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The Pink Hair Manifesto

Head shot of Cat Rambo with pink hair
Taken during World Fantasy in San Diego, 2011, by On Focus Photography.
Since 2006, I’ve dyed at least part of my hair pink, usually a few locks near my face. The dye comes in a kit from L’oreal and doesn’t require bleaching beforehand ““ brush it on, wait thirty minutes, and wash it off. Voila, cartoon-bright streaks among the (once-prematurely) graying strands.

The first time I dyed it, I was about to head off to my first Wiscon ““ a large feminist science fiction convention held yearly in Madison, Wisconsin. As I’ve found the case at sf conventions since then, I wasn’t the only person there with an odd hair color; I glimpsed rainbows of pink, blue, and green. And I realized it was becoming. Complete strangers would lean over and whisper, “I like your hair,” including two flight attendants on the way home.

After the con the color faded, softer and softer, until finally, when I went to get a haircut, the hairdresser was cutting away dusty rose tips. I looked in the mirror and saw a middle-aged woman with a short, practical cut.

I bought a new kit on the way home and re-pinked my hair that afternoon.

Since then it’s become a ritual following each haircut. I go in and see it trimmed away until only the faintest hint of color remains. Sometimes I take advantage of this time to do my shopping in sedater department stores like Macy’s or Nordstroms, excursions that I think of as “passing for surburban.” Then I go home and re-dye my hair. I’m always a little self-conscious those first few days of screaming fuchsia, when I have to sleep with a towel over the pillow to keep the pink from leaving traces on the pillowcase. I try to time these days to coincide with a science fiction convention or some similar event.

I use that as an excuse when people ask me why I dye it. “I’m a sci-fi writer and it helps fans identify me at cons,” I say. That’s the partial truth. It’s part of my brand. But it’s also more than that.

Sometimes people interpret it for me. When my mother was recovering from surgery for colon cancer one year, I visited the hospital every day and used the valet parking they provided. “I know why your hair’s pink,” the elderly valet confided to me one day as he took the keys from me. “Are you a survivor or is it a relative?” I realized that he thought I was part of the flood of pink that month against cancer. I couldn’t bear to disillusion him, so I said something to him about my mother, and he went on to tell me about the women in his life who had struggled with cancer.

That’s another reason why I dye it pink. People talk to me. There’s something about the color that draws them to ask about it or say that they like it. The only person I’ve ever found who disapproved outright was a relative’s girlfriend. She didn’t last. My hair color has.

But more than that, the pink forces me to talk to people as well. I’ve habitually toed the line between introvert and extrovert, depending on which Meyer Briggs results you look at, and I like the fact that the pink pushes me outside myself, makes me be socially brave in a way I’ve sometimes retreated from.

The pink’s a favorite with people. I tried purple one year, a vibrant, almost fluorescent purple that required bleaching the hair beforehand, a painful process I will never repeat. Some nuance of the purple made it seem more confrontational, less welcoming than the pink. Fewer people came up to say something about it, although I was startled at one point when a man behind me began stroking it. “I couldn’t resist the color,” he said.

I have been advised to avoid blue. “It ages one,” a friend said, although I’ve admired the turquoise shading of Camille Alexa, a fellow speculative fiction writer, at several cons.

I worry that L’oreal will stop making this particular brand. I’ve got five boxes of it stockpiled under my sink. I figure I’ll commit to the color until the year or two that the boxes represent are past. After all, who knows what advances in hair color may have been made by then?

It took a while for my mother to get used to it. Finally one day, when we were coming out of a store, she chuckled. “Did you see that man?” she said. “He smiled at your hair. I guess anything that makes people smile is okay.”

And I agree. If I’m making people smile, I’m doing something right.

I’m lucky to live in Seattle, where hair is often not its natural shade. I’ve found when I visit the East Coast, particularly in the southern areas, people are not quite as welcoming of the color. They’re more likely to surreptitiously (or so they think) point it out to each other. I haven’t traveled abroad with it yet.

And I’m lucky to work at home as a writer, with no boss to object to the pink. More than once someone has wistfully said, “They would never let me do that at work.” That seems a shame to me, much like seeing the trainers at my gym wearing work-mandated band-aids over tattoos lest they shock the sensibilities of the patrons.

