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Recent Links and News

Bryan Thomas Schmidt put together this developmental editing checklist for novels after the first session of my online editing class. (Details on the next time the editing class will be offered.)

I guest blogged on the Dark Continents website about why I believe Small Presses are the Risk-takers.

In TAFT 2012, a time-traveling President Taft gets dragged into the 2012 election cycle. I interviewed its author, Jason Heller, for the SFWA blog.

My story, Acquainted with the Night, can be found in a really fun anthology of superhero fiction put together by Lincoln Crisler, CORRUPTS ABSOLUTELY?

I’m appearing at MidSouthCon this weekend as their Editor Guest of Honor. While there I’ll be giving a talk entitled “We’re All Bozos On This Bus: The Truth About Electronic Publishing.” I’ll put the text up on here afterwards.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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WIP: Teaser from Poppy and Letitia

flowersI finished up a story I’ve been wrestling with for the past week this afternoon. It’s for a game world, and it’s a fun one. I’m not sure why I had so much trouble with this one, but I rewrote the beginning four or five times, which is unprecedented for me.

Anyhow, here’s a chunk:

The book supplied a hand-colored map of the coastline. Letitita had not seen that many maps in her lifetime but she thought that this one might have some shortcomings. For one thing, the area they were heading into was a spot colored a vague green which turned out to be towering pines and cedars, shaly hills, and tiny streams inevitably at the bottom of steep-walled gullies full of blackberry brambles. It was lettered, the amount of lettering sparse in comparison to the amount of blank space provided, “Unexplored Forest,”
They were three days into changing that into “Partially Explored Forest” when they heard the screaming.

It called from off the road, among the trees, unseen but close from the volume, the sound of a horse crying out, and then a second echoing noise, like the harsh squeal of an enormous machine wheel. Poppy’s bow was out and in her hand, the other one pulling an arrow from its quiver, as she sprinted towards it; Letitia followed, pulling daggers from her belt as she went, but moving more cautiously than her mistress and therefore slower.

She arrived in time to see Poppy’s first arrow strike the monstrosity towering over the fallen unicorn, a mass of black fur and teeth and more than one head, protruding at awkward angles from around the main one with its ferocious canine grin. Every eye in the multitude it boasted burned bright as fire, red as madness.

The arrow extinguished one of that pair burning brightest and largest. The beast threw its head back, and the sound of that tortured clash came again, so loud that it throbbed in Letitia’s ears.

Daggers sang from her hands, thrown almost without thinking, thunk thunking into that glistening black snout. Annoying wounds at best, but another of Poppy’s arrows flew straight and true ““ had she really merely said she’d been “all right with the bow” when a girl? ““ putting out the other mad red glare, and as it died so did all the tinier ones, heads slumping awkward as it toppled, halfway over its fallen prey.

They circled it warily as they came up. The unicorn let out a tortured breath. Poppy made a hurt sound in her throat and started to step closer, but Letitia tugged her back.

“You can’t help it, boss,” she said. Her eyes welled with tears, obscuring the gaping belly wound, the entrails fanned out from a savage bite. “It’s hurt too bad.”

“I can put it out of its misery at least,” Poppy said. She tugged one of Letitia’s daggers free from the monster’s corpse, and moved towards the unicorn, speaking softly, calmingly, an ostler’s murmur, soothing and nonsensical, theretheremylove, theretheremypretty.

The gleaming ivory horn raised an inch from the ground as though in challenge, but was too weak to move further. She stroked her hand along the broad neck. Letitia held her breath.

“Move no further,” a voice said from behind them.

In other news, Rappacini’s Crow and All the Pretty Little Mermaids both made Ellen’s Datlow recommended list for Best Horror. Hurray!

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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Teaser from an Untitled Work in Progress

Sculpture at the Redmond Public LibraryThis story’s still deciding whether it’s a comedy or a tragedy. I suspect a little of both.

When he realized how upset his wife was, George wondered if he might have miscalculated. Normally a quiet and loving partner, she was unpacking the dishwasher with a great deal of clattering and muttering.

“It’s not as though you even ever dated her!” she said, slamming a series of mugs into the cupboard.

“I don’t see what the problem is,” he replied, watching as she swept up the basket of cutlery and began throwing it into a drawer to jangle against his nerves. “I’ve left you everything. All I did was will her a copy!”

She turned, resting her hands on her hips. “You’re leaving her a copy of your personality. Essentially yourself.”

“No,” he said. “I’m leaving that to you. You’ll have me on tape, you’ll be able to transfer me into some mechanical form to keep you company. I just thought Janice might like one too.”

“Why?” Mary’s glare said she had her own suspicions.

George refused to dignify them with a reply. He’d been faithful to her all his life. A good husband. He could be allowed his own eccentricities, and If leaving a copy of himself, a digital copy created from a barrage of tests and brain scans and gathered data, to an old friend was one of those eccentricities, then he didn’t really see where Mary had the right to say much about it. She could leave her own copy or copies to her own friends.

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