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You Should Read This: The Past Through Tomorrow by Robert A. Heinlein

Cover of Robert A. Heinlein's The Past Through TomorrowA blog post I read recently used attitude towards Robert A. Heinlein as a measurement of a person’s…I’m not quite sure what, but it seemed to be connected to their worthiness to be part of the F&SF community.

I don’t care so much about that. There are problematic aspects to Heinlein’s writing, yes, and one fascinating thing about that is that they span the range of the political spectrum. But regardless of attitude, if you want to be well-read in science fiction (by which I mean you have read much of the significant material in the field and understand at a rudimentary level where it fits in relationship to other significant works), you need to have at least a nodding acquaintance with Heinlein. And if you are looking for one work that shows his range and also includes some stories that show how marvelous a wordsmith he can be, I recommend The Past Through Tomorrow: Future History Stories.

Why do you need to have read Heinlein?

  • Because a significant group of readers came to science fiction through Heinlein’s YA novels. Know the novels and you’ll have a better understanding of some of their sweet spots as well as many of the basics for writing a YA novel. Heinlein knew how to do it.
  • Because he wrote so many landmarks in the field. Decades later, they’re still using the word “grok” (from Heinlein’s Stranger in a Strange Land) at Microsoft. The Moon is a Harsh Mistress and Starship Troopers are other books that are worth grabbing if you only read a few of his books.
  • Because he influenced so many other writers and also interacted with and mentored many of them. Read his letters to get a sense of those interactions.
  • Because he is problematic. Farnham’s Freehold is infamous for how badly it’s aged and how racist it appears today, and in some ways it showcases how a writer can fail (in my opinion) to rise above the limitations of their own world view. If you want to avoid similar traps, you need to understand where Heinlein fell into them. Heinlein has some books that I recently saw described as “squicky” and I will agree that featuring an incestuous relationship with underaged twin girls, for example, in a book does strike me as squicky — (although I didn’t note it at all when reading the book as a teen). Lolita‘s squicky too. But it’s still literature. I don’t think anyone should be shamed or scolded* for having read Heinlein or even liking his work. I like a lot of his books.

To go back to the idea of using this as a measurement of who belongs in fandom and who doesn’t: this assumption is asinine. It’s a straw man argument. If you read and enjoy science fiction, you are a part of science fiction fandom regardless of what is and isn’t your favorite. And to present this as a characteristic of some monolithic block in fandom (or use it as a way to place them outside “true” fandom) strikes me as a misguided strategy if one is genuinely trying to solve divides causing difficulties in communication.

But I digress, and in doing so I’m pulling you away from some writing that has always moved and impressed me. The story, “The Green Hills of Earth,” for instance, makes me weep and sticks with me to this day. “The Man Who Sold the Moon” is another classic, with a protagonist who is one of my personal favorites. Beyond that, the book provides a sense of the chronology of Heinlein’s universe and the events that shaped it, functioning as a sampler of of his stories.

And it holds “The Menace From Earth,” a story that so irritated me that decades later it spurred my reply, Long Enough and Just So Long.

So yeah. You should read a little Heinlein. And you should read other stuff too, newer stuff. Stuff that grew out of his works, like Bill the Galactic Hero, which was Harry Harrison’s reply to Starship Troopers, or Soldier, Ask Not, which was Gordon Dickson’s answer in turn.

*I note that this has never happened to me, but several people have recounted incidents. Your mileage may vary.

5 Responses

  1. The Past Through Tomorrow is one Heinlein book that I haven’t read, but I’m willing to try on the strength of your recommendation. I happen to love Heinlein despite the many problems in his writing. The first Heinlein book that I ever read was The Moon is a Harsh Mistress and I go back to it when I haven’t anything new or good to read. That book has left such a favorable impression on me. I loved that book, the messages, the voice and the characters. Farnham’s Freehold…Yeah, this is problematic, but I choose to take the forgiving approach and believe that while he missed the mark, he was really trying to make a good point. (I hope.) I also loved Farmer in the Sky, although I can’t really articulate why beyond the fact that I really appreciated the relationship between the father and son, the way they related to each other and their eventual struggle.

  2. My favorites were Citizen of the Galaxy, Red Planet, and Have Space Suit will Travel (the first of his that I read in fourth grade. I don’t regret having read his “adult” books but generally dislike them for a multitude of reasons, their squickiness is definitely the predominant one. I am never sure if The Door into Summer was considered an “adult” but I did really enjoy that one, especially how it got its name.

