Documents of Tabat: Pests of Tabat

What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for this purpose. I'll release them at the end of April in e-book form; careful readers will find clues to some aspects of Beasts of Tabat in them. -Cat — What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for this purpose. I’ll release them at the end of April in e-book form; careful readers will find clues to some aspects of Beasts of Tabat in them. -Cat

An Instructive Listing of the Pests of Tabat, being Pamphlet #2 of the fifth series of “A Visitor’s Guide to Tabat,” Spinner Press, author unknown.

The newcomer to Tabat will find the pests they are accustomed to: fleas, lice, and rats are no strangers to the city. But several creatures indigenous to the area may cause the unwary traveler distress.

In late summer nights, the gold and orange wings of phoenix moths will be visible in their mating swarms. Despite the beauty of the phenomenon, the creatures are destroyed whenever possible, for the flames created when they deposit their eggs and immolate themselves in order to harden the casings can lead to larger fires.

Marsh flies are prevalent on the city’s eastern side when the wind is from that quarter. The fierce bites of these insects have been known to drive even the most placid creature to the brink of madness. Citronella and other scented candles and lamp oils are the most popular remedy for these creatures, along with bed netting in the summer months.

Parasitic Fairies have, for the most part, been eradicated, but clusters of the minute Fairies known as slavemakers still exist in the farmlands. While they rarely if ever make their way into the city, those traveling in the areas directly around Tabat should be aware of the danger they pose.

Mandrakes are neither animal nor Beast, but rather a plantlike intelligence found only on this continent and capable of ambulation in their early stages. Mandrakes kill larger mammals, using the corpse as a plant in which to root themselves and propagate and are, like parasitic Fairies, only a danger to those venturing outside the main city.

Due to Tabat’s damp weather, a myriad of molds thrive in untended corners. Scarlet mold, toxic to animal and human, may appear and is invariably accompanied by black mold worms, whose bite produces severe hallucinations.

***
Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

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3 Responses

SFWAauthors says:

April 1, 2015 at 12:54 pm

Cat Rambo: Documents of Tabat: Pests of Tabat http://t.co/Zm0gJBSR2L

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fullaquirkes says:

April 1, 2015 at 12:59 pm

RT @Catrambo: Pests of Tabat: http://t.co/eTw3KwNQh6

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aphotic_ink says:

April 1, 2015 at 8:17 pm

RT @Catrambo: Pests of Tabat: http://t.co/eTw3KwNQh6

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Answers to Some Galaktika Magazine Questions

April 12, 2016

I’ve been following the controversy with Galaktika with particular interest because there are a number of SFWA members involved. My thanks to A. G. Carpenter for graciously sharing what they found out. In the process of talking to people, I dropped Istvan Burger a mail because I had these questions:

Would all writers be paid, preferably without their having to contact Galaktika?
Would all translators be paid? (my understanding was that the same lack of payment has happened with them.)
For any online stories, would authors be able to request that the story be taken down?
Would a process be put in place to ensure this never happens again?

Here’s the reply:

Dear Cat,
I’m writing on behalf of Istvan Burger, editor in chief of Galaktika.

We’d like to ask authors to contact us directly to agree on compensation methods. You can give my email address to the members. mund.katalin@gmail.com

The short stories were published in a monthly magazine, which was sold for two months, so these prints are not available any more. So Authors don’t need to withdraw their works. As we wrote in our statement, there is no problem with novels, as all the rights of novels were paid by us in time.

Also let me emphasise again that all the translators were paid all the time!

You can quote my reply. Thank you for your help!

Best regards,
Katalin Mund,
Manager of Galaktika Magazine

Next week SFWA will be sending Galaktika a list of affected SFWA members who need to be compensated. If you’re a member whose work was published in Galaktika and want to make sure you’re on the list, please drop me an e-mail, message me, or leave a comment here.

Later addendum: I requested clarification about the magazine not being available for longer than two months since there seem to be digital editions for sale on the website, which would seem to contradict that statement. I was told that authors will be able to withdraw their stories from the electronic editions if they so desire.

...

Documents of Tabat: Artists of Tabat

April 13, 2015

abstract image — What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat

An Instructive Listing of the Major Artists of Tabat, being Pamphlet #5 of the series of “A Visitor’s Guide to Notables of Tabat,” Spinner Press, author unknown.

Tabat’s art tradition is well established, and not a mere copy of the practices and schools of the Old Continent, as has been charged against the artists of Verranzo’s New City. Tabat’s artists build upon the traditions of the past while innovating and creating anew in a way that reflects the diversity and history of the city. When making conversation about the city’s art, it is useful to know the names of its leading figures.

1The cousin of famous Gladiator Bella Kanto, Leonoa Kanto is a figure in her own right, known for an eye that catches remarkable depth of detail and a willingness to speak about her work and how it relates to the day’s influences unmatched by other artists.

Descendent of a long line of sculptors and artists, Coe Firaubo has produced statues that adorn the Ducal gardens and the College of Mages grounds, where his most famous work, “Truth defeats the Serpents of Falsehood,” is situated.
An artist who has only recently risen to prominence, Etaya Wain uses nothing but natural elements in his artwork, employing homemade dyes and natural substances, many of them specifically taken from the north and celebrating its influence on Tabat.

Tailuaba Cloudseeker chooses to draw on supernatural influences (and magical animals) in the creation of her work, and both her subjects and her methods reflect her former Training as a Mage.

All of Tabat has lately been buzzing about unknown artist Flora, whose work is made of dried flowers, stuffed Fairies, and other creative taxidermy. The work is sold through Bernarda Manycloaks’ gallery, which has refused to disclose anything more about the artist and his or her work.

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