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Let the Wild Rumpus Continue: Running for SFWA President Again

photo of Cat Rambo with flowers
Still smiling after several years of this. 😉
I am running for SFWA President again. Here is my platform statement.

Dear SFWA members:

I think a proven track record’s a pretty good credential for the Presidential position, and so I propose you let me steer for another couple years, and after that, I’m going to take a year off volunteer work. Maybe do one of the cargoship cruises.

Here’s the stuff I’ve managed to do for SFWA over the past two and a half years. You could probably go back through the various Presidential letters in The Bulletin and get better detail but here are highlights.

  • Worked with Operations Director Kate Baker to help her establish policies and procedures that advance the organization’s mission. Members will have noticed, for example, the implementation of the Singularity, the electronic newsletter that lets you know the latest and most important/interesting information from the organization. I feel strongly that establishing an operations director who really drives the organization overall, rather than relying on the random and sometimes wildly varying commitment levels of the President and Vice President is a good move, and I look forward to seeing the amazing stuff that Kate will do in coming years, based on the way she’s kicked ass so far.
  • Due to the hard work of our fabulous financial team of Bud Sparhawk and Oz Drummond, I saw us through a financial crisis that could have taken down the organization and didn’t. The board and I worked to enable Oz and Bud to create a financial plan that will keep us going another 50 years. There’s been trimming, brainstorming, and general flensing of the budget, while additional sources of revenue have been developed and are starting to produce results. So far the biggest casualty of that crisis has been the NY reception. Another reason I’m running is that I promised the reception wouldn’t go away permanently and I’m still working on getting that back for us.
  • Got Derek Kunskën running smoothly as our Volunteer Wrangler. We’ve gone from a situation where volunteer emails weren’t consistently getting acknowleged to one where they’re getting answers and finding spots in the organization where their volunteer efforts can make a real difference. In talking to Griefcom the other day, its head said that the Committee was fully staffed for the first time in his memory, and actually also had two people shadowing members in order to learn how to do it. Volunteers are also being recognized for their efforts; I hope to see some of you at the Volunteer recognition breakfast at the Nebulas .
  • Recruited Maggie Hogarth as VP, so I will take indirect credit for the ton of great work she’s done but say that it is really all her effort that makes her such an outstanding team member. Indie writers, Maggie has been consistently looking out for your interests and making sure you are always represented in discussions. She’s driven community efforts, formed the Outreach Committee, worked with the Nebula Programming team to get representatives of companies like Amazon, Kobo, Patreon, etc there, set up the NetGalley program, and been an amazing ally.
  • The Speakers Bureau is up and running, SFWA has been publicizing it via flyers at ALA and other academic conferences and it’s got almost 200 members listed there.
  • The EMF process has been thoroughly looked at in order to make it easier for the members to use and is being revamped, including figuring out how to make a portion open to professional speculative fiction writers who are not members, which I expect to see happen within the next month. This hasn’t been entirely smooth, but the end result has been greater clarity and unity of purpose among our EMF stewards.
  • Putting stuff in to provide for the future. This has been one of my biggest foci: looking at existing processes and groups and trying to make sure they’ll last. Most of the important volunteer roles now have understudies or shadows making sure that if the volunteer has to step down, someone is ready and prepared. We are writing things down. Conversations that used to be held in email are instead happening on the boards or in Evernote, where they are preserved. If I had to point to one issue that I thought was hampering SFWA when I came on board, it would be the lack of institutional memory and the way I kept hitting the sad carcasses of abandoned or lost projects that had gotten lost in the mists somewhere along the way. This is, in my opinion, no longer a problem. Huzzah!
  • SFWA membership cards. I actually can take no credit for that, it was all Michael Capobianco and Kate, but I mailed out a bajillion, thanks to the friends who came and helped assemble them and Caren Gussoff, who did the actual mailing.

Cat Rambo and Connie Willis
Connie Willis, SFWA Grandmaster and one of the SFWA Emergency Medical Fund Committee members.
In looking back at the Presidential platform I ran on two years ago and seeing whether or not I lived up to it:

  • SFWA’s “brand,” to employ vile marketing jargon, has grown, and what’s nice about that is that we’re continuing to acquire new members, many of whom immediately put energy in the discussion forums and volunteering.
  • Institutional memory is being better preserved. The Operations Procedures and Practices Manual still needs to be delivered, so there’s still a ways to go, but our new Director-at-Large Erin Hartshorn recently took this on.
  • Volunteer system as noted above.
  • Indie writers are joining and contributing. For example, Jonathan Brazee is helping make sure that this year’s Nebula programming has plenty of panels of use to independently publishing peeps.
  • Communication remains an ongoing goal, but is substantially better.

What to Expect From Two More Rambo Years

Photo of Cat Rambo with Dark Vader and stormtrooper
Preparing to take on even more challenges ahead.

What am I hoping to get done that I haven’t already? This is a tough list because I regard the fact that a number of things aren’t farther along as a failure on my part, but here we go.

