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Why I Don't Want to Read Your Story

Photo of French writer Colette, to accompany a blog post by speculative fiction writer Cat Rambo.
Colette's husband allegedly locked her in an attic to keep her focused on her writing. Somedays this seems like an enviable solution.
I get a lot of requests to look at people’s stories. Sometimes people just send them to me. This has prompted this post, but it is not directed at any specific recent requests. (I should note that this is different than my offer to read for awards – I’m happy to read those.) I’m talking about stories of the still unpublished variety.

I’m sorry. I really am. I know it’s a great story. But here’s some reasons why I’m not thrilled by your offer to let me read it.

I do read fast, but I have a lot to read. I’m reading for the Norton Award this year, which has meant an onslaught of books. I’m reading to stay abreast of the field and so I can make intelligent award nomination decisions. And I’m reading for my own pleasure.

You’re not asking me to read it, really, but also to critique it. That takes time, and even just a little crit is a piranha-like bite out of a day already besieged.

You’re asking me to do it for free. I charge to critique stories. Right now I’m not taking any, because I want to focus on my own work. The same goes for Kickstarters asking me for crits as donation incentives this year. I got bit in the butt with a bunch of these all at once, and it’s just not working for me. I’ll revisit this policy in 2015.

You may not want to hear what I have to say. A few years ago someone pressed a manuscript in my hands, and I took the time to go through it pretty thoroughly and explain why it wasn’t ready for primetime and what changes needed to be made. The recipient made it clear that he’d been wanting to hear praise and market suggestions. That was a bit discouraging.

I am not in a position to publish your story. If that’s what you’re hoping, I’m not currently editing a magazine and the couple of editing projects I have coming up are pretty specific in theme. It is extremely unlikely that I will read your story, shout “Huzzah!” and send it off to another editor saying they should buy it.

If you absolutely must have me read your story, you do have the option of taking my workshop. I offer plenty of classes and there’s new sections of both the Writing F&SF Stories and the Advanced Workshop opening soon.

This is hard for me because I have a difficult time saying no to requests. But they add up into vast piles of undone work that dampen all productive effort. So despite all the convulsions and pain this is causing my inner Midwesterner, who desperately wants to be polite… save us both the trouble and send it to your crit group. At least for now. Okay?

11 Responses

  1. It’s great that you’re stating your policy (for lack of a gentler, more personal word) up front and in public. I think a lot of people — novices especially — don’t realize how many requests established authors/teachers get or how much effort it takes to review and comment on a piece of writing. Many years ago, I was friends with an author who was a creative writing instructor, and I asked him if he’d read a few chapters of my novel and give me feedback. At the time, I really didn’t comprehend what a big favor I was asking, and I cringe a little now when I remember it. Now that I’m wiser, I’d never ask a pro for that kind of time donation — and I won’t ask anyone to beta read unless I’m willing to reciprocate.

    1. Yeah, I think you’re right – people don’t realize that the favor to them is part of a big pile of potential favors. And there are a few people I really don’t mind doing this for, but they’re usually friends that are established writers, and I’m reading the stories for enjoyment. It’s the out of the blue “I love your work here’s my story please read it” requests that are simultaneously flattering and dismaying.

  2. At one point I was called a “soulless critiquing machine” as a bit of praise. And I try to advertise that to avoid the buyer’s remorse that you describe above. But yet it still happens…

    …but for me as a publisher (multiple hats FTW), that also means that if a fledgling author asks for a critique, gets a critique, and then can’t handle it, then it means I can safely disregard them.

    1. It is impossible for writers to too early acquire the rhinocerous-like hide that lets them survive rejection.

      1. To be clear with my tone: I’m not talking about people who are hurt by (unexpected) criticism – I’m referring to people who throw tantrums and declare how you’re *wrong* and “didn’t read the story right”.

        And I realize I didn’t clarify: I make a BIG deal about differentiating – even with friends – between “would you like to just share the story with me, or do you want feedback? And if you want feedback, how intense do you want it?”

        Because you’re right – rejection sucks. Critique of your story can suck. And if you’ve come up with any teaching tricks to help others separate critique of *story* from critique of *self*, please share! 🙂

        1. Figuring out the other person’s expectations is important. I try to be pretty clear about the fact I’m not going to pull punches.

