Recent Reading From September

Charlotte Perkins Gilman was an American editor, writer, and lecturer whose short story “The Yellow Wallpaper,” about a woman’s descent into madness, is often revisited in college literature classes. She was a single mother who supported herself by writing — no small accomplishment today, let alone at the time she was doing so, the late 19th and early 20th centuries.

Herland is often treated as though it stands alone, but it’s actually the middle volume of a trilogy, preceded by Moving the Mountain in 1911 and followed by With Her in Ourland in 1916. The work was originally published as a serial in a magazine called The Forerunner that Gilman edited; it did not appear as a complete book until 1979, when Pantheon Books published it.

Herland is a utopian novel, in which three men, Vandyk (the narrator), Terry, and Jeff stumble across a civilization where the women reproduce asexually and there are no men. This turns out to lead not to a perfect civilization, but certainly one that seems more appealing than the one Gilman found herself in. Gilman uses the book as a device with which to explore constructed ideas of gender. It is an appealing society in many others; in others, it’s a bit cold and calculating. Girls who are overly rebellious or mouthy, for example, will not be allowed to reproduce.

One of the things that’s refreshing about the book is that it’s not written as though the lack of males is a deficit that warps society. Instead, it’s simply the way things are, and the Herlanders seem capable of getting along quite well without it.

Gilman was one of the important suffrage speakers of her time and a bit of a polymath. If you want to go further into her writing, I suggest a piece of nonfiction, her work on economics, Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution, which originally appeared in 1898.

You can find Herland online in its entirety at Project Gutenberg, along with much of Gilman’s other work.

#sfwapro

In the past I’ve found the promotional bag of books from a con can vary widely in terms of quality. One treasure that emerged from my World Fantasy Convention bag, though, is THE RED KNIGHT by Miles Cameron. I’m about to send my copy off to a friend, and I thought I’d recommend it to other folks as well.

In flavor, it reminds me a little of what I like about Joe Abercrombie – a nice grittiness to the characters, as well as a melange of viewpoints that end up weaving together coherently to deliver a story that pulls you along. The social structure feels medieval, full of knights and squires, but while noble by birth, most are not noble in nature. I like strong female characters in my fiction, and there’s plenty of them in here, including some older ones, which I appreciate. The fighting is nicely choreographed and realistic, without the description ever getting tedious.

It’s the usual some dark mystic force is invading sort of plotline, but it’s enjoyable and tense. I’m a fan of big fat fantasy novels, and this is both engaging and highly satisfactory, to the point where I’m eager to read the next, since THE RED KNIGHT is the first of a trilogy. The jacket says Miles Cameron writes historical fiction under another name, and I’m going to poke around and see if I can’t find his other work, since I enjoyed this so much.