The hair color also lets people spot me in a society where being a middle-aged woman is often a cloak of invisibility. Sometimes that’s unwelcome. I’d rather fade into the crowd, which is much harder to do when pink-topped. That’s why I love sf conventions so much, why they feel like coming home to my spiritual tribe. At Penguicon I rubbed elbows with a woman whose wheelchair was tricked out like a Victorian mechanical contraption, complete with sporadic puffs of steam, a strapping young gentleman costumed as Thor, and a woman whose baby was dressed up as a miniature robot, complete with blinking lights. Indeed, at Norwescon, a local convention that’s particularly costume heavy, I look positively sedate.

It’s strange that I engage in this particular cosmetic practice. I’ve always resisted make-up. I put it on and, despite the best teachings of my mother the former Mary Kay representative, I see a clown-faced stranger in the mirror. The pink hair allows me to feel like I’ve managed some effort to dress up. Combine it with the right shirt, and people assume I’ve carefully color-coordinated outfit and hair.

But I cringe, just a faint recoil, when I look at those shirts in my closet: the crisp peppermint striped or hibiscus and butterfly printed shirts gleaned from the local Talbots outlet. Because here’s a secret: I’m not particularly fond of pink. I was never a Barbie girl. I like deep purples, turquoise, and emeralds.

In fact, I resent the way pink’s been mandated for little girls. I worry that I’m doing this to make myself less threatening to men, that I’m saying, “Look! I’m a feminist, but a fluffy pink harmless one.”

But I tell myself to stop over-thinking it. It’s a color, not a lifestyle. I embrace my pink and claim it. Which adds another dimension to it for me: it’s ironic statement as well as fashion one. It says I don’t give a damn about what other people consider age-appropriate. “This is me,” my hair says. And I look damn good in pink, or so I think.

Or maybe that’s just ego talking, an overly healthy one bolstered by all those strangers telling me they like my hair.

13 Responses

  1. I streaked my hair with fuchsia once””New Year’s Eve 2004, I think. Color Rays, or some such product””maybe the same as what you’ve been using? It was a pretty slap-dash job, but I liked it. I was newly transplanted to Portland from the East Coast, and had always admired people with streaks of vibrant color in their hair.

    It was a small way of embracing my new home in the Pacific Northwest, and of letting go (temporarily) of that Southern mindset of wanting to blend in, don’t rock the boat, don’t make a scene. Don’t stand out. Of course, truth be told, I’d need a lot more than a few colorful streaks in my hair to stand out in Portland.

    I love that you’ve found an easy and satisfying way to be who you are on the outside as well as on the inside. Some people turn to body art like tattoos and piercings. Others alter clothing to create their own fashion styles, wear signature colors, weave feathers into their hair, strap on a pair of fairy wings for a trip to the store, etc. More of us, though, reach for those safer costumes of tailored suits, or chinos and loafers, perhaps giving into that little voice and its pleading whisper, “Don’t stand out.”

    Like many, I think I’m still searching for my “signature”””apart from my comfortable, practical clothing, tiny ankle tattoo, and occasional ethnic jewelry and accents.

    I’ve not repeated that hair-streak experiment, though I wonder about it from time to time. I have found a nice burgundy “chocolate cherry” all over color, and would like something even deeper, plummier. And/or maybe a return to the fuchsia streaks.

    As long as I’m still breathing, I get to define my style!

  2. Wow, this is fascinating. I’ll admit that your pink hair has definitely become a calling card of sorts, and I’ve never even met you. But when I see an image pop up on the web and I see the pink hair, I instantly think of you — whether it’s a picture of you or not.

  3. Love this article. It really resonates. First, I (a fan) did find you at Norwescon because of your hair. It is such a strong brand that even in a crowd of strangers you do indeed stand out. Second, I’ve also found my trademark, which is a hat covered with con buttons that I wore at Westercon. When I asked my hubby on day two if I should wear the hat again he said, “Wear it, of course. Otherwise, how will all the people you met last night recognize you?” So now I am of the hatted set. So I can certainly relate to the hair/hat as brand. Third, I’m also of the outgoing yet introverted set. I can pretend to be sociable, but can only sustain it for a while. Getting folks to start conversations is much easier than having to start them myself. My hat seems to do the trick. Fourth, we middle-aged women must refuse to fade into the wallpaper and if pink hair, or hats, does the trick, than so be it. And finally, you’re right. You do look damn good in pink!

  4. The whole pink for girls thing is relatively recent, around mid 20th century. We recently got this very colorful new bed spread for our young female Japanese homestay student. She’s gone now, my 17 yr old daughter doesn’t want it. But my 7 yr old son does. My 17 yr old daughter: It’s got too much pink in it! Me: So what? He doesn’t care. He’s also sporting a butterfly tattoo today, because its Nature, and he might attract some bugs outside so he can catch them.

