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You Should Read This: The Past Through Tomorrow by Robert A. Heinlein

Cover of Robert A. Heinlein's The Past Through TomorrowA blog post I read recently used attitude towards Robert A. Heinlein as a measurement of a person’s…I’m not quite sure what, but it seemed to be connected to their worthiness to be part of the F&SF community.

I don’t care so much about that. There are problematic aspects to Heinlein’s writing, yes, and one fascinating thing about that is that they span the range of the political spectrum. But regardless of attitude, if you want to be well-read in science fiction (by which I mean you have read much of the significant material in the field and understand at a rudimentary level where it fits in relationship to other significant works), you need to have at least a nodding acquaintance with Heinlein. And if you are looking for one work that shows his range and also includes some stories that show how marvelous a wordsmith he can be, I recommend The Past Through Tomorrow: Future History Stories.

Why do you need to have read Heinlein?

  • Because a significant group of readers came to science fiction through Heinlein’s YA novels. Know the novels and you’ll have a better understanding of some of their sweet spots as well as many of the basics for writing a YA novel. Heinlein knew how to do it.
  • Because he wrote so many landmarks in the field. Decades later, they’re still using the word “grok” (from Heinlein’s Stranger in a Strange Land) at Microsoft. The Moon is a Harsh Mistress and Starship Troopers are other books that are worth grabbing if you only read a few of his books.
  • Because he influenced so many other writers and also interacted with and mentored many of them. Read his letters to get a sense of those interactions.
  • Because he is problematic. Farnham’s Freehold is infamous for how badly it’s aged and how racist it appears today, and in some ways it showcases how a writer can fail (in my opinion) to rise above the limitations of their own world view. If you want to avoid similar traps, you need to understand where Heinlein fell into them. Heinlein has some books that I recently saw described as “squicky” and I will agree that featuring an incestuous relationship with underaged twin girls, for example, in a book does strike me as squicky — (although I didn’t note it at all when reading the book as a teen). Lolita‘s squicky too. But it’s still literature. I don’t think anyone should be shamed or scolded* for having read Heinlein or even liking his work. I like a lot of his books.

To go back to the idea of using this as a measurement of who belongs in fandom and who doesn’t: this assumption is asinine. It’s a straw man argument. If you read and enjoy science fiction, you are a part of science fiction fandom regardless of what is and isn’t your favorite. And to present this as a characteristic of some monolithic block in fandom (or use it as a way to place them outside “true” fandom) strikes me as a misguided strategy if one is genuinely trying to solve divides causing difficulties in communication.

But I digress, and in doing so I’m pulling you away from some writing that has always moved and impressed me. The story, “The Green Hills of Earth,” for instance, makes me weep and sticks with me to this day. “The Man Who Sold the Moon” is another classic, with a protagonist who is one of my personal favorites. Beyond that, the book provides a sense of the chronology of Heinlein’s universe and the events that shaped it, functioning as a sampler of of his stories.

And it holds “The Menace From Earth,” a story that so irritated me that decades later it spurred my reply, Long Enough and Just So Long.

So yeah. You should read a little Heinlein. And you should read other stuff too, newer stuff. Stuff that grew out of his works, like Bill the Galactic Hero, which was Harry Harrison’s reply to Starship Troopers, or Soldier, Ask Not, which was Gordon Dickson’s answer in turn.

*I note that this has never happened to me, but several people have recounted incidents. Your mileage may vary.

5 Responses

  1. The Past Through Tomorrow is one Heinlein book that I haven’t read, but I’m willing to try on the strength of your recommendation. I happen to love Heinlein despite the many problems in his writing. The first Heinlein book that I ever read was The Moon is a Harsh Mistress and I go back to it when I haven’t anything new or good to read. That book has left such a favorable impression on me. I loved that book, the messages, the voice and the characters. Farnham’s Freehold…Yeah, this is problematic, but I choose to take the forgiving approach and believe that while he missed the mark, he was really trying to make a good point. (I hope.) I also loved Farmer in the Sky, although I can’t really articulate why beyond the fact that I really appreciated the relationship between the father and son, the way they related to each other and their eventual struggle.

  2. My favorites were Citizen of the Galaxy, Red Planet, and Have Space Suit will Travel (the first of his that I read in fourth grade. I don’t regret having read his “adult” books but generally dislike them for a multitude of reasons, their squickiness is definitely the predominant one. I am never sure if The Door into Summer was considered an “adult” but I did really enjoy that one, especially how it got its name.

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What: The Last Unicorn is, as you would expect, the story of the last unicorn. She must find out what has happened to the other unicorns, aided by a fraudulent magician, a fierce butterfly, and a would-be Maid Marian. You’ve formed a story in your head from reading that last sentence. The book is nothing like that. It’s better.

Who: I do not think anyone should call themselves a fantasy writer that has not read this. I’m sure there are reasonable exceptions. But I’m not seeing any of them.

Why: Read this for characters that will tangle themselves up in your heart and never let go. Read it for Beagle’s skill with prose, the sly humor, the sheer beauty.

When: Don’t read this when you are feeling insecure about your own writing, because it will only make it more so. Read it for inspiration as well as entertainment.

Where and how: Copy passages out and try to figure out how Beagle DID that. How the butterfly enchants us in only a few sentences. How the Bull menaces in even less space. (Be aware that Beagle did write about some of these characters again; they appear in novelette “Two Hearts,” which I only see available in The Nebula Award Showcase 2008 and The Year’s Best Science Fiction, Volume 24.

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You Should Read This: An Appreciation of Andre Norton

Cover for Voodoo Planet by Andrew North/Andre NortonMy high school years were steeped in reading from several F&SF authors. Among them, the most influential was quite probably Andre Norton. In arranging my book collection in those early days, Norton was always satisfying, because she wrote a gazillion books and I had most of them. In fact, I know three fantasy landscapes well because I wandered them so often as a young reader: Narnia, Middle Earth, and Norton’s Witch World.

The book I’m working on right now, (working title CIRCUS IN THE BLOODWARM RAIN) tries to get at the feel of some of those books: a protagonist moving across a mysterious landscape laden with both treasures and perils from the past, along the lines of Breed to Come, Forerunner Foray, or Star Man’s Son, 2250 A.D.

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The problem with talking about Norton is that she’s both prolific and consistent, making it hard to find stand-out books to recommend. So here, rather than a single book out of her 314 titles, are several possible entrances into her work.

    The Witch World series: Like a lot of Norton’s works, this hovers somewhere between science fiction and fantasy, but ends up sliding pretty firmly into fantasy. There are predecessors, long gone, who have left behind objects of great peril and power, and rival factions with differing degrees of what is either magic or technology that amplifies psychic powers. Technically, the series should start with Witch World, where Simon Tregarth of Earth finds himself transported to that world, but my own suggestion would be to back into the series the way I did, starting with Year of the Unicorn and its sequel, The Jargoon Pard, (the overall series is made up of a number of sub-ones) which will give you the flavor of the world before explanations begin.

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So…I salute you, Alice Mary Norton, and deeply regret never meeting you. You’re one of the people that shaped my writing, and you did that to a significant degree. Here’s to your stories, and all the readers who will find them in the centuries (or so I hope) to come.

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