Five Ways
Subscribe to my newsletter and get a free story!
Share this:
Photo of an ornate garden flower made from recycled glass and china.

Unwritten Creativity: Glass Garden Flowers For Mom

Picture of a shot glass glued on the back of a plate
How to make the mounts for these recycled glass flowers is a detail that most of the Pinterest pins don't seem to answer. I used a tall shot glass, affixed with marine adhesive. I didn't want a short shot glass because it seemed to me those would be tippier.
One of Mom’s presents this year was a set of garden flowers made from odd plates and dishes. These were a lot of fun to assemble, and I want to, over the course of the next few months, make a set that goes across the problematically shady front section of her house. Combined with the tulips and irises, that should fill things out and add both color and a touch of individuality.

I’d gotten the idea from seeing them on Pinterest. I did do some picking through thrift stores to find odd bits of china, but also used some pieces I’d gathered over the years. It seemed like a nice way to carry out the decluttering mission, but preserve some of those memories. I augmented some pieces with glass or metallic spray paint and glued on glass pebbles, marbles, and other odd bits. The fixative for all of this is Marine Goop, which you can find on Amazon.

If I had more workspace, I might employ the Dremel in some of this, by drilling holes in things and then using a screw and bolt to hold the constructions together. However, the glue is marine fixative that is super strong and waterproof. I’m going over to Mom’s tomorrow to get some of the flowers set up and that will be the first test.

Tips for creating glass/china garden flowers:

  • Glue in stages and let them dry completely. Gluing the shot glass (or bottle) on the back will probably be the last thing you do. I used plastic containers to hold the flowers upside while the shotglass set.
  • Give yourself plenty of time. That glass paint is supposed to dry for four days before you set it by baking it. I may have shortened that a bit in my rush and it remains to be seen what the result is.
  • Don’t be afraid to adorn. I glued on glass charms and pebbles, gold candy paper, pearl beads, and a cat toy.
  • Keep it on the cheap by a) seeing what you have already in cupboards and crafting supply boxes that can be sued, b) checking when thrift stores have their china and glassware on sale, and c) looking for chipped items that are discounted further.
  • Don’t just look at china and glassware. I used chipped Christmas ornaments, a ceramic garden pot spray-painted copper, and a metal serving plate. Next time I’m thrifting I’ll look for round mirrors as well. One great example I saw used old knives arranged like spikes around the outer edge.

The Pinterest versions suggested gluing bottles to the back, but that seemed very large to me given the size of the flowers. Instead I used tall shot glasses, which run fifty cents each at our local Goodwill. The mounts are lengths of rebar capped with a padded top made of terrycloth from a cut-up towel and duct tape.

As a writer, I think it’s important to be creative in other ways. I cook, I garden, and sometimes I make things. Usually I give those things away because otherwise I would drown in objects. The flowers were a fun way to exercise that urge to make, and somewhere down the line I’ll be doing flash stories to go with each one. In the meantime, I’ve written the titles for those already.

I’ll go through the individual ones in posts. Here’s the first.

Photo of an ornate garden flower made from recycled glass and china.
This is "Snow Queen." Layers, back to front, are: a cut glass plate, willow ware plate, floral saucer with glass marbles and beads, vintage ice ice cream glass, a Christmas ornament, large pearl beads.

I think this ornament is a reasonable example of preserving memories. The ice cream glass is part of a set acquired several decades ago. I have a poem about willow ware, so I like using it. The glass charms are part of a hanging ornament that I received several years ago, and I’ve had the marbles since high school.

Close-up of a garden ornament made of recycled glass, china, and a Christmas ornament.
The pearl beads evident in the "in the wild" shot are lacking here. One important step in making these is, once you've finished, eyeball them and see how happy you are with the result. I wanted another echo of the elegance implicit in the ornament's shape, so I found the beads in digging through my craft box and incorporated them. There are also opalescent beads trapped in the glass beneath the ornament.

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

Book Launch!

Hydra House cover for Near by Cat Rambo
Hydra House cover for Near by Cat Rambo. Art by Stephen Counley; cover deisgn by Tod McCoy.
Today’s the official day that Near + Far is launched upon the world. Huzzah! If you’re wondering how to buy or spread the word about the book, here’s some details.

There’s a giveaway for jewelry going on here on this blog throughout this week.
There’s a giveaway for a signed copy of the book along with one of the Near + Far necklaces on GoodReads.
David Steffen is hosting a giveaway here.
Here’s a book trailer!

Some of you have received the mail I sent out talking about what you could do to spread word of the book. Here’s some of the pertinent details from that for those as wants such.As you know, publishing is changing and increasingly authors are part of the promotion process. I’m asking — if you should feel so inclined — for your help if getting the buzz out.

So what can you do?

Well, sure, buy the book is top of the list. But we don’t all have the budget. Here’s some other ways that you can assist in getting the word out about Near + Far:

1. Request it through your library. Most will even let you do this online.

2. Request it at your local bookstore. It’s available through Ingram, a major book distributor, so they should be able to get it.

3. Write an Amazon review or tag the book on Amazon. Amazon reviews are great! But if you don’t have the time to write one up, you can still help. One way that often gets overlooked is tagging. Scroll to the bottom of the Amazon page for the book until you see “Tags Customers Associate with This Product.” Add tags that you think might help someone find the book, if you notice anything missing, or just go through and check the boxes next to the tags you think are relevant (which is hopefully all of them.)