    Your hair is awesome.

  5. I currently have vivid purple streaks in my hair. As my time in Corporate America draws to a close, I find subverting the rules makes me feel less suffocated in my daily routine. Also, it gives me an excuse to spend the day (at the salon) away from bosses, schedules and kids. It’s joyous. Of course, pink is far cooler. 🙂

  6. Way to rock it, Cat. This really resonated with me. I, too, just can’t wear make-up. And I, too, tend to disappear in the crowd. I am so often frustrated when people I know and like don’t remember me at all! I haven’t yet found my way to stand out. Someday.

  7. Great post, Cat! Yes, yes, yes to all this, though I’m terribly distressed to find that blue ages one, as I did blue for a while. Must be why I gave it up 🙂

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Nattering Social Justice Cook: Prepare to Ride, My People

photo of someone saying yeahTo those who have said “wait and see” about the results of the election, I have seen enough events and phenomena to feel that I am sufficiently prepared to venture an opinion on the results of the election. Here are some, listed in random order:

I need to stop because the more I look, the more the hits keep on coming. What a bizarre time to live in.

So. For those of you who either didn’t vote for Trump or did and now are all “I’ve made a huge mistake“, aka the sane and/or informed ones, yeah, buckle up because it’s going to be a rocky ride. At best, a lot of wealthy people are going to skim money from our government while changing laws so they can exploit us even more while at the same time, hatred and intolerance are normalized and neo-Nazis are allowed to try to silence dissent. At worst our rights are stripped away and things go up in flames.

There were election shenanigans, to a point where people should be at a minimum auditing the results. There was documented Russian interference and more than that, there was the result of sedulous gerrymandering on the part of the Republicans for the past decade along with their removal of the Voting Rights Act.

In my opinion. You may disagree, and that’s fine. This is what I think and what’s driving my actions over the next four years. I am going to speak up and object and point things out. I am going to support institutions that help the groups like the homeless, LGBT youth, and others whose voting rights have been stolen and whose already too-scant and under threat resources are being methodically stripped away.

I am going to continue to insist that honesty, tolerance, and a responsibility for one’s own words are part of our proud American heritage, the thing that has often led us along the path where, although there have been plenty of mistakes, there have been actions that advanced the human race, that battled the forces of ignorance and intolerance, and that served as a model for the world. That “liberty and justice for all” are not hollow words, but a lamp lifted to inspire us and light our way in that direction.

I will continue to love in the face of hate, to do what Jesus meant when he said hate the sin while loving the sinner. I will continue to teach, formally and by setting an example of what a leader, a woman, a good human being should do, acknowledging my own imperfections so I can address them and keep growing and getting better at this human existence thing. If I see a fellow being in need, I will act, even if it means moving outside my usual paths.

I will not despair or give way to apathy. And as part of that, I will celebrate the good, point out the wonderful, witness the absurd, the amazing, and even the wryly amusing. I will let my sense of humor buoy me, and I will continue to consider the alt-pantless, sorry, alt-right, petty, pathetic, and laughable. They know that they are. Writing in 1944 about anti-semitism in his essay Anti-Semite and Jew: An Exploration of the Etiology of Hate, Sartre stated things with a prescience that makes his words apply to their theater of outraged outrageousness, in which they prance around with the self-importance of bright preteens who have just discovered death metal and nihilism.

Never believe that anti-Semites are completely aware of the absurdity of their replies. They know that their remarks are frivolous, open to challenge. But they are amusing themselves, for it is their adversary who is obliged to use words responsibly since he believes in words. The anti-Semites have the right to play. They even like to play with discourse for, by giving ridiculous reasons, they discredit the seriousness of their interlocutors. They delight in acting in bad faith, since they seek not to persuade by sound argument but to intimidate and disconcert.

I will not be intimidated or disconcerted. Feel free to laugh at my naiveté, my over-earnestness, and idealism. I’m going to dance right past you, m-fers, and you will never know what hit you.

Language matters. Truth matters. Even in the face of this sort of thing:

The world is broken. Love isn’t enough to fix it. It will take time and effort and blood and sweat and tears. It will stretch some of us almost to the breaking point and others past it. We must help each other in the struggle, must be patient and kind, and above all hopeful. We must speak out even when we are frightened or sad or weary to the bone.

