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Teaser: Final Excerpt from The Crow's Murder

Abstract Image for IllustrationI finished a first draft of a new story, tentatively entitled The Crow’s Murder, today. It clocked in at 8300 words, which is technically a novelette, but I’ll probably trim enough to bring it down to official short story length, 7,500. I’m pleased with it, but there’s an angle that may let to WTFery on my writing group’s part when I run it past them. One thing I’ve done over the course of the past few days is track the progress of the story by taking pictures of early notes and saving snapshots of it from day to day. I’ll be using that in the Writing Fantasy and Science Fiction class and then looking at the story again when we get to the section on rewriting and revising.

So here it is. I hope it tantalizes you to read the rest!

I wheel the Colonel out into the day. He can walk, but prefers the dignity and slowness of the chair, in spite of its awkwardness, to having to struggle for every step. Dr. Larch will not let him have his artificial leg except when there are visitors. Otherwise it stays in the cabinet in the supplies room, along with all the rest, locked up so the patients can’t break or wear them down.

It’s just as well. Two days ago, when he surrendered it to me after a visit from his niece, the Col. said, “I knew every man of the three who owned this before me.” He slapped the brass surface. “And some fella will get it after me. Maybe someone I know, maybe someone I don’t. Do you think that ghosts linger around the objects they leave behind, the ones that accompanied them day by day? Because if so, I wouldn’t be surprised if there weren’t three ghosts riding this one.”

I didn’t answer and he didn’t expect me to. He knows my vocal cords were seared away in the same war that’s stole his leg, the same war that’s furnished most of the inhabitants of this asylum. Broken soldiers, minds and bodies ground-up by its terrible machines.

It used to be an injury was enough to get you out. Now if they can, they turn you into a clank, half human, half machine, and send you back to the lines. Nowadays we receive only the men who cannot be repaired, and here they sit or lie in their beds, waiting to die a slower death than the war would have given them, waited on by orderlies like me, other broken men who can function enough to pretend to work.

If you want to read the rest of the story, you can get it, along with at least six other stories, at the end of July by signing up to sponsor me in the Clarion West Write-a-thon. Even a small donation entitles you to the stories, so please do sign up!

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Celebrating Beneath Ceaseless Skies
Issue of Beneath Ceaseless Skies
Yet another pretty BCS cover.

Almost a decade ago I was part of a terrific workshop run by Walter John Williams and Connie Willis in the Taos Ski Valley. It was a talented group, and the two week session was a happy blur of lots of writing, lots of critiquing, and lots and lots of shop talk, plus assorted movies and a lot of wine.

One of the participants mentioned that he planned to start a literary fantasy online magazine. Since he happened to like the stuff I was workshopping, I figured that would be a surefire sale. So as soon as he opened up the magazine, I fired off a submission.

And he rejected it, because he didn’t feel it had the right flavor for his magazine.

That’s one of the things I respect tremendously about that editor, who was of course, Scott Andrews. It was, in fact, not till the fourth or fifth submission that he took a story, which was a piece set in the same world in which the novel I’d workshopped at Taos, Tabat, in the form of “Love, Resurrected.” From day one, Scott had a strong vision for the magazine, and it’s been an inspiration to watch him implement it over the years.

Since then, I’ve sold a number of stories to Scott, and have always been terrifically happy with his edits. When the novel that I had workshopped at Taos finally came out, years later, I had a novelette set in the same world that he accepted, and he graciously worked with me in order to time its publication with the novel release date. Most recently, he published one of my Serendib stories as part of BCS’s Science Fantasy Month and as always the story emerged much the strong for his adept edits. A BCS acceptance “” which I know to never take for granted “” is always something I regard as one of a year’s accomplishments, overall.

I’ve also enjoyed reading stories by other people for the BCS podcast. Scott picks, at least in my opinion, pretty high-quality stuff, and it’s always a pleasure to read. In his meticulous attention to detail, he goes to lengths to make sure that all the pronunciations are exactly as the author intends, which is sometimes a difficult task in fantasy literature.

I always look forward to meeting up with Scott at conventions. I know that we’ll have long and thoughtful conversations that range all over the place, flavored by Scott’s gentle affability and sharp insight. I love BCS, because it is a splendid example of the sort of many-chambered edifice a truly talented person can build when they plunge themselves into a particular passion consistently over time. I wait to see what the coming years bring it. I cannot imagine it will be anything short of even more awesomeness as he continues to enrichen the fantasy landscape we all share.


#sfwapro

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Teaser from A Still-untitled Steampunk Piece

Photo of mechanical wheel, taken at the Henry Ford Museum in Detroit.
I'm enjoying writing in a steampunk world. It allows for a lovely texture, and description drawn in a different way than my usual. I'm also enjoying the protagonists who have emerged, particularly Pinkerton agents Elspeth and her companion, Artemus West.
This snippet from the story I’m currently working on is set in the same world as recent pieces “Her Windowed Eyes, Her Chambered Heart” and “So Little Comfort in This World.”

Elspeth folded her hands in her lap, trying to keep her brows from knitting. She hated trains.

They were dirty, with bits of smut and coal blown back from the massive brass and aluminum steam engine pulling them along, and engrimed by successions of previous passengers.

They were noisy, from the engine’s howl to the screech of the never-sufficiently-greased axles as they rocketed along the steel rails with their steady pocketa-pocketa-pocketa chug seeping up through the swaying floor.

And they were oppressively full of people, all thinking things, all pressing down on her Sensitive’s mind, making her shrink down into the hard wooden seat as though the haze of thoughts hung like coal-smoke in the air and if she sank low enough, she’d avoid it.

She glanced over at her fellow Pinkerton agent, who returned her look with his own slightly quizzical if impersonal gaze. All of the curiosity of their fellow passengers was directed at him, perhaps the first mechanical being they’d ever seen, with silver and brass skin and curly hair, eyebrows, and moustache of gilded wire.

“They shouldn’t be keeping us back here,” she said for the third time in as many minutes. “If we’re his assigned bodyguards, they should let us up to inspect his compartment.”

“The porter said he’d tell them we were here,” Artemus said in precisely the same tone he’d used the first two times he’d said these words.

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