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10 Books for Writers Focusing on Craft

When I’m teaching, I do bring some books to class in order to point students toward them. I don’t think books are a substitute for the act of writing, but they can help focus and direct your practice and give you a list of things to work on that might not otherwise occur to you. Here’s a list of my top ten for speculative fiction writers focusing on their craft. I was sad to find some not available on the Kindle, but where possible, I’ve pointed to the e-version.

  1. The 10% Solution by Ken Rand from Fairwood Press. I love this slim little book, I recommend it above all others for both fiction and nonfiction writers, and I think you cannot get more bang for your buck than buying this book and applying its methods. I use it on all my pieces — the process becomes less mechanical and more automatic as time goes by.
  2. The Elements of Style by Strunk and White. Kindle version. You get this when you go off to college but no one ever reads it. It is well worth sitting down and working your way through.
  3. Steering the Craft by Ursula K. LeGuin. Thoughtful and poetic writing instruction. I often use the Expository Lump exercise in my Writing Fantasy & Science Fiction class, and learn something new from it every time.
  4. Beginnings, Middles, and Ends by Nancy Kress. Useful and practical, Kress goes over the basics, putting them together in a coherent and easily understandable fashion that includes plenty of exercises to work through.
  5. Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg. Kindle version. While this book will prove too new-agey hippie for some (I’d advise those to turn to Strunk & White or the Kress), it’s a useful and exciting kick in the butt to write for others. I appreciate Goldberg, whose book taught me the habit of doing timed writings, a mainstay of my process.
  6. About Writing: Seven Essays, Four Letters, and Five Interviews by Samuel R. Delany. Delany is one of the greatest voices of the 20th/21st century, and his writing advice is practical and elegant and deep. One of the things he says is that you can’t write anything better than the quality of what you’re reading and that seems like great, inspirational advice to me.
  7. Surrealist Games by Alastair Brotchie. If you want to enliven your writing, play some of the games enclosed here, which inspired some of the greats of the Surrealist movement.
  8. The Passionate Accurate Story: Making Your Heart’s Truth Into Literature by Carol Bly. Some great stuff on writing here, and interesting exercises, including writing a scene that doesn’t actually appear in the story.
  9. Style: Lessons in Clarity and Grace by Joseph M. Williams. I originally ran across this book while teaching composition at Johns Hopkins, and I think it’s just fabulous for focusing on the sentence level. I’ve found it often hard to find over the years, so I’m happy to see it in print again.
  10. On Writing by Stephen King. (Kindle version) The first part is raw autobiography that is a useful insight into how a writer can be off the rails and still productive. The second part, which focuses on writing, is full of terrific stuff that shows what a craftsman King is.

2016 addendum! I still stand by all these, but here are five more:

Million Dollar Outlines

Storyteller by Kate Wilhelm

talk the Talk: A Dialogue Workshop for Scriptwriters by Penny Penniston

The Three Jaguars: A Comic about Art, Business, Life by M.C.A. Hogarth

Wonderbook: The Illustrated Guide to Creating Imaginative Fiction by Jeff VanderMeer. Worth it just for the pretty illustrations and marvelous charts produced by Jeremy Zerfoss in collaboration with VanderMeer, but also jam-packed with good and interesting writing advice that I have found best absorbed in small chunks, dipping into the book now and again for inspiration.

7 Responses

  1. I haven’t read Techniques of the Selling Writer, but I’ve now added it to my reading list. I really like the Style book. It comes at the sentence from an angle that a lot of writing books don’t when it includes the idea of “grace” (in my opinion).

  2. “Writing the Blockbuster Novel” by Al Zuckerman is definitely on my top 10 list.

    I just finished reading a couple of those others (Steering the Craft most recently, wow what a good book). Kress has another book, on characters and viewpoints I believe, that’s pretty good too and a nice supplement to Card’s “Character and Viewpoint”.