The millennials, may the universe bless them, are inheriting a shitty world. Those of us from older generations must teach and support and help where we can, realizing that what we do now affects the rest of their lives. We cannot let things slide into any of the nightmarish worlds we see depicted in so much science fiction, but if we do not act, they will. I will not sugarcoat things; it may be too late. But living as though it is not is the only way we’re going to survive.

Act now. Even if it’s just saying hello or smiling at someone that you wouldn’t normally. Start putting some good energy out in the universe to counteract the fog of hate. You’ll be surprised by how much better it makes you feel. Don’t pay attention to the trolls; they’re trying to keep you busy so you won’t act, to discourage you into slumping back onto the couch before you can even take a step out the door.

And here’s a recipe for the best chocolate chip cookies I know. In case you need a little chocolate in your life. We’ve gone through several batches of them in the past week here at Chez Rambo.

Bright blessings on you all,
Cat

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2018 in Retrospect Plus Here Comes 2019: Ever Onward, Ever Hopeful, Ever Joyful

There’s only one day left of this year in which to reflect upon it, and one thing I’ve been urging students to do is sit down and reckon up some of their accomplishments as well as planning out next year’s goals. So here I am, practicing what I preach.

Fiction-wise, the biggest thing published was my fantasy novel, Hearts of Tabat, in May. (If you’re one of the folks who enjoyed it, please think about putting up a review on Amazon, GoodReads, or wherever.) While it’s book two of the Tabat Quartet, it functions as an introduction to the series as well as the first book, Beasts of Tabat, does, and maybe they actually read better in that order, I dunno.

Other publications included stories for my Patreon campaign, this dour little piece of flash in Daily Science Fiction, and stories in anthologies, including “My Name is Scrooge” in The War on Christmas.

I finished up writing two novels, one of which (You Sexy Thing, a space military fantasy) is off with my agent, another (The Five of Us, a MG far future space story) of which I’m currently editing, and got halfway through two others: Exiles of Tabat (the sequel to Hearts of Tabat) and Devil’s Gun (sequel to YST).

The anthology I edited, If This Goes On from Parvus Press, will come out in spring of 2019, and is chockfull of good stuff. So will the little collection that’s intended as a reward for Kickstarter backers, Rambo on Rambo. Thank you to Parvus as well as my rocking team of slush readers, who heroically tackled (literally) hundreds of stories.

The Patreon effort continued to grow, and I hope in 2019 to get it to the point where I can start my own monthly magazine. One helpful thing I started doing was using the software Airtable, which came recommended by Pablo Defendi, and treating the effort as though it were itself that magazine, with weekly features like Tasty Thursdays, in which I provide and talk about a recipe, and Friday Questions, a mini Ask-Me-Anything where conversations can range all over the place. I also hooked in my Discord server for $5 and up patrons and coaching clients and also recruited some other writers and Rambo Academy faculty in order to create a community where people could encourage and motivate each other as well as trade story and novel critiques,

Nonfiction-wise, I finished up the book for Moving from Idea to Finished Draft. I wrote a couple of Clarkesworld essays, “The Future, Ordinary” and “Saving throw vs. Boredom: How RPGs Taught Me Storytelling“. I also published a new class, Hex-Engines and Spell-Slingers: Writing Steampunk and Weird Western. I did a number of reviews for Green Man Review, and have several more in the pipeline – just need to get back into the groove of doing those. I wrote the usual round of blog posts, including favorites On Writing: Advice for Attending a Writing Workshop, Chekhov’s Gun Store, and When and Why to Hire an Editor, And What They Should (and Shouldn’t) Do

The Rambo Academy for Wayward Writers overall gained a few more teachers, and continues to grow, which is frickin’ awesome, and lets me sit in on classes by the likes of Ann Leckie, Seanan McGuire and Rachel Swirsky, along with a host of other great folks. We had our first gamewriting-related class, High-Speed Worldbuilding for Fiction and Games with James L. Sutter. Check out the latest version of the faculty list. Speaking of teaching, over a thousand students have come through the Rambo Academy now, which is awesome, and I added several new live classes to the roster. I expanded the number of free slots in each class from one to three.

I went to the usual round of conventions, including International Conference for the Fantastic in the Arts, Norwescon, Emerald City Comic Con, GenCon, WorldCon, DragonCon, GirlGeekCon, Surrey International Writers Conference, and Pacific Northwest Writers Association. I got to both tell Peter S. Beagle he was the new SFWA Grand Master and then give him the award — and I get to do the same with another personal hero this coming May. I was a mystery muse for Clarion West this summer and some of the students from there took me up on my offer of a coaching call (If you’re one of them reading this and sad you didn’t, the offer is still open.)

