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You Should Read This: The Past Through Tomorrow by Robert A. Heinlein

Cover of Robert A. Heinlein's The Past Through TomorrowA blog post I read recently used attitude towards Robert A. Heinlein as a measurement of a person’s…I’m not quite sure what, but it seemed to be connected to their worthiness to be part of the F&SF community.

I don’t care so much about that. There are problematic aspects to Heinlein’s writing, yes, and one fascinating thing about that is that they span the range of the political spectrum. But regardless of attitude, if you want to be well-read in science fiction (by which I mean you have read much of the significant material in the field and understand at a rudimentary level where it fits in relationship to other significant works), you need to have at least a nodding acquaintance with Heinlein. And if you are looking for one work that shows his range and also includes some stories that show how marvelous a wordsmith he can be, I recommend The Past Through Tomorrow: Future History Stories.

Why do you need to have read Heinlein?

  • Because a significant group of readers came to science fiction through Heinlein’s YA novels. Know the novels and you’ll have a better understanding of some of their sweet spots as well as many of the basics for writing a YA novel. Heinlein knew how to do it.
  • Because he wrote so many landmarks in the field. Decades later, they’re still using the word “grok” (from Heinlein’s Stranger in a Strange Land) at Microsoft. The Moon is a Harsh Mistress and Starship Troopers are other books that are worth grabbing if you only read a few of his books.
  • Because he influenced so many other writers and also interacted with and mentored many of them. Read his letters to get a sense of those interactions.
  • Because he is problematic. Farnham’s Freehold is infamous for how badly it’s aged and how racist it appears today, and in some ways it showcases how a writer can fail (in my opinion) to rise above the limitations of their own world view. If you want to avoid similar traps, you need to understand where Heinlein fell into them. Heinlein has some books that I recently saw described as “squicky” and I will agree that featuring an incestuous relationship with underaged twin girls, for example, in a book does strike me as squicky — (although I didn’t note it at all when reading the book as a teen). Lolita‘s squicky too. But it’s still literature. I don’t think anyone should be shamed or scolded* for having read Heinlein or even liking his work. I like a lot of his books.

To go back to the idea of using this as a measurement of who belongs in fandom and who doesn’t: this assumption is asinine. It’s a straw man argument. If you read and enjoy science fiction, you are a part of science fiction fandom regardless of what is and isn’t your favorite. And to present this as a characteristic of some monolithic block in fandom (or use it as a way to place them outside “true” fandom) strikes me as a misguided strategy if one is genuinely trying to solve divides causing difficulties in communication.

But I digress, and in doing so I’m pulling you away from some writing that has always moved and impressed me. The story, “The Green Hills of Earth,” for instance, makes me weep and sticks with me to this day. “The Man Who Sold the Moon” is another classic, with a protagonist who is one of my personal favorites. Beyond that, the book provides a sense of the chronology of Heinlein’s universe and the events that shaped it, functioning as a sampler of of his stories.

And it holds “The Menace From Earth,” a story that so irritated me that decades later it spurred my reply, Long Enough and Just So Long.

So yeah. You should read a little Heinlein. And you should read other stuff too, newer stuff. Stuff that grew out of his works, like Bill the Galactic Hero, which was Harry Harrison’s reply to Starship Troopers, or Soldier, Ask Not, which was Gordon Dickson’s answer in turn.

*I note that this has never happened to me, but several people have recounted incidents. Your mileage may vary.

5 Responses

  1. The Past Through Tomorrow is one Heinlein book that I haven’t read, but I’m willing to try on the strength of your recommendation. I happen to love Heinlein despite the many problems in his writing. The first Heinlein book that I ever read was The Moon is a Harsh Mistress and I go back to it when I haven’t anything new or good to read. That book has left such a favorable impression on me. I loved that book, the messages, the voice and the characters. Farnham’s Freehold…Yeah, this is problematic, but I choose to take the forgiving approach and believe that while he missed the mark, he was really trying to make a good point. (I hope.) I also loved Farmer in the Sky, although I can’t really articulate why beyond the fact that I really appreciated the relationship between the father and son, the way they related to each other and their eventual struggle.

