Five Ways
Subscribe to my newsletter and get a free story!
Share this:

Guest Post from Rob Dircks: 8 Ways to Make Your Writing Funnier

Pictures of the book Where the hell is Tesla by Rob DircksFirst, I didn’t set out to be a humorist. And I’ve only got one sci-fi comedy novel so far, Where the Hell is Tesla?, so I’m not sure I qualify as anyone you should listen to. But I’ve always loved funny sci-fi, like Douglas Adams’ The Hitchhiker’s Guide to the Galaxy, or John Scalzi’s Agent to the Stars, or Pratchett and Gaiman’s Good Omens, and I love the process of writing humor. It seems like a fit. I’m sticking with it.

Along the way, I’ve learned a ton from great writers, and great teachers, and from screwing up in every conceivable way. So here are a few of my favorite little nuggets that you might find it useful in your own writing:

1. Exaggerated Contrast.
Imagine you move into your new apartment, and you go next door to ask if they signed for a package you were expecting. You’re invited in, and you find yourself in the middle of four adult males playing Dungeons and Dragons. With costumes on. Hmm. This might make a funny story to tell your friends later. But let’s exaggerate the contrast more by making all four of these guys over-the-top-crazy-smart scientists who revel in everything tech and sci-fi. Now what’s your story? The Big Bang Theory. A huge comedy hit, in its ninth season. A classic fish-out-of-water story pitting poor Penny against the ultimate geek squad.

Or take Dortmunder, the cat burglar hero from the old Donald Westlake novels. He’s literally the only sane person in an insane world filled with incompetent crooks, bungling cops, and inept villains. The result? He had so much comic potential he starred in twenty-five novels and short stories.

Why does fish-out-of-water work? Because the greater you can make the gap between the normal person’s perspective (Penny, Dortmunder) and the crazy world’s perspective (the four scientists, incompetents in general), the richer the vein of comic possibility. And science fiction can be even better, as your worlds are only limited by your imagination. Just look at Hitchhiker’s Guide’s hapless Arthur Dent, thrust into insanity on a galactic scale. And in my novel, the “fish” are two regular joes who find themselves trapped inside an “Interdimensional Transfer Apparatus” ““ where each dimension they visit is strange, and rife with comic opportunity.

2. The power of three.
Take a look at this exchange between two friends on a bridge.

Murph smiles. “Look. It’s only forty feet, and the water’s plenty deep. You first.”
Andy peers down, with one eye closed, gripping the railing for dear life. “What are you crazy? No way!”
“Come on. Okay, we’ll jump together. It’ll be fun.”
Andy shakes his head. “No, It’ll be death. Forget it.”
“I’ll buy you Skittles.”
“Hmm. The big bag?”

The first time Andy says no is the setup, describing the conflict. The second time he says no, it ratchets up the tension and validates his convictions ““ there’s no way he’s backing down. And the third time is the release and the punch line ““ not only has Andy reversed, but he’s made risking his life contingent only on which size bag of Skittles he gets out of the deal. (He must really like Skittles.) That’s the power of three.

Let’s not stop there, though. Who did you think this was? A couple of teenage boys? Now imagine they’re seventy-five. Suddenly we’ve added exaggerated contrast to goose the humor (old guys don’t jump off bridges, and I don’t know any that eat Skittles). Even think about the word “Skittles.” Okay, it’s cheap comedy, but the sound of the word “Skittles” is kind of funny. Different. The way it rolls off your brain when you say it. Plus, their little exchange is also”¦

3. Two friends arguing.
Listen to Where the Hell is Tesla?‘s heroes, Chip and Pete, after Chip discovers directions to Tesla’s interdimensional portal in a journal and tries to talk Pete into investigating:

“So, you want to check this thing out, right?”
“F**k no. What are you, an idiot?”
“Dude. What could possibly go wrong?”
“Classic. Cut to scene of us in jail. Or scene of us dead. Or scene of us God-knows-where in space-time.”
“Well it would be space, not time. It would be the same time no matter where we went. It’s a dimension machine, not a time machine. ”
“Oh, gee, now I totally want to go.”

The comedy tradition of two buddies who love each other but bicker like an old married couple goes way back to Laurel and Hardy’s “here’s another fine mess you’ve gotten us into.” (I’m sure it goes back even further, like ancient Egyptians had plays about roommates who couldn’t agree on how many humps a camel is supposed to have.) Abbott and Costello, Crosby and Hope, Chandler and Joey, the angel/demon couple of Aziraphale and Crowley in Good Omens, and David and John in John Dies at the End. The list goes on and on and on.

