Five Ways
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WIP: Doctor Fantastik Part II

“Twin daughters,” Doctor Fantastik said. “That’s very sad. A friend of yours?”
“I bring him spices from the Southern Isles when I come up from there. Saves him on the merchanting mark-up.”
“And the duty, no doubt,” Doctor Fantastik said.
The sailor shrugged. “I’ll give you the address, and you tell ’em Cyril sent ya. They’ll see to my fee. They’re right desperate.”
“How so?”
“At least one of the girls been turned poltergeist,” Cyril said.
“Not both?”
“I wouldn’t believe it of Ellie, she was sweet as punch,” Cyril said. “But that Kim, she was a handful and half of hellion. If the poltergeist’s one of them ““ and the timing’s right as rain for that ““ my money’s on Kim.”
“I’ve extracted poltergeists before,” the doctor said reflectively. He fingered the pin on his lapel.
The girl leaned close. “You detach them,” she said.
He nodded.
“You put them in bottles.” Her breathing quickened and she licked her smile wider.
“Parts of them, certainly,” the doctor said. “I capture certain effluences that are useful in some experiments.”
He looked at the sailor, who was taking quick gulps of his fish tea. Dots of green seaweed clung to his moustache.
The girl pursed her lips as the doctor turned back to her, ignoring the man. His tone when he addressed her was as firm as though he were instructing a dimwitted and unruly child. “Go and find us a place to sleep tonight, Charlotte. Make sure that the rooms are clean and that the fees are under a silver apiece.”
She slid from her seat with an attitude of resignation, ignoring the newspaper, which the man was currently folding into a new shape as though to catch her notice. Her silk skirts rustled, nigh-inaudible ““ or perhaps that was her sigh? ““ as she moved back to the door.
The man gave up on folding his newspaper and laid it down on the counter in front of him, extracting his cup of fish tea from among the folds. “She your apprentice?” he asked.
Doctor Fantastik shook his head, indicating with a delicate shudder the impracticality of such a notion.
“Your daughter?”
“Charlotte is a patient who I am treating for a pronounced and malignant affliction,” the doctor said mournfully.
“A ghost affliction?”
“Indeed.”

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Falling

When I first began to fall through the floor, I wasn’t sure what was happening. The kitchen seemed oddly distorted. The stripes of the wallpaper slanted a little to the left; the orange light of sunset lay over them like a flare of panic. My parents noticed nothing.

My mother was eating a fish sandwich, the McDonald’s wrapper neatly folded in front of her as she dabbed on mayonnaise. My father scraped the pickles and onions off his hamburger with his forefinger, which was streaked with the thick red of ketchup. Only my brother saw and looked at me as the chair’s back legs pierced the linoleum beneath my swinging feet and I tilted back with agonizing slowness.

I didn’t want to say anything at first. We usually didn’t talk much at the dinner table. Most of the time we didn’t eat at the table at all. My father brought home paper bags of food and set them on the counter so we could each take our share and vanish. Sometimes I sat on the grille of the heating vent. Warm air blew around my body. My brother crouched near me, both of us reading.

My father would take a glass of wine and his food and sit in front of the television. We could hear him twisting the dial back and forth to avoid the commercials. My mother sat in the living room near us, reading one of the romances which she devoured like french fries. We read science fiction and fantasy.

“Catherine’s falling,” my brother said.

My mother looked up. The chair angled more abruptly and I was on the floor. The chair was sprawled in front of me. Its back legs had nearly disappeared. I could see the ragged edges of the holes, like mouths forced open by stiff wooden rods.

My mother picked me up. I was crying now. My father pushed his chair back and looked at the floor. He continued to chew.

“That linoleum’s rotten,” he said. “I’ll have to fix it some time this weekend.”

Perhaps that makes him sound like a handyman, a fixer, someone who put things together. He wasn’t. Our house was broken hinges, stuck doors, worn carpets. Rather than take out a broken basement window, he piled dirt on the outside. To insulate it, he said. It made the basement a little darker, but that added to the mystery.

I liked to play there. Behind the furnace, there was a little space like a room. It smelled of house dust, dry air, and whiskey. I found a marble in a corner, amber colored glass. It was scratched in places where it had rolled across the cement floor. It would have been beautiful when it was new. When you held it up to your eye and looked through, everything was different, everything curved and bled together.

