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I’m turning in something today that I’ve never tried before: a novella.

Back when I was first approached about the Fathomless Abyss, it involved an initial story and a later novella. Sure, I said, and whacked out a story for the first Fathomless Abyss book, TALES FROM THE FATHOMLESS ABYSS. It was “A Querulous Flute of Bone”, which I based on an O.Henry story, and which I think is one of my best stories to date. If you don’t believe me, spring for the 99 cent download and tell me if I’m wrong.

Then I started on the novella. The first thing I did was look up the length requirements. Wikipedia told me the official SFWA definition was 17500 to 40000 words. So just a long short story, right?

The problem with that was that…I write short. I excel at under 4000 words. So I turned again to a model. I’d been thinking about issues of addiction and so I decided I was going to write about that, and use William S. Burroughs’ JUNKY as my starting point. And I was going to throw in a touch of Lovecraft for spookiness and make the drug of my protagonist’s choice something a bit weird. And I wanted to reference some of the cool stuff the other Fathomless Abyss writers had added to the world.

I was telling a life story, from early days in an Abyssal village, through journeys to all sorts of points, culminating in some sort of…well, you know…climax. There was a chase for one thing, then another chase for what it turned into. I wanted to include something about the philosopher-king Nackle, whose teachings figured in “A Flute of Querulous Bone.” I wanted mushrooms and hallucinogenic wasp stings and pack llamas. I sketched out an outline and started writing. And I kept folding in stuff I wanted to include as I ran across it and then I reread Joe Lansdale’s THE COMPLETE DRIVE-IN and decided to not worry about being too weird and things all fell together…

And I became aware it was too long. Too, too, too long to finish on deadline. But I had the first half written and there was a good place midway to split the narrative, and so I said to Phil, “What if I do a pair of novellas, this first half, and then give you the second half for later release?”

So that’s what we have. I’m turning in A SEED ON THE WIND this time and A CAVERN RIPE WITH DREAMS will follow on its heels.

Wikipedia quotes Warren Cariou when discussing novella structure:

The novella is generally not as formally experimental as the long story and the novel can be, and it usually lacks the subplots, the multiple points of view, and the generic adaptability that are common in the novel. It is most often concerned with personal and emotional development rather than with the larger social sphere. The novella generally retains something of the unity of impression that is a hallmark of the short story, but it also contains more highly developed characterization and more luxuriant description.[7]

I know mine is focused on the development of a protagonist who I fear is somewhat unlovable. I’ve tried for interesting characterization and today I’m finishing up adding a layer of luxuriant description.

If you’ve come looking for advice on writing novellas, I’m not sure I have any. Perhaps you, the readers, can tell me what you think of them and what you’ve done when trying that form. I know Rachel Swirsky is a champ at writing them. What do you think – do you like novellas? What do or don’t you enjoy seeing in them? Can you think of anyone you think does them exceedingly well?

I’m putting together many of my notes from the Building an Online Presence for Writers class as well as the various blog posts I have done about online promotion and notes from the Near + Far book launch campaign in an e-book by the same name that I hope to release at the end of September or October, along with another e-book, Podcasting for Speculative Fiction Writers, written with Folly Blaine.

So far, it looks as though the Building an Online Presence book will be between 50 and 60 thousand words altogether, and include a number of screenshots. It’s aimed at both writers just beginning their careers and wanting to build their online presence as well as mid and later career writers who want to refine their online presence. Right now it’s a little under half-drafted, with about 27k laid out in the Scrivener project (which is GREAT for nonfiction works like this).

One of the things that I think will make it useful to writers is that I try to give you examples for the various concepts I talk about. I include all of the blog posts from the Near + Far book launch as well as screenshots showing the book’s presence on various social networking sites, and in each case provides some notes about SEO strategies, tags, images, All and other promotional considerations that affected the construction of the post. Getting a chance to see the campaign in action will be a valuable chance to see the concepts in action.

Topics that are covered include: building a fan base, the minimum web presence you should have as a writer, what to blog about, how to use social networks such as Facebook, G+, Pinterest, and Twitter to publicize your books, free tools that will help you maximize your online presence, maintaining your privacy, podcasting and videocasting, maintaining multiple identities on the Internet, how to write a press release for your book, how to take mobile devices into consideration when shaping your online presence, and how to measure your success at all of these in a way that will help you shape your Future strategy.

If you’re interested in signing up to be notified when the book comes out, please sign up here.

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