Why does it work? There is something about friendship (which we all love) and bickering (which we all indulge in) that feels familiar, and when exaggerated, reminds us how the foils of life, the things we fight about, are silly and kind of funny. And it creates conflict where the stakes aren’t too high. And it allows us to live vicariously through characters who say and do the things we secretly wish we could in real life.

4. Surprise.
There are a lot of things I love about Audition, Michael Shurtleff’s book on how actor’s should audition for roles (though it’s really about how to craft a good story). But my favorite is probably what he calls “Discoveries” ““ remembering always to ask yourself “what is new?” Surprise creates new ““ and potentially funny ““ conflict in a scene. An example: deep into Where the Hell is Tesla?, Chip wakes up from a particularly shocking experience with a surprise: he has a new foot. A furry one.

“I don’t care. I’d still rather have no foot. Nikola, you’re a man of reason. Would you want a furry alien foot? Truly, deep down in your heart? Wouldn’t you rather have a nice pair of crutches? Or a hand-carved mahogany peg leg? Please cut this thing off, will you?”
“Chip. We are obviously not going to cut off your new foot. Can you not see even one positive thing in this?”
Hmm. I hesitate. I look down at it. “Well, it’ll never get cold.”

5. Don’t be afraid of slapstick.
People fall down. Kids accidentally hit their parents in the crotch with frisbees. Moms drop birthday cakes on the floor. And you know what? It’s funny. It just is. America’s Funniest Home Videos is based entirely on that premise, and it’s in its millionth season. So don’t shy away from it ““ embrace it. Have your main character slap someone by accident while making a point. Have your villain bend over and split his pants. Have your hero drink what she thinks is lemonade, until the lab guy tells her it’s poison, and she spits it out in his face. BUT keep it relevant to your characters’ personalities and motivations, so it’s not just a one-off visual joke. Because”¦

6. It’s not about “jokes.”
One-liners are for stand-up comedians and movies like The Avengers. Don’t get me wrong, I love the fun of The Avengers, but I avoid things like serious action sequences punctuated by zingers, like this one after Thor hits Captain America’s shield: “It’s all in the swing.” In fact, that whole trailer is a great example of joke overkill – there’s a snappy one-liner every five seconds. Be careful of “jokes.” Jokes are empty unless they’re a natural extension of the situation and the character’s state of mind.

7. Playfulness.
There’s a security in writing comedy, knowing that as bad as it gets, even if minor characters die, it’ll never get THAT bad. So don’t forget to let them have fun. I love the way John Scalzi does this (I’m thinking about Agent to the Stars and Redshirts in particular.) Even in their lowest moments, trapped in an underground chamber, your characters can talk about how they hated the movie Ghost. Or during a torrential downpour on a dark night on a dangerous planet, have your hero skip through a puddle, remembering that was her favorite thing when she was a kid. In Where the Hell is Tesla?, I had the main characters, right in the middle of all the tension, have a pillow fight. The world is your oyster ““ slurp it up.

8. Heart.
Maybe the biggest thing with comedy (as with all storytelling, I guess), is instilling it with heart. Without real living, breathing characters with real feelings, you wind up laughing at them, instead of with them (if you laugh at all.) Think about all the characters I’ve mentioned in this post, or ones from your favorite sit-coms. When you get to know them, you bond with them, and when they fall down you feel bad (even though you’re laughing), and when they’re climbing a mountain you’re rooting for them, and when they say or do something funny, not only do you laugh, but you feel good about it.

Wow. I didn’t realize I’d actually have a point, but I guess that’s it. That it’s not about the laughs. It’s about the feeling that comes with the laughs: that kind of giddy, warm connection to a story and a character, that makes you feel good, feel a little glow, even after you’ve closed the book.

