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Teaser From Another Unfinished Steampunk Story

Photo of a Glasgow train engine, accompanying a steampunk short story snippet from speculative fiction writer Cat Rambo.
If you're interested in my steampunk stories, you might start with "Clockwork Fairies," which originally appeared on Tor.com
I’ve been writing a lot in a steampunk world lately; this is the fourth story set in this world. The passengers are headed to Seattle, but a version much grimier and war-ridden than our own. The Civil War is three years over; another war, over a substance called phlogiston, has arisen.

Jemina noticed the Very Small Person the moment she entered the train.The child paused in the doorway to survey the car before glancing down at her ticket and then at the other half of the hard wooden bench, high-backed, its shellac peeling, that Jemina sat on. Jemina tucked the macrame bag beside her in with her elbow.

The child was one of the last on, which was why Jemina had been hoping against hope to have the bench to herself, at least all the two day trip to Kansas city. The train began to roll forward, a hoot of steam from the engine, a bell clang from the caboose at the back of the train, the rumble underfoot making the little girl pick her way with extra caution, balancing the small black suitcase in one hand against the pillowy cloth bag in the other.

She arrived mid-car beside Jemina and nodded at her as she struggled briefly to hoist her suitcase up before the elderly man across the man did it for her. She plumped the cloth bag in the corner between sidearm and back and sat down with a little noise of delight as she looked around. Catching herself at the noise, she blushed, fixed her gaze sternly forward as she folded her hands in her lap, and peeped at Jemina sidelong.

Jemina tried to imagine how she might appear. She knew herself thin but nicely dressed and pale-skinned. The lace at her throat was Bruges, the cross around her neck gold. She looked like a school-teacher, she imagined, and not a particularly nice one. She felt her lips thin further at the thought.

The child, interpreting the flattening of Jemina’s mouth for disapproval, fished in her bag and took out a small blackbound Bible. She began to read.

“Oh, it’s all right,” Jemina said. Her boldness surprised her, but this was a child, after all. “I’m Jemina Iarainn and I’m a scientist, headed to work at the War Institute in Seattle. Who are you are where are you going?”

The smile bestowed on her could have lit a room. The Bible slid back into the bag. “Oh thank goodness! I’m Laurel Finch and this is my very first train ride ever, up to Seattle too, and I was hoping I’d have an agreeable companion on my voyage.”

She stumbled a little over the solemnity in the last words. Jemina said, “Trips are much, much nicer with someone to talk to. Where are you going in Seattle? To visit relatives?”

“To the Soldiers’ Orphans’ Home there,” Laurel said, and her mouth drooped before she summoned her smile again. “I’ve been staying with my uncle for the last three years but he is traveling to China as an ambassador. It’s all right, he’ll come back for me, but in the meantime I’m to live there for a few years.”

“Seattle is very nice,” Jemina said. Her mind raced along the years before this child, living among orphans with no chance of adoption herself. Bleak, as bleak as any of Jemina’s childhood years. “You will meet Princess Angeline, Chief Seattle’s daughter. She lives down near the market and is a real Indian princess.”
“Do you know Seattle well?”

Jemina shook her head, then nodded. “My twin sister is out there already and she has been writing me long letters.”

“Is she also a scientist?”

“She writes for the newspaper.”

“Oh! Like Nellie Bly!” Laurel clapped her hands and Jemina sighed internally. A daredevil reporter was more exciting than a scientist, but she was the one constructing giant killing war machines, after all, even though she was not at liberty to talk about any of that.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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Last Week of the Clarion West Writeathon: Reward for Donors

Picture of a pink tulip with rain on itIt’s the last week of the Clarion West Write-a-thon! Donate now and you’ll get the donors reward, a file in the format of your choice containing all the writing I’ve done over the course of the Write-a-thon plus a couple of bonuses.

Donate as little as a dollar and get (the package so far):

  • Short story “Rappacini’s Crow” (steampunk horror)
  • A haiku about blackberries
  • Short story “Elections at Villa Encantada” (urban fantasy)
  • Flash piece “The Facts: A Zombie Story”
  • A still untitled military fantasy piece
  • Short story “Primaflora’s Journey” (secondary world fantasy)
  • Bonus – The first 50 pages of Queen of the Fireflies, a literary horror novel

Even if you don’t want to sponsor me, check out some of the other fine writers participating in the Writeathon!

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The Wayward Wormhole - Barbados February 2026 / The Art of the Novella

 

 

 

 

 

 

 

Novellas are growing in popularity, and we want to help yours stand out.

Structurally, they can get tricky—they’re not mini-novels anymore than children are mini-adults—while still demanding full, fleshy, character arcs and immersive descriptions.

What if you could learn from professionals, while editing YOUR novella with a real-time feedback during a workshop?

 Applications for this Science-fiction/Fantasy/Horror Novella Workshop

OPEN: March 21, 2024          CLOSE: MAY 15, 2024, AT 11:59:59 EST 

SUBMIT: One page, single spaced, novella synopsis and the first ten pages by April 30, 2025

(The full novella is due October 15, 2025)

  1. E-mail your name and the file to: applywaywardwormhole@gmail.com
  2. Pay the application fee through PayPal to catrambo@gmail.com
  3. or Venmo to cat-rambo-1

If you can’t use these options or need help with the application/payment process, please contact us using the “apply” address above.

Join us and work closely with:

Premee Mohamed  https://premeemohamed.com/

Karen Lord  https://karenlord.wordpress.com/

Tobias Buckell  https://tobiasbuckell.com/

Cat Rambo  https://www.catrambo.com/

Hone YOUR novella during the workshop, and leave knowing you’ve effectively incorporated new tools into your work. Selected students will be randomly sorted into cohorts of six. Each cohort will spend three days with each instructor.

  • Day One will include a morning and afternoon workshop that includes specific exercises that focus on the day’s topic.
  • Day Two is your chance to apply one or both exercises to any scene from YOUR novella. You’ll send both the original scene and the edited version to the people in your cohort and the professional for critique and discussion.
  • Day Three is for critique circles. Your scene will be critiqued by each member of your cohort and the professional.

PLUS: A full novella, One on One discussion with a professional

WHEN: February 7 to 21, 2026

WHERE: Oistins area, Christ Church, Barbados

Why Barbados? Karen Lord invited us, and we couldn’t say no to Barbados.

FEE:  $2,500.00 US

(travel, accommodations, and food NOT included)

The Wayward Wormhole is working to secure group rates at selected hotels.

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