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Writing-Related Link Roundup from November 2014

Image of a feline mermaid.
If you're looking for an interesting online writing class to keep productive during December, I've got both a flash fiction and a "Moving Your Story from Idea to Draft" workshop coming up on the 20th and 21st.
Maybe not as timely as it could be, since everyone’s finishing up Nano novels, but just in case: 8 Ways to Outline a Novel on Litreactor

Some of you have two weeks left to sub to She Walks in Shadows. All woman Lovecraft antho, pays 6 cents a word (pro rate). Guidelines.

Good piece about science-fiction writer Nnedi Okarafor on BookRiot. “I came to her work at a time when the debate about a woman’s place in the world of science fiction, fantasy, and speculative fiction was getting a lot of buzz. I realized that I’d read a few of the women who’d made their mark in that realm ““ Ursula K. LeGuin, Octavia Butler, Margaret Atwood, Jo Walton- but I felt as though I hadn’t gone far enough. Okorafor’s stories have encouraged me to travel further down that path.”

Interested in a writer’s retreat? Here’s a pretty good list of them.

Ray Bradbury talks about creativity and how our motives shape our writing. On the same site, Umberto Eco talks about the pleasures of maps of imaginary places.

What happens in your head while you’re reading? Your brain on stories.

David Cronenburg is interviewed about his process of novel writing, as well as finding beauty in unlikely corners. “There are many realities we need to ignore in order to function. Whenever we’re reminded of that, however obliquely, it is very disturbing””there’s a real dissonance that’s happening there. But of course it’s part of the function of art to keep that dissonance happening.”

An article with a lot of resonance for the self-pub versus traditional publishing argument about day jobs, found via M.C.A. Hogarth.

In The Atlantic, Jeff VanderMeer talks about the uncanny power of weird fiction.

Great piece about writers and their real influences, the things that shape their writing.. “I have a theory: the thing that makes you a unique writer hasn’t got so much to do with your influences as it does with how you became a writer in the first place. I think your preferences””your obsessions””come just as much from the first sorts of things you consumed and were passionate about. Whether that’s pop music, comics, “lowbrow” fiction, soap operas, or anything else, the thing that matters most is what started you writing stories.”

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Travel Update, Mid-August

I've taken a ton of pictures along the way, but haven't had a lot of time to sit down and go through them all. I'll post some of the best ones when I get the chance.
Huzzah! We drove across America and it was an awesome trip, with lots of visits with good friends and relatives. Today we head off to NYC for a few days, after some time with the godkids, and sometime next week we head off to Costa Rica, where we have a lovely place on the beach secured for a month and the price is great because it’s rainy season. I’ve been practicing my Spanish and getting ready.

The major frustration of the road has been trying to get time to write. I find it takes me a while to get started and in the flow when I write, and for those of you writing in scraps and odd bits of time snatched from kids and jobs and other concerns – I don’t know how you do it, but I salute you. I’ve got a story simmering and partially written, which I really want to send out as the next Patreon installment, so I need to get butt in chair and finish writing it in the next couple of days. Contemporary horror, set in Western Kansas. (I know my cousins will appreciate the last bit.)

Here’s a tiny bit to whet people’s appetites. If you want to read it when it’s done, you’ll need to support the Patreon campaign. 😉

Penny saw the sign coming east along route 70. Yellow letters on a background the color of drying blood. 50 MILES – PRAIRIE DOG TOWN ““ WORLD’S LARGEST PRAIRIE DOG ““ BISON ““ KIT FOXES ““ BADGERS ““ FIVE-LEGGED STEER. Another sign followed it: BRING THE KIDS. GIFT SHOP!

She suppressed the urge to snort and glanced at the rental car’s gauges. She would have rather flown, but driving, she could carry gear with her the airlines wouldn’t have allowed past. Or would have arrested her for, much more likely. She might look like an ordinary, slightly heavy middle-aged woman, but the contents of her suitcase were suited to a world-class assassin.

Which she was, of course.

I’ve also been working on some nonfiction, including mulling over some posts on things like writer etiquette, self-publishing, and the idea of writing for “exposure” (which I am not a big fan of, and will explain why.) Stay tuned for some of those in the next couple of months.

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"Her Windowed Eyes, Her Chambered Heart" Posted on Patreon

I just posted the first story from the Patreon campaign over there as well as mailing it out. It’s a story set in Altered America, a steampunk version of 19th century America that I’ve been working in recently. If you read Raapacini’s Crow, which appeared on Beneath Ceaseless Skies this month, it’s the same world.

19th century America is one of my favorite historical periods, and I’m looking forward to bringing in some of my favorite figures as characters, such as Lucy Stone, Matilda Joslyn Gage, and Victoria Woodhull. You’ll find a somewhat altered Abraham Lincoln as well, who has made a terrifying choice in order to win the Civil War, one that will affect the country for decades, possibly centuries, to come.

The story is inspired by the television show, Wild Wild West, which was steampunk back before anyone knew the term. The pair of Pinkerton agents in the story have already appeared in one other story, and I suspect there’s plenty more of their adventures lurking in the wings.

Here’s the first few paragraphs:

Frenzies of gingerbread adorned the house’s facade, but it was splintery, paint peeling in long shaggy spirals that fuzzed the fretwork’s outlines. The left side of the house drooped like the face of a stroke victim, windows staring blindly out, cataracted with the dusty remnants of curtains.

Agent Artemus West thought that it would have given a human man the chills. He glanced back at Elspeth to see how she was taking it, but her face was chiseled and resolute as a fireman’s axe.

“You all right?”

She swabbed at her forehead with a bare forearm, leaving streaks of dark wet dirt. “Thank your lucky stars you’re mechanical and don’t feel the heat,” she rasped.

Hot indeed if enough to irritate her into mentioning that. He chose to ignore it.

The house sagged amid slumping cottonwoods, clusters of low-lying trees, their leaves ovals of green and pale brown. Three stories, and above that, two cupolas thrust upward into the sky, imploring, the left one tilted at an angle. The wind whistled through the fretwork, a shifting, hollow sound, like a jug’s mouth being blown across. There had once been a flower garden towards the back. Weeds had claimed most of it, but the papery red heads of poppies blazed among the tangle. The sky stretched high and blue and hollow overhead.

If you’d like to read the rest, you can! Make a pledge as small as $1 per story, and you’ll get two original, unpublished stories each month from me, along with commentary. The next story, appearing in two weeks, will be contemporary horror.

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