I made my Twitch TV debut as part of the crew playing Esper Genesis. My name is in the rulebook as a playtester, which makes me proud and happy. One ball I’ve dropped is getting SFWA set up with a Twitch effort, but that requires figuring out what form that might manifest in as well as assembling the right volunteer team to care for it.

SFWA continued and continues to make strides forward into the 21st century, despite various small contretemps along the way, and I expect it to break the 2,000 member mark in 2019. Things that got implemented or that kept surging along in 2018, in no particular order:

  • I’ve been working on prodding the SFWA Youtube channel into existence since I was Vice President, and this year it really started to find its feet under the adept leadership of Diane Morrison. Some highlights include. Please check it out and subscribe – lots of good stuff is in the pipeline including gamechats with Jason Stevan Hill and James L. Sutter.
  • The mentorship program was launched. That’s been a long and painful struggle because we wanted to make sure we got it right, but the first wave of mentors and mentees got matched and the results (and numbers) are terrific. I’m mentoring someone myself — if you’re interested in participating in one or the other (or both) sides of that the next time they open up to matches, keep an eye on the website. You do not need to be a member to serve as mentor or mentee.
  • The Givers Fund created by outgoing SFWA CFO Bud Sparhawk continues to roll along disbursing money to efforts promoting fantasy and science fiction. Much of the money raised for this comes from our partnerships with HumbleBundle and Storybundle, which we have worked with in the last 2 years to create Nebula-themed offerings as well as efforts throughout the year, including two SFWA-author Storybundles.
  • The first Nebula Awards weekend I ever went to was a hotel banquet plus a handful of desultory panels. Nowadays it’s a bajillion times busier, bigger, and full of requested features. At some point it deserves a blog post all its own, detailing all the cool little features it’s acquired, like the Alternate Universe Acceptance Speeches. In 2019 (and 2020), it’s in Woodland Hills, California.
  • The Partners and Spouses party at the Nebulas was another thing I’ve pushed for, an event honoring the folks who often make it possible for writers to write, hosted by the inimitable (and SFWA Ombudsman) Gay Haldeman. In 2018 there was even programming aimed at those folks, assisted by Michelle Appel.
  • Indie members have been one of my foci all along and I continue to see them shaping the organization with their enthusiastic, energetic, and above all market-savvy input. We continue to be the only org of this kind letting people qualify with crowd-funded projects. Efforts associated with them include the NetGalley program and the New Release Newsletter.
  • Finally that frickin’ Game Nebula plus revised membership requirements for game writers are in place. Check out the SFWA Recommended Reading list to see some of the games SFWA members are playing and recommending.
  • The continued growth of the SFWA volunteer program under Derek Kunsken’s adept hand continues to please, and the volunteer breakfast that we implemented three years has (I hope) become a mainstay, along with the cool thank you certificates handed out there.
  • Kate Baker helped organize Six Sigma training for the Board at the Nebulas this year and the extra day of that was so well worth it that we’ll be doing it again in 2019.
  • SFWA Ed is rocking along under Jonathan Brazee’s able hand, they’ve got several claases up already, and I’m working on a mini-project for them right now.
  • Publications are getting sorted out. The Bulletin continues to lurch towards a more regular production schedule and has some things it previously lacked, like submission guidelines. The Singularity, originally intended to solve the problem of people getting a piece of mail from SFWA, going “I don’t want this,” and unsubscribing not realizing that meant no more e-mails from SFWA at all, including stuff about the Nebulas and the SFWA elections, has a regular schedule and is always full of great stuff, with people using it, which is a nice sign. Moving the Forum (and once and for all ending the confusion between its name and the electronic discussion forums) to electronic form only and re-shaping it into the Binary, a twice-yearly members-only formal writer-up of votes, committee and board member reports, and budget numbers, has been another effort that has been successful and helped turn something a little retro looking into an entity for this century.
  • Social media has gotten more of a focus in the past few years, and I see the SFWA Twitter account currently bubbling up all sorts of good content from past years on the SFWA blog, including a number of my own pieces.
  • Another of my visions, the SFWA First Chapters project, designed to help with the perennial question, how do I sift through the kerjillion novels that come out in a single year, is off and running!
  • Undoubtedly I have forgotten a kerjillion things that I will remember right after posting this; I will edit them in as they occur to me.

