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Five (More) Gifts for Speculative Fiction Writers

Christmas illustration
Often thinking what you might like will lead to a present another person will enjoy. You do want to take their tastes and needs into account, though - don't buy your lactose intolerant friend a big bar of chocolate!
A couple of days, I blogged with five gifts for speculative fiction writers. Here’s an additional five, which you can get in time for the holidays still.

Help them exercise their creativity. Provide them with clay, paints, fabric, glitter glue, sketchbooks, pens of magnificent and splendid color. Try Daniel Smith or the U. Bookstore for great selections.

A donation in their name to an appropriate charity. I like Heifer.org, Kids Need to Read, and Kiva.

For the power traveler perpetually on publicity tour, an Aerotray, a solar phone charger, a Tom Bihn bag, or a set of GoGear travel bottles.

Time. Either spend some time with them (take them out for lunch, dinner, to the zoo, up in a balloon, out for coffee and chat, on a cruise) or save them some time (sign them up for a delivery service, offer to baby-sit, help out with errands or household work). Or offer them proof-reading/copy-editing time.

Learning, via a gift certificate for my online classes. Right now through January 1st, 2014, mention this post on social media or in a blog (or spread the word some other way) and you’re entitled to a special deal. Buy two, get one free (one day workshops only) OR enroll in Writing F&SF or Advanced and get a free one day workshop.

Upcoming classes include the six week workshops Writing Fantasy & Science Fiction and Advanced Workshop and these one day workshops: Building an Online Presence for Writers, Character Building, Editing 101, First Pages Workshop, Flash Fiction Workshop, Literary Techniques for Genre Fiction, Moving Your Story from Idea to Finished Draft, and Podcasting 101. See here for dates.

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Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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"Her Windowed Eyes, Her Chambered Heart" Posted on Patreon

I just posted the first story from the Patreon campaign over there as well as mailing it out. It’s a story set in Altered America, a steampunk version of 19th century America that I’ve been working in recently. If you read Raapacini’s Crow, which appeared on Beneath Ceaseless Skies this month, it’s the same world.

19th century America is one of my favorite historical periods, and I’m looking forward to bringing in some of my favorite figures as characters, such as Lucy Stone, Matilda Joslyn Gage, and Victoria Woodhull. You’ll find a somewhat altered Abraham Lincoln as well, who has made a terrifying choice in order to win the Civil War, one that will affect the country for decades, possibly centuries, to come.

The story is inspired by the television show, Wild Wild West, which was steampunk back before anyone knew the term. The pair of Pinkerton agents in the story have already appeared in one other story, and I suspect there’s plenty more of their adventures lurking in the wings.

Here’s the first few paragraphs:

Frenzies of gingerbread adorned the house’s facade, but it was splintery, paint peeling in long shaggy spirals that fuzzed the fretwork’s outlines. The left side of the house drooped like the face of a stroke victim, windows staring blindly out, cataracted with the dusty remnants of curtains.

Agent Artemus West thought that it would have given a human man the chills. He glanced back at Elspeth to see how she was taking it, but her face was chiseled and resolute as a fireman’s axe.

“You all right?”

She swabbed at her forehead with a bare forearm, leaving streaks of dark wet dirt. “Thank your lucky stars you’re mechanical and don’t feel the heat,” she rasped.

Hot indeed if enough to irritate her into mentioning that. He chose to ignore it.

The house sagged amid slumping cottonwoods, clusters of low-lying trees, their leaves ovals of green and pale brown. Three stories, and above that, two cupolas thrust upward into the sky, imploring, the left one tilted at an angle. The wind whistled through the fretwork, a shifting, hollow sound, like a jug’s mouth being blown across. There had once been a flower garden towards the back. Weeds had claimed most of it, but the papery red heads of poppies blazed among the tangle. The sky stretched high and blue and hollow overhead.

If you’d like to read the rest, you can! Make a pledge as small as $1 per story, and you’ll get two original, unpublished stories each month from me, along with commentary. The next story, appearing in two weeks, will be contemporary horror.

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Class Notes From Writing Fantasy and Science Fiction

View of a Japanese Garden
Images speak differently than words. They speak in color and shapes, smells and movements that our writing can only hope to approximate.
We’re coming up on the end of the Writing Fantasy & Science Fiction class I teach at Bellevue College. Tonight’s the next to last session. In earlier sessions we’ve talked about the writing process, story parts and mechanics, delivering information, characters, description, and worldbuilding. A number of past blog posts have come out of those classes: 5 Things to Do in Your First 3 Paragraphs, Active Verbs, Foreshadowing and Establishing Conflict, Plotting and Re-plotting Stories, Three Strategies for Snaring the Senses, Three Things that End a Story Well, Using Random Tools Like Stumbleupon For Rewriting, and Why Titles Matter.

Here’s what we’re covering in this session and the next:

Tonight (Rewriting, Revising, and Polishing)

  • The difference between rewriting, revising, and polishing
  • Rewriting – ways to do it
  • Revising – things to look for
  • Polishing
  • Working at the sentence level
  • Placement of sentences
  • Breaking up paragraphs
  • Titles
  • Quoting song lyrics
  • Collaboration

Next Week (Publishing & Career Stuff)

  • Markets: researching them, submitting to them, querying them, foreign markets, reprints, audio.
  • Submissions: how to, tracking them, etiquette, types (flash to novel)
  • Agents: researching and querying them
  • Conventions: why go, what to do to make the most of them, top cons
  • Workshops: why do (or not), how to make the most of them, top ones
  • Blogging & websites: why, BRIEF discussion of mechanics
  • Publications to follow
  • Networking
  • SFWA and other professional organizations
  • Writing groups
  • Resources
  • Keeping yourself motivated

So here’s my question. I’ll be glancing back at this list when thinking about future blog posts and drawing from it as well as from what I’m experiencing in my own writing. What would -you- like to see?

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