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Bigfoot

(As I’m transferring material over from the old configuration of the site to the new one, I’ll be reprinting a number of stories and articles. “Bigfoot” was written while studying at Johns Hopkins. My spouse at the time and I didn’t have a TV and spent a lot of time in the evening reading aloud to each other. This story owes a great deal to a few weeks spent with Tom Sawyer and Huckleberry Finn, the products of Mark Twain, whose works I love.)

Bigfoot pictureBigfoot twists around in the poolside lounge chair and admires her hairy ankle and the gold choker masquerading as an anklet there. The California sun feels hot and heavy on her shoulders. She thinks of Nair. What would light feel like on those shoulders where long coarse hair has always kept the sun’s touch away? Would the skin sear and blister? Maybe she’d try shaving a small patch; she could buy some sun block at the K-Mart.

“Tell me again how you came here,” the reporter says.

“Hopped a bus, honey. Wrapped myself in an old blanket and pretended to be ill. They wouldn’t have stopped for no bearded lady any other way.”

The reporter nods. She’s a hardened professional, but Bigfoot’s beard startled her the first time she saw it. It must be four feet long and Bigfoot’s braided it, woven in bubblegum charms, and tied it off with golden ribbons. It lies on her chest like a pet python.

The reporter’s not entirely happy. Her editor sent her to cover Bigfoot, promised a two page spread if the article was juicy enough. But it’s not. Bigfoot doesn’t have any scandals in her background, no rendezvous with John F. Kennedy, no secret love triangle with Liz and Dick, no unborn illegitimate children, no meetings in motel rooms with fundamentalist preachers, and no Hustler centerfold (although there have been offers). All the skeletons in her closet are plain unvarnished bones.

It’s not that she’s not colorful. But she’s too darn hard to contain in a single line. She’s larger than life and much bigger than a breadbox. Every time the reporter tries to think of a lead, here comes Bigfoot, all knees and elbows, bending the sentence out of whack and choking it up with that hair of hers.

Bigfoot grins as the reporter pauses and takes a sip of her pina colada.

“This house, this pool,” the reporter says, waving an arm clothed in creamy linen at the short cropped green grass, the white tiles, the three stories and five and a half baths. “How did you get all this?”

“This stuff? Oh, here and there. I always wanted a place like this one. You folks have it so easy here. No idea what the woods are like? They’re a jungle, a life that’s short, nasty and full of brutality. Always looking for something to eat, mushrooms, tree bark, small furry animals, you know. And you can’t light a fire because they’ll see you.”

“Who will see you?”

“The park rangers. They don’t approve of missing links. They say we bring down the overall tone of the park. I always tell them, look around, it’s not us that pitched these non-biodegradable styrofoam cups and beer cans all over the place. If you’re looking for someone who brings down the general tone of the park, I say, you’re not looking at the right species.”

“What are your plans for the future?”

“I’m doing Carson this week and ‘Wheel of Fortune’ the next. I’m going to give that Vanna woman a run for the money. Once they see me in an evening gown, she won’t have a chance. Why, she doesn’t have any more hair than one of those Barbie dolls. Just on her head, and even then not in all the right places.”

“Do you have any name other than Bigfoot?” the reporter asks, scratching away on her pad. She’s pretty hairless herself, but appealing in a skinny sort of way.

“You asking me for my name on a first date, honey?” Bigfoot says, and gives her a bawdy stare. The reporter flushes, and Bigfoot roars with laughter, then apologizes.

“Sorry, I forgot how you folks are.”

The reporter, whose name is Marjorie, goes out with Bigfoot to a bar. They drink 35 life insurance salesmen under the table, and then Bigfoot stands on top of the bar counter and starts to shout:

“Whoop! I’m Bigfoot! I’ve wrassled woolly mammoths left over from the ice age and tamed them until they gave down sixteen hundred gallons of mammoth milk! I’ve hollowed out giant redwood stumps with my teeth to use as a cradle for my daughter, and spit out the splinters to make a rocking chair! I’ve walked over mountains taller than a man could think and I’ve swum seas deeper than sorrow! Whoop! Whoop! I can out-drink, out-boast and out- love any person in this bar, and I’ve got the scars to prove it!”

The bartender tries to wrestle Bigfoot to the floor, but she holds him off with one hairy knuckled hand and keeps on shouting:

“Whoop! Whoop! I’m Bigfoot! I sing so loud that the birds give up and go south for the winter and then don’t come back for three years! I can walk so light you’d swear I was never going to get there and I can stamp so heavy you’d think I was never going to leave! I spin my clothes out of things so fine you can’t see them, flea’s wings and the tears of water and the shadows of fog and I’m so splendid in those clothes that the autumn leaves fall right off the trees when they see me! Step up and try to match me, folks! I’m Bigfoot!”