Some SFWA moments, like writing up a requested statement on what a SFWA President does for the Elections committee, are a little bittersweet because it’s the last year of my Presidency. While I am REALLY looking forward to putting more time and mental bandwidth into writing, I know I will miss a great many of the interactions. I will continue to work with the org as a volunteer — that sorta goes without saying, I think, but I’m still figuring out what I want to do. I got to make my final round of picks for the next SFWA Grandmaster, the recipients of the Kate Wilhelm Solstice Award, and the Kevin O’Donnell Jr. Service Awards, and they’ve all been Board-approved and notified, and I am super happy with the chance to acknowledge them all. This will be my last Nebulas as SFWA President, the closest I’ve gotten to playing prom queen in this life, and so I’m trying to figure out how I’m going to out-do last year’s banquet dress.

A nice highlight, coming in late fall, was that I got a helper! The daughter of a friend, Molly Louise, has been working hard at putting together a more regular social media presence, doing some writing for the blog like To France and Beyond and What Happened to Sabrina?, helping put together the newsletter, and creating some fun graphics. It’s been a big help and I look forward to working with her in the New Year.

Sadder notes of 2018 included losses like Ursula K. LeGuin, Mary Rosenblum, and my friend K.C. Ball. I was touched that Orycon asked to reprint my tribute to her in its program.

I had bought a lot of 4 horses for the sake of the Stardust Unicorn in it, and decided to modify one of the excess ones.This is still in progress.
The pictures illustrating this write-up show a new obsession: Breyer horses. Throw in the availability of used toys and memorabilia on eBay and you have a recipe that sates my inner 12-year-old. Here’s the one I’ve been working on customizing. It’s a fun rabbit-hole, and my BFF and I are planning a trip to Breyerfest in the middle of the year.

I’m looking forward to that as well as to a lot of projects in 2019. A lot of last year’s productivity was spurred by finding a new writing process last September, one which is painful yet productive, and which involves getting up at 5:30, hitting the gym, and then denying myself Internet until I’ve hit my wordcount mark. It’s based on Chris Fox’s 5,000 Words an Hour.

What I am looking forward to in 2019:

  • Turn in Exiles of Tabat, the MG novel, and the next few books in the space series, which is planned on as a somewhat insane ten book story arc.
  • On-demand versions of the flash fiction class, the all the -punks class, and the Stories that Change the World class.
  • Finally get the third edition of Creating an Online Presence done.
  • Frequent visitors will have noticed more guest blog posts on here. I’m hoping that eventually I can grow it into a monthly magazine of sorts since the Patreon continues to gain traction. If you’ve got something you’re promoting that you want to guest blog about or are interested in talking about some sort of semi-regular column, please drop me a line. By the end of 2019, I hope to have made significant progress towards that goal.
  • Moving the Chez Rambo household to a new place – we’re looking for new digs, probably still here in West Seattle, and I know that’s going to be a major effort.
  • Upcoming/planned appearances include Confusion in January, Norwescon, the Nebulas, GenCon, WorldCon (Dublin!), Cascade Writers, PNWA and Surrey International Writers Conference. I’ve also booked a treat for myself in the form of a trip to Breyerfest with my best friend in July, which should be a hoot and a half. Neither of us have ever been and I’m working on booking us an Airbnb that will let us interact with live horses too. If you have suggestions of things we should see while in the Lexington area, let me know!

Resolutions aren’t usually something I formally do, but I am going to try to be better about keeping up with my journal/notebook this year, because I find recording things like word counts for writing sprints or tallying gym visits makes me more mindful of and better about doing them. I like to jot down “10 Things About Today” in my daybook on a regular basis because I like looking back at those small details and remembering incidents, like seeing two little girls in purple ballerina skirts purposefully making their way up a hill yesterday or talking to a woman in the gym about the book she’s reading. I’d like to pick up the habit of meditation, because my mind is a monkey-mind, constantly distracted, worrying, and busy puzzling things out and composing pretty phrases in my head.

I hope to be better about both maintaining existing ties as well as establishing new ones, much of that in the form of letting my amazing friends and family know how much I appreciate them. To be a little more tidy in my daily existence for the sake of my own sanity, since an orderly environment is so much nicer than living on the edge of creeping chaos. And finally, to make more art for the sake of making art, like my notebook doodles or the masks I make every once in a while or my little Breyer customization project.

To continue to work on thinking before speaking, to encouraging other voices to talk — and listening to them, and to be mindful of the impact of my words. To continue to work at being able to go to bed knowing I’ve made an effort to make good things happen in the world, that I’ve cultivated love rather than spread hate, and that, above all, that I’ve been true to myself.

Here’s to a shiny 2019 for us all.

Peace out,
Cat

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