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Revising Through A Single Lens

I’ve been reading Donald Maass’s excellent, excellent book Writing the Breakout Novel (which is, unfortunately, not available on the Kindle so I actually had to do the archaic order and wait for a hardcopy thing) and it’s at a perfect time for me since I’m beginning the second pass at the current project.

Move outside yourself - view of an abandoned diner
Work in different places when revising. Move around a lot. Keep your mind agile and ready to incorporate new things.
As I’ve read, I’ve collected ideas to apply to rewrite. I’m making the heroine’s past considerably more complex, shoving the hero a bit more ruthlessly out of his depth, making some bad guys more ambiguous morally, killing my very favorite character, letting a villainess be much, much bitchier (and funnier), and raising the stakes repeatedly. I’ve wrestled with the first 33 pages so far, and they are SO MUCH better now, even though there’s a ton of comments that will need to be addressed, particularly moments of B-grade writing that need to get elevated to A-level.

I find it handy to do this sort of pass. Last time, when revising Phat Fairy, I used a list from Holly Lisle and went through scene by scene, checking for criteria like what got accomplished, were there any loose ends, what characters appeared, was there a sensory moment, was there character development for at least one character. I did something similar with The Moon’s Accomplice, which was the first novel that I completed. There is much to be said for making your revision process efficient and mechanical. While moments of inspiration are useful, it’s the elbow grease put into the scenes at this point that pays off.

At the same time, I think it would be easy to get overly concerned with this and make it a barrier for writers who have a hard time finishing. And so I develop my criteria that each scene will be judged by, my checklist of necessaries, and then I go through, scene by scene. More post-its may get scattered in the wake of that pass for knotty bits, hard little problems like “Why is Zappo showing up now?” or “Exactly how do we find out Crystal’s father’s past?” that I want to think about, and those will get taken care of in a tertiary pass. My strategy with revision is to pick one set of criteria each pass and stick to it, without adding more to do by reading other pieces on approaches to revision and continuing to change your strategy, putting yourself in the position of going back to earlier work.

Pick a single lens for each pass you make through the manuscript and stick with it. One set of criteria or even single thing that you’re looking at. This will be more labor-intensive (perhaps dauntingly so) but more effective than performing the writerly equivalent of multi-tasking.

I know this is very counter to the write a draft and get it out philosophy, but that’s how I work. What about other people, which camp do you fall in? What’s the most important thing to you when doing a revision?

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Retreat, Day 25

Picture of a page of writing
Tomorrow’s online class is Delivery and Description. Click here for details.
Today’s wordcount: 3001 (so far. plenty of daylight left.)
Current Hearts of Tabat wordcount: 119954
Total word count for the week so far (day 6): 23568
Total word count for this retreat: 70229
Worked on Hearts of Tabat, “Moderator,” untitled piece
Works finished on this retreat: “California Ghosts,” “My Name is Scrooge,” “Blue Train Blues,” “Misconceptions of Gods and Demons”
Taught week 3 of the Writing F&SF stories class, prepping to teach Delivery & Description tomorrow.

We have no water at the moment, or at least a pump is broken and we must conserve what we have in case of fires. Hopefully fixed soon, but I drove into Santa Cruz this afternoon and had a nice chat with the guy at the Pure Water store, who recommended all sorts of local places and doings.

I have been reading and reading here. I was watching no TV but Wayne and I usually watch Big Brother each year, so we started watching it while he was here and now have been watching it together while Facetime-ing. Yes, we are huge geeks.

From “Never Volunteer”:

“This is the Other Side,” [Dustin] said. I swear I could hear the capital letters.

“Like with ghosts?”

He shook his head and rolled his eyes. “Not at all,” he said, but didn’t explain anything beyond that. He held out his hand. “Come on.”

“What, you’re not going to carry me without my say so anymore?”

He gestured around himself. “I’m much less worried about you running away here.”

He did have a point. I rolled to my knees and stood up, ignoring his outstretched hand.

I looked around. It was a little like being on the set of an old movie, one where the landscape had been manicured to the point of knowing that somewhere, lurking in the underbrush, was a horde of gardeners with trimming shears in hand.

