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From WIP - Queen of the Fireflies

Photo of trees in Leeper Park, South Bend, Indiana. Was fiddling this for a writing retreat I’m doing in September. This is from the beginning.

June, 1976, Indiana

On Indiana summer evenings, the fireflies begin their dance as dusk creeps over the landscape, reducing green to gray and black and brown. Their lights are yellow as sunlight or neon; they blink among the hedges and maneuver a few inches above the tall grass. There are five varieties of fireflies native to the Northern Indiana region. Each signals prospective mates with specific timing, and no four second interval firefly would approach a six second interval one.

On the same summer evenings, the mosquitoes whine, though only the female ones, hovering before landing on unsuspecting arms and ankles, draining as much as they can before either taking off, heavy and bloated with their sanguine plunder, or else are splattered and exploded by their victim when he or she notices not the sting of the needlelike proboscis being inserted, but the tickle of their feet among the fine, downy hair arms.

Other creatures come out later: soft-nosed rabbits and the tiny bats that flitter around lampposts, devouring the night insects swarming there. Possums drag their heavy bodies along, investigating garbage cans and quarreling with the raccoons come to plunder. There are even rats, in some places along the St. Joseph River, water rats that move through the green-brown water, searching among the slimy weeds that coat the bottom. But the fireflies are already there: they have marked the coming of the night, lighting as though protesting the approaching darkness.

Michigan Street crosses down from the state of Michigan, comes through Northern Indiana and splits one of its larger cities, South Bend, like a splayed bird. Corn fields and alfalfa lie further out but here the street slashes the city’s belly, unfolds layers like the dark verge of Notre Dame University, the struggling downtown, the unsavory brew further south of town as you headed down to the smaller towns: Lakeville, Lapaz, Plymouth. Far to the south it reaches Kokomo, later Indianapolis, then the nether region of the state, which hosted the revival of the Ku Klux Klan in the twenties.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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WIP: Teaser from "Ms. Liberty Splits Up the Superb Squadron"

Cover of ebook Ms. Liiberty Gets a Haircut
The WIP is a prequel to “Ms. Liberty Gets a Haircut.”
The meeting room had been storage area originally. Like everything else in the laboratory converted into headquarters, it was cramped, incredibly cramped, and more soon because of the outsized table someone had jammed into the middle. Chairs were crammed in around, an assortment of styles and shapes, as though everyone had elected to bring their own seating arrangement. In a corner was a small triangular table, holding a battered coffee pot and a perpetually empty plate.

They were the first to arrive, and Ms. Liberty took the opportunity to select, not the sturdiest chair (a hefty wooden bench) in the room, which the Unicorn would probably need, but the second sturdiest. Her augmented flesh was denser than that of most of the other team members, and she thought that breaking a chair would be a bad way to start off her first week with the team. The chair she picked was made of metal and was unyielding underneath her ans she sat down. She tried to relax into it, tried to assume the pose that would convey her attitude when others entered the room: not too eager but certainly on the alert.

Meanwhile, X wandered the corners of the room, extruded a long thin tentacle, which thoroughly explored the inner workings of the coffeepot, fingered the edges of the map of the world thumbtacked to the wall next to the nonfunctioning video screen. Over Antarctica, someone had scrawled in barely legible green pen, “Kilroy was here.” Air blew in through the vents, the only real source of sound in the room other than their breathing and the sounds of their movement.

The clock on the wall, which hung a little askew as though buffeted somehow in the past, clicked, and the hand clicked over to a minute before the hour. The door swung open and Dr. Raffy emerged, arms full of navy-blue folders stamped with the Squadron’s logo. He nodded at both of them and began to put a folder at each seat. X turned into a porcupine and waddled over to take the seat next to Ms. Liberty, a plain pine kitchen chair, its seat well-worn with use.

The Gladhander was the next to appear. “Ladies, gentleman”¦” He smirked as he slid into his chair, a leather Aeron that gave silently underneath him. The door opened again to show the Silver Juggler and Ballboy, both looking ill at ease and unhappy.

At the hour, Dr. Raffy began to speak, despite the lack of the Unicorn.

“If you’ll open the folders in front of you and turn to the first page, which is printed on cornflower blue paper, you’ll see our agenda.”

They all dutifully did so. The writer side of Ms. Liberty noted several spots where passive voice could be eliminated, a sentence whose parallel structure was insufficiently clear, and an out of place comma.

