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For Forensics Students: A Story Breakdown

Amanda C. Davis recently blogged about the success of a post doing a breakdown of her stories for forensic students. It seems free forensics pieces are in demand for students looking for something to use.

In that spirit, here’s a breakdown of some of my stories that are both short enough to be read with a minimum of trimming and available online for any forensics students, speech class students, or other performers looking for something to read. Because I’ve got a lot of stories, I’m still working through the list and I’ll continue adding stuff as I go. For the complete list, see my publications page.

Prose Pieces for Forensics Students
In each category, I’ve listed the story, where it originally appeared, its length, type, and voice considerations.

Prose pieces eligible by National Forensics League Rules
Note: If you need the proof of print publication, please e-mail me at catrambo AT gmail.com, and I can send you a scan. I will be adding links to those when I get the chance, because I only recently realized they are proving an issue for performers.

  • The Accordion. Originally appeared in The Walden Review in 1991, reprinted in EYES LIKE SKY AND COAL AND MOONLIGHT. 4 minutes, humorous fantasy, first person, gender unspecified.
  • Bigfoot. Originally appeared in 13th Moon, 1992. 6 minutes, humorous fantasy, third person, voices include a female Bigfoot and a woman.
  • The Coffee Cup Song. Originally appeared in The Cornfield Review in 1992. 12 minutes, humorous, first person, young girl.
  • Falling. Originally appeared in Cream City Review in 1991. 3 minutes, dramatic, first person, gender unspecified.
  • Hands. Originally appeared in Dreams and Nightmares in 1991. 1 minute, surreal fantasy, 3rd person, gender unspecified.
  • Planet Crabby. Originally appeared in Asylum Magazine in 1990. 3 minutes, humorous science fiction, first person, gender unspecified.
  • Seven Clockwork Angels. Originally appeared in Altered America in 2016. 15 minutes, steampunk fairytale, 3rd person, voices include Sleeping Beauty, her parents, and two scientists.

Additional Prose pieces eligible by National Catholic Forensics League Rules
(Anything under NFL should also be eligible for this, if I am reading the rules correctly.)

  • Aardvark Says Moo, electronically published for Patreon campaign. 3 minutes, humorous fantasy, first person, voices include adult woman, small girl, male clown, female Valkyrie.
  • The Dead Girl’s Wedding March. Originally appeared in Fantasy Magazine in 2006, reprinted in EYES LIKE SKY AND COAL AND MOONLIGHT. 7 minutes, dramatic fantasy, third person, voices include a young woman, her father, a male doctor, and a male rat.
  • Grandmother’s Road Trip. Originally appeared in Chiaroscuro in 2005, reprinted (electronic version only) in EYES LIKE SKY AND COAL AND MOONLIGHT. 12 minutes, dramatic horror, first person, voices are a young woman, her mother, and her grandmother.
  • Magnificent Pigs. Originally appeared in Strange Horizons in 2006, reprinted in EYES LIKE SKY AND COAL AND MOONLIGHT. 15 minutes, dramatic fantasy, first person, voices are an adult male, a young girl, and an elderly Jewish woman.
  • Swallowing Ghosts. Originally appeared in Daily Science Fiction. 3 minutes, dramatic fantasy, first person, voices are a young man, his grandfather, and the ghost of James Joyce.
  • Wickedness. Originally appeared in Flash Fantastic. 1 minute, humorous horror, 3rd person.

Many more prose pieces available here. If you use one of my pieces in a forensics competition, please let me know and consider leaving a review on Amazon, GoodReads, or any other reading site you frequent! 😻


20 Responses

  1. Someone said in a twitter Kraken Sushi, which is the next thing I am writing about. For me there is one hard thing and that is finding my way into a story. I love to know the ending right away, but I trust that one will appear. The last three things I wrote worked that way, which is a break through for me.

  2. Hello Cat Rambo! I don’t know how to contact you unless through comments and you said to contact you if we were to use any of your pieces for forensic competitions! I’m thinking of using The Dead Girl’s Wedding March, The Accordian, and Swallowing Ghosts.

      1. Ms. Rambo,
        I am trying to use your Bigfoot piece for performance. But I need documentation of the original print version. I know according to your blog that it came from 13 Moon December 1992. Unfortunately, I cannot find that source. I need the isbn or more hopefully a copy of the index and the cover of the periodical. If you could tell me where to locate it or if you could scan and share I would be greatly appreciate as I have to have this verification tomorrow.

  3. Just wanted to say, Ms. Rambo is awesome. I need documentation for her selection and emailed her and she reply in no time and images for me. Both her spirit and her stories are must be celebrated! Thank You!

  4. I used big foot for most of the second half of the season. 15/16 year. I did pretty well with it and even went to nationals in the NCLF. I didn’t break there, i did to pretty well though. Thank you for publishing it

  5. Hi, I wanted to let you know I do Prose Competition and I am looking to use your piece The Coffee Cup Song, I’ve been having trouble finding a good piece that fits my multiple personalities and dramatic act.