“You’re embarassing me,” the reporter says.

After the bartender succeeds in throwing the two of them out, Bigfoot stands on the sidewalk and screams and rants and hoots and hollers.

“You’re acting inappropriately,” Marjorie says this time and Bigfoot says, “So what?”

Marjorie wakes up in Bigfoot’s bed and doesn’t really quite know how she got there.

But the warm bed is replete with the fragrance of leaves and warm summer grass. Bigfoot’s hair coils around her, a little scratchy, and the beard lies over her breasts as though the snake had fallen asleep.

After Bigfoot’s made her first few media appearances, things start arriving for her at the house. White roses and daffodils, Godiva chocolates and a couple of diamond rings. She ties the rings into her beard and shows Marjorie how to sprinkle sugar on the roses and eat their petals.

But there’s too many roses for two women to eat. They fill the house, and stick out the windows, lie like snowdrifts on the lawn. News reports come in.

Ten thousand women have thrown away their Epiladies and stopped shaving their legs in honor of Bigfoot. Vanna White lets her armpit hair grow and the razor industry’s up in arms over this dangerous trend. Ten thousand other women shave their heads to protest Bigfoot’s dangerous example. The politics of letting one’s body hair grow is discussed on Oprah.

A man with short gray hair says Bigfoot is a crime against nature.

“What do you mean by that?” Oprah asks.

“She’s neither man nor beast,” he says.

“He’s got that right,” Bigfoot tells Marjorie, and pushes the power button. The light on the screen, Oprah’s face, the man’s face, the commercials for depilatories and douches and feminine deodorant all shrink into a dot of brightness which disappears.

More jewels arrive, and Bigfoot throws them into the pool so she can watch them sparkle.

Marjorie is of a divided opinion on all the controversy. She goes into the bathroom, takes out a Lady Schick disposable razor and shaves her right leg and armpit. As long as she’s at it, she trims the pubic hair on her right side, tweezes her right eyebrow and evens up her bangs a little. She stands in front of the mirror naked and looks at herself. It doesn’t seem to her as though there’s a lot of difference. But she knows in two days there’s going to be a lot of uncomfortable, itchy, red pimpled stubble.

Bigfoot howls with laughter when she sees her.

“Poor little thing,” she gasps. “You look like you don’t know whether you’re coming or going.”

Marjorie gets irritated. “You don’t need to feel so superior,” she shouts. “There’s pros and cons. Don’t think I didn’t notice the other day when you got your beard stuck in your zipper! Or when you spilled spaghetti sauce all over it! You come here from the wilderness and think you’ve got the solutions to everybody’s problems!”

Bigfoot smiles.

Marjorie continues. “Well, you don’t, Miss Neo-Thoreau! It’s not that simple!” Her face is red, and her throat is open and loud and screaming out the words like she never has before in her entire life. Bigfoot smiles even more as Marjorie screams and rants, hoots and hollers.

Marjorie can’t stand it any longer. “What are you smiling at?” she yells.

“You’re acting inappropriately.”

That night, the sex is the best they’ve ever had, inappropriate or not, and Marjorie learns to do some whooping of her own. In the morning, she opens her eyes and sees Bigfoot packing.

“Where are you going?’ she asks.

“Going to do some more traveling, hon. This is my vacation, after all. I got mountains to climb, clouds to catch, hearts to set aflame.”

She slips out the door. After a few minutes, Marjorie hears her start to whoop as she goes down the street.

“Whoop! I’m Bigfoot! You’ll never forget me and you won’t ever want to! My fur’s so fine that minks weep with envy and I smell so good I make roses blush. I know five hundred and thirty ways of making love standing up and I’ve forgotten more ways of doing it sitting down than you’ll ever know! Whoop! I’m Bigfoot!”

(originally appeared in 13th Moon)

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Today’s wordcount: 2592
Current Hearts of Tabat wordcount: 119954
Total word count for the week so far (day 3): 13568
Total word count for this retreat: 60229
Worked on Hearts of Tabat, “Moderator,” untitled piece
Works finished on this retreat: “California Ghosts,” “My Name is Scrooge,” “Blue Train Blues.”
Time spent on SFWA email, discussion boards, other stuff: 45 minutes

From the untitled piece:

The magician gestured, and out of the pool came musicians, the very first thing the tip of a flute, sounding, so it was as though the music pulled the musician forth, accompanied by others: grave-eyed singers and merry drummers; guitarists and mandolinists with great dark eyes in which all the secrets of the moon were written; one great brassy instrument made of others interlocked, so it took six to play it, all puffing away at their appointed mouthpiece, and all of them bowed down to the priestess who stood watching, her sand-colored eyes impersonal and face stone-smooth.

“Very pretty,” she said, and yawned with a feline grace, perhaps even accentuating the similarity in a knowing way with a tilt of her head.
The magician smiled, just as catlike, just as calm. “You can do better, I am sure,” he said.