Dr. Raffy continued. “I’d like to welcome our new members officially, Ms. Liberty and X. While the circumstances that have opened new positions on our team have been sad, we are glad to have their new insights and experiences.” He smiled at Ms. Liberty and she smiled back, feeling genuinely welcome for the first time.

“Here, here,” the Silver Juggler said and led the room in a round of polite applause. X blushed purple appreciation.

“I know that you all read their backgrounds while undergoing the application process,” Dr. Raffy said, “so I won’t bother with recapping who they are. Their presence, unfortunately, brings us to agenda item number two: the smallness of our quarters.”

“I’ve said it before and I’ll say it again, I don’t mind the smallness of the rooms. Reminds me of when I was first enlisted serving on the submarine Helvetica,” the Silver Juggler said. Beside him Ballboy nodded enthusiastically.

“It’s no skin off my back,” Dr. Raffy pointed out. “I have my own quarters and there suitable for my needs. Should we postpone the item for further discussion in the next meeting?” He spoke quickly, as though rushing them through the item and Ms Liberty wondered what the hurry was.

The clock ticked to the ten after mark. The door opened and the Unicorn sidled in. “You better not be done talking about the living quarters, Raff,” he said without preamble. “I got something to say about all that shit.”

Dr. Raffy sighed. “Your arrival is timely,” he said wryly. “We were just discussing that very item.”

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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Putting Your Work Through the Mill: The Submissions Grinder

Screenshot from the Submissions GrinderAs a follow-up to Sylvia’s guest post about Submitomancy, I asked David Steffen, who’s working on a similar project for a Duotrope replacement, to write about his Submissions Grinder. Here’s David:

The announcement in late 2012 that Duotrope was going paid caused a (relative) uproar in the writing community. The problem wasn’t that they wanted money. It was that requiring a subscription fee to use
the site drives away the most valuable asset the site has to offer–submission data. Everything else that Duotrope had to offer could be found somewhere else, but their submission tracker combined with market listings and statistics aggregation offered a tool for writers. Even for those people who are willing to pay $50, they are now paying $50 for what even Duotrope estimates will be perhaps 15% of their prior user base.

Anthony Sullivan and I have created a replacement, called the Submission Grinder (http://thegrinder.diabolicalplots.com/), with the intent of milling your submissions into something useful… Because we’re hosting this new project as a subodmain of our zine Diabolical Plots (http://www.diabolicalplots.com/) we wanted the name to sound like something the mad scientist of our site art would invent and use.

We are starting out with the promise that we will never charge a compulsory fee for subscription. We think that’s the primary way where Duotrope has gone wrong, in driving away the data. We may open for donations at some point, and may run some kind of Kickstarter campaign. But rather than ask the world to donate to us for a theoretical product, we would rather provide a concrete product that people can use, soon enough after January 1st to allow a decent handoff, and then ask for donations from people who like what we have provided at a later time.

Phase One of our project is complete, in which the goal was to create something that could replace Duotrope’s functionality as close to January 1st as possible. And we’re there, with market listings, a submissions tracker, and compiled statistics. The site is in beta right now as we resolve some issues, but it gets better every day and there is daily development work being done on it. We are the first site aiming at the Duotrope userbase to become available for use.

The next phase involves adding new features that Duotrope has never provided, including new statistics based on only your own works, visualization of submissions data (rather than only numbers), and more!

Do you want to help? Here are ways that you can help right now.

  1. Register on the site.
  2. Did you get an export file from Duotrope? Import that into your account. You can pick up right where you left off and it gives more data to provide more robust statistics, as well as giving us new blank market listings for the markets you’ve submitted to (which we will fill in as time goes on).
  3. Suggest new market listings.
  4. Submit bug reports, and suggestions for new features/enhancements. We’re writers too, and anything that you suggest that would be useful (or at least something that appeals to statistics-lovers even if not
    strictly useful) will get us excited. The comment thread at this link would be a good place: http://www.diabolicalplots.com/?p=3176
  5. Help us spread the word. The more the merrier. The more writers import and track their data, the more useful the statistics will be, the more useful the site as a whole will be, the more users will come. Blog posts, Facebook, Twitter, Reddit, Stumbleupon, posts on writing forums, emails to writer friends, sky writing, bathroom graffiti, any other way that you can think to share this link with the world.

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