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You Should Read This: Walt Kelly's Pogo

Image of Pogo the Possum, created by Walt Kelly.
Reading idiosyncratic dialogue like that of Pogo and his peers is key to learning how to craft that kind of dialogue yourself. If you're interested in a workshop aimed at helping with dialogue, check out my online classes.
Pogo the Possum was created by Walt Kelly in 1943, continuing on for 32 years (two year past Kelly’s own death). It’s a lovely cartoon, involving the denizens of a swamp: possums, skunks, turtles, squirrels, mice, alligators, and more. They live their lives, which sometimes oddly echo our own, or rather the politics of their time in which they were written, commenting on J. Edgar Hoover, McCarthyism, and muckracking.

What: Pogo is a comic strip. You can find plenty of compendiums for sale or you can seek out samples on some of the online sites devoted to Walt Kelly’s work.

Who: Writers interested in twisting language to their own ends should seek out Pogo, in whose pages it is beautifully wonderfully made coherent gibberish that delights the ear and cries out to be read aloud. Here, for example, is a Christmas carol that’s been Pogo-fied:

Deck us all with Boston Charlie,
Walla Walla, Wash., an’ Kalamazoo!
Nora’s freezin’ on the trolley,
Swaller dollar cauliflower alley-garoo!

Don’t we know archaic barrel
Lullaby Lilla Boy, Louisville Lou?
Trolley Molly don’t love Harold,
Boola boola Pensacoola hullabaloo!

Bark us all bow-wows of folly,
Polly wolly cracker ‘n’ too-da-loo!
Donkey Bonny brays a carol,
Antelope Cantaloupe, ‘lope with you!

Hunky Dory’s pop is lolly,
Gaggin’ on the wagon, Willy, folly go through!
Chollie’s collie barks at Barrow,
Harum scarum five alarum bung-a-loo!

Dunk us all in bowls of barley,
Hinky dinky dink an’ polly voo!
Chilly Filly’s name is Chollie,
Chollie Filly’s jolly chilly view halloo!

Bark us all bow-wows of folly,
Double-bubble, toyland trouble! Woof, woof, woof!
Tizzy seas on melon collie!
Dibble-dabble, scribble-scrabble! Goof, goof, goof!

Why: Read it because of the way gentle humor, sharp political insight, and sometimes grave disappointment in the state of America have all been combined in the lives of a cast of characters that manages to combine charm and cynicism.

When: Read it when you want some new characters to people the chambers of your head: earnest Pogo, the scowling Porkypine, too ingenious for his own good Albert the Alligator, and wanna-be trickster Churchy Lafemme.

Where and how: Read it somewhere that you can laugh freely and smile to yourself or even read a scrap (maybe more) aloud just to hear the cadences.

#sfwapro

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Jeff VanderMeer's Wonderbook: The Illustrated Guide to Creating Imaginative Fiction

Picture of Wonderbook by Jeff VanderMeer
It's a gorgeous book, and I've skimmed through some tasty tantalizations in it so far.
I’ve been following Jeff’s posts about this book, which is a very VanderMeerian approach to writing theory, for a while, and so I danced around a bit when this arrived in yesterday’s mail.

If you haven’t heard of it, here is the description from the Amazon listing:

This all-new definitive guide to writing imaginative fiction takes a completely novel approach and fully exploits the visual nature of fantasy through original drawings, maps, renderings, and exercises to create a spectacularly beautiful and inspiring object. Employing an accessible, example-rich approach, Wonderbook energizes and motivates while also providing practical, nuts-and-bolts information needed to improve as a writer. Aimed at aspiring and intermediate-level writers, Wonderbook includes helpful sidebars and essays from some of the biggest names in fantasy today, such as George R. R. Martin, Lev Grossman, Neil Gaiman, Michael Moorcock, Catherynne M. Valente, and Karen Joy Fowler, to name a few.

It’s a freaking GORGEOUS book (to the point where I’m surprised by the relatively low price, given how glossy it is). I spent some of last night flipping through and being delighted. I’m looking forward to a more careful read. Highly recommended.

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