But here, apparently, all of that was natural. As were the jewelbright bees and birds. When the unicorn appeared, my inner 12-year-old-girl swooned. It trotted towards us and I had never seen anything so pretty in all my life: flowing mane, opalescent horn and horns, great brown eyes with enough lashes that you wondered exactly how it saw through all that.

“Henri,” Dustin said.

It was, apparently, a salutation, because the unicorn nodded before it turned to sweep me up and down with a cynical eye.

“This is it?” it said. Its voice was high-pitched and epicine; only the name made me think it was male.

“You are being rude,” Dustin said. His voice sounded resigned, as though it were the sort of thing he’d said to Henri to the point where both of them were tired of it.

Henri had no intention of quitting. He shook his mane, flipping it back out of his eyes. Was it entirely accident that the sun shone on the tip of his horn, that the gesture made him seem otherworldly graceful, that his mane flowed like creamy froth, inviting the touch?

But I wouldn’t have fondled that unicorn for all the tea in China. He was clearly an asshole.

...

Retreat, Day 2

Photograph of a cat and lemons.
Lemons. Cat provided for scale
I’m holing up and working hard on the sequel to Beasts of Tabat. I let myself have July 1 off because that was a travel day, but yesterday I managed 5k words, though that last half was like pulling teeth. This morning I got up and sat down without checking e-mail and got 1000 out of the way. My goal is 25k each week until the middle of August, which should see me with Hearts of Tabat in a decent final draft, several stories I’ve promised to people completed, the YA novel further along down the road, and perhaps even some more of Exiles of Tabat (book 3) drafted. I will be teaching while here — tomorrow is the first section of Writing Your Way into Your Novel.

To keep myself honest, I’ll be posting word count and WIP excerpts.

So, yesterday:
Word count – 5k
Hearts of Tabat current word count – 82184
SFWA time – hour and a half on call plus e-mail plus skim thru discussion boards

From Hearts of Tabat, an early chapter, still in rough draft form.

This is what a riot looked like. Pink velvet darkened to plum by spilled punch, and flickers of angry firelight glistening on the sticky surface. Two shattered windows, broken glass spiderwbs in reverse, light from the aetheric lamps hanging over the street outside washing in, acitinic blue white over the parquet floor that had been Benarda’s pride, two hundred and thirty different kinds of wood, each dedicated to a different Trade God, zebra-striped bits of southern wood like dappled petals around her boots, as though she trod on clots of dirt-streaked snow, chips of mammoth ivory salting the petals in tiny white freckles.

A punch bowl, shattered by the first brick that had come in, landing soundly in the middle beside the overturned table, sending punch and bits of curved luster-glass everywhere, a great puddle of liquid changing the colors of the woods beneath them, tinting them dark and rose.

Two paintings askew on the walls, others lying on the floor in a jumble that drew the eye as much as their subject matter, impious and arresting, the torches that had set the rioters outside afire. Someone must have known what the paintings would be like, must have tipped people off, organized the crowd.

There. Marta’s eyes, glittering hate at Adelina across the room. Gods, even now the woman would rather hold her grudge against Bella rather than worry about keeping herself alive.

This is what a riot sounded like: angry shouts coming in through the windows, drowning out the frightened whispers all around Adelina (“Was that Bella Kanto who just went out? Of course I knew she’d be here.) Benarda somewhere behind the scenes, ordering someone else to do something, it was unclear what. The woman’s best chances of keeping her gallery further intact had just walked out the door in order to stand down the crowd, which had grown from the few dozen that had been here when she and Bella had first arrived, immediately after the now-absent Duke’s speech

This is what a riot smelled like: smoke and sweat and alcohol and all the mingled pomades and perfumes ““ who was still wearing vetiver, that went out last season? And what was that intriguing cinnamon and musk blend, was that an actual edge of rum in it or some remnant of the punch?

That was what a riot felt like: Leona’s small fingers in Adelina’s own, Bella’s tiny cousin and the center of all this clamor breathing hard, the gasps and gulps of air she took in when stressed.

Adelina’s own pulse beat fists against the hollow of her throat, pressed tight fingers behind her brows every time the streetlight struck her eyes, hammered at the pit of her belly, unnerving her.

...

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