Five Ways
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Acquainted With the Night

Rain sleets down like multicolored metal needles to splatter against the chill, neon-lit street’s surface. The light gutters across the wet surface of his black plastic rain poncho, picking out abstract tattoos.

Somewhere in the night, he knows there is darkness brewing.

The mask fits loosely on his face under the rain poncho’s shroud. Some people look at him as they go past in the rain, but their eyes skitter away, seeing him faceless in the dark.

At one point the mask was crimson, and golden wind vortexes, bright as daylight, rode his face on either side, framing his power, his strength.

Far away he hears a shout. He pauses to listen, but it does not come again, and he is not sure of the direction. Cars hiss past in a spray of sparkling, heavy, wet mist, and touch the surface of his jacket with beaded jewels.

He tugs at his dark grey face covering, pulling it into place. Rain has seeped in through the eyeholes and walks along his face like the memory of tears.

Is he crying or is it the rain? The question seems overwrought, and he feels himself slipping into one of those dark, cinematic moods, where he sees everything from the outside. It’s starting again, the loop of film that is his life.

#
Scene 1: The Origin

He was an ordinary boy in an extraordinary place, he tells himself. Working in Miracle Labs, he was a go-fer, fetching coffee and sandwiches for the scientists in their bright white lab coats. Everyone was so pleasant, so marvelously cheerful! He whistled on his way to work every morning.

As time passed, though, he became aware of undercurrents. Doctor Octo hated Doctor Sept, and they both vied for the attention of receptionist Wye. Who was worth vying for, he admitted to himself, but he knew that he, pimple-faced and adolescent gangly, wouldn’t have a chance with her. Most of the scientific in-fighting, though, had to do with who published what where. Most of them worked hard at publishing, and conducted their research with scrupulous but eager abandon.

It was easy for someone like himself to pick up some extra cash acting as a guinea pig. It paid well, and his mother.s birthday was coming up. Sept was working on a military project, augmented strength, while Octo was working on a similar project, increased speed.

Tuesdays and Thursdays he sat in Sept’s lab, squeezing grip-meters, while on Mondays and Wednesdays, he used a mouse to click colored shapes on a computer screen. He swore to both of them that no one else was interfering with his physical structure, and they both were horrified but intrigued when their experiments collided, geometrically increasing both strength and speed as though cross-multiplying.

Military types swarmed the labs, smoking jovial cigars while the scientists ran him through test after test with suppressed jubilation, which faded into pretense as every other test subject underwent both treatments to find themselves no stronger or faster than before.

He was their golden boy at first, and even Wye unbent in his direction, admitting she wouldn’t mind a cup of coffee, which led to one thing, then another, then him offering in-home demos of what it was like to bang a genuine superhuman. But more test subjects came and went in failed succession. The doctors became less fond of him as the military soured.

He lost his job at the laboratory, although no one ever really gave him a straight answer as to why.

So he became a superhero, which seemed like a viable option at the time.

#
Part 2: The Career
He got an agent who he.d seen on early morning TV, representative to a group known as the Weather Team. He took the name Captain Hurricane, superspeed and strength qualifying him, he figured.

It was never clear how many superheroes Alan Mix had in his stable. Although his Variety piece when Captain Hurricane joined him said seven, two of those, Ebon Lightning and el Invierno, were sometimes there, sometimes not, due to other gigs with the world of superhero wrestling.

They offered to cut their fellow heroes in on the deal.

“Sweet money and not that hard,” Ebon Lighting urged three of the others, Sunshine Princess, Tsu-nami, and Captain Hurricane. Sunshine Princess did try it, as he recalled, but did not do well in a match against the Hunktress.

Women liked him. What.s not to like about strength and charisma? They liked his gee-whillikers good looks.

He was a little bit in love with Sunshine Princess at one point when he was depressed, but the woman that he would go to his grave loving was another of the Weather Team, Waterlily Elegance, an enormous-haired alien, cerulean-eyed with pumpkin-colored skin from beyond Betelgeuse.

She did not return the affection, though. The mate waiting for her, after she had spent a year in their world, was an enormous purple flower, forever stationary, who floated on a lake of violet emulsion on her home planet.

When she returned home to engage in the mating ritual that would lead to her explosion in a rain of seeds, he spent three nights running in a bar with Sunshine Princess. Each night they staggered home to his apartment and made clumsy love in his unwashed bed. On the third morning he woke up to find her making eggs and coffee in the tiny kitchen.

