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You Should Read This: An Appreciation of Andre Norton

Cover for Voodoo Planet by Andrew North/Andre NortonMy high school years were steeped in reading from several F&SF authors. Among them, the most influential was quite probably Andre Norton. In arranging my book collection in those early days, Norton was always satisfying, because she wrote a gazillion books and I had most of them. In fact, I know three fantasy landscapes well because I wandered them so often as a young reader: Narnia, Middle Earth, and Norton’s Witch World.

The book I’m working on right now, (working title CIRCUS IN THE BLOODWARM RAIN) tries to get at the feel of some of those books: a protagonist moving across a mysterious landscape laden with both treasures and perils from the past, along the lines of Breed to Come, Forerunner Foray, or Star Man’s Son, 2250 A.D.

Norton, the first female SFWA Grand Master, wrote both fantasy and science fiction, both awesome, but I have a particular fondness for her science fiction, like Moon of Three Rings, Judgement on Janus, and Sargasso of Space. Her Free Traders have a gritty feel that predates many other works with a similar feel, like Star Wars or C.J. Cherryh’s Chanur series.

The problem with talking about Norton is that she’s both prolific and consistent, making it hard to find stand-out books to recommend. So here, rather than a single book out of her 314 titles, are several possible entrances into her work.

    The Witch World series: Like a lot of Norton’s works, this hovers somewhere between science fiction and fantasy, but ends up sliding pretty firmly into fantasy. There are predecessors, long gone, who have left behind objects of great peril and power, and rival factions with differing degrees of what is either magic or technology that amplifies psychic powers. Technically, the series should start with Witch World, where Simon Tregarth of Earth finds himself transported to that world, but my own suggestion would be to back into the series the way I did, starting with Year of the Unicorn and its sequel, The Jargoon Pard, (the overall series is made up of a number of sub-ones) which will give you the flavor of the world before explanations begin.

    The Solar Queen series: The Solar Queen is the name of a Free Trader spaceship. these are early Norton, many originally written as Andrew North. Look to the earliest ones — Sargasso of Space, Plague Ship, Voodoo Planet, and Postmarked the Stars — later cowritten ones lack some of the energy of the early books.

    The Beast Master series: Norton often uses animals in her writing, sometimes as protagonists, but also as helpmates, as with the genetically altered animals that companion and assist telepathic ex-soldier Hosteen Storm. Like the Solar Queen series, the earlier ones written by Norton solo are stronger.

In an earlier post, I mentioned Robert A. Heinlein as someone to read not just because so many of his works are classics in the field but because he’s problematic at times. Norton, on the other hand, never is (at least to my memory). Many of her protagonists are strong females, while others are representative of minorities not found elsewhere in YA F&SF of the time, such as The Sioux Spaceman.

So…I salute you, Alice Mary Norton, and deeply regret never meeting you. You’re one of the people that shaped my writing, and you did that to a significant degree. Here’s to your stories, and all the readers who will find them in the centuries (or so I hope) to come.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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5 Holiday Gifts for Speculative Fiction Writers: 2014 Edition

Cup of Coffee
Coffee cup
Last year I provided a list of five gifts for the speculative fiction writer on your list. Here’s another installment of that. Sure, you can go for the old standbys: notebooks, pens, a gift certificate so they can buy books, t-shirts with amusing sayings and, depending on the writer, coffee or chocolate. But if you want to go a little further…well, here you go.

  1. I know I pushed Jeff VanderMeer’s Wonderbook last year, but I’m going to push it again, because it’s just such a cool book and Jeremy Zerfoss’s illustrations are so wacky, wildly beautiful, and wonderful. There aren’t that many books on writing I’d be willing to go back to over and over again, but this is one.
  2. A SFWA membership if they’re eligible, a subscription to Locus Magazine if they’re not. For me, the Science Fiction and Fantasy Writers of America have been a source of professional networking, career advice, and some great friends. If you go to Worldcon, the SFWA suite has always been a welcome place to hang, nosh a little, and talk to some of the greats. In the interest of full disclosure, I am currently the organization’s Vice President, and I’m looking forward to great things next year, which is SFWA’s 50th. If they’re still aspiring, encourage them with a subscription to the F&SF trade journal, Locus Magazine
  3. An anthology (particularly if they write short fiction). One of my favorites from this year was edited by Gardner Dozois and George R.R. Martin, Dangerous Women. If you’re interested in something that I’ve got a story in, the anthologies I appeared in this year were By Faerie Light, Fiction River: Past Crime, Shattered Shields, Stamps, Tramps, and Vamps, and Unidentified Funny Objects 3.
  4. Something to fiddle with. A puzzle, a worry stone, a Lego minifig. Writers are often superstitious creatures and we like our little totems, whether they’re pop culture icons or natural objects.
  5. A ticket somewhere. Get your writer out of the house and somewhere that will provide new ideas. Doing it on the cheap? Plan a day trip with a picnic basket? More extravagant? Well, there’s plenty of choices there, from riding the Orient Express to cruising the world. Tailor your destination to the recipient.

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You Should Read This: On Writing by Stephen King

Cover for Stephen King's On Writing: A Memoir of the Craft.
"Words create sentences; sentences create paragraphs; sometimes paragraphs quicken and begin to breathe." - Stephen King
When I taught at Hopkins, the students used to defiantly bring up King as an example of what they liked to read. It always surprised them when I said I liked him too. It feels like I’ve been reading Stephen King all my life. At least, for a very long time. He’s produced a lot of wonderful books, including one of my favorites, The Stand. In this book you get to see beneath the covers on a lot of those books.

What: On Writing: A Memoir of the Craft by Stephen King is divided into two parts. The first is an autobiographical look at his writing over the years. It is unflinching and honest and well worth the read. The second is stuff about writing. It is also unflinching and honest and well worth the read.

Who: If you are a writer who buys writing books, it maybe impossible for you not to know about this book already. If you’re a writer who doesn’t read books about writing — this one’s worth picking up.

Why: Read this to become a better writer, or just to understand the craft better. King uses the metaphor of the writer’s toolbox, which is a very useful one.

I want to suggest that to write to your best abilities, it behooves you to construct your own toolbox and then build up enough muscle so you can carry it with you. Then, instead of looking at a hard job and getting discouraged, you will perhaps seize the correct tool and get immediately to work.

What goes in your toolbox? Vocabulary and punctuation. Point of view. Literary Devices. Foreshadowing. You get the picture.

When: Read this when you’re feeling a bit starved for the muse and want to be reminded that writing is a matter of work, not divine inspiration.

Where and how: Read it with pen in hand, ready to underline and make notes that apply to your own writing. Read it with King’s books close by, so you can reach for them and see his principles played out in their pages.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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