Documents of Tabat: A Handbill Posted Outside Figgis' Bakery

One of Mom’s presents this year was a set of garden flowers made from odd plates and dishes. These were a lot of fun to assemble, and I want to, over the course of the next few months, make a set that goes across the problematically shady front section of her house. Combined with the tulips and irises, that should fill things out and add both color and a touch of individuality.

I’d gotten the idea from seeing them on Pinterest. I did do some picking through thrift stores to find odd bits of china, but also used some pieces I’d gathered over the years. It seemed like a nice way to carry out the decluttering mission, but preserve some of those memories. I augmented some pieces with glass or metallic spray paint and glued on glass pebbles, marbles, and other odd bits. The fixative for all of this is Marine Goop, which you can find on Amazon.

If I had more workspace, I might employ the Dremel in some of this, by drilling holes in things and then using a screw and bolt to hold the constructions together. However, the glue is marine fixative that is super strong and waterproof. I’m going over to Mom’s tomorrow to get some of the flowers set up and that will be the first test.

Tips for creating glass/china garden flowers:

• Glue in stages and let them dry completely. Gluing the shot glass (or bottle) on the back will probably be the last thing you do. I used plastic containers to hold the flowers upside while the shotglass set.
• Give yourself plenty of time. That glass paint is supposed to dry for four days before you set it by baking it. I may have shortened that a bit in my rush and it remains to be seen what the result is.
• Don’t be afraid to adorn. I glued on glass charms and pebbles, gold candy paper, pearl beads, and a cat toy.
• Keep it on the cheap by a) seeing what you have already in cupboards and crafting supply boxes that can be sued, b) checking when thrift stores have their china and glassware on sale, and c) looking for chipped items that are discounted further.
• Don’t just look at china and glassware. I used chipped Christmas ornaments, a ceramic garden pot spray-painted copper, and a metal serving plate. Next time I’m thrifting I’ll look for round mirrors as well. One great example I saw used old knives arranged like spikes around the outer edge.

The Pinterest versions suggested gluing bottles to the back, but that seemed very large to me given the size of the flowers. Instead I used tall shot glasses, which run fifty cents each at our local Goodwill. The mounts are lengths of rebar capped with a padded top made of terrycloth from a cut-up towel and duct tape.

As a writer, I think it’s important to be creative in other ways. I cook, I garden, and sometimes I make things. Usually I give those things away because otherwise I would drown in objects. The flowers were a fun way to exercise that urge to make, and somewhere down the line I’ll be doing flash stories to go with each one. In the meantime, I’ve written the titles for those already.

I’ll go through the individual ones in posts. Here’s the first.

I think this ornament is a reasonable example of preserving memories. The ice cream glass is part of a set acquired several decades ago. I have a poem about willow ware, so I like using it. The glass charms are part of a hanging ornament that I received several years ago, and I’ve had the marbles since high school.

As I said in class, I’ll be posting notes after each Wednesday session, which all three classes can use to ask questions about or comment on what we covered. I encourage the students to hop into the discussion here, but it’s also open to the public.

We started by talking about what makes a story and the idea of character(s) involved in a conflict with rising tension that moves to a resolution at the end. It’s a pretty classic model and Vonnegut says some useful things about it here. Everyone brought a two line description of the story they’d like to write, and we listened to those and talked about which would work as is for stories and which need some narrowing down.

In discussing how we know when a story will be good, we looked at the first few paragraphs of stories by Carol Emshwiller, Joe Hill, and Kurt Vonnegut. I asked you to, in the coming week, look particularly at how people begin stories, and for Week 2, people will be bringing in a story beginning by someone else that knocks their socks. I mentioned that there’s plenty of online magazines to find speculative fiction in and here’s a brief starter list for you (feel free to add recommendations in the comments): Abyss & Apex, Beneath Ceaseless Skies, Clarkesworld, Daily Science Fiction, Lightspeed, Strange Horizons, and Tor.com. One of the things I mentioned is that reading other people’s short fiction, particularly good stuff, is important: you’ll find more story ideas coming to you, you’ll learn new tricks from them, and you’ll become familiar with the markets you hope to sell to.

We also spent some time on writing process and the idea of timed writings, as taken from Natalie Goldberg’s Writing Down the Bones and did some in class. Feel free to post yours here if you like it. I urged you to spend some time this week thinking about your writing process and perhaps trying to change it up a little: writing by hand instead of the keyboard, or in a place you don’t normally write.