Five Ways
Subscribe to my newsletter and get a free story!
Share this:

You Should Read This: The Past Through Tomorrow by Robert A. Heinlein

Cover of Robert A. Heinlein's The Past Through TomorrowA blog post I read recently used attitude towards Robert A. Heinlein as a measurement of a person’s…I’m not quite sure what, but it seemed to be connected to their worthiness to be part of the F&SF community.

I don’t care so much about that. There are problematic aspects to Heinlein’s writing, yes, and one fascinating thing about that is that they span the range of the political spectrum. But regardless of attitude, if you want to be well-read in science fiction (by which I mean you have read much of the significant material in the field and understand at a rudimentary level where it fits in relationship to other significant works), you need to have at least a nodding acquaintance with Heinlein. And if you are looking for one work that shows his range and also includes some stories that show how marvelous a wordsmith he can be, I recommend The Past Through Tomorrow: Future History Stories.

Why do you need to have read Heinlein?

  • Because a significant group of readers came to science fiction through Heinlein’s YA novels. Know the novels and you’ll have a better understanding of some of their sweet spots as well as many of the basics for writing a YA novel. Heinlein knew how to do it.
  • Because he wrote so many landmarks in the field. Decades later, they’re still using the word “grok” (from Heinlein’s Stranger in a Strange Land) at Microsoft. The Moon is a Harsh Mistress and Starship Troopers are other books that are worth grabbing if you only read a few of his books.
  • Because he influenced so many other writers and also interacted with and mentored many of them. Read his letters to get a sense of those interactions.
  • Because he is problematic. Farnham’s Freehold is infamous for how badly it’s aged and how racist it appears today, and in some ways it showcases how a writer can fail (in my opinion) to rise above the limitations of their own world view. If you want to avoid similar traps, you need to understand where Heinlein fell into them. Heinlein has some books that I recently saw described as “squicky” and I will agree that featuring an incestuous relationship with underaged twin girls, for example, in a book does strike me as squicky — (although I didn’t note it at all when reading the book as a teen). Lolita‘s squicky too. But it’s still literature. I don’t think anyone should be shamed or scolded* for having read Heinlein or even liking his work. I like a lot of his books.

To go back to the idea of using this as a measurement of who belongs in fandom and who doesn’t: this assumption is asinine. It’s a straw man argument. If you read and enjoy science fiction, you are a part of science fiction fandom regardless of what is and isn’t your favorite. And to present this as a characteristic of some monolithic block in fandom (or use it as a way to place them outside “true” fandom) strikes me as a misguided strategy if one is genuinely trying to solve divides causing difficulties in communication.

But I digress, and in doing so I’m pulling you away from some writing that has always moved and impressed me. The story, “The Green Hills of Earth,” for instance, makes me weep and sticks with me to this day. “The Man Who Sold the Moon” is another classic, with a protagonist who is one of my personal favorites. Beyond that, the book provides a sense of the chronology of Heinlein’s universe and the events that shaped it, functioning as a sampler of of his stories.

And it holds “The Menace From Earth,” a story that so irritated me that decades later it spurred my reply, Long Enough and Just So Long.

So yeah. You should read a little Heinlein. And you should read other stuff too, newer stuff. Stuff that grew out of his works, like Bill the Galactic Hero, which was Harry Harrison’s reply to Starship Troopers, or Soldier, Ask Not, which was Gordon Dickson’s answer in turn.

*I note that this has never happened to me, but several people have recounted incidents. Your mileage may vary.

5 Responses

  1. The Past Through Tomorrow is one Heinlein book that I haven’t read, but I’m willing to try on the strength of your recommendation. I happen to love Heinlein despite the many problems in his writing. The first Heinlein book that I ever read was The Moon is a Harsh Mistress and I go back to it when I haven’t anything new or good to read. That book has left such a favorable impression on me. I loved that book, the messages, the voice and the characters. Farnham’s Freehold…Yeah, this is problematic, but I choose to take the forgiving approach and believe that while he missed the mark, he was really trying to make a good point. (I hope.) I also loved Farmer in the Sky, although I can’t really articulate why beyond the fact that I really appreciated the relationship between the father and son, the way they related to each other and their eventual struggle.

  2. My favorites were Citizen of the Galaxy, Red Planet, and Have Space Suit will Travel (the first of his that I read in fourth grade. I don’t regret having read his “adult” books but generally dislike them for a multitude of reasons, their squickiness is definitely the predominant one. I am never sure if The Door into Summer was considered an “adult” but I did really enjoy that one, especially how it got its name.