Reading Recommendations
If you’re interested in humor writing, I highly recommend:

  • The Comic Toolbox, by John Vorhaus (indispensable, and the source of several of these concepts)
  • Audition, by Michael Shurtleff (not specifically about comedy, but awesome for scene writing)
  • 1984, by George Orwell (I’m kidding, if there’s ever been an anti-comedy, that’s it)

robdircksAbout Rob Dircks
Rob is author of the science fiction comedy novel Where the Hell is Tesla? His previous work, an anti-self-help book titled Unleash the Sloth: 75 Ways to Reach Your Maximum Potential By Doing Less, has the distinction of being the very first self-help book to prescribe taking a nap instead of mowing the lawn. Both books have been bestsellers (depending on your definition of “bestseller.”) He’s a member of SFWA (Science Fiction & Fantasy Writers of America), and owner of Goldfinch Publishing, a small (very small, wee in fact) assisted publishing service. He also owns and operates an ad agency, Dircks Associates. You can follow and contact him on RobDircks.com.

About Where the Hell is Tesla?
SCI-FI ODYSSEY. COMEDY. LOVE STORY. AND OF COURSE… NIKOLA TESLA.
I’ll let Chip, the main character tell you more: “I found the journal at work. Well, I don’t know if you’d call it work, but that’s where I found it. It’s the lost journal of Nikola Tesla, one of the greatest inventors and visionaries ever. Before he died in 1943, he kept a notebook filled with spectacular claims and outrageous plans. One of these plans was for an “Interdimensional Transfer Apparatus” – that allowed someone (in this case me and my friend Pete) to travel to other versions of the infinite possibilities around us. Crazy, right? But that’s just where the crazy starts.”

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

Show more

12 Responses

  1. I popped over here because I loved Where the Hell is Tesla. I see more why it appealed to me so much. I loved every book Dircks mentioned–even 1984, though it is admittedly scarce on the laughs. Comedy is very difficult. I think it’s probably harder than a straight story because of having to balance the narrative and character development with the comedy. Tip too far either way, and you just have bad farce. I like to think I’m funny, but I know I can’t write fiction. The irony of Succesful comedy is it only works when it appears effortless, which is hard work (and why the Avengers’ joke fest didn’t quite work).

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

Guest Post: To France and Beyond

I was one of the very few kids who were able to graduate early from high school. Very few high schools in Minnesota had been doing this during my last year of school. My school, a fairly large school in a podunk town, was one of the very last schools to offer this service, and I was one of the lucky ones to get out.

Some of my friends and I from St. Andrews.

The year before my senior year I had been accepted to a creative program in Scotland. It was by far, the best experience I have ever had. Not only was I staying at St. Andrews, I was surrounded by like minded people. Plus, I got to take really amazing classes with some of the brightest people I’ve ever known. That was where I met some of my best friends, who throughout the past year or so I have still kept in contact with.

Magali giving me a Marvel movie education.
One of my very good friends that I met at St. Andrews, Magali, lives in a small town a little outside Paris. A week or two after the program ended, Magali and I messaged and video chatted as much as we could due to time zone changes. At this point, I had gotten my first job and she was getting ready to go back to school.

One night, we were messaging and suddenly, I had reached an epiphany. I had been working almost everyday at my job and had enough money for a plane ticket to Paris. My fingers anxiously typed and waited for a response. Magali couldn’t have been more ecstatic with the idea! That night we planned a time to chat to talk in more details about the trip.

Pax and I at the beach at St. Andrews.
I had known at the time that I had enough credits to graduate early, so from that point on, I set my goal in mind and focused on my trip. Magali and I had told all of our friends about me visiting. We had started to get the gang back together. Our friend Jane traveled from the Czech Republic to stay with us for a week and then our friend Pax from London had taken the train to stay with us for a weekend.

So, in March when I graduated, I continued to save up for a month before I made the nine hour plane ride there. Every day was exhausting, mentally and physically. I had been working eight hours a day, five days away. My feet burned after every shift and after each day it felt like the days kept getting longer. I had been working in customer service for about almost a year and my high school job had almost got the best of me. It had gotten to the point where I was taking more orders than I could handle.

But in the end it was all worth it.

Jane, Magali and I at the Eiffel Tower.

I took a trip that some people don’t do until they retire. The best part was that I did all by myself. I planned, budgeted and saved up for it all by myself. It was one of the most empowering experiences I’ve ever had. I was seventeen and had a month long sleepover with my best friends. I couldn’t of wished for a better trip.

I spent the days walking around Paris, going to Kpop shops, going to art museums and most importantly, eating a lot of food. I remember we went to the Lourve where Magali demanded we take a picture of her flipping off the Mona Lisa. I had also spent a week going to school with Magali and meeting all of her friends, who were all wonderful and kind people to be around. They tried teaching me French, but my pronunciation was always way off.

Magali and Jane flipping off the Mona Lisa.

