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Fantasy Books I Love: P.C. Hodgell's Kencryath Series

The cover for the book God Stalk by P.C. HodgellA bajillion years ago, when you could send the Science Fiction Book Club $.11 and get 11 books back, I signed up, receiving a fabulous armful particularly valuable back in the days when the Internet was just kicking off.

One of the 11 was P.C. Hodgell’s fantasy novel, Godstalk. I recently reread it when I found it and its sequel were available in the form of a single e-book, The God Stalker Chronicles.

I loved that book for its density of innovation as well as its creation of Tai-tastigon, a city is vividly alive as any other in speculative fiction, as evocative as Ambergris or Gormenghast, as alluring and perilous as Fritz Leiber’s Lankhmar, as historied as Minas Tirith or fictional London or any of the cities George R.R. Martin evokes so well.

And I loved it for its heroine, Jamethiel. She comes to the reader as a semi-amnesiac, unsure of exactly what lies in her past and bearing, as such heroes and heroines often too, a magical object. Or agical objects. Those objects shaped my naming convention for magical objects and remain as lovely as when I first encountered them: the Ivory Knife, the Book Bound in Pale Leather and the Serpent Skin Cloak.

Their bearer enters the city of Tai-tastigon and swiftly is embroiled in the doings of several groups of characters, including the staff of a local tavern, the Thieves Guild, assorted priests and gods/goddesses, the rooftop-dwelling Cloudies, and assorted bandits, allies, and felines, all of whom turn out to be more connected and in more mysterious ways than one would expect. I am an inveterate re-reader. More so in the days when I didn’t have the ability to download just about anything from the Internet, but even so still a habit I indulge in. Godstalk stood up to multiple rereads over the decades and shaped my expectations for fantasy novels ever since. It set a pretty high bar.

I loved Godstalk to death and managed to find its sequel Dark of the Moon much later. It always frustrated me not be able to find others in the series. Therefore I was overjoyed to find out that that not only were there more in the series but that they were available in electronic form. I’m halfway through the third book, Seeker’s Bane, and looking forward to the next three.

One of the things that makes returning to the book so satisfying is the heroine Jamie. Her flaws as well as her strengths are written deeply, shaping her actions inevitably and eloquently. The author takes us deep into Jamie’s head, letting us watch her development as well as her struggle with her complicated existence.

The main source of Jamie’s struggle is her adherence to the Kencyr code of honor, a trait that makes her a hero in the classic sense, someone to look up to and emulate, and which often talks directly about the nature of honor. Here’s a passage I just hit in Seeker’s Bane:

Trust honor, Immalai had said.
yes. For her, balanced on the knife’s edge, honor was more than life, its loss infinitely worse than death. And part of honor was taking responsibility for one’s actions and choices, over and over, as long as one acted or chose.

Jamie is complex and compelling. Her twin brother, Tori, begins to share the viewpoint in the second book and is interesting in his own right, but Jamie is rightly the core of the series. As I’m reading through the series, it’s a pleasure as a reader to watch her history unfold even as her personality is sharpened and shaped. As a writer, it’s a terrific lesson on the effectiveness of going deep into a character’s head.

Fantasy books and series that share this depth of character development:

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You Should Read This: Surrealist Games

Image to accompany review of Surrealist Games
I use some surrealist techniques in the Literary Techniques for Genre Fiction class. Check it out if you're interested in adding more depth or texture to your writing.
I’ve been carrying this book around since days in Baltimore, when my ex gave it to me as a Valentine. It came in a charming little boxed set complete with temporary tattoo. Nowadays I have several real tattoos but I still draw on this book, particularly for the Literary Techniques in Speculative Fiction class.

What: Surrealist Games, compiled and presented by Alastair Brotchie is a compedium of games played by members of the Surrealist movement along with illustrations and surrealist quotes. Games include echo poems, provocations, and oral description of objects perceived by touch.

Who: Any writer is the better for a little dose of surreality from time to time, and any forays into the book will yield a few interesting phrases at the least, or perhaps even a whole new mind.

Why: Read it to find some writing games that you can play solo or with similarly-verbally-minded friends. Read it for the equivalent of a poetic whack upside the head. Read it for the creative sparks flung out by its pages.