  2. My favorites were Citizen of the Galaxy, Red Planet, and Have Space Suit will Travel (the first of his that I read in fourth grade. I don’t regret having read his “adult” books but generally dislike them for a multitude of reasons, their squickiness is definitely the predominant one. I am never sure if The Door into Summer was considered an “adult” but I did really enjoy that one, especially how it got its name.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Building a Graphic Novel Library: What One Slice of The Hive Mind Suggested

Picture of a bookshelf of graphic novels.I tweeted this image recently along with the tag-line, “What’s missing? Tell me your favorite graphic novel.” I got literally hundreds of replies, and since I’m going through the list to compile one for me in order to fill out my library a bit, I figured I’d do it as a blog post and thus hit two birds with a single stone. I’m still updating and adding as more people respond to the original post. But if you’d like to know what my Twitter following recommended, here’s the list.

Color-code
Bold = multiple recommendations
Green = I have it and recommend it.
Purple = already on the shelf, but someone recced anyway
Blue = I have it in the original comic form and feel very hip accordingly

So here are the books, arranged alphabetically by author, and with my own notes where pertinent.
Jason Aaron – Thor: The Goddess of Thunder
Alex Alice – Castle in the Stars; Siegfried
Michael Allred – iZombie
Natasha Alterici – Heathen
Sarah Andersen – Fangs
Kevin J. Anderson, Brian Herbert, and Frank Herbert – Dune
Robert Asprin – Myth Adventures
Michael Avon Oeming and Bryan J. Glass – Mice Templar
Brian Azzarello and Eduardo Risso – 100 Bullets (4) (One person said, “Despite the ending.”)
Gabriel Ba and Fabio Moon – Daytripper (3)
Carl Barks – A Christmas for Shacktown. This looks super intriguing and got added to my list.
Donna Barr – Desert Peach; Stinz
Mike Barr – Camelot 3000 (2)
Alison Bechdel – Fun Home (4) This has been on my list of TBR for ages; need to get around to it.
Brian Michael Bendis – Powers
Joe Benitez – Lady Mechanika
Marguerite Bennett – Insexts
Enki Bilal – La Trilogie Nikopol
Vaughn Frederic Bode – Cheech Wizard
Archie Bongiovanni – Grease Bats
Dan Brereton – The Nocturnals
Cullen Bunn – The Sixth Gun
Rich Burlew – Order of the Stick
Charles Burns – Black Hole
Kurt Busiek – Astro City (3)
Thierry Cailleteau – Aquablue
Bob Callahan – Perdita Durango
Sophia Campbell – Shadoweyes
Mike Carey – Lucifer; The Unwritten (2)
Emily Carroll – Through the Woods (2)
Donny Cates – God Country
Chris Claremont. God Loves, Man Kills (3)
Brian Clevinger – Atomic Robo (2)