4. Review it or add it to your to-read list on book sites. Reviews on Barnes & Noble, Goodreads, LibraryThing (http://www.librarything.com/work/13024203/book/89765198), and Shelfari are great!

5. Blog about the book. Any mention of the book, particularly one that explains why you liked it, is awesome. There’s actually some cool little things about the book:

  • The tête-bêche format, also known as the Ace Double. Flip the Near side of the book over, and you’ll find Far on the other side.
  • The interior artwork is by long-time friend Mark W. Tripp.
  • If you’re one of the people who’s already received a necklace, take a picture of it with yourself to send me for the Near + Far page. Or alternately, the necklace with someone/something/draped across a rotting log/in a bookstore/whatever?
  • Stories range from very early to very recent, spanning markets from Asimov’s and Lightspeed to small and somewhat obscure anthologies. I’ve included some of my favorite stories, such as “The Mermaids Singing Each to Each,” “Surrogates,” and “Bus Ride to Mars.”

6. Share news of it on social networks. Sharing links on Facebook and other social networks is great. I’ll be posting links to blog entries about the book on the main networks I use: Facebook, Google +, and Twitter. Just favoriting, plusing or liking posts helps give them a little Google juice. Even going to the Facebook page at https://www.facebook.com/nearplusfar and clicking “Like” helps.

7. Share news of it on mailing lists and other groups. Pass the news along to your fellows on writing or SF-related discussion boards, BBSes, mailing lists, and other forums.

8. Share links on bookmarking sites. If you use bookmarking sites like Delicious, Reddit, or Stumbleupon, please think about bookmarking pages about the book. Here’s some pages that might be worth bookmarking:

Hydra House page for the book
Overview of the book
Zeppelin Follies, read by Folly Blaine

Resources for Sharing:
Here’s a link to the book on the Hydra House Books page:
http://hydrahousebooks.com/bookstore/index.php?main_page=product_info&cPath=2&products_id=7

Here is the Amazon listing:
http://www.amazon.com/gp/product/0984830146/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0984830146&linkCode=as2&tag=carawr-20
Barnes & Noble listing:
http://www.barnesandnoble.com/w/near-far-hydra-house/1112139962?ean=9780984830145

Here it is on other networks:
Delicious
FaceBook
GoodReads
Pinterest
Shelfari

...

WIP: Teaser from Poppy and Letitia

flowersI finished up a story I’ve been wrestling with for the past week this afternoon. It’s for a game world, and it’s a fun one. I’m not sure why I had so much trouble with this one, but I rewrote the beginning four or five times, which is unprecedented for me.

Anyhow, here’s a chunk:

The book supplied a hand-colored map of the coastline. Letitita had not seen that many maps in her lifetime but she thought that this one might have some shortcomings. For one thing, the area they were heading into was a spot colored a vague green which turned out to be towering pines and cedars, shaly hills, and tiny streams inevitably at the bottom of steep-walled gullies full of blackberry brambles. It was lettered, the amount of lettering sparse in comparison to the amount of blank space provided, “Unexplored Forest,”
They were three days into changing that into “Partially Explored Forest” when they heard the screaming.

It called from off the road, among the trees, unseen but close from the volume, the sound of a horse crying out, and then a second echoing noise, like the harsh squeal of an enormous machine wheel. Poppy’s bow was out and in her hand, the other one pulling an arrow from its quiver, as she sprinted towards it; Letitia followed, pulling daggers from her belt as she went, but moving more cautiously than her mistress and therefore slower.

She arrived in time to see Poppy’s first arrow strike the monstrosity towering over the fallen unicorn, a mass of black fur and teeth and more than one head, protruding at awkward angles from around the main one with its ferocious canine grin. Every eye in the multitude it boasted burned bright as fire, red as madness.

The arrow extinguished one of that pair burning brightest and largest. The beast threw its head back, and the sound of that tortured clash came again, so loud that it throbbed in Letitia’s ears.

Daggers sang from her hands, thrown almost without thinking, thunk thunking into that glistening black snout. Annoying wounds at best, but another of Poppy’s arrows flew straight and true ““ had she really merely said she’d been “all right with the bow” when a girl? ““ putting out the other mad red glare, and as it died so did all the tinier ones, heads slumping awkward as it toppled, halfway over its fallen prey.

They circled it warily as they came up. The unicorn let out a tortured breath. Poppy made a hurt sound in her throat and started to step closer, but Letitia tugged her back.

“You can’t help it, boss,” she said. Her eyes welled with tears, obscuring the gaping belly wound, the entrails fanned out from a savage bite. “It’s hurt too bad.”

“I can put it out of its misery at least,” Poppy said. She tugged one of Letitia’s daggers free from the monster’s corpse, and moved towards the unicorn, speaking softly, calmingly, an ostler’s murmur, soothing and nonsensical, theretheremylove, theretheremypretty.

The gleaming ivory horn raised an inch from the ground as though in challenge, but was too weak to move further. She stroked her hand along the broad neck. Letitia held her breath.

“Move no further,” a voice said from behind them.

In other news, Rappacini’s Crow and All the Pretty Little Mermaids both made Ellen’s Datlow recommended list for Best Horror. Hurray!

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

...

Skip to content