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WIP: Carpe Glitter

Today I have been writing! Costa Rica is fabulous, and we’re enjoying Jaco. Walked out for breakfast this morning and later on to the super mercado for groceries. My high school Spanish is, luckily, coming back in leaps and bounds.

I’ve been working not on a story set here, though, but one in Vegas. Here’s the beginning of what is looking like it will hit novelette length at least, “Carpe Glitter.”

Carpe glitter, my grandmother always said. Seize the glitter.

And that was what I remembered best about her: the glitter. A dazzle of rhinestone, a waft of Patou Joy, lipstick like a red banner across her mouth. Underneath all that, a worry little old lay with silver hair and vampire-pale skin.

Not that she was one, of course. But grandmother hung with everyone during her days in the Vegas crowd. Celebrities, presidents, they all came to her show at the Sparkle Dome, watched her strut her stuff in a black top hat and fishnet stockings, conjuring flames and doves (never card tricks, which she hated), making ghosts speak to loved ones in the audience and when she stepped off the stage, she left in a scintillating dazzle, like a fairy queen stepping off her throne.

All that shine. And at home?

She hoarded.

I mopped sweat off my forehead with the hem of my t-shirt and attacked another pile of magazines. No cat pee – I’d been spared that in these back rooms, closed off for at least a couple of decades. Grandmother had bought the house when she was at the height of her first fortune, just burst onto the stage magician scene, a woman from Brooklyn who’d trained herself in sleight of hand and studied under the most famous female stage of her time.

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Teaser From Another Unfinished Steampunk Story

Photo of a Glasgow train engine, accompanying a steampunk short story snippet from speculative fiction writer Cat Rambo.
If you're interested in my steampunk stories, you might start with "Clockwork Fairies," which originally appeared on Tor.com
I’ve been writing a lot in a steampunk world lately; this is the fourth story set in this world. The passengers are headed to Seattle, but a version much grimier and war-ridden than our own. The Civil War is three years over; another war, over a substance called phlogiston, has arisen.

Jemina noticed the Very Small Person the moment she entered the train.The child paused in the doorway to survey the car before glancing down at her ticket and then at the other half of the hard wooden bench, high-backed, its shellac peeling, that Jemina sat on. Jemina tucked the macrame bag beside her in with her elbow.

The child was one of the last on, which was why Jemina had been hoping against hope to have the bench to herself, at least all the two day trip to Kansas city. The train began to roll forward, a hoot of steam from the engine, a bell clang from the caboose at the back of the train, the rumble underfoot making the little girl pick her way with extra caution, balancing the small black suitcase in one hand against the pillowy cloth bag in the other.

She arrived mid-car beside Jemina and nodded at her as she struggled briefly to hoist her suitcase up before the elderly man across the man did it for her. She plumped the cloth bag in the corner between sidearm and back and sat down with a little noise of delight as she looked around. Catching herself at the noise, she blushed, fixed her gaze sternly forward as she folded her hands in her lap, and peeped at Jemina sidelong.

Jemina tried to imagine how she might appear. She knew herself thin but nicely dressed and pale-skinned. The lace at her throat was Bruges, the cross around her neck gold. She looked like a school-teacher, she imagined, and not a particularly nice one. She felt her lips thin further at the thought.

The child, interpreting the flattening of Jemina’s mouth for disapproval, fished in her bag and took out a small blackbound Bible. She began to read.

“Oh, it’s all right,” Jemina said. Her boldness surprised her, but this was a child, after all. “I’m Jemina Iarainn and I’m a scientist, headed to work at the War Institute in Seattle. Who are you are where are you going?”

The smile bestowed on her could have lit a room. The Bible slid back into the bag. “Oh thank goodness! I’m Laurel Finch and this is my very first train ride ever, up to Seattle too, and I was hoping I’d have an agreeable companion on my voyage.”

She stumbled a little over the solemnity in the last words. Jemina said, “Trips are much, much nicer with someone to talk to. Where are you going in Seattle? To visit relatives?”

“To the Soldiers’ Orphans’ Home there,” Laurel said, and her mouth drooped before she summoned her smile again. “I’ve been staying with my uncle for the last three years but he is traveling to China as an ambassador. It’s all right, he’ll come back for me, but in the meantime I’m to live there for a few years.”

“Seattle is very nice,” Jemina said. Her mind raced along the years before this child, living among orphans with no chance of adoption herself. Bleak, as bleak as any of Jemina’s childhood years. “You will meet Princess Angeline, Chief Seattle’s daughter. She lives down near the market and is a real Indian princess.”
“Do you know Seattle well?”

Jemina shook her head, then nodded. “My twin sister is out there already and she has been writing me long letters.”

“Is she also a scientist?”

“She writes for the newspaper.”

“Oh! Like Nellie Bly!” Laurel clapped her hands and Jemina sighed internally. A daredevil reporter was more exciting than a scientist, but she was the one constructing giant killing war machines, after all, even though she was not at liberty to talk about any of that.

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