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You Should Read This: Herland by Charlotte Perkins Gilman

Cover for feminist utopian novel Herland by Charlotte Perkins Gilman.
"There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver." - Charlotte Perkins Gilman
Last week, I pointed to one of the foremothers of science fiction, Margaret Cavendish, the Duchess of Newcastle, and her work The Blazing World. Herland comes several centuries later (in fact, it’ll be exactly a century old in 2015) but it’s just as important a landmark in this often murky territory.

Charlotte Perkins Gilman was an American editor, writer, and lecturer whose short story “The Yellow Wallpaper,” about a woman’s descent into madness, is often revisited in college literature classes. She was a single mother who supported herself by writing — no small accomplishment today, let alone at the time she was doing so, the late 19th and early 20th centuries.

Herland is often treated as though it stands alone, but it’s actually the middle volume of a trilogy, preceded by Moving the Mountain in 1911 and followed by With Her in Ourland in 1916. The work was originally published as a serial in a magazine called The Forerunner that Gilman edited; it did not appear as a complete book until 1979, when Pantheon Books published it.

Herland is a utopian novel, in which three men, Vandyk (the narrator), Terry, and Jeff stumble across a civilization where the women reproduce asexually and there are no men. This turns out to lead not to a perfect civilization, but certainly one that seems more appealing than the one Gilman found herself in. Gilman uses the book as a device with which to explore constructed ideas of gender. It is an appealing society in many others; in others, it’s a bit cold and calculating. Girls who are overly rebellious or mouthy, for example, will not be allowed to reproduce.

One of the things that’s refreshing about the book is that it’s not written as though the lack of males is a deficit that warps society. Instead, it’s simply the way things are, and the Herlanders seem capable of getting along quite well without it.

Gilman was one of the important suffrage speakers of her time and a bit of a polymath. If you want to go further into her writing, I suggest a piece of nonfiction, her work on economics, Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution, which originally appeared in 1898.

You can find Herland online in its entirety at Project Gutenberg, along with much of Gilman’s other work.

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You Should Read This: The Blazing World by Margaret Cavendish

Portrait of Margaret Cavendish, the Duchess of Newcastle
Margaret Cavendish, Duchess of Newcastle and author of The Blazing World
If you want to explore the deepest roots of fantasy and science fiction, here’s a text that’s been obscured by time: The Blazing World by Margaret Cavendish, which is one of the first portal stories, in which a protagonist ends up in a world much unlike their own, as well as a Utopian novel. Written in 1666, it features a heroine who enters another realm, the Blazing World of the title, through an entrance located at the North Pole. There, she ends up becoming empress of a harmonious and progressive as well as wealthy kingdom.

Her kingdom is populated by races of talking animals: fox-people, bear-people, bird-people, etc. Eventually she decides to invade her former world, marshaling her forces and marching back to her homeland, using technology from the Blazing World in its defense.

Cavendish, who was the Duchess of Newcastle, evens writes herself into the text:

Hereupon a Councel was called, and the business debated; but there were so many cross and different Opinions, that they could not suddenly resolve what answer to send the Empress; at which she grew angry, insomuch that she resolved to return into her Blazing- World, without giving any assistance to her Countrymen: but the Duchess of Newcastle intreated her Majesty to abate her passion; for, said she, Great Councels are most commonly slow, because many men have many several Opinions: besides, every Councellor striving to be the wisest, makes long speeches, and raise many doubts, which cause retardments. If I had long-speeched Councellors, replied the Empress, I would hang them, by reason they give more Words, then Advice. The Duchess answered, That her Majesty should not be angry, but consider the differences of that and her Blazing-World; for, said she, they are not both alike; but there are grosser and duller understandings in this, than in the Blazing-World.

I found the book through Dale Spender’s excellent Mothers of the Novel, and one reason to read Cavendish is so she doesn’t get lost. So many of the writers Spender touches upon have been obscured, while their male peers remain, and give students the impression that only men were writing. Cavendish was a notable and prolific author of her time as well as an English aristocrat who spent time at the French court. Her life is well worth investigation, full of trials and tribulations as well as triumphs.

Other speculative fiction writers have referenced this book: Alan Moore in the League of Extraordinary Gentlemen and China Mieville in Un Lun Dun. You can find the book online in its entirety here.

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