I’ve been following the controversy with Galaktika with particular interest because there are a number of SFWA members involved. My thanks to A. G. Carpenter for graciously sharing what they found out. In the process of talking to people, I dropped Istvan Burger a mail because I had these questions:
Would all writers be paid, preferably without their having to contact Galaktika?
Would all translators be paid? (my understanding was that the same lack of payment has happened with them.)
For any online stories, would authors be able to request that the story be taken down?
Would a process be put in place to ensure this never happens again?
Here’s the reply:
Dear Cat,
I’m writing on behalf of Istvan Burger, editor in chief of Galaktika.
We’d like to ask authors to contact us directly to agree on compensation methods. You can give my email address to the members. mund.katalin@gmail.com
The short stories were published in a monthly magazine, which was sold for two months, so these prints are not available any more. So Authors don’t need to withdraw their works. As we wrote in our statement, there is no problem with novels, as all the rights of novels were paid by us in time.
Also let me emphasise again that all the translators were paid all the time!
You can quote my reply. Thank you for your help!
Best regards,
Katalin Mund,
Manager of Galaktika Magazine
Next week SFWA will be sending Galaktika a list of affected SFWA members who need to be compensated. If you’re a member whose work was published in Galaktika and want to make sure you’re on the list, please drop me an e-mail, message me, or leave a comment here.
Later addendum: I requested clarification about the magazine not being available for longer than two months since there seem to be digital editions for sale on the website, which would seem to contradict that statement. I was told that authors will be able to withdraw their stories from the electronic editions if they so desire.
I see that in December 2011 they published a collective Xmas piece “Presents of Mind” four of us (Connie Willis, Dan Simmons, Ed Bryant, Steve Rasnic Tem) wrote together (we each contributed a short) which was originally published in Asimov’s back in 1986.
“The short stories were published in a monthly magazine, which was sold for two months, so these prints are not available any more.”
This is a flat-out lie. Nearly ALL back issues are available for ordering on the publisher’s webshop, http://galaktikabolt.hu/. I checked, and every issue from the year 2015 is available now. (The original article on mandiner.hu was about the magazine’s 2015 issues.)
“Later addendum: I have requested clarification about the magazine not being available for longer than two months since there seem to be digital editions for sale on the website, which would seem to contradict that statement.”
Not only the digital versions are available, but the real, paper issues are too.
Cat, it was just drawn to my attention that a story of mine was printed without permission in Galaktika Magazine back in 2008. I will contact them regarding compensation. Thanks for the work you put into this. And, yes, I am a member of SFWA.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
The title of the story has become “The Ghost-Eater” as well.
Before retiring for the night, he unshuttered the window, exposing a view of the restaurant’s rear courtyard, an expanse of wrought iron tables, chained to the fence as though someone were worried that they might go walking about.
He sat upright. The moon hit the window almost as bright as witchlight when first summoned. What had called him out of sleep? Some noise in the dining room, rhythmic as hammer blows but more muted. Footsteps? Perhaps.
He put on his breeches, head tilted as he tried to listen. The noises continued, stopped, restarted.
The door opened of its own accord. Charlotte. Beckoning him to follow.
She preceded him down the hallway. There was little light in its confines, but when she opened the door to the kitchen, everything was moonlight and steel, the rims of the great soup pots shining like rounded scimitars, the rack of cleavers and knives varying from the length of his forearm to the smallest paring blade possible, the tiles of the floor like moonstones underfoot, sending up a muted dazzle that mirrored the steel’s.
When I first began to fall through the floor, I didn't know what was happening...More free fiction, this time a piece that originally appeared in Cream City Review, in an issue guest-edited by Frances Sherwood.
When I first began to fall through the floor, I wasn’t sure what was happening. The kitchen seemed oddly distorted. The stripes of the wallpaper slanted a little to the left; the orange light of sunset lay over them like a flare of panic. My parents noticed nothing.
My mother was eating a fish sandwich, the McDonald’s wrapper neatly folded in front of her as she dabbed on mayonnaise. My father scraped the pickles and onions off his hamburger with his forefinger, which was streaked with the thick red of ketchup. Only my brother saw and looked at me as the chair’s back legs pierced the linoleum beneath my swinging feet and I tilted back with agonizing slowness.
I didn’t want to say anything at first. We usually didn’t talk much at the dinner table. Most of the time we didn’t eat at the table at all. My father brought home paper bags of food and set them on the counter so we could each take our share and vanish. Sometimes I sat on the grille of the heating vent. Warm air blew around my body. My brother crouched near me, both of us reading.
My father would take a glass of wine and his food and sit in front of the television. We could hear him twisting the dial back and forth to avoid the commercials. My mother sat in the living room near us, reading one of the romances which she devoured like french fries. We read science fiction and fantasy.
“Catherine’s falling,” my brother said.
My mother looked up. The chair angled more abruptly and I was on the floor. The chair was sprawled in front of me. Its back legs had nearly disappeared. I could see the ragged edges of the holes, like mouths forced open by stiff wooden rods.
