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You Should Read This: The Past Through Tomorrow by Robert A. Heinlein

Cover of Robert A. Heinlein's The Past Through TomorrowA blog post I read recently used attitude towards Robert A. Heinlein as a measurement of a person’s…I’m not quite sure what, but it seemed to be connected to their worthiness to be part of the F&SF community.

I don’t care so much about that. There are problematic aspects to Heinlein’s writing, yes, and one fascinating thing about that is that they span the range of the political spectrum. But regardless of attitude, if you want to be well-read in science fiction (by which I mean you have read much of the significant material in the field and understand at a rudimentary level where it fits in relationship to other significant works), you need to have at least a nodding acquaintance with Heinlein. And if you are looking for one work that shows his range and also includes some stories that show how marvelous a wordsmith he can be, I recommend The Past Through Tomorrow: Future History Stories.

Why do you need to have read Heinlein?

  • Because a significant group of readers came to science fiction through Heinlein’s YA novels. Know the novels and you’ll have a better understanding of some of their sweet spots as well as many of the basics for writing a YA novel. Heinlein knew how to do it.
  • Because he wrote so many landmarks in the field. Decades later, they’re still using the word “grok” (from Heinlein’s Stranger in a Strange Land) at Microsoft. The Moon is a Harsh Mistress and Starship Troopers are other books that are worth grabbing if you only read a few of his books.
  • Because he influenced so many other writers and also interacted with and mentored many of them. Read his letters to get a sense of those interactions.
  • Because he is problematic. Farnham’s Freehold is infamous for how badly it’s aged and how racist it appears today, and in some ways it showcases how a writer can fail (in my opinion) to rise above the limitations of their own world view. If you want to avoid similar traps, you need to understand where Heinlein fell into them. Heinlein has some books that I recently saw described as “squicky” and I will agree that featuring an incestuous relationship with underaged twin girls, for example, in a book does strike me as squicky — (although I didn’t note it at all when reading the book as a teen). Lolita‘s squicky too. But it’s still literature. I don’t think anyone should be shamed or scolded* for having read Heinlein or even liking his work. I like a lot of his books.

To go back to the idea of using this as a measurement of who belongs in fandom and who doesn’t: this assumption is asinine. It’s a straw man argument. If you read and enjoy science fiction, you are a part of science fiction fandom regardless of what is and isn’t your favorite. And to present this as a characteristic of some monolithic block in fandom (or use it as a way to place them outside “true” fandom) strikes me as a misguided strategy if one is genuinely trying to solve divides causing difficulties in communication.

But I digress, and in doing so I’m pulling you away from some writing that has always moved and impressed me. The story, “The Green Hills of Earth,” for instance, makes me weep and sticks with me to this day. “The Man Who Sold the Moon” is another classic, with a protagonist who is one of my personal favorites. Beyond that, the book provides a sense of the chronology of Heinlein’s universe and the events that shaped it, functioning as a sampler of of his stories.

And it holds “The Menace From Earth,” a story that so irritated me that decades later it spurred my reply, Long Enough and Just So Long.

So yeah. You should read a little Heinlein. And you should read other stuff too, newer stuff. Stuff that grew out of his works, like Bill the Galactic Hero, which was Harry Harrison’s reply to Starship Troopers, or Soldier, Ask Not, which was Gordon Dickson’s answer in turn.

*I note that this has never happened to me, but several people have recounted incidents. Your mileage may vary.

5 Responses

  1. The Past Through Tomorrow is one Heinlein book that I haven’t read, but I’m willing to try on the strength of your recommendation. I happen to love Heinlein despite the many problems in his writing. The first Heinlein book that I ever read was The Moon is a Harsh Mistress and I go back to it when I haven’t anything new or good to read. That book has left such a favorable impression on me. I loved that book, the messages, the voice and the characters. Farnham’s Freehold…Yeah, this is problematic, but I choose to take the forgiving approach and believe that while he missed the mark, he was really trying to make a good point. (I hope.) I also loved Farmer in the Sky, although I can’t really articulate why beyond the fact that I really appreciated the relationship between the father and son, the way they related to each other and their eventual struggle.

  2. My favorites were Citizen of the Galaxy, Red Planet, and Have Space Suit will Travel (the first of his that I read in fourth grade. I don’t regret having read his “adult” books but generally dislike them for a multitude of reasons, their squickiness is definitely the predominant one. I am never sure if The Door into Summer was considered an “adult” but I did really enjoy that one, especially how it got its name.

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In the interest of full disclosure, I will say that Caren’s a close friend. But beyond that The Birthday Problem is terrific SF, and a great example of interweaving narratives that is a) highly enjoyable to read and b) highly instructive to take a look at.

The Birthday Problem of the title is a common mathematical puzzle: find the probability that, in a group of N people, there is at least one pair of people who have the same birthday. (Hint: it’s a much lower number than you think. You can find out more about it on Wikipedia if you want to understand why.) The book is about odd ties and coincidences, set in a crumbling Seattle in a world plagued by nanobots that make people crazy.

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The second is that it’s constructed in a way that is incredibly hard to do: overlapping points of view, and plenty of them. When you switch POVs, you bounce the reader out of the story just a little, and Gussoff does it in a way that swiftly gathers the reader back in.

I like to include a beginning chunk of the book I’m discussing to show you what the author’s prose style as well as what they set. Here’s the first three paragraphs from The Birthday Problem:

Chaaya wasn’t surprised when she woke up and saw lips aimed directly over her face. It was beginning. It’d been just a matter of time.

It begins with one, good solid hallucination.

That was how it had happened to her Nani.This is how it would happen to her.

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Abstract image for the website of Cat Rambo, speculative writer and editor.
The "You Should Read This" feature will focus on the books I love and find myself pressing on people. Commentary and suggestions are welcome.
One of my goals in 2014 is to be better about blogging. Towards that end, I’m implementing a daily post, “You Should Read This,” in which I’ll briefly describe a book that I recommend. The plan is to range around a bit, and include notable new fiction, some forgotten classics, some writing books, and some books that I just plain love.

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