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WIP Teaser: Her Windowed Eyes, Her Chambered Heart

Image of story notes
Example from a different story showing the first notes made when plotting out "Rappacini's Crow." Not every detail here got used, but the notes helped me keep fleshing out the idea until I was ready to write it.
Here’s a snippet from what I’ve been working on today. Peeps who attended the Plotting class yesterday (which was AWESOME) – this is the steampunk horror story that I showed you the initial notes for.

A frenzy of fretwork adorned the house’s facade, but it was splintery, paint peeling in long shaggy spirals that fuzzed the puzzled outlines. The left side drooped like the face of a stroke victim, windows staring blindly out, cataracted with the dusty remnants of curtains.

Marshall Artemus Smith thought that it would have given a human man the chills. He glanced back at Elspeth to see how she was taking, but her face was chiseled and resolute as a fireman’s axe.

“You all right?”

She swabbed at her forehead with a bare forearm, leaving streaks of dark wet dirt. “Thank your lucky stars you don’t feel the heat,” she rasped.

Hot indeed if enough to irritate her into mentioning that. He chose to ignore it.

The house sagged amid slumping cottonwoods, clusters of low-lying groves, their leaves indifferent ovals of green and pale brown. Three stories, and above that, two cupolas thrust upward into the sky, imploring, the left one tilted at an angle.

His spurs jingled as he clanked up the front steps. His eyes ratcheted over the scene for clues, but it was clear that their fugitive had entered by the front door, which hung a few inches ajar.

Wood creaked under Elspeth’s slower treads. “This was his mother’s house,” she said.

She’d gone over the files meticulously as always, then summed up the details for him as they’d ridden along. He ticked through them in his head.
“The scientist?”

“Angeline Pinkney, yes. She helped discover how to harness phlogiston. They had her working on the war effort till she was dying of rotlung. Then she retired out here and lasted another two years.”

Phlogiston, the most precious material in the world, capable of fueling marvelous machines like himself. He carried a scraping of it, small as a fingernail clipping, deep in his midsection. Once a year, it was replaced, but it was valuable enough that he’d had people try to kill him for it before.

So far none had succeeded.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Chez Rambo July Reading/Gaming/Watching

I have been remiss about blogging, and I thought I’d like to share some of the stuff I’ve enjoyed lately. I do want to start by pointing out there’s just a couple days left on a Storybundle that includes my Nobeula-winning novelette, Carpe Glitter, as well as one of my favorite reads of 2019, The Traveling Triple-C Incorporeal Circus by Alanna McFail.

I finished Rin Chupeco’s The Bone Witch and The Heart Forger and really liked them both. The third volume in the trilogy, The Shadowglass, is queued up on my e-reader right now. An elegant, enjoyable series.

The screen play of Jordan Peel’s Get Out features an essay by Tananarive Due as well as plenty of deleted material and Peele talking about the script. Really lots of stuff that interested me and I’m really glad I picked it up. I will be going watch to watch the movie again.

Rediscovery: Science Fiction by Women (1958-1963) is a terrific anthology with a lot of stories I hadn’t hit before. part of my self-directed reading this year (as with last year) is finding stuff written by women at the times when conventional wisdom says there weren’t a lot of women writing. Part of the fun of conducting the short story discussion group that’s part of the Chez Rambo community calendar is sharing and exploring some favorites. next up on our agenda, for example, is Kit Reed’s “The Food Farm.” Authors represented are Pauline Ashwell, Rosel George Brown, Doris Pitkin Buck, Otis Kidwell Burger, Sonya Hess Dorman, Joy Leache, Katherine MacLean, Judith Merril, Kit Reed, Jane Rice, Maria Russell, Sydney cvan Scyoc, Anne Walker

Alex Burcher’s alternative history As Ants to the Gods is dense but evocative prose that conveys the flavor of its world, where the Arab civilization has taken over Europe and is in the middle of its Industrial Revolution. The paperback comes out on the 10th and if the production values are as high as the e-book would imply, it will be a pretty book.

I hadn’t learned about the joy that is Rat Queens yet; currently on the 3rd book with the 4th on its way.

Since I love reading gaming supplements and systems, I was pleased to get the fulfillment for a Kickstarter I’d supported, the Monsters! Monsters! RPG Rules by Ken St. Andre along with a solitaire adventure, “Toughest Dungeon in the World.” Another system I picked up recently for reading is Tales from the Loop; I wasn’t entranced by the TV episode I watched, but I may be playing in a brief campaign of this so I wanted to check it out.

I’ve been watching season 2 of The Umbrella Academy (lots of fun but season 1 was better, IMO), Stargirl (so cheesy! so snappy and fun!), and Z Nation (halfway through season 3 and really enjoying it despite the fact I dislike zombies).

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Networking with Purpose and Sincerity

Pebbles on the BeachIt’s natural for writers to want to spread word of our work. We all realize that, short of hiring a publicist, we’re our own best champions. But if we go too far, or are too single-minded in that pursuit, we can come off as boorish and arrogant.

To do it successfully, keep some things in mind.

  • Push the good stuff. In an ideal world, everything you have appearing is amazing and wonderful, but if your experience is closer to mine, some stories are stronger than others. Pick the best, and when you’re mentioning that you’re eligible for something, point to those and not to an exhaustive list of everything published that year. Presumably you’ve got a bibliography available somewhere on your website (here’s mine, for example), and if anyone wants to see everything you produced, they can check that out.
  • Pay it back, in spades. Want other people to feel inclined to spread word of your stuff? Then make sure you’re doing it for them. If you read a story you like online, point other people to it in a blog post or on whatever social network you use. Drop the author a note and say why you liked it. Don’t sit back and expect glory to come your way, whether or not it’s well-deserved. Make nominations and recommendations, and vote. Go to other people’s readings. If you’ve got to pass up an opportunity, try to steer it towards someone that needs it. You don’t need to be insincere about any of this. Praise the stuff you like, and if you’re having trouble finding it, you should be looking harder.
  • Monitor and maintain connections. Pay attention to other people’s events and celebrate their victories. Just be a decent human being, and life will be better overall (at least, in my experience. If you’re a personality type damaged by human interaction, take all of this with a suitably-sized grain of salt.) This is part of paying it back, really, but it’s more than that. It’s being aware of the people around you. I stress it because I’m bad about it and it’s something I’ve been trying to be extra mindful of lately.
  • Listen more than you talk. This helps with maintaining connections. Remember that sometimes communication isn’t about what’s being said, but about the act of performing it. Time is one of our most valuable commodities – to say to someone that you want to share yours is a valuable thing. (But at the same time, remember that other people’s time is just as valuable to them. What you view as quality time spent with them, they may think of as time they could be spending on something else.)
  • Eyes on the prize. As with so many other things in life, time spent doing this is time spent not writing. If you’re thinking of networking as a career-building activity, make sure you’ve got an actual career to build on. The greatest network in the world won’t do you much good unless you’re actually producing something.

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