Five Ways
Subscribe to my newsletter and get a free story!
Share this:

Writing Thoughts: Dwelling On Process

Picture of a tortoiseshell cat, upside down and looking cute.Here is the only thing I know to be true about writing advice: none of it is 100% true. There are always exceptions, always idiosyncrasies of individual process.

Here is the smartest piece of writing advice I ever got: said by Syne Mitchell while I was at Clarion West in 2005, “Try different things, find what works for you, and do that. Lots.”

Writers should pay attention to our own process. Sometimes we’re reluctant to do so. We worry that like the centipede in the story who stops being able to walk after thinking about exactly how she does it, looking at our own process will damage or kill it. A Schrödinger’s cat: we know we’re doing something, but if we look to prove that, it’ll vanish.

This is not actually true. Looking will, most probably, not kill it. If you are the rare exception that cannot look at their process without damaging it, a brief examination will let you know this without damaging anything too much. Maybe. There are no guarantees in writing advice.

But if you are part of the vast majority that WILL learn from it, what will you gain?

  • A knowledge of WHEN you’re productive that will help you make the most of that time. Is the morning your most productive time? Then schedule your writing for those hours rather than the draggy and low word count afternoon.
  • A knowledge of WHAT conditions make you productive. Does the coffee shop’s bustle and a few doses of caffeine stimulate you into productivity? Or do you need solitude and the ability to read aloud as you go? Find it out and do it, do it, do it.
  • Permission to indulge yourself. Do new notebooks spur you to new stories? Then go for it. Does a two hour walk shake loose the clarifications you need for that revision? Then put on your sneakers.
  • A sense of yourself as an artist. Because you are, you know. Your mind is a precious machine capable of creating wonderful things. Coddle and care for it. Appreciate the amazing combinations it makes, the verbal webs it spins, the hard glitter of its jewels.

Take a few weeks. Track your daily word count as well as the circumstances that accompany it, such as when and where you wrote. But go further than that. Track the other things that affect it: your mood, your diet, your sleep. You may find that daily walk doubles your output, that the days when you took time to eat breakfast rather than just slug down a latte, change your outlook.

FOr many of us, stress is a killer of productivity. I know nothing can drive me faster to the distraction of Bejeweled Blitz or cruising my Twitter stream. All the more reason to de-stress your life whenever you can, all in the name of writing.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

4 Responses

  1. I am going to buy a new pair of boots. In the name of writing. 😉

    Seriously, though, this is great advice. I keep meaning to start tracking my output. I even did, for a while, and now have this lonely Excel spreadsheet cluttering my computer, detailing a three week stint of writing mindfulness.

    I need to figure out a good way to destress. For my writing’s sake, as well as my husband’s.

  2. Tracking it can make you feel a lot happier. I sometimes forget how much stuff I’ve actually gotten done in the course of a week.

    And destressing – YES. For me, it’s long, long walks.

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

Recent Reading: Wolves, Wives, Knives, Curses, A Hospital, and a Henchgirl

The works read but yet to be reviewed are piling up, so here’s a new roundup to clear away part of the deluge.

The Mere Wife by Maria Dahvana Headley is a retelling of Beowulf from the monster’s point of view, set in a possibly not-so-future world where the rich live in protected enclaves. Stark and beautifully told, the story raises the question of who the actual monsters are and whether they haven’t been residing in us all along. (Farrar, Straus and Giroux; release date 17 July 2018)

A Treacherous Curse by Deanna Raybourn is the second in what feels very much like a series, following A Perilous Undertaking. It reads a lot like Elizabeth Peters’ Amelia Peabody series but with a much more sexually outspoken protagonist named Veronica Speedwell and a dose of fantasy. I initially thought Speedwell’s love interest was Bram Stoker, which actually turned out not to be the case. A fun, light read. (Berkeley Original, 2018)

The Year of the Knife by G.D. Penman is entertaining urban fantasy in the police procedural tradition, and will remind the reader of a Ben Aaronovitch novel with a slightly smaller cast. Meerkat has been putting out some very solid stuff, and this is another example of that. (Meerkat Press, 2017)

Two graphic novels, very different from each other, round out the list. The first is Freedom Hospital: A Syrian Story by Hamid Sulaiman, winner of the English PEN Award. This book is graphic, a brutal and heart-wrenching introduction to conditions in Syria in 2012. The art is simple, sometimes with the quality of a slogan stenciled on a wall: I could image image after image from the book used in that way. Recommended but not light reading. (Interlink Publishing Inc., 2018 American Edition)

Henchgirl, by Kristen Gudsnuk, comes from Dark Horse Books and is a fun exploration of the economics of supervillainy, particularly for the minions and henchfolk just trying to make an honest living. Clear and charming drawing with a nice sense of whimsy. (Dark Horse Books, 2017)

You can read this at http://thegreenmanreview.com/books/recent-reading-wolves-wives-knives-curses-a-hospital-and-a-henchgirl/

...

On Writing: Creating Emotional Impact Through Characters

Cover of Pog, issue of the Swamp Thing by Alan MooreI’ve been teaching an advanced workshop that’s been a lot of fun. I gave them one of my favorite texts, an issue of Swamp Thing by Alan Moore called “Pog.” You might want to read it before proceeding on to the discussion of it. Go ahead, I’ll wait.

I picked that text because it has a high degree of emotional impact. It was a great starting point for talking about how to create that in a piece of fiction. In discussing how Moore achieved that, we realized that it is primarily constructed through the characters. While it’s nice to see the images, they are not the primary source of the impact.

Here are the five ways that impact is created:

  1. The characters are in a problematic situation with which we, the reader, can identify. While we have never rocketed through space in a ship shaped like a turtle shell, we do know the feeling of exile. We know what it is like to lose a home, and despair of finding a new one.
  2. The characters are acting to solve their problem, even in the face of growing despair. Accordingly, we root for them and their valiant effort.
  3. We see the characters caring for each other, taking care of each other in a way that is loving and endearing.
  4. The characters are freaking adorable. Seriously cute. How can we not love them? I’m reminded of the Aeslin mice Seanan McGuire uses in her urban fantasy series or the fuzzies in H. Beam Piper’s Little Fuzzy series (free on the Kindle!) (also rebooted by John Scalzi). They speak in a way that is absolutely charming and full of wordplay.
  5. And one can’t underestimate the glow of nostalgia that this comic holds for those who loved the original Pogo strip by Walt Kelly.

So what takeaways for character building can one draw from this? Are there axioms that can be applied in one’s own writing? Of course there are, and here’s the list:

  1. Give your characters a real problem. More than one. The shittier you are to your characters, the more people can identify with them.
  2. Make characters act. They don’t need to make the right decision, but they do need to make one, and experience its results. Characters that are simply floating through the story being buffeted by forces outside their control are a stretch to identify with.
  3. Give us something to love about the character, even when they’re unsympathetic.
  4. Don’t be afraid to be a little sentimental. I know the more cynical among you will flinch at that advice, and I’m not fond of very sappy stuff, but in my experience, the stories that lean hard towards the sentimental often do much better than those that do not.
  5. As to whether or not one should rely on paying tribute to other loved texts as an overall narrative strategy, that’s up to you. But one of the important things about such a strategy is that you must allow for the reader who does not know the original text. What you produce must be entertaining to them even without that overlay.

What strategies have I overlooked? Characters are pretty central to stories, and strong, clearly delineated characters will serve you well.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

...

Skip to content