    1. Ha! I love that post. It explains why it’s a dick move so clearly. But sometimes people don’t know they’re being dicks.

  3. As a psychotherapist (can I just have a bit of advice, please?) a blogger (can you post this on your site please?) and a knitter (can you knit me a sweater please?) I know exactly where you’re coming from. A hand knitted sweater, for instance, takes 10s to 100s of hours in addition to materials costs. If I was planning to knit you one, you’ll get one. If not, buy one off the rack (it’s a heck of a lot cheaper, even if I were to only charge you $10 per hour) or learn to knit.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Acquainted With the Night

Rain sleets down like multicolored metal needles to splatter against the chill, neon-lit street’s surface. The light gutters across the wet surface of his black plastic rain poncho, picking out abstract tattoos.

Somewhere in the night, he knows there is darkness brewing.

The mask fits loosely on his face under the rain poncho’s shroud. Some people look at him as they go past in the rain, but their eyes skitter away, seeing him faceless in the dark.

At one point the mask was crimson, and golden wind vortexes, bright as daylight, rode his face on either side, framing his power, his strength.

Far away he hears a shout. He pauses to listen, but it does not come again, and he is not sure of the direction. Cars hiss past in a spray of sparkling, heavy, wet mist, and touch the surface of his jacket with beaded jewels.

He tugs at his dark grey face covering, pulling it into place. Rain has seeped in through the eyeholes and walks along his face like the memory of tears.

Is he crying or is it the rain? The question seems overwrought, and he feels himself slipping into one of those dark, cinematic moods, where he sees everything from the outside. It’s starting again, the loop of film that is his life.

#
Scene 1: The Origin

He was an ordinary boy in an extraordinary place, he tells himself. Working in Miracle Labs, he was a go-fer, fetching coffee and sandwiches for the scientists in their bright white lab coats. Everyone was so pleasant, so marvelously cheerful! He whistled on his way to work every morning.

As time passed, though, he became aware of undercurrents. Doctor Octo hated Doctor Sept, and they both vied for the attention of receptionist Wye. Who was worth vying for, he admitted to himself, but he knew that he, pimple-faced and adolescent gangly, wouldn’t have a chance with her. Most of the scientific in-fighting, though, had to do with who published what where. Most of them worked hard at publishing, and conducted their research with scrupulous but eager abandon.

It was easy for someone like himself to pick up some extra cash acting as a guinea pig. It paid well, and his mother.s birthday was coming up. Sept was working on a military project, augmented strength, while Octo was working on a similar project, increased speed.

Tuesdays and Thursdays he sat in Sept’s lab, squeezing grip-meters, while on Mondays and Wednesdays, he used a mouse to click colored shapes on a computer screen. He swore to both of them that no one else was interfering with his physical structure, and they both were horrified but intrigued when their experiments collided, geometrically increasing both strength and speed as though cross-multiplying.

Military types swarmed the labs, smoking jovial cigars while the scientists ran him through test after test with suppressed jubilation, which faded into pretense as every other test subject underwent both treatments to find themselves no stronger or faster than before.

He was their golden boy at first, and even Wye unbent in his direction, admitting she wouldn’t mind a cup of coffee, which led to one thing, then another, then him offering in-home demos of what it was like to bang a genuine superhuman. But more test subjects came and went in failed succession. The doctors became less fond of him as the military soured.

He lost his job at the laboratory, although no one ever really gave him a straight answer as to why.

So he became a superhero, which seemed like a viable option at the time.

#
Part 2: The Career
He got an agent who he.d seen on early morning TV, representative to a group known as the Weather Team. He took the name Captain Hurricane, superspeed and strength qualifying him, he figured.

It was never clear how many superheroes Alan Mix had in his stable. Although his Variety piece when Captain Hurricane joined him said seven, two of those, Ebon Lightning and el Invierno, were sometimes there, sometimes not, due to other gigs with the world of superhero wrestling.

They offered to cut their fellow heroes in on the deal.