I took a half burned white candle from our dining room table down there. It was this which led to the basement being declared off-limits. My mother found the candle and thought I had been lighting it.

I liked having the candle there, in case there was a disaster, a tornado, an explosion, a nuclear bomb. Sometimes it was frightening in the basement. There were holes in the walls that led out in little tunnels and you couldn’t be sure something wasn’t watching you when your back was turned. I stuck the candle in a bottle. There were a lot of bottles down there, piled behind the furnace.

I could see the holes in the ceiling, between two smoke black beams, where the chair legs had gone through. The light from the kitchen came into the basement.

A month went by before the holes were repaired. We avoided the dent in the floor with its two accusing circles. Sometimes I imagined I felt the floor soften beneath my feet elsewhere in the kitchen and quickly stepped sideways. My brother and I watched each other when we were in the same room, as though afraid one might disappear and leave the other here alone.

Finally my father called a man in a blue hat, who came and tapped mysteriously in the basement. My brother and I sat up above, crosslegged on the floor, and watched the linoleum smooth itself out as he replaced the boards. The holes remained.

In the other room, my father watched a golf tournament. We could hear his breathing and sharp grunts whenever a putt rolled smoothly across the grass, heading into the hole like a ball with a purpose. When the man came up, my father offered him a beer and had my mother write out a check.

We went out to Happytime Pizza that night. The restaurant was clean; there were no holes in the floor. The windows were diamonds of colored glass, lead running like angry veins between them. The sunlight came through them and painted my father’s face with red and dark blue.

I reached my hand into a patch of green lying on the table’s surface and then took it out. No one was watching me. My mother and father held the menu between them. There was a wet ring on the wood of the table from my father’s beer glass. I put my hand into the color again and moved it back and forth, letting the light paint my hand as though smoothing it with color.

My brother kicked me gently under the table and moved his hand into the green too. We held our hands on either side of it, letting the very edge of the color bleed onto our hands, not daring to move in.

(originally appeared in The Cream City Review, selected by guest editor Frances Sherwood)

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Preorder Page! Plus Some More Talking About Book Promotion Progress

If you’d like to preorder Near + Far from Hydra House, you can do so here. We will have some copies with us at WorldCon. If you’re there and around Saturday night, please stop by our Pink + Blue party, up on the 32nd floor.

I’ve been working on the jewelry, which got pretty much finished up today. We’ll be giving away 30-35 of those at the party, plus books, stickers, CDs, and handmade journals.

Here’s a bunch of the pieces laid out:

Images of promotional jewelry created using art by Mark W. Tripp for Cat Rambo's collection of SF short stories.
Here's most, but not all of the pieces. There's still about twenty to be done at this point.

And here’s closeups of some of the same image. One thing is for sure — each of these is unique!

Promotional jewelry for the Chicago Worldcon book launch party of Cat Rambo's Near+ Far, made using Ice Resin and assorted findings.
The various jewelry accoutrements came from the Redmond Ben Franklin's. This early batch has some blotchiness, which we learned to avoid in subsequent batches by laminating the paper onto the tile or into the finding before resin was applied.


I’m working on a piece for the SFWA Blog about promotional giveaways. What are the best — and worst — ones you’ve seen? What resources would you recommend to people? The stickers are the interior art, done in a nice size that’s big enough not to lose but small enough to be able to use in a number of places.

Promotional jewelry created using Ice Resin and art by Mark W. Tripp from Cat Rambo's SF short story collection, Near + Far.
These are waiting to get filled with resin. They'll take a few days to cure, but when ready will look like glass, and all the roughness here, created by brush marks in the mod podge, will be imperceptible.

One of the things that’s emerged from the discussion so far is to use things that people will use and keep on using, whether it’s bookmarks, pens, notebooks or a host of other clever items. The fans Mary Robinette Kowal has been giving away with Glamour in Glass were mentioned several times, and I know I thought of her cleverness with temporary tattoos to address an issue with the first edition.

Promotional jewelry created using Ice Resin and art by Mark W. Tripp from Cat Rambo's SF short story collection, Near + Far.
Here's the same image, which reminds me of a little rocket ship, done several different ways. I like the way all of them turn out, honestly.

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