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Documents of Tabat: Fashions of Tabat

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What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat

An Instructive Listing of the Fashions of Tabat, being Pamphlet #2 of the first series of “A Visitor’s Guide to Tabat,” Spinner Press, author unknown.

Tabat, like any city, has fashions that distinguish it, often shaped by the city’s history and resources. To look like one of the natives, you may want to purchase one or more of the following to wear.

Feather cockades, worn pinned to the breast or on a hat, represent a long tradition in the city. The explorers of the early expedition Perseverance found a river of feathers, cast off by vast flocks of waterfowl. They brought back sackfuls of the varicolored feathers to the city and it became customary to show one’s support for one expedition or another by wearing the cockades. In recent times they have become associated with different political powers in the city and with the coming of the elections, they are widely used to indicate one’s party affiliation.

Rain market hats, wide-brimmed and tightly woven of purple reeds, are seen in abundance on the streets of Tabat and are as functional and cheap as they are picturesque. Some sellers sell hats with designs or slogans painted upon them, often distributing the latter at political rallies.

Great-coats, woven of wool or made of dyed fur, are traditional gear for Merchants, Explorers, and others who travel widely. Their styles may vary from year to year in matters like buttons, pocket cut, or thickness of piping, but generally they remain the same in overall look.

Dandies of either sex prize the fine lace gloves produced by the Altos factory, where they are woven by the large spiders exclusive to Altos use by order of the Duke. If on the street outside where they are housed in early morning or evening, linger to hear their haunting song.

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Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

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I have been noticing a lot of these over the last couple of months, and I was going to skip it, but then I was totting up the publications from last year, and I’m proud of the fact that I had 19 stories published.

They are all either short story or flash (Swallowing Ghosts, Futures, Lost in Drowsy Dreams, The Forbidden Stitch) and are eligible for various short story awards. There’s some favorites from last one (marked with *), but the one I’m hoping will get some notice is “Long Enough and Just So Long” which appeared in Lightspeed in February, 2011.

Here are links to the online stuff:

Long Enough and Just So Long – Lightspeed, SF

Love, Resurrected – Beneath Ceaseless Skies, fantasy
Pippa’s Smiles, Swallowing Ghosts – Daily Science Fiction, fantasy
Bots d’Amor – Abyss & Apex, SF
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Whose Face This Is I Do Not Know – Clarkesworld, horror? sf? fantasy?
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Lost in Drowsy Dreams and The Forbidden Stitch -10 Flash , fantasy
Futures – The Dream People, sf? fantasy?
Zeppelin Follies – last issue Crossed Genres, sf

I am happy to send the stories not available online to anyone reading for Hugos, Nebulas, Tiptree etc. They are:
Close Your Eyes – Apex Magazine, horror
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Answers to Some Galaktika Magazine Questions

I’ve been following the controversy with Galaktika with particular interest because there are a number of SFWA members involved. My thanks to A. G. Carpenter for graciously sharing what they found out. In the process of talking to people, I dropped Istvan Burger a mail because I had these questions:

  1. Would all writers be paid, preferably without their having to contact Galaktika?
  2. Would all translators be paid? (my understanding was that the same lack of payment has happened with them.)
  3. For any online stories, would authors be able to request that the story be taken down?
  4. Would a process be put in place to ensure this never happens again?

Here’s the reply:

Dear Cat,
I’m writing on behalf of Istvan Burger, editor in chief of Galaktika.

We’d like to ask authors to contact us directly to agree on compensation methods. You can give my email address to the members. mund.katalin@gmail.com

The short stories were published in a monthly magazine, which was sold for two months, so these prints are not available any more. So Authors don’t need to withdraw their works. As we wrote in our statement, there is no problem with novels, as all the rights of novels were paid by us in time.

Also let me emphasise again that all the translators were paid all the time!

You can quote my reply. Thank you for your help!

Best regards,
Katalin Mund,
Manager of Galaktika Magazine

Next week SFWA will be sending Galaktika a list of affected SFWA members who need to be compensated. If you’re a member whose work was published in Galaktika and want to make sure you’re on the list, please drop me an e-mail, message me, or leave a comment here.

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