonus!).

So here’s a slew of classic science fiction novels, available free online on Project Gutenberg. (Kindle users, it’s so so easy to mail files onto your Kindle, although it’s not free when you’re moving books on there, but costs a .15 per MB, with a book running 2-4 MB, depending.)

1. Flatland by Edwin Abbot. The story of life in two dimensions, written in 1884 by an English schoolmaster, it originally boasted “A Square” as author.
2. A Princess of Mars by Edgar Rice Burroughs. One of the great pulp writers, Burroughs’ work is well represented on Project Gutenberg, and provides a taste of old school sf at its best. including the Mars, Pellucidar, and Tarzan series.
3. R.U.R. by Karel Capek. This Czechoslovakian play first was staged in 1921. It deals with the rise of the robots, and their final rebellion against the humans.
4. Herland by Charlotte Perkins Gilman. Written by one of the early suffrage leaders, Gilman posits a society without men, and in the tradition of such utopian fiction, explains it at length.
5. Deathworld by Harry Harrison. The first of the Deathworld series, this deals with gambler Jason dinAlt and his visit to the deadliest planet in the universe.
6. Beyond Lies the Wub by Philip K. Dick. No one can be a science fiction fan without at least a little Philip K. Dick in their reading background (in my opinion). Prolific, full of wild imagination, and talented, he produced novels and short stories that are a major influence on the field. Others to read by Dick: Valis, Ubik), Flow My Tears, the Policeman Said, and (always) Do Androids Dream of Electric Sheep (which inspired the movie Bladerunner). I’m happy to see so many P.K. Dick novels available on the Kindle, but I miss Eye in the Sky and The Man in the High Castle.
7. Time Traders by Andre Norton. Norton brought countless readers to f&sf through her YA novels. Time Traders is the first of a series and follows sharp-jawed, keen-eyed Ross Murdock in his quest for lost alien technology.
8. Galaxy Primes by E.E. Smith. Another of the Golden Age writers, Smith does space opera like no one else. Here two men and two men are lost in space and must somehow chart their way back to their home planet, Earth.
9. Invisible Man by H.G. Wells. There’s a lot of Wells to pick from, but this is one of my favorites, and certainly has inspired plenty of other works, both books and movies. I’ll note that you should read Ralph Ellison’s version first – while not strictly sf, it’s surreal and enlightening and a great take on the idea.

And the tenth? I’m leaving it up to you to supply, dear readers – what would you suggest, what have you found online that delighted or amazed you?

(Coming tomorrow: story prompt!!)

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Someone mentioned that they’d like to see a post on endings. Endings are hard. You have to go back and look for all the loose ends. It’s like weaving a basket – all those spiky little sticks poking out need to be woven together into a coherent shape. Here’s three things I think about when working on an ending.

1. Circularity is a big help. It provides a sense that the reader has returned to the beginning, but now everything is changed. Here’s a cheat – take something that appears in your first three paragraphs and invoke it in your last three as well. It can be changed – the rose that initially trembled, dew-covered, as our heroine picked it is now lying withered and flat in the road. Or it is a new rose, being picked by another woman who is the replacement for the first?

For an example of this, I’m actually going to be obnoxious and point to my own story, Magnificent Pigs. Technically I cheat, because the object I used doesn’t appear until the fourth paragraph, the brass bed which creaks in protest as Aaron sits down. At the end it’s become the object of Jilly’s salvation, the vehicle that carries her away into the sky. There’s other reappearing things: pigs are mentioned right off the bat (in the title, even) and they’re crucial to the end. And the story begins and ends with the idea of death and (hopefully) changes your perception of it.