She shrugged, her manner diffident, but rather than reply, she pursed her lips and whistled. Birds formed, swooping down, and wherever they swooped, they erased a swathe of the musicians, left great arcs of nothingness hanging as the seemingly oblivious players continued, their music slowly diminishing as they vanished, the instruments going one by one, and the last thing to hang, trembling in the air, was an unaccompanied hand, holding up a triangle that emitted not a sound.

Landing, the birds began to sing, and though the music was not particularly sweet, there was a naturalness about it that somehow rebuked the mechanical precision of the song theirs succeeded. As they sang, more and more birds appeared, and the music swelled, washing over the pair where they stood, like a river.

The priestess patted the air with the flat of her hand and the birds winked out of existence, leaving the two of them in a great white room, the antechamber of her temple.

“Will you go further in, then?” she said, and her voice was still casual.

The magician’s eyes were green as new grass and the black beard on his chin, which grew to a double point, was oiled and smelled of attar-of-roses. He considered her as though this was the smallest of debates, and finally stepped forward.

“We are still evenly matched,” he said.

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Twitter Basics and Best Practices for Writers

Why Talk About Twitter Basics and Best Practices?

Cover for Creating an Online Presence
Cat's first nonfiction book talks about how to set up and maintain an online presence -- without cutting into your writing time.

This year I switched the focus of my social media efforts to Twitter, because it seemed to me Facebook was an increasingly ineffectual way to reach fans. Because of that, I’ve been spending a lot more time looking at the people following me on there as well as thinking about Twitter, its philosophy, and its uses overall.

Why does a writer want to be on Twitter? The reason is more than just “sell books”. It’s often a way to network with existing fans (who will buy more books in the future), cultivate new fans, connect with peers and other industry professionals, to find out industry and writing news and yes, of course, to procrastinate in a thousand different ways.

I used to automatically follow people who followed me but nowadays I spend a few minutes to click through and look at their page and the tweets it contains. I’ve noticed that a lot of people are doing it “wrong,” or at least in a way that ends up detracting from their purpose. Most of these are easy fixes. Here’s some tips for setting up an account on there and as well as for maintaining a presence.

The Basics of Setting up a Twitter Account

If you have never experienced Twitter, it’s basically a way to post short messages. I suggest reading some of these basic tutorials on it. Once you’re ready, create your account, keeping the following things in mind.

  1. A picture’s worth a thousand words. Include both a profile and a background picture. Please don’t just make it the default Twitter “egg”.
  2. Give people a reason to follow you. Tell them who you are, but do it in an interesting way.
  3. Give people a way to find out more. Include your website in your profile.
  4. Remember that profiles include SEO keywords. Think about what sort of searches you want readers to be finding you by and include them (gracefully!) in your bio.
  5. Don’t sell stuff via an overt link in your profile picture, background picture, or bio. It comes off as over-eager and clueless.
  6. Make it look nice. Proofread!

Best Practices on Twitter for Writers

Part of successful social media is consistency. You have to do something on at least a monthly basis, and really probably a bit more often than that unless you’re determined to be as barebones as possible, in which case you might as well just renounce the world electronic and move to the woods to live off the grid. (IMO).

  1. Don’t sell, sell, sell. If your stream is nothing but links to your book on Amazon, I’m not following you back. My rule of thumb is at least four non-selling Tweets to every selling one. Examples of nonselling? Promoting other people’s stuff, cat or child pictures, observations about life, interesting or enlightening quotes, links to articles that interested you, and snippets from your own #wip are all valid.
  2. Don’t be negative. Don’t be jaded or whiney or bitter or angry or mean. Just don’t. Studies show people prefer a positive or cheerful Twitter stream.
  3. Answer and acknowledge. When people RT, my habit is to thank them and also to add them to a special Twitter list. When I’m skimming through Twitter for things to amuse/entertain/idly chatter about/RT, I often look at that list because it’s people who’ve proven they want to build a Twitter relationship.
  4. Be a little selective about your followers. On a daily basis I look to see who’s following me. No profile info? Nothing but book selling? No tweets at all? I don’t follow back. Periodically I run the justunfollow tool and clear my follower list of people I don’t know but am following while they’re not following me back.
  5. It’s okay to repeat yourself (a little). Think that latest blog post was particularly noteworthy? Repeat the announcement the next day, and then again the following week. Build a list of such posts for a “best of” category on your site.
  6. Automate SOME things. Don’t auto-message followers, for example. But do use a tool like Buffer to schedule tweets so you catch a variety of times, such as those repeated posts.

Want to know more about how to use social media and your Internet presence to sell books and find new opportunities without wasting all your time staring at kitten pictures? Check out my book, Establishing an Online Presence for Writers.

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