“Sweet money and not that hard,” Ebon Lighting urged three of the others, Sunshine Princess, Tsu-nami, and Captain Hurricane. Sunshine Princess did try it, as he recalled, but did not do well in a match against the Hunktress.

Women liked him. What.s not to like about strength and charisma? They liked his gee-whillikers good looks.

He was a little bit in love with Sunshine Princess at one point when he was depressed, but the woman that he would go to his grave loving was another of the Weather Team, Waterlily Elegance, an enormous-haired alien, cerulean-eyed with pumpkin-colored skin from beyond Betelgeuse.

She did not return the affection, though. The mate waiting for her, after she had spent a year in their world, was an enormous purple flower, forever stationary, who floated on a lake of violet emulsion on her home planet.

When she returned home to engage in the mating ritual that would lead to her explosion in a rain of seeds, he spent three nights running in a bar with Sunshine Princess. Each night they staggered home to his apartment and made clumsy love in his unwashed bed. On the third morning he woke up to find her making eggs and coffee in the tiny kitchen.

He drank the coffee in a sullen silence which ate away like acid at her happiness, making it more and more brittle as she moved around cleaning the small space, wiping at the counters with a lemon colored sponge.

“Sit down, for the love of God,” he finally snarled, and she sat, pouring herself coffee and sweetening it with lavish spoonfuls.

“Is everything okay, babydoll?” she cooed, and he could tell she was latching on, sinking in the hooks that would drag him into married life and an eternity of lemon sponges.

“I’m not your babydoll,” he told her startled face. “Not your gumdrop, not your honeybunch, not anything. You were convenient, that’s all, Eleanor.”

She went white as she stood, swaying, and then stiffened herself and marched out to collect her things. She wrapped the yellow cape around herself, sodden still from the previous night’s rain and clinging in damp folds to her skin. He caught a glimpse of her eyes, which were enormous and bruised dark.

That night he patrolled Central Park, and beat three muggers so savagely that they could not walk.

#
Part 3: The Announcement
Three months later when she came to see him about the pregnancy, he already had felt it in his heart. He pushed money in her hand and then pushed her away, physically, a hard shove that sent her sprawling. He turned his back and walked away.

He’d gotten a photogram that morning from Waterlily Elegance. She stood by the shore of the violet lake, one slender hand cupped around her swelling body, ripe with the offspring that would kill her. He wondered what it would look like . would the seeds explode outward, scattering her flesh, leaving scraps of squash color to dry and brittle on the ground? He asked around, asked Silver Spring, the other alien on the Weather Team, but Spring ignored him in a way that screamed impoliteness. Realizing he was violating some taboo, he dropped the subject with reluctant haste.

#
Part 4: The Arrival
He met his daughter first when she was four, hair like cotton-candy floss, colored with pale light. She had inherited powers from both of them, although he could sense she would never be as strong, as fast, as him. From her mother, she had taken the trick of fostering light beneath her skin, letting it go in pulsations of brightness. He called her his Firefly.

He took her every Saturday: to the zoo, to the harbor, to the botanical gardens, to the sculpture garden, to the play ground, to the grocery store, to the laundromat.

They had a year of such meetings before she vanished.

Someone took her out the window, the thirteenth story window that she looked out of each night, her small luminous moon face pressed up against the clear surface. They melted through the glass as though it was water and abducted her in silence.

He nearly died when the police showed him the film, which they said was selling well in underground circles. Although she wore a mask, he recognized the flashes of light that trembled on her naked skin. The men with her wore masks too. They said it was a snuff film, and would not show him more than the moment he needed to identify her. The corpse was never found.

He never found the men either, though he has spent a decade looking. Princess Sunshine committed suicide, and most of the Weather Team is gone. He had to leave it after three years and the fourth scandal of a criminal killed in the course of apprehension. In another decade one of Waterlily Elegance’s children might come back to this planet and perhaps join a new superhero group. He knew that twenty two had survived her death. Their names blended together for him: Casual Horizon, Immaculate Bliss, Serenity of Spite…

Sometimes he wrote to her mate and received in return graceful thought-grams, blended nuances of mental energy and sensation that conveyed regret and well wishes and never spoke of her.

#
And now, the loop complete for another hour, he steps forward again into the darkness. The mask he wears is a duplicate of one from the film . he has no wish to explore why he chose it.