When: Read it at a time dictated by the roll of a die or the motions of a lizard on the wall.

Where and how: Graze through the pictures and see what inspiration leaps from the paper to your brain. Don’t treat it like a manual, working your way through game 1, game 2, game so on. Instead, let it fall open and see where chance takes you.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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Some Favorite F&SF Reads of 2019

This is by no means an exhaustive list, but includes many of my favorites.

Ninth House by Leigh Bardugo. The success of Lev Grossman’s The Magicians trilogy has led to quite a few other “college for mages” books. This was my favorite of this year’s batch, although I did also enjoy Sarah Gailey’s Magic for Liars.

Pet by Akwaeke Emezi is a young adult novel that is just extraordinary and beautiful and astounding. I’m about to ship it off to my godkid as well as the next book.

Sal and Gabi Break the Universe by Carlos Hernandez is another young adult novel, this time much more humorous than Pet, but with its sadnesses as well. The voice is funny and delightful while still full of all of the insecurities of high school.

Photo by Jaredd Craig on Unsplash
unsplash-logoJaredd Craig
The Grand Dark by Richard Kadrey has a gorgeous, depressing texture, an interesting storyline, and an evocatively detailed world that had its Kafka-esque moments. This is very different than Kadrey’s Sandman Slim books — while they’re fun reads, this feels like a much more serious book without being ponderous.

The Twisted Ones by T. Kingfisher is a spin-off from Arthur Machen’s horror work The White Ones and it is, like all of her books, crazy good. It’s weird to me, however, that in 2019, she’s got a hoarder grandmother story, I’ve got a hoarder grandmother story, and Ellen Klages has a hoarder mother story that I enjoyed as well. Something in the zeitgeist?

The Raven Tower by Ann Leckie. It took me a little while to settle into the voice of this book, but once I got with the groove I was totally hooked. Leckie’s a master of storytelling. There’s a lot that’s hopepunk-y about this book, including the casual community-based heroism of the protagonist as well as the insistence on the power and mutability of stories and language.

The Traveling Triple-C Incorporeal Circus by Alanna McFall is actually a book that I edited, so I have a horse in this race, but it is terrific. This reads like a feminist reworking of Beagle’s A Fine and Private Place, and it is a fine and splendid work.

Middlegame by Seanan McGuire is a complicated and interesting book delivered with McGuire’s usual smooth prose and engaging characters. I don’t want to say too much about it for fear of spoilers.

Gideon the Ninth by Tamsyn Muir is like Mervyn Peake’s Gorgmenghast in space with lesbian necromancers. This was a terrific read and (IMO) well worth all the hype. I don’t even know how to describe it but I loved the slow burn of relationship building and the atmosphere and the overall bizarreness of the world. So delightful.

A Song For a New Day by Sarah Pinsker is near-future SF reminisencent of a mash-up of Marge Piercy and Joni Mitchell. This is definitely one of 2019’s hopepunk standouts.

A Choir of Lies by Alexandra Rowland is the follow-up to her amazing A Conspiracy of Truths and it deepens the understanding of the first book in a way that had me going back to read it again. When people are building lists of hopepunk, this and its predecessor definitely should always be included.

Today I am Carey by Martin Shoemaker is a lovely expansion on the award winning story. I really love this piece and it’s very timely.

The Deep by Rivers Soloman (novella) is a fabulous example of how stories can shift forms. Based on a Daveed Diggs by the same name, this is an intense and beautiful translation of the song.

The Fall by Tracy Townsend is the sequel to a book I loved, The Nine, and it was a great continuation of the series, reminiscent of one of my favorite writers, P.C. Hodgell.

The Lesson by Cadwall Turnbull is a fascinating, tightly drawn novel in which humans are forced to co-exist with super-advanced and mostly benevolent aliens, set on the Virgin Islands after the killing of one of the locals by an alien.

Cover of Carpe GlitterIf you’d like to check out something I wrote in 2019, please take a look at modern day fantasy novelette Carpe Glitter! You can find a list of my other 2019 writings here.

Want to recommend a 2019 piece that you enjoyed? Please drop it in the comments!

#SFWAPRO

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