What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat
A flyer, kept carefully folded, in the top drawer of Bella Kanto’s dresser. Dated some twenty-five years earlier, the paper crumbling and worn, and never looked at since being placed there.
VALUABLE GROUP OF ASSORTED BEASTS AND ANIMALS
Trained by Renowned Beast Trainer Jolietta Kanto, Her Estate
Will Be Sold At Auction
On the 12th Day of Autumn, at the Black Dome
At 2nd Afternoon Bell
***
Two serviceable male Minotaurs, of approximately 25 years, trained in simple guard duties and of proven loyalty and good breeding.
One stout Satyr, capable of gardening and light field work.
One hearty Centaur female, trained in cookery and housekeeping.
One Oracular Pig, of unremarkable accuracy.
Two hands of small hunting dragons of good bloodline and health, with two females currently in brood.
Brace of Riddling Deer, elderly.
One Dog-Man, incapable of breeding but trained for fugitive-hunting.
***
Sold For No Fault; With The Best City Guarantee
Sale Positive And Without Reserve
Terms: CASH
***
Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
You may also like...
Travel Update, Mid-August
I've taken a ton of pictures along the way, but haven't had a lot of time to sit down and go through them all. I'll post some of the best ones when I get the chance.Huzzah! We drove across America and it was an awesome trip, with lots of visits with good friends and relatives. Today we head off to NYC for a few days, after some time with the godkids, and sometime next week we head off to Costa Rica, where we have a lovely place on the beach secured for a month and the price is great because it’s rainy season. I’ve been practicing my Spanish and getting ready.
The major frustration of the road has been trying to get time to write. I find it takes me a while to get started and in the flow when I write, and for those of you writing in scraps and odd bits of time snatched from kids and jobs and other concerns – I don’t know how you do it, but I salute you. I’ve got a story simmering and partially written, which I really want to send out as the next Patreon installment, so I need to get butt in chair and finish writing it in the next couple of days. Contemporary horror, set in Western Kansas. (I know my cousins will appreciate the last bit.)
Here’s a tiny bit to whet people’s appetites. If you want to read it when it’s done, you’ll need to support the Patreon campaign. 😉
Penny saw the sign coming east along route 70. Yellow letters on a background the color of drying blood. 50 MILES – PRAIRIE DOG TOWN ““ WORLD’S LARGEST PRAIRIE DOG ““ BISON ““ KIT FOXES ““ BADGERS ““ FIVE-LEGGED STEER. Another sign followed it: BRING THE KIDS. GIFT SHOP!
She suppressed the urge to snort and glanced at the rental car’s gauges. She would have rather flown, but driving, she could carry gear with her the airlines wouldn’t have allowed past. Or would have arrested her for, much more likely. She might look like an ordinary, slightly heavy middle-aged woman, but the contents of her suitcase were suited to a world-class assassin.
Which she was, of course.
I’ve also been working on some nonfiction, including mulling over some posts on things like writer etiquette, self-publishing, and the idea of writing for “exposure” (which I am not a big fan of, and will explain why.) Stay tuned for some of those in the next couple of months.
Bonus: The virtual classroom may include sundry visits from Raven, who likes to know what's going on at all times.Several people have been asking if I’d offer an online workshop and I’ve been thinking about how best to do that. So here goes. Please spread the word of this however you can. If I don’t get at least 3 students for a workshop, I’ll cancel it.
Dates:
Workshop 1 — Wednesday evenings, 8 pm-10 pm PST, December 14, 2011-January 18, 2012
Workshop 2 — Saturday mornings 9:30 AM-11:30 AM PST, December 17-January 28, 2012 (I have to miss the 21st due to a convention).
Format: I’m going to offer two sessions, one on a weekday evening and the other on Saturday mornings, because I know schedules vary. The class will run six weeks, with a two hour session each time. I would like to schedule workshop time into that, where you’ll get a chance to read and critique each other’s stories, as well as a chance to hear me critique them, so starting with the second session, part of the class will be devoted to that (no more than 50%, tops). I’ll be doing the class as a Google Hangout, so we’ll all be chatting face to face, which means there is a limit of 9 students per class. There will be an optional make-up session for both workshops for people who had to miss a class or two along the line the week after the class ends.
Focus: The focus is the short story – how to come up with an idea, how to write it, how to revise, and how to submit it. There will be weekly writing exercises and optional reading. The final class will include career stuff, market advice, and a few funny anecdotes.
Why take a class with me? As both a writer and editor, I bring a focus that lets me advise you from both sides of the desk. My experience as the fiction editor of award-winning Fantasy Magazine as well as short story collections and anthologies combined with the fact that I’m a working, selling writer helps me provide you with solid, up-to-date market advice for both online and print publishing. My teaching experience includes the Johns Hopkins University, Towson State University, and Bellevue College and I’ve studied with John Barth, Stephen Dixon, Octavia Butler, and Connie Willis, to name just a couple of people I’ve had the pleasure of learning from. Former students can testify that I’m an active, engaged, and entertaining instructor who gives careful and considered feedback on their work.
Value adds: As part of the class, I will be happy to critique an extra story (up to 10k words) afterwards and offer market advice. The offer expires after a year.
Cost: Well, it’s an experiment, so I’m basing this off comparable workshops I teach. I am charging $199 per person, but will make it $149 if you sign up before midnight PST November 30. I do take Paypal; contact me at spezzatura AT gmail.com and we can work out details. If you can’t afford it and have some interesting barter to propose, let me know at the same address.
What if those times don’t work for you? Drop me a line. We can try to work something out.
One Response
Cat Rambo: Documents of Tabat: An Auction Handbill http://t.co/gXMUBckcOd