Delany says: "A reasonable concern -- in many a worry; and in few a hope -- is whether a creative writing teacher wishes to teach her or his students to write the way he or she writes. Emphatically that is not my enterprise. But the agenda here is no less personal. The thrust of these pieces is to teach writers to produce works I would enjoy reading. "I can’t think of a better book to begin with than a writing book I go back to over and over again, both for teaching and to apply to my own writing. Be aware that many of these essays are also contained in The Jewel-Hinged Jaw.
What:About Writing, by Samuel R. Delany, is a book of writing advice that includes seven essays, four letters, and five interviews. Two essays are ones I go back to over and over again, “Thickening the Plot,” and “Characters.”
Who: People who will enjoy this book include all manner of writers, as well as anyone interested in Delany’s own awesome fiction.
When: You should read this when you’re feeling uninspired about your own writing or if you want some assurance that “writing to discover” is as valid an approach as plotting things out thoroughly.
Why: Delany is one of the foremost SF writers of our time. His work speaks not just to those beginning to write, but those well along their path. If, like me, you love his fiction, you’ll find About Writing sheds new light on those works.
Where and how: Read it someplace quiet, where you have space to stare off into the distance, thinking about what Delany has said. Read it straight through or else do what I do and dip in at various places. No matter what angle your approach takes, it’ll be rewarding.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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You Should Read This: The Complete Drive-In by Joe R. Lansdale
I find the book's free-wheeling nature inspirational, although it's a gloomy message at the heart of it all.Joe R. Lansdale is a favorite writer; this was my entrance into his work and it hooked me thoroughly.
Who: Those willing to abandon themselves to the book, to strap themselves into the funhouse ride Lansdale has prepared will have the time of their life.
Why: Read this for dialogue that flows over you. For a gradual creep into weirdness that disorients and amazes all at once.
When: Read this when you want to be reminded that a good writer can take us wherever he or she likes. WHen you need to be shown that you can be as weird and surreal and downright odd in your writing as you like, as long as you do it with panache.
Where and how: Lansdale is a terrific reader – if you get a chance to hear him in person, do it! If not, try an audio book, in order to appreciate the way it flows. And don’t read it in scraps. Sit down and stay a spell.
This is by no means an exhaustive list, but includes many of my favorites.
Ninth House by Leigh Bardugo. The success of Lev Grossman’s The Magicians trilogy has led to quite a few other “college for mages” books. This was my favorite of this year’s batch, although I did also enjoy Sarah Gailey’s Magic for Liars.
Pet by Akwaeke Emezi is a young adult novel that is just extraordinary and beautiful and astounding. I’m about to ship it off to my godkid as well as the next book.
Sal and Gabi Break the Universe by Carlos Hernandez is another young adult novel, this time much more humorous than Pet, but with its sadnesses as well. The voice is funny and delightful while still full of all of the insecurities of high school.
unsplash-logoJaredd CraigThe Grand Dark by Richard Kadrey has a gorgeous, depressing texture, an interesting storyline, and an evocatively detailed world that had its Kafka-esque moments. This is very different than Kadrey’s Sandman Slim books — while they’re fun reads, this feels like a much more serious book without being ponderous.
The Twisted Ones by T. Kingfisher is a spin-off from Arthur Machen’s horror work The White Ones and it is, like all of her books, crazy good. It’s weird to me, however, that in 2019, she’s got a hoarder grandmother story, I’ve got a hoarder grandmother story, and Ellen Klages has a hoarder mother story that I enjoyed as well. Something in the zeitgeist?
The Raven Tower by Ann Leckie. It took me a little while to settle into the voice of this book, but once I got with the groove I was totally hooked. Leckie’s a master of storytelling. There’s a lot that’s hopepunk-y about this book, including the casual community-based heroism of the protagonist as well as the insistence on the power and mutability of stories and language.
Middlegame by Seanan McGuire is a complicated and interesting book delivered with McGuire’s usual smooth prose and engaging characters. I don’t want to say too much about it for fear of spoilers.
Gideon the Ninth by Tamsyn Muir is like Mervyn Peake’s Gorgmenghast in space with lesbian necromancers. This was a terrific read and (IMO) well worth all the hype. I don’t even know how to describe it but I loved the slow burn of relationship building and the atmosphere and the overall bizarreness of the world. So delightful.
A Song For a New Day by Sarah Pinsker is near-future SF reminisencent of a mash-up of Marge Piercy and Joni Mitchell. This is definitely one of 2019’s hopepunk standouts.
A Choir of Lies by Alexandra Rowland is the follow-up to her amazing A Conspiracy of Truths and it deepens the understanding of the first book in a way that had me going back to read it again. When people are building lists of hopepunk, this and its predecessor definitely should always be included.
Today I am Carey by Martin Shoemaker is a lovely expansion on the award winning story. I really love this piece and it’s very timely.
The Deep by Rivers Soloman (novella) is a fabulous example of how stories can shift forms. Based on a Daveed Diggs by the same name, this is an intense and beautiful translation of the song.
The Fall by Tracy Townsend is the sequel to a book I loved, The Nine, and it was a great continuation of the series, reminiscent of one of my favorite writers, P.C. Hodgell.
The Lesson by Cadwall Turnbull is a fascinating, tightly drawn novel in which humans are forced to co-exist with super-advanced and mostly benevolent aliens, set on the Virgin Islands after the killing of one of the locals by an alien.
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