He drank the coffee in a sullen silence which ate away like acid at her happiness, making it more and more brittle as she moved around cleaning the small space, wiping at the counters with a lemon colored sponge.

“Sit down, for the love of God,” he finally snarled, and she sat, pouring herself coffee and sweetening it with lavish spoonfuls.

“Is everything okay, babydoll?” she cooed, and he could tell she was latching on, sinking in the hooks that would drag him into married life and an eternity of lemon sponges.

“I’m not your babydoll,” he told her startled face. “Not your gumdrop, not your honeybunch, not anything. You were convenient, that’s all, Eleanor.”

She went white as she stood, swaying, and then stiffened herself and marched out to collect her things. She wrapped the yellow cape around herself, sodden still from the previous night’s rain and clinging in damp folds to her skin. He caught a glimpse of her eyes, which were enormous and bruised dark.

That night he patrolled Central Park, and beat three muggers so savagely that they could not walk.

#
Part 3: The Announcement
Three months later when she came to see him about the pregnancy, he already had felt it in his heart. He pushed money in her hand and then pushed her away, physically, a hard shove that sent her sprawling. He turned his back and walked away.

He’d gotten a photogram that morning from Waterlily Elegance. She stood by the shore of the violet lake, one slender hand cupped around her swelling body, ripe with the offspring that would kill her. He wondered what it would look like . would the seeds explode outward, scattering her flesh, leaving scraps of squash color to dry and brittle on the ground? He asked around, asked Silver Spring, the other alien on the Weather Team, but Spring ignored him in a way that screamed impoliteness. Realizing he was violating some taboo, he dropped the subject with reluctant haste.

#
Part 4: The Arrival
He met his daughter first when she was four, hair like cotton-candy floss, colored with pale light. She had inherited powers from both of them, although he could sense she would never be as strong, as fast, as him. From her mother, she had taken the trick of fostering light beneath her skin, letting it go in pulsations of brightness. He called her his Firefly.

He took her every Saturday: to the zoo, to the harbor, to the botanical gardens, to the sculpture garden, to the play ground, to the grocery store, to the laundromat.

They had a year of such meetings before she vanished.

Someone took her out the window, the thirteenth story window that she looked out of each night, her small luminous moon face pressed up against the clear surface. They melted through the glass as though it was water and abducted her in silence.

He nearly died when the police showed him the film, which they said was selling well in underground circles. Although she wore a mask, he recognized the flashes of light that trembled on her naked skin. The men with her wore masks too. They said it was a snuff film, and would not show him more than the moment he needed to identify her. The corpse was never found.

He never found the men either, though he has spent a decade looking. Princess Sunshine committed suicide, and most of the Weather Team is gone. He had to leave it after three years and the fourth scandal of a criminal killed in the course of apprehension. In another decade one of Waterlily Elegance’s children might come back to this planet and perhaps join a new superhero group. He knew that twenty two had survived her death. Their names blended together for him: Casual Horizon, Immaculate Bliss, Serenity of Spite…

Sometimes he wrote to her mate and received in return graceful thought-grams, blended nuances of mental energy and sensation that conveyed regret and well wishes and never spoke of her.

#
And now, the loop complete for another hour, he steps forward again into the darkness. The mask he wears is a duplicate of one from the film . he has no wish to explore why he chose it.

But every night it’s the same, his mask looming down over the fallen form of the mugger, the purse snatcher, the rapist, the suspected harasser, the suspicious stranger out late at night as he kicks and slaps at them, superhuman strength making bruises bloom like light flashes on their skin. Tonight, jewels of light will glitter on their unturned, blank face, and he will feel the blood hot within himself, boiling hot and mammal, unlike the rain.s cool and vegetative touch.

(This story originally appeared in the online publication, FERAL FICTION, in 2004.)

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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Five More Ways to Increase Your Blog Readership

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When in doubt, go with a picture of your cat. But do include a picture of SOME kind, no matter what.
I blogged a couple of days ago with five ways to increase your blog readership. Here’s an additional five that I hope are helpful for those who like to look at their numbers every once in a while. But remember — writing always comes first!

  1. Be a pro. Proofread and remove errors. If someone points one out to you, fix it and thank them for the feedback. Make your posts look professional, not hastily assembled or sloppy. The appearance of the post can’t help but make an impression. Take the time to preview the post and make sure all links lead to the right place.
  2. Monitor results. You won’t know what works unless you’re looking at the data, even if it’s at the topmost level of “how many comments?” (This is a bad metric because so often the answer is “none.”)
  3. Your profile matters. Fill out your profile on social networks and make sure it includes your website’s URL. This adds to its search engine ranking, making it appear higher in search engine results.

