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Teaser: Another Excerpt from A New Board is Elected at Villa Encantada

Picture of a stone lantern.Here’s another chunk from “A New Board is Elected at Villa Encantada,” (working title) a darkly humorous story about a very odd condo complex that I’ve written several stories about already. It’s been fun filling out the complex’s roster a little in this story, and I’m going back to revise one of the unpublished ones with some of these details. Like the talking cacti.

Even the cacti garden was talking about the assessment. I usually don’t visit down there, in the little rock garden near the lake. For one thing all of the cacti like to talk at once. They ramble and they repeat and they are altogether too fond of puns. Not for the first time, I wondered what exactly the magician who had created them had had in mind. Had it really been a dozen cranky plants, whose extreme longevity led them to be highly opinionated about everything?

There are twelve cacti altogether, eleven in pots and one who has chosen to plant itself and grow. The eleven in pots have opted for mobility over size. They were fond of making Rumpelstiltskin wheel them about the complex in order to enjoy the sun and fresh air.

Each was distinctive, both in personality and appearance. They had names, which usually mattered only to each other. I had mentally bestowed nicknames on them: Bombast, Furor, Humblepie, Obscuro, Smarmy, Weasel, Johnny Nonsense, Earnest, Hairyfoot, Splainer, and the unpotted Old Dignity, a massive saguaro towering a good fifteen feet over its much shorter, hideously root bound, compatriots.

Bombast said, “It’s a cabal! They’ve been waiting to seize power for years now, and rob our reserves, turn us over to some real estate agent so the complex can be demolished for a high rise.”

Furor said, “Don’t be ridiculous. They’re not organized enough to be a cabal. And this place isn’t zoned for high-rises.” It added, its tone dark, “No, what they have in store for us is much, much worse.”

“How can they hope to understand the history of the complex?” demanded Hairyfoot. “Most of them haven’t even been here a decade.”

I considered them. The complex was odd at the best of times. It was a refuge, a complex that didn’t mind people who were outside the ordinary. That led to a population that was more mixed than most, including the denizens of this garden.

Earnest said to me, “Did you give your proxy to someone to vote?”

I shook my head and fled.

Rumpelstiltskin was by the dumpster, sorting out recyclables. He looked wretched and smudgy as an old sheet of newsprint. As I passed, he looked up, and said, hopefully, “What’s my name?”

“Not today,” I said. “You won’t escape today.”

I felt guilty at the look on his face, and the situation made me itch, but it’s been so hard to find a maintenance man here that I could understand why they had done it. Sometimes when you find good help, you have to rely on the laws of magic to keep them from leaving. Unscrupulous? Yes, undoubtedly. But the needs of the many outweigh those of the few. Or the one, in his case.

If you want to read the rest of the story, you can get it, along with at least six other stories, at the end of July by signing up to sponsor me in the Clarion West Write-a-thon. Even a small donation entitles you to the stories, so please do sign up!

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Tracking Story Submissions

Mechanical Fortune Teller at Pike Place Market
One of the problems with submissions is the guesswork involved - there is no way to predict what market will love a particular story.
Part of today is going to be spent sorting through my spreadsheet of what stories are out where and getting stuff out. That’s one of the really tedious things about being a writer – all the paperwork.

So how do I track submissions and figure out where to send them?

I have an Excel spreadsheet. One page has short stories that are circulating, a second does the same with flash pieces, a third tracks sold stories, a fourth audio reprints, and a fifth foreign reprints. When a rejection comes in, I mark the story on the sheet as freed up and put it in bold red. Once it’s been submitted, I switch the color to blue. That lets me look over the sheet and get an idea of what needs to go out. Right now it’s looking pretty red, so I’ve compiled a list of five flash pieces and ten short stories that need to go out, making a note of the word count.

After that I usually go to a market list, usually Duotrope.com or Ralan.com and look. I have some markets that stories always go through, but once they’ve been through those, it becomes a matter of finding the right place. I’ll look to see what anthologies are open first and see if I’ve got anything that fits into a particular theme.

Another system that can be used to track submissions is the excellent Story

Before I submit anywhere, I read their guidelines and do my best to read an issue or two (if they’re free online fiction, I don’t think there’s any excuse for not doing a little research there.)

Things that up a market’s attractiveness:

  • Good pay – I make my money through writing and editing, so this is a big factor to me.
  • Fast response time – When sending via snail mail, for instance, that adds at least a couple of weeks to the response time. A good resource for checking how fast they’re responding is the Black Hole.
  • Circulation – Do people read the magazine? Is it getting discussed/reviewed? Are many year’s bests coming from its pages?
  • Good editor – A good editor is a joy to work with.

Audio reprints and foreign markets are usually separate passes, since I’m working with different lists there – the best of the stuff that’s been published. I absolutely would be lost in looking at the latter if I didn’t have Douglas Smith’s Foreign Market list. I’ve been bad about audio reprints and need to get more of those circulating, so that will probably come after this pass.

Enjoy this writing advice and want more like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Perefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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Sneak Peek at Near + Far's Cover Art

Here’s the cover art for the new collection, NEAR + FAR, coming out from Hydra House this fall. Since we’re doing the tête-bêche format (if you don’t know what that is, think Ace Double), there had to be two covers, one for the NEAR side and one for the FAR side. The artist, who did a great job, is Sean Counley.

The Near cover for Cat Rambo's collection Near + Far, by artist Sean Counley.
This is the cover for NEAR, referencing the story "The Mermaids Singing Each to Each." Isn't it gorgeous?
Cover for sf story collection FAR by Cat Rambo, by artist Sean Counley.
And here's the FAR side, which is equally gorgeous, and which takes its inspiration from 'Amid the Words of War.'

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