My mother picked me up. I was crying now. My father pushed his chair back and looked at the floor. He continued to chew.
“That linoleum’s rotten,” he said. “I’ll have to fix it some time this weekend.”
Perhaps that makes him sound like a handyman, a fixer, someone who put things together. He wasn’t. Our house was broken hinges, stuck doors, worn carpets. Rather than take out a broken basement window, he piled dirt on the outside. To insulate it, he said. It made the basement a little darker, but that added to the mystery.
I liked to play there. Behind the furnace, there was a little space like a room. It smelled of house dust, dry air, and whiskey. I found a marble in a corner, amber colored glass. It was scratched in places where it had rolled across the cement floor. It would have been beautiful when it was new. When you held it up to your eye and looked through, everything was different, everything curved and bled together.
I took a half burned white candle from our dining room table down there. It was this which led to the basement being declared off-limits. My mother found the candle and thought I had been lighting it.
I liked having the candle there, in case there was a disaster, a tornado, an explosion, a nuclear bomb. Sometimes it was frightening in the basement. There were holes in the walls that led out in little tunnels and you couldn’t be sure something wasn’t watching you when your back was turned. I stuck the candle in a bottle. There were a lot of bottles down there, piled behind the furnace.
I could see the holes in the ceiling, between two smoke black beams, where the chair legs had gone through. The light from the kitchen came into the basement.
A month went by before the holes were repaired. We avoided the dent in the floor with its two accusing circles. Sometimes I imagined I felt the floor soften beneath my feet elsewhere in the kitchen and quickly stepped sideways. My brother and I watched each other when we were in the same room, as though afraid one might disappear and leave the other here alone.
Finally my father called a man in a blue hat, who came and tapped mysteriously in the basement. My brother and I sat up above, crosslegged on the floor, and watched the linoleum smooth itself out as he replaced the boards. The holes remained.
In the other room, my father watched a golf tournament. We could hear his breathing and sharp grunts whenever a putt rolled smoothly across the grass, heading into the hole like a ball with a purpose. When the man came up, my father offered him a beer and had my mother write out a check.
We went out to Happytime Pizza that night. The restaurant was clean; there were no holes in the floor. The windows were diamonds of colored glass, lead running like angry veins between them. The sunlight came through them and painted my father’s face with red and dark blue.
I reached my hand into a patch of green lying on the table’s surface and then took it out. No one was watching me. My mother and father held the menu between them. There was a wet ring on the wood of the table from my father’s beer glass. I put my hand into the color again and moved it back and forth, letting the light paint my hand as though smoothing it with color.
My brother kicked me gently under the table and moved his hand into the green too. We held our hands on either side of it, letting the very edge of the color bleed onto our hands, not daring to move in.
18 Responses
RT @Catrambo: Answers to Some Galaktika Magazine Questions: https://t.co/ZG6usEVDPL
I see that in December 2011 they published a collective Xmas piece “Presents of Mind” four of us (Connie Willis, Dan Simmons, Ed Bryant, Steve Rasnic Tem) wrote together (we each contributed a short) which was originally published in Asimov’s back in 1986.
“The short stories were published in a monthly magazine, which was sold for two months, so these prints are not available any more.”
This is a flat-out lie. Nearly ALL back issues are available for ordering on the publisher’s webshop, http://galaktikabolt.hu/. I checked, and every issue from the year 2015 is available now. (The original article on mandiner.hu was about the magazine’s 2015 issues.)
“Later addendum: I have requested clarification about the magazine not being available for longer than two months since there seem to be digital editions for sale on the website, which would seem to contradict that statement.”
Not only the digital versions are available, but the real, paper issues are too.
Neil Clarke liked this on Facebook.
Trent Walters liked this on Facebook.
RT @Catrambo: Answers to Some Galaktika Magazine Questions: https://t.co/ZG6usEVDPL
Sean Wallace liked this on Facebook.
Fábio Fernandes liked this on Facebook.
RT @Catrambo: Answers to Some Galaktika Magazine Questions: https://t.co/ZG6usEVDPL
Updated with an answer to the question of Galaktika  e-editions: https://t.co/o9UgIfAyyK
RT @Catrambo: Updated with an answer to the question of Galaktika  e-editions: https://t.co/o9UgIfAyyK
The answers that I’ve been able to ascertain about Galaktika Magazine and story payments: https://t.co/HVUqvXnsZM
RT @Catrambo: The answers that I’ve been able to ascertain about Galaktika Magazine and story payments: https://t.co/HVUqvXnsZM
RT @Catrambo: The answers that I’ve been able to ascertain about Galaktika Magazine and story payments: https://t.co/HVUqvXnsZM
RT @Catrambo: The answers that I’ve been able to ascertain about Galaktika Magazine and story payments: https://t.co/HVUqvXnsZM
Cat, it was just drawn to my attention that a story of mine was printed without permission in Galaktika Magazine back in 2008. I will contact them regarding compensation. Thanks for the work you put into this. And, yes, I am a member of SFWA.