But every night it’s the same, his mask looming down over the fallen form of the mugger, the purse snatcher, the rapist, the suspected harasser, the suspicious stranger out late at night as he kicks and slaps at them, superhuman strength making bruises bloom like light flashes on their skin. Tonight, jewels of light will glitter on their unturned, blank face, and he will feel the blood hot within himself, boiling hot and mammal, unlike the rain.s cool and vegetative touch.

(This story originally appeared in the online publication, FERAL FICTION, in 2004.)

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My Theories About Series and Self-Publishing

Cover of Events at Fort Plentitude
An exiled soldier tries to wait out a winter in a fort beleaguered by fox-spirits and winter demons.
Happy New Year, one and all! I thought I’d start the New Year talking about what I’m working on at the moment, putting individual stories up on Amazon and Smashwords. Between publications and backlog, I’ve got about 200 to play with, so it’s a pretty big task, given that I’d like to have almost all of them up by the end of the month. But if I consider that some are flash, which I’ll put up individually on QuarterReads and release in a compendium, it becomes less daunting.

I’m getting faster at the process as I go, and I’m also refining it, which unfortunately means I need to go back over some of the earlier releases, just to make them all look the same as far as prettiness and completeness goes.

Would it be better to space releasing the stories out over the course of a year? Probably. But I’d like to get this all set up and done so I can move onto other things. I have enough stories that will be added over the course of the year as I write them or their rights become available that there will be plenty of additions as is.

What I’ve done with the stories is split them up into series. This is an easy enough task because I’ve got plenty of clusters of stories where characters or locations repeat, as with Twicefar Station, which is the backdrop for “Amid the Words of War,” “Kallakak’s Cousins,” and “On TwiceFar Station, As the Ships Come and Go.” It’s also the same world as “TimeSnip,” whose main character appears in “On TwiceFar Station, As the Ships Come and Go.”

Why I’m doing this:

  1. This allows me to provide readers who like a particular story with a way to find similar ones. If they read “Her Windowed Eyes, Her Chambered Heart,” for instance, and want to find other steampunk stories by me, they can look at the others in the Altered America series.
  2. This lets me play with KDP in a meaningful way. If I make the first book Kindle only for at least the first year, I can use the Kindle Select promotional tools and get readers to sample a story by giving it to them free.

Here’s what I’ve got sorted of the series so far, with a description of each.

Altered America (steampunk)
Her Windowed Eyes, Her Chambered Heart
Rappacini’s Crow

Closer Than You Think (near future SF)
All the Pretty Little Mermaids
Tortoiseshell Cats Are Not Refundable
Zeppelin Follies
English Muffin, Devotion on the Side
Memories of Moments, Bright as Falling Stars
Therapy Buddha

Farther Than Tomorrow (slipstream & space opera)
Bus Ride to Mars
Five Ways to Fall in Love on Planet Porcelain
Grandmother
Elsewhen, Within, Elsewhen

Superlives (superheroes)
Ms. Liberty Gets a Haircut
Acquainted with the Night

Tales of Tabat (secondary world fantasy)
Narrative of a Beast’s Life
How Dogs Came to the New Continent
Events at Fort Plentitude
Sugar
Love, Resurrected
In the Lesser Southern Isles

Twicefar Station (far future SF)
Kallakak’s Cousins
On TwiceFar Station, As the Ships Come and Go
Amid the Words of War
I Come From the Dark Universe

Villa Encantada (urban fantasy/horror)
Eagle-haunted Lake Sammammish
Villa Encantada
Crowned with Antlers Comes the King

Women of Zalanthas (secondary world fantasy)
Aquila’s Ring
Mirabai the Twice-lived
Karaluvian Fale

The World Beside Us (urban fantasy/horror)
Jaco Tours
Magnificent Pigs
Heart in a Box
Can You Hear the Moon?
Of Selkies, Disco Balls, and Anna Plane

So far, after approximately a month of getting stuff up there, I’m seeing some small sales, but also a tiny uptick in my collections that could be due to something else entirely. (Self-publishing is such a mysterious process!) So over the course of the year, I’ll be tracking the results.

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