  6. Hey, I’m am a freshman in forensics and wanted to know if it would be alright if I used your piece “hands?” Thanks!

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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How do you make your Internet presence something that sells books rather than just a succession of pictures of your cats? I've still got slots in this Sunday's class, Building an Online Presence for Writers." Come find out best practices for blogging, privacy, social media, SEO, and more, as well as free online resources for writers. $99 for new students, $89 for former students. Drop me a comment or e-mail to save a slot in the class.
How do you make your Internet presence something that sells books rather than just a succession of pictures of your cats? I've still got slots in this Sunday's class, Building an Online Presence for Writers." Come find out best practices for blogging, privacy, social media, SEO, and more, as well as free online resources for writers. $99 for new students, $89 for former students. Drop me a comment or e-mail to save a slot in the class.
So I have a story coming out next month in Clarkesworld Magazine, “Tortoiseshell Cats are Not Refundable.” I’m very pleased to appear again in Clarkesworld (past stories are I’ll Gnaw Your Bones, the Manticore Said, Whose Face This Is, I Do Not Know, The Mermaids Singing Each to Each, and Worm Within) and it’s a story that I like because it’s got some humor and some seriousness all blended together in a way that I think is less of a downer than some past stories have been.

I have seen the cover for the March issue of Asimov’s, which contains my novelette, “All the Pretty Little Mermaids,” and which even features an illustration drawn from the story, although I don’t know the artist yet. Hurray! That’s the second time I’ve appeared in Asimov’s, and I’m very excited about it. I also have a non-fiction piece appearing in the March Analog, an interview with Bud Webster about his new book, Past Masters and Other Bookish Natterings.

Other stories that should see print in 2014 are: Memphis Barbecue, a southern steampunk story (AIRSHIPS AND AUTOMATONS); dark fantasy story A Brooch of Bone, A Hint of Tooth (BY FAERIE LIGHT); Summer Night in Durham, which involves a tattoo artist, a vampire, and a parking lot confrontation (STAMPS, VAMPS, and TRAMPS); and Hoofsore and Weary, a fantasy story set in a new part of Tabat’s world, the Rose Kingdom (SHATTERED SHIELDS).

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2021 Publications, Appearances, and Other Notable Things

Text reads "2021 Publications, Appearances, and Other Notable Things."It’s been a great year. Here’s some highlights. I have tried to identify what length and genre everything is, as well as where you can get it. The podcast I work with, IF THIS GOES ON (Don’t Panic), is eligible for Hugo nominations.

In January, my story “Shot Through with Shards of Light” appeared in SPACE: 1975, SPACE OPERA STORIES, 70S STYLE edited by Robert Jeschonek. This story is set in the same universe as my space opera, YOU SEXY THING, and grew out of thinking about a particular aspect of that universe.

March of 2021, my short story “Crazy Beautiful” appeared in The Magazine of F&SF as part of Sheree Renee Thomas’s inaugural issue. This story is very important to me, speaking about something that I deeply care about, and I’ve been stoked that so many people liked it. It is my only story that starts with a Bob Ross quote. Rich Horton said of it, “Perhaps my favorite story from early in 2021.”

In April, Jennifer Brozek and I turned in the manuscript for our co-edited anthology, THE REINVENTED HEART. So exciting! I got a piece of game writing in, with “The Sisterhood of the Shovel,” which appeared in THE WELL from Shoeless Pete Games.

My Beneath Ceaseless Skies novelette, Every Breath a Question, Every Heartbeat an Answer, also appeared in April. This is a Tabat story, and features the protagonists of “Hoofsore and Weary” and “Brittle Are My Boughs, And Sorrowful My Heart.”

Some things reviewers said about Every Breath a Question, Every Heartbeat an Answer

In May, the third book of the Tabat Quartet, EXILES OF TABAT, appeared from Wordfire Press. In it, Bella, Teo, and Lucy all adventure outside the city, with very different results. The final book, GODS OF TABAT, will appear in 2022.

In July, a story that my spouse Wayne and I wrote together, “Stand and Deliver,” appeared in DARK MATTER magazine. It’s a story of fatherhood and time travel…sort of.

In August I actually did some traveling. I went to Laramie, Wyoming, and was part of the Laucnh Pad workshop, an effort aimed at getting more science into one’s science fiction, and I learned so much that I’ve got an entire notebook’s worth of notes.

In October, my flash piece “A Tourist’s Guide to Terror,” appeared in Jennifer Brozek’s anthology, 99 TINY TERRORS.

In early November, my collaboration with Jermaine Martin, “Riders of the Void,” appeared in GUNFIGHT ON EUROPA STATION, edited by David Boop. We took one of my favorite westerns, “Shane,” and used it as the spark to start our story and I’m pleased with the result!

In mid-November, my long-delayed space opera, YOU SEXY THING, appeared finally! Amazon named it one of the 20 best F&SF books of 2021 and there’s been some great reviews. Here’s some of what people have said.

  • “…a thoroughly entertaining sci-fi romp” – Publishers Weekly
  • “A romp. If you’re the kind of person who likes Mass Effect, or enjoyed Valerie Valdes’s Chilling Effect and Prime Deceptions, or fell head-over-heels for Tim Pratt’s Axiom trilogy”¦ then this book is definitely for you. This is a fast, zippy novel that hides some surprisingly substantial emotional heavy lifting under its hood”¦. Cozy-with-a-soupçon-of-suspense hoot-and-a-half.” “•Locus
  • …a delightful, action-filled space jaunt, packed with engaging alien species, a bioship that learns emotions, and witty references.” ““ Library Journal
  • “Rambo absolutely nails it.” – BookPage
  • “Fun, fantastic, and delicious”•I loved it!””•Ann Leckie, author of Ancillary Justice
  • This action-packed space opera is loads of fun.” “•BuzzFeed

I did a lot of other stuff, like teaching for the Norwescon Writers Workshop, Cascade Writers, Williamette Writers, and Clarion West. I read for Older Writer’s Grant for Speculative Lit Foundation as well as for a middle grade contest. I did a holy crapton of readings, and plenty of panels, which I should have tracked better in order to include here.

The school did nicely again this year and I added several on-demand classes of my own:

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