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Retreat, Day 20

Beach AeEek, I thought I had been better about posting. At any rate, here I am still in California writing away. I had Wayne here Friday-Sunday, so no writing was done, but we really had just a delightful time with each other and both were very sorry to part when I dropped him off at the airport on Sunday.

Today’s totals:

Today’s wordcount: 5884
Current Hearts of Tabat wordcount: 119083
Total word count for the week so far (day 1): 5884
Total word count for this retreat: 52435
Worked on Hearts of Tabat, “Blue Train Blues”
Time spent on SFWA email, discussion boards, other stuff: 30 minutes

Besides working on “Hearts,” I have been finishing up “Blue Train Blues”, a steampunk set in the Altered America world, although over on the other side of the world, in their version of France, occupied by vampires. It’s not a pieceI’ve promised anyone, so it will probably go up on Patreon either this month or the next.

Here’s a section from it:

The evening wore on. Fortunes were squandered and won, and then squandered again. The cigar smoke haze thickened to the point of oppression, and the air grew stuffy except when someone entered or exited the car, bringing in a night breeze that cut through the heat like a saber stroke.

I tried to keep any thoughts from betraying us, but I could not help but wonder. The vampire knew my lord was cheating, he was threatening to say it openly, and there was only one end to it if he did make that accusation: they would kill my lord then and there.

But my lord seemed oblivious to his impending fate. He sat there playing and chattering away, an endless stream of blather that was his damned-silly-English-peer act, playing to the crowd with a touch of whimsy now and then. But underneath it all, he and I and the vampires knew, he was a werewolf, and while they had the numbers, he could at least account for some.

Lost in these thoughts, I swam back as the Renfrew beside me stepped forward to provide and light a cigarette, then retreated into his former position. My lord was talking about cars.

“Rover claims their new model goes faster than le Train Bleu,” von Blodam said.

“That’s nothing special,” my lord asserted. “I could leave with the train from here and my car could get me to my club in London before the train hits Callais.”

Von Blodam raised an incredulous eyebrow. “A bold claim.”

“It’s good English technology,” my lord said, and the edge to his voice was the same as though he’d bared his teeth, by the way the tension jumped in the room. I felt two Renfrews sidle closer.

But von Blodam laughed. “Then perhaps we should bet on. You will race le Train Bleu, and if you win, I will give you the prize of your choice.”

“And if that prize was to answer a question truthfully?” My lord’s eyes burned but could not melt the room’s ice.

Von Blodam smiled, and I could feel disaster looming like an iceberg. “Very well. Three questions even, answered with absolute truth, on my honor. What would you put up against something like that, my Lord?”

“Name it,” said my Lord softly. “For it’s clear that you are angling at something.”

The toothy smile broadened. “Very well. A reward of my choice, if the train reaches Callais before you are at your club.”

“A reward of your choice,” my lord said and his voice was expressionless. But his eyes still burned.

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On Writing: Collaboration And Its Perils

Image showing story cards for collaborative science fiction novella Haunted, written by Cat Rambo and Bud Sparhawk.
One of the most interesting things about a collaboration is a chance to see your collaborator's process in action. Here are the story cards for "Haunted," which Bud brought with him to WorldCon so we could grab a table in the green room and go over them.
Collaborations can be a lot of fun. My first collaboration came about when Jeff VanderMeer asked if I’d be interested in working together on one and tossed me a 1500 word lump that would end up becoming “The Surgeon’s Tale.” That story remains among one of my favorite pieces of writing, in part because reading back through it evokes the pleasure of batting it back and forth, adding thousand or so word chunks each time, until it ended up in the land of the novelette. I think we managed to make the final result pretty seamless – I have trouble remembering who wrote some bits, although others stand out clearly in my head as Jeff’s or mine, because I remember first reading them or spinning them out.

I haven’t done that many. “Logic and Magic in the Time of the Boat Lift” with Ben Burgis resulted from Ben describing what he wanted to write a story about — Miami and were gators and coke dealers — at more than one Wiscon. I wrote the beginning and sent it his way, and the back and forth began. Now we’ve got a similar lump in process.

Gio Clairval and I just finished up a flash piece recently. One of the things I’ve done to encourage collaborations is stick a bunch of word lumps up in a Google doc and just shared the doc so people could take a look and see if anything sparked. She liked a piece I’d done based on an image of a female acrobat.

Right now Bud Sparhawk and I just finished the novella “Haunted,” which started as a short story and kept growing and growing and growing. Bud plots things out a bit more thoroughly than I do, and it’s been interesting so far. Here we worked in Scrivener and laid out a story arc in cards before really setting to writing. I enjoyed it, because I think we’ve got a killer idea, and some clever twists, and some things that will hit nostalgic sweetspots.

So here’s my advice on collaboration based on my experience, which is somewhere past utterly new at it and yet not in the range of people like Mercedes Lackey, Andre Norton, Mike Resnick, and countless more.

  • Pick a collaborator whose speed (roughly) matches yours. Bud was writing faster on ours, and I know there were several times where I was the holdup. Too much of that can get frustrating, as I’m sure he can attest.
  • Pick a collaborator who doesn’t take things too seriously (and don’t do that yourself). If someone has got something (real or imagined) at stake, the pressure may be uncomfortable.
  • Pick a collaborator who is flexible, and similarly be prepared yourself to sacrifice cherished ides, because you can always use them elsewhere.

Collaborative benefits include (for me, at least) new energy, someone to discuss a story with as it’s written, new insights into process, fresh ideas, and a kick in the butt to be productive.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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