I encourage any young women to take a trip like the one I had. It was one of the most eye opening and jaw dropping experiences I have ever had. In the end, you only get very few chances to do something like this and you should take advantage of that.

Molly Baumgardner is a young writer and cat enthusiast. You can read some of her work at https://www.wattpad.com/user/awesomewriter65

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

...

Guest Post: PJ Manney on GameStop and the Power of Populism

I have many thoughts on the GameStop stock/stonk play. Big movements in complex systems are difficult to write about, because many things that seem paradoxical can be correct at the same time. At different scales or frames, differing takes have validity. So forgive what may seem contradictory. For those not familiar with the topic, let’s start with this @Vox article as the baseline.

In populist movements, the participants are attracted by and manipulated through memetics. We see what begins as a meme becomes hype, then a mass network memetic swarm effect, as happens in the promotion of everything Modern Meme from Bernie Sanders to cryptocurrencies to QAnon.

That the GameStop play has appeared to hurt some predatory shorters and their hedge funds means we will see more #stonk in the future. Success breeds repetition. The latest on r/wallstreetbets is an attempt to wrestle the silver market.

Why did the subreddit readers and social media followers do it? On the face, it’s economically irrational, which is why the hedge funds and investor class didn’t understand it at first. All the investor class cares about is making money above all else. Driving up a stock to protect it from a short will only lose money in the long term. Gamestonk is willing to hold and lose big to make a statement about loving GameStop and hating Wall Street. Reddit’s wallstreetbets subreddit has nearly 4 million self-called “degenerates” alone. And that’s why the Street never saw this coming at first. The combination of paradoxical motivations for this mass behavior is remarkable. Protection, vengeance, anger, fun, gaming, bitcoin play, populism, power, anarchy. One could even say that Gamestonk is the Pokémon Go of 2021. When such a combination of emotional forces can be rallied to a single cause (see the US Capitol on January 6, 2021), anything can happen.

Now add the effect of mass network swarm activity. This can be a weapon, as in QAnon or Internet troll farms. Gamestonk is weaponized investing. When most conflict theorists think of swarms, they think of organization from a single body that sends out many agents of chaos or destruction with a single purpose, coming from every direction. But in this case, so many are in it for the lulz and all those paradoxical motivations listed above, that all they need is a single common interest: take down the Street predators. Everyone has their reasons. They don’t need to be organized.

The Street isn’t a victim. There is no logic behind markets anymore and hasn’t been for some time. Manipulation on all sides, and the decoupling of Wall Street from Main Street, and the end of fundamentals means whoever has the power to define the market does so. And usually, the big institutions run the show and get bail outs when it spins out of control. The only people who suffer are “the little guys.” But when the little guys rally as one? Especially when the world is filled with “money” and no one knows where to put it safely? Anything is possible.

Populism is a powerful and unpredictable political force. It forces reaction or reorganization by the establishment regardless of your position to the cause, because anarchy is the alternative. And institutions hate anarchy. Wall Street wants modellable certainty. No one can predict which way populist-fueled movement will go, because populism is usually about being against something. Not for building a better alternative. See the Russian and French Revolutions, and Brexit as dangerous populism that had ideals but no plans.

But sometimes a plan emerges just in time. See the American or Singing/Baltic States revolutions. Or the New Deal. The reason a populist movement succeeds long after they win is through a combination of cooperation, compromise and construction. We have to build something that benefits most of us, together, to successfully ride through a populist revolution.

If we could get all those people who threw some crypto into the GameStop, AMC or BB&B pots to swarm anew and reorganize healthcare, or law enforcement, or the rest of the predatory financial cycle, that would be something.

Senator Elizabeth Warren is already calling for financial regulation in this case, but to fight the shorters, not the social media/Mom & Pop retail investors. Let’s hope the SEC follows suit. This is part of the constructive, cooperative future, and Wall Street ignores the clean-up of their swamp at their peril.

PJ Manney is the author of the P.K. Dick Award-nominated (R)EVOLUTION, book 1 in a series with (ID)ENTITY, and the upcoming trilogy’s completion (CON)SCIENCE, as well as non-fiction and consulting about emerging technology, future humans, and empathy-building through storytelling. She was a former Chairperson of Humanity+, teleplay writer (Hercules–The Legendary Journeys, Xena: Warrior Princess, numerous TV pilot scripts) and film executive.

...

Skip to content