Peter David – Aquaman
Alexis Deacon – Geis
Kelly Sue DeConnick – Bitch Planet (3), Pretty Deadly (2)
Kim Deitch – The Boulevard of Broken Dreams
J.M. DeMatteis – Greenberg the Vampire
Aaron Diaz – Dresden Codak
Juan Diaz Canales – Blacksad
Andy Diggle – Adam Strange: Planet Heist
Colleen Doran – A Distant Soil
Phillippe Druillet – Lone Sloane
Ben Edlund – The Tick
Grace Ellis and Noelle Stevenson – Lumberjanes (2)
Warren Ellis – The Authority; Global Frequency (2); Nextwave: Agents of H.A.T.E.; Ocean; Planetary 2); Transmetropolitan (7) Warren Ellis has also been revealed to be problematic lately; you may or may not want to poke around to read about that before buying. I have a number of his books and I do not think one can deny he’s been a very strong influence on the field.
Garth Ennis – The Boys; John Constantine, Hellblazer: Dangerous Habits; Hellblazer; Preacher
Emil Farris – My Favorite Thing is Monsters (4) Described as “a great one about a kid investigating a murder in “Ëœ60s Chicago drawn as if they’re sketches in a school notebook,” which I love so I’ve got it on order.
Phil Foglio – Buck Godot, Zap Gun for Hire; Girl Genius (3)
Ellen Forney – Marbles: Mania, Depression, Michelangelo, and Me (2)
Matt Fraction – Hawkeye; Sex Criminals
Pierre Gabus – District 14
Neil Gaiman – Sandman (5); Stardust
David Gemmell – Legend
Dave Gibbons and Frank Miller – Give Me Liberty
Kieron Gillen – Die; The Wicked and the Divine (7)
Rene Goscinny and Albert Uderzo – Asterix
Joe Haldeman – Dallas Barr
Joe Haldeman The Forever War
Dean and Shannon Hale – Rapunzel’s Revenge
Larry Hama – A Sailor’s Story
Matt Hawkins – Think Tank
Herge – Tintin
The Hernandez Brothers – Love & Rockets (3)
Jonathan Hickman – East of West
Joe Hill – Locke & Key (4). Great stuff! I don’t have these, mainly because I borrowed them from someone else to read, and I don’t like buying stuff I’ve already read.
Kohta Hirano – Hellsing
Dylan Horrocks – Hicksville
Jody Houser – Faith
Matt Howarth – Changes
Junji Ito – Uzumaki (6)
Alejandro Jodorowsky – La caste des Meta-Barons
Matt Johnson – Incognegro (2)
Nagata Kabi – My Lesbian Experience with Loneliness
Ryan Kelly and Brian Wood – Local
Stephen King and Scott Snyder – American Vampire
Tom King – The Sheriff of Babylon; Vision
Yukito Kishiro – Battle Angel Alita
Peter Kuper – Heart of Darkness
David Lapham – Stray Bullets
John Layman – Chew
Jeff Lemire – Descender; Sweet Tooth
John Lewis – March (3) Added this to my next order.
Marjorie Liu – Monstress (10)
One person called it “the only one I buy for myself.”
Jeremy Love – Bayou
David Mack – Kabuki (2)
Howard Mackie – Gambit and Rogue; Robyn Hood
Larry Marder – Tales from the Beanworld
Julie Maroh – Le bleu est une couleur chaude
Alan C. Martin – Tank Girl (2) I wrote a grad school paper on this one.
Shirow Masamune – The Ghost in the Shell
Taiyo Matsumoto – Tekkon Kinkreet
Scott McCloud – The New Adventures of Abraham Lincoln; Reinventing Comics; Understanding Comics (4). I keep this on my shelf of writing books. Definitely picking up the Abraham Lincoln book.
Seanan McGuire – Spider-Gwen
Carla Speed McNeil – Finder (2)
Linda Medley – Castle Waiting
Mike Mignola – Hellboy (3)
Mark Millar – Jupiter’s Legacy
Frank Miller – Daredevil: Born Again; The Dark Knight Returns (4); Elektra: Assassin (2); Ronin (2); Sin City (3)
Peter Milligan – Red Lanterns; X-Statix
Shigeru Mizuki – Showa: A History of Japan
Alan Moore – let’s just assume I have and rec everything Moore has written, and wrote a paper in grad school involving the Watchmen.
Terry Moore – Strangers in Paradise (3)
Pepe Moreno – Batman: Digital Justice
Grant Morrison – Doom Patrol; The Invisibles (2); We3 (3)
Brennan Lee Mulligan – Strong Female Protagonist (2)
Ted Naifeh – The Crumrin Chronicles (2)
Mai K. Nguyen – Pilu of the Woods
Hope Nicholson (editor) – Moonshot: The Indigenous Comics Collection This looks pretty cool, adding to my “next buy” list.
Marieke Nijkamp – The Oracle Code
Steve Niles – 30 Days of Night
Lee Nordling – Once Upon a Time Machine
James O’Barr – The Crow (2)
Nnedi Okarafor – LaGuardia
Bryan Lee O’Malley – Scott Pilgrim Vs. the World; Seconds
K. O’Neill – The Tea Dragon Society
Natsume Ono – not simple
Katsuhiro Otomo – Akira (2)
Kevin Panetta – Bloom
Benoit Peeters – Obscure Cities
Rosalind B. Penfold – Dragonslippers
David Petersen – Mouseguard
Richard and Wendy Pini – Elfquest (2)
Rick Remender – Fear Agent
Jamie Rich – Ladykiller
James Robinson – Starman (2)
Greg Rucka – Lazarus (2); Queen and Country (2); Wonder Woman
Mark Russell – Exit Stage Left: the Snagglepuss Chronicles. Ordered because it looked like it would hit a couple sweet spots for me.
Mary Safro – Drugs & Wires (having trouble tracking this one down online so far)
Stan Sakai – Usagi Yojimbo
Richard Sala – Peculia
Marjane Satrapi – Persepolis: The Story of a Childhood (6) I loved this, and the film was lovely too. I ended up passing my copy along to a cousin because it felt like a book that should be out there educating people.
Tom Scioli – Jack Kirby: The Epic Life of the King of Comics
Stjepan Sejic – Sunstone (2)
Jason Shiga – Demon
Ray Simon – Habitat
Gail Simone – Birds of Prey; Red Sonja
Jeff Smith – Bone (7); Shazam!: The Monster Society of Evil
Charles Soule – Curse Words
Art Spiegelman – Maus (5)
Richard Stark – The Parker Novels
Jim Starlin – The Death of Captain Marvel (2) (The first graphic novel that Marvel did)
Noelle Stevenson – Nimona (3) I have this in electronic form and wish I’d bough hardcopy.
Masayuki Taguchi and Koushun Takami – Battle Royale
Bryan Talbot – Adventures of Luther Arkwright (3); Grandville; Alice in Sunderland (2)
Mariko Tamaki – Harley Quinn: Breaking Glass; Skim
Shaun Tan – The Arrival
Yoshihiro Tatsumi
Doug TenNapei – Earthboy Jacobus (2)
Dirk I. Tiede – Paradigm Shift
James Tynion IV – Something is Killing the Children
John Upchurch – Lucy Claire
Serena Valentino – Nightmares and Fairytales
Brian K Vaughan – Ex Machina; Paper Girls (5); Saga (16); Y: The Last Man (2)
Ursula Vernon – Digger (5)
Charles Vess – Books of Magic (2)
Matt Wagner – Mage (2)
Mark Waid – Kingdom Come (3)
Tillie Walden – Are You Listening?
Jen Wang – The Prince and the Dressmaker
Gerald Way – The Umbrella Academy
Jeremy Whitley – Princeless
Kurtis J Wiebe – Rat Queens (5)
Bill Willingham – Elementals; Fables (6)
G. Willow Wilson – Cairo; Ms. Marvel (3)
Gregory A. Wilson – Icarus
Brian Wood – Channel Zero; DMZ (3); Northlanders
Gene Luen Yang – American Born Chinese
Jane Yolen – Foiled
Skottie Young – I Hate Fairyland
Jim Zubkavich – Wayward