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

10 Books for Writers Focusing on Craft

When I’m teaching, I do bring some books to class in order to point students toward them. I don’t think books are a substitute for the act of writing, but they can help focus and direct your practice and give you a list of things to work on that might not otherwise occur to you. Here’s a list of my top ten for speculative fiction writers focusing on their craft. I was sad to find some not available on the Kindle, but where possible, I’ve pointed to the e-version.

  1. The 10% Solution by Ken Rand from Fairwood Press. I love this slim little book, I recommend it above all others for both fiction and nonfiction writers, and I think you cannot get more bang for your buck than buying this book and applying its methods. I use it on all my pieces — the process becomes less mechanical and more automatic as time goes by.
  2. The Elements of Style by Strunk and White. Kindle version. You get this when you go off to college but no one ever reads it. It is well worth sitting down and working your way through.
  3. Steering the Craft by Ursula K. LeGuin. Thoughtful and poetic writing instruction. I often use the Expository Lump exercise in my Writing Fantasy & Science Fiction class, and learn something new from it every time.
  4. Beginnings, Middles, and Ends by Nancy Kress. Useful and practical, Kress goes over the basics, putting them together in a coherent and easily understandable fashion that includes plenty of exercises to work through.
  5. Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg. Kindle version. While this book will prove too new-agey hippie for some (I’d advise those to turn to Strunk & White or the Kress), it’s a useful and exciting kick in the butt to write for others. I appreciate Goldberg, whose book taught me the habit of doing timed writings, a mainstay of my process.
  6. About Writing: Seven Essays, Four Letters, and Five Interviews by Samuel R. Delany. Delany is one of the greatest voices of the 20th/21st century, and his writing advice is practical and elegant and deep. One of the things he says is that you can’t write anything better than the quality of what you’re reading and that seems like great, inspirational advice to me.
  7. Surrealist Games by Alastair Brotchie. If you want to enliven your writing, play some of the games enclosed here, which inspired some of the greats of the Surrealist movement.
  8. The Passionate Accurate Story: Making Your Heart’s Truth Into Literature by Carol Bly. Some great stuff on writing here, and interesting exercises, including writing a scene that doesn’t actually appear in the story.
  9. Style: Lessons in Clarity and Grace by Joseph M. Williams. I originally ran across this book while teaching composition at Johns Hopkins, and I think it’s just fabulous for focusing on the sentence level. I’ve found it often hard to find over the years, so I’m happy to see it in print again.
  10. On Writing by Stephen King. (Kindle version) The first part is raw autobiography that is a useful insight into how a writer can be off the rails and still productive. The second part, which focuses on writing, is full of terrific stuff that shows what a craftsman King is.

2016 addendum! I still stand by all these, but here are five more:

Million Dollar Outlines

Storyteller by Kate Wilhelm

talk the Talk: A Dialogue Workshop for Scriptwriters by Penny Penniston

The Three Jaguars: A Comic about Art, Business, Life by M.C.A. Hogarth

Wonderbook: The Illustrated Guide to Creating Imaginative Fiction by Jeff VanderMeer. Worth it just for the pretty illustrations and marvelous charts produced by Jeremy Zerfoss in collaboration with VanderMeer, but also jam-packed with good and interesting writing advice that I have found best absorbed in small chunks, dipping into the book now and again for inspiration.

...

You Should Read This: Watership Down by Richard Adams

Cover for animal fantasy Watership Down by Richard Adams, reviewed for You Should Read This by Cat Rambo.
Watership Down was always notable to me for the section on Silverweed and his brethren. It's a section where the wild rabbits are bewildered by what has happened due to human encourachement, but in some ways, it sets up the horror of General Woundwort that will follow.
Watership Down was the first of a wave of animal books that included Duncton Wood, The Book of the Dun Cow, and Tailchaser’s Song. It’s inspired an animated movie that is not terrible (bear in mind that I dislike most movies) and which has weathered the years well.

What: A group of rabbits whose warren is destroyed by the bulldozers of a housing development try to find a new place to live, despite various pitfalls and traps along the way.

Who: Anyone who loves animals will love this book, and any writer interested in writing epic journeys as well as non human protagonists will find an analysis of the rabbits’ trek an instructive one.

When: Read this for immersion or when you want to share a saga with your children.

Why: Read it to see how well Adams has worked out rabbit soceity, including a vocabulary full of rabbity concepts like tharn and fabulous phoneticisms like hrududu. Read it to see the rabbit mythology and listen to the folktales told among the rabbits, very much in the same tradition as Kij Johnson’s The evolution of trickster stories among the dogs of North park after the change.

Where/how: Read it on a summer afternoon, preferably one when you can see a young rabbit or two frisking on the lawn, flicking their long ears back as they eye you whenever you flip a page.

...

Skip to content