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Documents of Tabat: A Handbill Posted Outside Figgis' Bakery

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What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat

Now available at Tasteweet’s Emporium: Seventeen Varieties of Fairy Honey, including the following:

Tastesweet’s Midwinter Amber: Comes with the traditional drowned Fairy preserved in the jar and a scattering of midwinter spices. Five gold galleons per household jar.

Tastesweet’s Invigorating Infusion: Spiced with spectral peppers from the Southern Isles, Frenzy Fairy honey of a most delicious flavor will rekindle affections of the flesh and revivify even the most winter-jaded appetite. One golden galleon per gill.

Tastesweet’s Calming Mixture: Equal parts of high-grade Fairy honey and Dryad sap are infused with soothing herbs, this mixture is identical to the one employed by Physicians for invalids and the habitually nervous. Three silver galleons per gill.

Tastesweet’s Occult Lozenges: Fairy honey mingles with two parts blood of Oracular Pigs (guaranteed not culls) to create a blend famous for enhancing lucky instincts and premonitions. As used at the Fuchsia and Heron, where it is a favorite of poets, musicians, and actors. One golden galleon per household jar.

Tastesweet’s Traditional Syrup: Suitable for the frugal household, this sweetener consists of one part Smallholder Grade Fairy honey to fourteen parts cane syrup and is used by commercial establishments throughout Tabat. Three silver skiffs per household jar.

Included with each purchase free and gratis as a token of gratitude for your patronage! Two noughts, each valid in trade for a Tastesweet’s Secret Recipe Honey Candy!

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Love this world and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Five Gifts for Speculative Fiction Writers

Other gift possibilities: a gift certificate to your local indy bookstore, pens (I like fountain pens a lot), and fuzzy socks to keep their toes warm while writing.
Here’s five gifts for the writer on your list (even if it’s yourself).

A little history. One of my favorite reads this year was Bud Webster’s Past Masters: And Other Bookish Natterings. Bud’s book combines hearty doses of interesting history with some deliciously thorough reading lists, that will only lead you to more and more reading. Bud always managed to tell me something about the writers that I didn’t know but which shed more light (and interest) on the stories I already loved. Heartily recommended, particularly if you’re well-read in the SF field and want to know more about some of its greats.

A little inspiration. WonderBook: The Illustrated Guide to Creating Imaginative Fiction is a fabulous, gorgeous book about writing created by Jeff VanderMeer and Jeremy Zerfoss that will inspire and amuse. There’s a lot of writing books produced each year – this is not only the nicest of this year’s, but one well worth dipping into over and over again.

A little fuel. Writers usually require coffee. This year, due to this blog post by Chuck Wendig, I’ve become a fan of the Chemex coffeemaker. It’s got a nice little ritual to coffee-making that helps start the day right. Or a pound of fancy weasel-butt process coffee, if you want to go all out. Uncaffeinated writer? Get them a gift certificate and let them pick their own liquid.

A little efficiency. Dragon Dictate is dictation software available for Windows and Mac (although check what OS you’re running, a version hasn’t been released yet for the latest Mac update.) I love Dragon Dictate and think it makes me significantly more productive. It does take a little getting used to, but once you’ve worked with it a while, writing by hand feels archaic. And slooooooow.

A little notebook. Though it may seem unoriginal, writers always need notebooks. There’s a reason Moleskines keep being popular. Toss in a few fancy pens like this or these for a coordinated gift.

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Retreat, Day 22

coffeeToday I am letting myself slack a little, feeling caught up from the weekend’s excesses and so I can game tonight.

Today’s wordcount: 2592
Current Hearts of Tabat wordcount: 119954
Total word count for the week so far (day 3): 13568
Total word count for this retreat: 60229
Worked on Hearts of Tabat, “Moderator,” untitled piece
Works finished on this retreat: “California Ghosts,” “My Name is Scrooge,” “Blue Train Blues.”
Time spent on SFWA email, discussion boards, other stuff: 45 minutes

From the untitled piece:

The magician gestured, and out of the pool came musicians, the very first thing the tip of a flute, sounding, so it was as though the music pulled the musician forth, accompanied by others: grave-eyed singers and merry drummers; guitarists and mandolinists with great dark eyes in which all the secrets of the moon were written; one great brassy instrument made of others interlocked, so it took six to play it, all puffing away at their appointed mouthpiece, and all of them bowed down to the priestess who stood watching, her sand-colored eyes impersonal and face stone-smooth.

“Very pretty,” she said, and yawned with a feline grace, perhaps even accentuating the similarity in a knowing way with a tilt of her head.
The magician smiled, just as catlike, just as calm. “You can do better, I am sure,” he said.

She shrugged, her manner diffident, but rather than reply, she pursed her lips and whistled. Birds formed, swooping down, and wherever they swooped, they erased a swathe of the musicians, left great arcs of nothingness hanging as the seemingly oblivious players continued, their music slowly diminishing as they vanished, the instruments going one by one, and the last thing to hang, trembling in the air, was an unaccompanied hand, holding up a triangle that emitted not a sound.

Landing, the birds began to sing, and though the music was not particularly sweet, there was a naturalness about it that somehow rebuked the mechanical precision of the song theirs succeeded. As they sang, more and more birds appeared, and the music swelled, washing over the pair where they stood, like a river.

The priestess patted the air with the flat of her hand and the birds winked out of existence, leaving the two of them in a great white room, the antechamber of her temple.

“Will you go further in, then?” she said, and her voice was still casual.

The magician’s eyes were green as new grass and the black beard on his chin, which grew to a double point, was oiled and smelled of attar-of-roses. He considered her as though this was the smallest of debates, and finally stepped forward.

“We are still evenly matched,” he said.

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