Le Grand Pouvoir du Chninkel, which sadly has no official English release as far as I know.

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You Should Read This: Herland by Charlotte Perkins Gilman

Cover for feminist utopian novel Herland by Charlotte Perkins Gilman.
"There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver." - Charlotte Perkins Gilman
Last week, I pointed to one of the foremothers of science fiction, Margaret Cavendish, the Duchess of Newcastle, and her work The Blazing World. Herland comes several centuries later (in fact, it’ll be exactly a century old in 2015) but it’s just as important a landmark in this often murky territory.

Charlotte Perkins Gilman was an American editor, writer, and lecturer whose short story “The Yellow Wallpaper,” about a woman’s descent into madness, is often revisited in college literature classes. She was a single mother who supported herself by writing — no small accomplishment today, let alone at the time she was doing so, the late 19th and early 20th centuries.

Herland is often treated as though it stands alone, but it’s actually the middle volume of a trilogy, preceded by Moving the Mountain in 1911 and followed by With Her in Ourland in 1916. The work was originally published as a serial in a magazine called The Forerunner that Gilman edited; it did not appear as a complete book until 1979, when Pantheon Books published it.

Herland is a utopian novel, in which three men, Vandyk (the narrator), Terry, and Jeff stumble across a civilization where the women reproduce asexually and there are no men. This turns out to lead not to a perfect civilization, but certainly one that seems more appealing than the one Gilman found herself in. Gilman uses the book as a device with which to explore constructed ideas of gender. It is an appealing society in many others; in others, it’s a bit cold and calculating. Girls who are overly rebellious or mouthy, for example, will not be allowed to reproduce.

One of the things that’s refreshing about the book is that it’s not written as though the lack of males is a deficit that warps society. Instead, it’s simply the way things are, and the Herlanders seem capable of getting along quite well without it.

Gilman was one of the important suffrage speakers of her time and a bit of a polymath. If you want to go further into her writing, I suggest a piece of nonfiction, her work on economics, Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution, which originally appeared in 1898.

You can find Herland online in its entirety at Project Gutenberg, along with much of Gilman’s other work.

#sfwapro

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