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For Forensics Students: A Story Breakdown

Amanda C. Davis recently blogged about the success of a post doing a breakdown of her stories for forensic students. It seems free forensics pieces are in demand for students looking for something to use.

In that spirit, here’s a breakdown of some of my stories that are both short enough to be read with a minimum of trimming and available online for any forensics students, speech class students, or other performers looking for something to read. Because I’ve got a lot of stories, I’m still working through the list and I’ll continue adding stuff as I go. For the complete list, see my publications page.

Prose Pieces for Forensics Students
In each category, I’ve listed the story, where it originally appeared, its length, type, and voice considerations.

Prose pieces eligible by National Forensics League Rules
Note: If you need the proof of print publication, please e-mail me at catrambo AT gmail.com, and I can send you a scan. I will be adding links to those when I get the chance, because I only recently realized they are proving an issue for performers.

  • The Accordion. Originally appeared in The Walden Review in 1991, reprinted in EYES LIKE SKY AND COAL AND MOONLIGHT. 4 minutes, humorous fantasy, first person, gender unspecified.
  • Bigfoot. Originally appeared in 13th Moon, 1992. 6 minutes, humorous fantasy, third person, voices include a female Bigfoot and a woman.
  • The Coffee Cup Song. Originally appeared in The Cornfield Review in 1992. 12 minutes, humorous, first person, young girl.
  • Falling. Originally appeared in Cream City Review in 1991. 3 minutes, dramatic, first person, gender unspecified.
  • Hands. Originally appeared in Dreams and Nightmares in 1991. 1 minute, surreal fantasy, 3rd person, gender unspecified.
  • Planet Crabby. Originally appeared in Asylum Magazine in 1990. 3 minutes, humorous science fiction, first person, gender unspecified.
  • Seven Clockwork Angels. Originally appeared in Altered America in 2016. 15 minutes, steampunk fairytale, 3rd person, voices include Sleeping Beauty, her parents, and two scientists.

Additional Prose pieces eligible by National Catholic Forensics League Rules
(Anything under NFL should also be eligible for this, if I am reading the rules correctly.)

  • Aardvark Says Moo, electronically published for Patreon campaign. 3 minutes, humorous fantasy, first person, voices include adult woman, small girl, male clown, female Valkyrie.
  • The Dead Girl’s Wedding March. Originally appeared in Fantasy Magazine in 2006, reprinted in EYES LIKE SKY AND COAL AND MOONLIGHT. 7 minutes, dramatic fantasy, third person, voices include a young woman, her father, a male doctor, and a male rat.
  • Grandmother’s Road Trip. Originally appeared in Chiaroscuro in 2005, reprinted (electronic version only) in EYES LIKE SKY AND COAL AND MOONLIGHT. 12 minutes, dramatic horror, first person, voices are a young woman, her mother, and her grandmother.
  • Magnificent Pigs. Originally appeared in Strange Horizons in 2006, reprinted in EYES LIKE SKY AND COAL AND MOONLIGHT. 15 minutes, dramatic fantasy, first person, voices are an adult male, a young girl, and an elderly Jewish woman.
  • Swallowing Ghosts. Originally appeared in Daily Science Fiction. 3 minutes, dramatic fantasy, first person, voices are a young man, his grandfather, and the ghost of James Joyce.
  • Wickedness. Originally appeared in Flash Fantastic. 1 minute, humorous horror, 3rd person.

Many more prose pieces available here. If you use one of my pieces in a forensics competition, please let me know and consider leaving a review on Amazon, GoodReads, or any other reading site you frequent! 😻


20 Responses

  1. Someone said in a twitter Kraken Sushi, which is the next thing I am writing about. For me there is one hard thing and that is finding my way into a story. I love to know the ending right away, but I trust that one will appear. The last three things I wrote worked that way, which is a break through for me.

  2. Hello Cat Rambo! I don’t know how to contact you unless through comments and you said to contact you if we were to use any of your pieces for forensic competitions! I’m thinking of using The Dead Girl’s Wedding March, The Accordian, and Swallowing Ghosts.

      1. Ms. Rambo,
        I am trying to use your Bigfoot piece for performance. But I need documentation of the original print version. I know according to your blog that it came from 13 Moon December 1992. Unfortunately, I cannot find that source. I need the isbn or more hopefully a copy of the index and the cover of the periodical. If you could tell me where to locate it or if you could scan and share I would be greatly appreciate as I have to have this verification tomorrow.