  4. Pay attention to the Zeitgeist. Pulling your blog topics from Google or Twitter trends can be a good idea — as long as you have something useful to say. Don’t hashtag for the hell of it.
  5. Content trumps cash. Producing good, interesting, useful content will outperform any amount of money thrown at advertising. I find that some social networks send me coupons to use on advertising every once in a while and I do use those — but once they’re used up, I stop the campaign.
  6. Promote other people. This gives you good content if the recommendations are wholehearted and worthwhile.

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On Clarion and Privilege and the Internets

Neil Gaiman has been catching a lot of flack for this tweet.

a tweet by Nail Gaiman

People are, understandably, saying that the equation clarion + student = pro writer is not the only way you can reach that particular sum, and they are absolutely correct, although the drama is — as is often the case on the Internet — a bit hyperbolic.

This is the fact of F&SF (and any other genre) writing — there are writers disadvantaged by gender, or race, or sexuality or other physical circumstances. But there’s also a big group — which contains a disproportionate number of those differing physically — affected by economic issues.

Here are two simple facts:

  • If you have the economic means to attend a workshop like Clarion West, Clarion, Kevin J. Anderson’s Superstars, the workshops given by Kris Rusch and Dean Wesley Smith, etc, it can give you a career advantage, primarily in terms of forming a support network of peers, although there are a number of other plusses. The degree of advantage depends on both luck and how willing you are to make the most of the time at the workshop.
  • If you have the economics means to attend a convention, it can give you a career advantage, primarily in terms of industry contacts. The degree of advantage depends on both luck and how willing you are to make the most of the time at the convention.

But there is nothing being taught at a workshop that you cannot pick up by yourself, given time, though it is true that workshop teaching can often be inspirational, effective, and sometimes entirely life-changing.

Being able to attend a convention or workshop is not just a matter of being able to pay the substantial fee. It’s being able to travel and most importantly — it’s being able to take time away from both work and family. That’s an incredible privilege.

I came through Clarion West in 2005. My instructors were (in chronological order) Octavia Butler, Andy Duncan, L. Timmel DuChamp, Connie Willis, Gordon Van Gelder, and Michael Swanwick. I am a pretty convivial person, and remain close friends with the majority of my instructors. I also was part of a talented class that included E.C. Myers (winner of the Andre Norton Award for his book Fair Coin), Rachel Swirsky (frequent nominee and winner of things) and goddamn Ann Leckie, whose Ancillary series has set the bar for success so high the rest of us are just going, “Yeah right.”

I was able to do this because I had a partner willing to let me quit my job and try writing for a while. A decade later, I have yet to make half of what my Microsoft salary was through writing; I continue to persevere. If I had a family to support, it would have been incredibly difficult to do it — perhaps simply impossible. It gave me an advantage, and it also kicked me in the ass to be productive, because I was intensely aware of just how lucky I was.

Neil is — obviously — not saying you can’t be a writer without such a workshop. Note that Gaiman himself did not go to such a workshop, as far as I know. He is, though, enthused about the workshop (as befits a former instructor) and aware of what a big advantage it can prove.

But it also depends on what you make of it. In any class there will be those who persevere and those who fall by the wayside. Of the people in my writing workshop from decades ago at Hopkins, only a handful are still writing. Ten years later, a few members of my Clarion West class seem to have dropped off the face of the planet.

You have to want it hard enough to work for it, no matter what. You have to be willing to make time for writing words down and thinking about the order and what happens when you rearrange them. You have to have a hide hard enough to survive the day when there’s three rejections plus a nice fan letter whose writer is confused and thinks you’re someone else with a similar name. You have to be willing to trim away some bullshit activities and substitute stuff that lets you work at your craft, like reading or taking online classes or whatever. That’s the part you need.

A while back, I read someone saying that we all have someone who gives us permission to call ourselves a writer. For me, it was John Barth: sitting in his sunlit Hopkins office, a bookcase framing his smiling, balding head talking about my stories and a fellowship he wanted me to apply for is something I will always remember. But that is less important than giving yourself permission to call yourself a writer. It’s harder — it requires a certain amount of adamant ego and determination — but that permission can — and must — come from inside as well as externally. That’s the most important component, and you can do it with or without the aid of a workshop.

TL;DR version? Ain’t nothing going to substitute for hard work. Why aren’t you writing?

Later addendum: Most of the workshops do offer some scholarships; if there’s one you’re interested in, I do suggest asking about what financial aid is available.

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