Patreon Revamp, AKA Why You Should Join If You Haven't Already

This is the most useful book on writing I have ever found, and it’s the only one I will actually buy to give to people. I ended up writing the introduction to the 10th anniversary edition, because I know the publisher and, well, I’ll let that introduction tell its own story. The “Patrick” referred to in it is Patrick Swenson, the publisher who owns Fairwood Press.

For the past few years, I have been covertly getting people to go up to Patrick at conventions and ask when the electronic edition of this book would appear. Why? It might be that I have a prankish mind that was devoted to making him believe there was a vast groundswell awaiting this book. But actually, that’s the truth, because I’ve been pushing this book for years, less for prankish reasons than because I think it’s so useful for new writers.

The 10% Solution is not a cure to all your writing woes. It’s not a tool that helps with everything. But it is a great little book that will make you a better writer if you use it at the right stage in the process. The time to employ it is in that last pass before you send the story out into the world. I think of it as a lint-brush, something that tidies things up and makes sure every sentence that you’re sending out into the world to represent you is doing so beautifully, showing off that you can construct clear and error-free sentences that do exactly what you want them to be doing.

I don’t remember the circumstances when I first ran across The 10% Solution, but I do know that since then I have given out multiple copies and recommended it to literally hundreds of people. Why? Because it works and effectively shows you how to polish a piece of work in a way that shows you are at the professional level. For not just fiction but nonfiction.

Yes, it’s a pain in the butt. Yes, the first time you apply it to a manuscript it will be a huge pain in the rear end that may well lead you to curse aloud, calling down vile imprecations on my head. Yup and yup. I’ve been there too. But it’s worth it. After you’ve done it a few times, your unconscious mind gets tired of that labor and begins making changes before you write, tightening up and clarifying your prose in a way that will make it better.

Don’t believe me? Don’t try to apply it to a book then, but test it out with a short story or essay. Do give it a full chance, not skipping any steps, doing the actual “now I am searching on ly, now I am searching on of” steps. And keep a copy of the original, then look at them side by side. If your original prose is so golden that this didn’t substantially improve it, well then, perhaps this is not the book for you. But for the rest of us, it’s an awesome one.

Thank you, Patrick, for finally listening to all those people I kept sending up to you. I swear you won’t regret it. I know I won’t.

We are mostly unpacked and settling into West Seattle. The construction across the way continues, and they’re working frantically to get the place done before the rainy season sets in. I give them a 50/50% chance of making it.

The high ceilings here make the place feel enormous, as does the extra 300 square feet we’ve picked up. We’ve also got substantially more closet and cupboard space. The view from the kitchen window remains a thing of wonder; every night it gives me a beautiful sunset with sound and mountains. Yesterday there was sunlight coming in through the leaves and flickering on the cabinet so beautifully that I had to call Wayne to come and look. The cats like the new place, particularly the carpet in the study.

Downsides are small so far — we’ll definitely need to get a portable AC for at least one room next summer in order to survive. We certainly can hear the restaurant — but the hours are such that it’s hasn’t been bothersome at all and it means we never need to worry that our TV or music is too loud in turn. There are raccoons who like to come up the back stairs and trip the motion detector driven light. Garbage is much more complicated than it was in Redmond: here we have to separate out food waste and there’s no handy dumpster.

The best feature, for me at least, remains the location. A few dozen coffee shops are within my walking range. The library is a six minute walk away. If I wanted to, I could take the water taxi into Seattle. Also within walking distance: multiple thrift stores, several parks, an antique mall, four large grocery stores, a 24 hour Bartells Drug Store, two bookstores, an art supply store, a post office, a pet food store that carries the cans of gold that are the only thing Raven can eat, and some of the most beautiful views around. The Unitarian Church is a hour walk, but a ten minute drive isn’t too bad.

Saturday we finished up cleaning the condo. A friend just moved to the area, so we’re happy to be able to have him staying there and making sure no one sets up a meth lab or tiger breeding facility or something like that while we’re gone.

Recent writing news:

• “Marvelous Contrivances of the Heart” just appeared in Fiction River: Recycled Pulp, edited by John Helfers.
• I turned in my story, “The Curious Peregrinations of a Goat Herder,” for the Champions of Aeltalis book, and Marc Tassin liked it.
• “He Knows When You’ve Been Sleeping” will appear in Naughty or Nice, edited by Jennifer Brozek. This is a humorous story that edges into R realms and is also the first Christmas story I’ve written, which is a slightly odd combo.
• “Rappacini’s Crow” was rereleased in the Best of Beneath Ceaseless Skies Year Six.
• Two collaborations are forthcoming: “The Mermaid Club” with Mike Resnick and novella “Haunted” with Bud Sparhawk.
• A notable recent reprint is “Tortoiseshell Cats are Not Refundable”, which originally appeared in Clarkesworld Magazine, and will be reprinted in The Best American Fantasy and Science Fiction, edited by Joe Hill with series editor John Joseph Adams.
• Recent Patreon stories are Talking in the Night and Snakes on a Train.
• Other upcoming stories include “Tongues of Moon Toad” in The Bestiary Anthology, edited by Ann and Jeff VanderMeer; “Preferences” in Chasing Shadows, edited by David Brin; “Red in Tooth and Cog” in The Magazine of Fantasy and Science Fiction; novelette “The Threadbare Magician” in Genius Loci, edited by Jaym Gates; “As the Crow Flies, So Does the Road” in Grendelsong, edited by Paul Jessup; and “Call and Answer, Plant and Harvest” in Beneath Ceaseless Skies.

Recent teaching news:

• I have just finished up converting the Character Building Workshop class to the on-demand form for Fedora and I am very pleased and proud with how this one turned out and how my little online writing school is growing. Once I’m done converting them all, I will go back and update the first one, based on a lot of the lessons I learned working with this particular class.
• I’m finishing a third and final installment of my How to Teach Workshops series for the SFWA Bulletin; you can find installment one and installment two in the Bulletin, the most recent of which is available on Amazon.
• Upcoming live classes include: Flash Fiction Workshop (October 16), Literary Techniques for Genre Fiction I and II (October 17 and 24), the Reading Aloud Workshop, and the First Pages Workshop with Caren Gussoff.

That’s all for now! Looking forward to an October spent exploring this new space and finally finishing up this goddamn book.