  3. Just wanted to say, Ms. Rambo is awesome. I need documentation for her selection and emailed her and she reply in no time and images for me. Both her spirit and her stories are must be celebrated! Thank You!

  4. I used big foot for most of the second half of the season. 15/16 year. I did pretty well with it and even went to nationals in the NCLF. I didn’t break there, i did to pretty well though. Thank you for publishing it

  5. Hi, I wanted to let you know I do Prose Competition and I am looking to use your piece The Coffee Cup Song, I’ve been having trouble finding a good piece that fits my multiple personalities and dramatic act.

  6. Hey, I’m am a freshman in forensics and wanted to know if it would be alright if I used your piece “hands?” Thanks!

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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New Book, and Various Exhortations of an Inspirational Nature

This is an elaboration of the first part of my most recent newsletter, because I wanted to spread the message a bit farther, and expand on some of it. If you want to see the rest of the newsletter, which has class news and a giveaway for a copy of the new book, it’s here.

It’s always exciting for me when a project comes out, and particularly when it’s an actual book. Last week marked a special “book birthday” because my collaboration with James Morrow and Harry Turtledove, And the Last Trump Shall Sound, came out. I wrote the novella pre-pandemic, and it was an interesting challenge in multiple ways, partly because of the subject matter and where it is placed in time and partly because of the wildly different natures of the three novellas.

Here’s the description of the book:

And the Last Trump Shall Sound is a prophetic warning about where we, as a nation, may be headed. Mike Pence is President of the United States after years of divisive, dogmatic control by Donald Trump. The country is in turmoil as the Republicans have strengthened their stronghold on Congress, increasing their dominance. And with the support of the Supreme Court, more conservative than ever, State governments become more marginalized by the authoritarian rule of the Federal government.

There are those who cannot abide by what they view as a betrayal of the nation’s founding principles. Once united communities break down and the unthinkable suddenly becomes the only possible solution: the end of the Union.

The authors’ depiction of a country that is both unfamiliar and yet unnervingly all too realistic, make you realize the frightening possible consequences of our increased polarization””a dire warning to all of us of where we may be headed unless we can learn to come together again.

As you can imagine, reviews have been mixed in a way that seems to correspond to the politics of each reviewer. My favorite declared the book unfit for Christians to read, which is a first for any of my books. I will say this — they are wildly different novels in terms of style. Harry’s is thoughtful alternative history, which James then takes in a highly satirical direction. I follow-up with something that is more SFnal, and a bit Black Mirror-ish.

And in mine, I tried to talk about the fact that everyone on the continental United States, whether they’re part of Pacifica, the nation that Harry creates when he has the states of California, Oregon, and Washington break off from the rest of the country, or the collective formed by the East Coast states, or what’s left of the US — is part of a corporate-driven system that treats American citizens as commodities to be used to make the rich richer.

That seems important to me, because the forces we’re fighting are certainly using weapons like racism, sexism, homophobia, and the like, but in the end, they are the people who have taken the wealth of the world — which could be used to house the homeless, to feed the hungry, to teach and heal the world — and use it to create things like gold-plated toilets for them to shit in.

As part of the publicity beforehand, we’ve been doing a lot of podcasts in the past month. Over and over I have found myself saying something important: We’re in the last weeks before the election and it is so important to stay the course, because this really is the last chance to break some of the hold that malignant forces have exerted over American politics.

Some but not all, not by a long shot. We’ll still have hatred, fear, and divisiveness used against us by the people struggling to maintain that hold. But getting as many as we can out of office in this election is vital, particularly at the local level. If you are an American citizen, please vote and encourage those around you to exercise their right to do so as well.

As we come into these final days before the election, you will see unprecedented efforts to spread mistruths, to distract and confuse, and to divide us. Stay strong and focused. Maintain your own health and take a breather when you need to. Factcheck before you spread information. Encourage and enable those on the front lines of this fight.

And be kind. Be loving. Be generous and honest and open in your vulnerabilities, because in these days, that is a rebellious act. Be gentle when you can and fierce when you need to be. Know that you are loved. Know that we are all in this together.

Peace,
Cat

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