  • Better integration of the game writers, because I think we’ve really fallen short so far and need to do better.
  • Getting the finances to a point where the annual Reception can be brought back, although I’d like to see it alternating between East and West Coast.
  • Movement on health care. We’ve got a task force exploring it. Our best bet may be teaming up with another organization, but this remains to be seen.
  • Seeing The SFWA Bulletin on a regular schedule.
  • Get the Preserve Your Legacy campaign, aimed at celebrating Bud Webster’s memory while giving writers the resources they need to set up their literary estate, launched.
  • Continuing to put in processes. One of the things I’ve worked hard at is passing on what I know of corporate management, and trying to make sure we are consistently working at a professional level.
  • Continuing to build relationships with other organizations, including other writers organizations as well as publishing and marketing partners.
  • More and better outreach to potential new members.
  • Continued advocacy for writers, like the recent statement about magazines trying to monetize writers.
  • Ponies for everyone. A pony in every pot. Pot for your pony. Scalzi will smoke pot with your pony. Membership cards, integrity, and whimsy.

This is an update of my statement of two years ago as to why I’m qualified.

Photo of speculative fiction writer Cat Rambo with Cinderella's Wicked Stepmother at Disneyworld.
In my position as SFWA President, sometimes I have had to confer with fictional characters.
I’ve got decent people skills and a solid work ethic. When it comes to the various factions that clash occasionally, I’ve got friends on most sides and pride myself on trying to listen and understand where people are coming from. I try to unite rather than divide, and to lead by example. I frequently touch base with other members of the SFWA team and work well with them, including weekly Google Hangout sessions, texts, and phone calls. I don’t take myself particularly seriously (most of the time), have no problem admitting when I’m wrong, and try to learn from both my mistakes and what other people pass along.

I’ve worked as both a writer and an editor. I have over 200 fiction publications, including in such places as Asimov’s, Weird Tales, and Tor.com, and five collections (four solo, one with Jeff VanderMeer). I just turned in my second novel to the publisher (Wordfire Press) and am working on the third in the series. I’m a hybrid author, working in both traditional and independent publishing.

My short story, “Five Ways to Fall in Love on Planet Porcelain,” was a 2012 Nebula nominee, while other works have been nominated for the Locus Award and the Million Writers Award. I was the editor for several years of award-winning Fantasy Magazine, receiving a 2012 World Fantasy nomination for my efforts there, and I guest-edited Lightspeed Magazine’s Women Destroy Fantasy issue. I have worked as a volunteer with multiple speculative fiction organizations, including Broad Universe and the Clarion West Writers Workshop.

I teach a popular series of online classes on writing and editing and do some podcast narration, and have written a book on how writers can best use their online presence to sell books.

I am a frequent convention-goer and make a point of organizing or participating in SFWA activities when they’re available at such gatherings. This year, I will be attending ICFA, Emerald City ComicCon, Norwescon, the Nebula Award ceremony, the Locus Awards, Worldcon, DragonCon, and FenCon.

I’m running because it seems to me in these tumultuous times people need to be stepping up and leading. If I want other people to be volunteering time, I have to show it’s a task I’m willing to take on too. If I were grading my performance over the last year and a half, it’s a solid B. I’ve done some solid stuff, but I’ve also dropped a few balls. I’d like to get some more stuff finished up before the grade is in. And, selfishly, I love the team and would miss the hell out of that weekly videocall where we touch base.

Peace out,
Cat

#sfwapro

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And For My Next Trick: AKA The Amazing Disappearing Nebula Nomination

Picture of Cat Rambo in a Cthulhu ski mask.
There’s power in looking silly and not caring that you do. -Amy Poehler
Well.

Short version: I’ve withdrawn my story from the Nebula ballot. Many congratulations to Bonnie Jo Stufflebeam, whose excellent story The Orangery replaces it on the ballot.

Long version: One of the best parts of being SFWA President or Vice President is that you get to be one of the people calling the Nebula nominees to tell them what’s up. This is a lot of fun because giving people good news is almost always a terrific experience. I’ve ever gotten to call former students on occasion, and thought my heart would burst from joy, because that is a terrific feeling.

This year I woke on February 16, the day we would be making the calls, to find a message from our Nebula Awards Commissioner asking me to give her a call. I did, and she presented me with news that both delighted and horrified me, that my novelette, “Red in Tooth and Cog,” was on the ballot.

Delighted, because I like that story, and think it’s a good one. A number of people whose opinion I value highly have expressed praise for it, and it’s also something that represents a victory for me. I was grimly determined to be published in the Magazine of Fantasy and Science Fiction ““ it was a publication that represented an enormous milestone to me ““ and that acceptance was my 44th submission to the magazine over the course of 12 years. It wasn’t that the other stories were bad ones. One of them, “Five Ways to Fall in Love on Planet Porcelain,” even went on to become a Nebula nominee in 2013.

And horrified, because I don’t want things to look like the Nebulas are motivated by concerns other than literary excellence, and it seemed to me that this could look like that since I have engendered a little popularity while President, mainly because I am so goddamn personable. And I was sure there would be a certain amount of grumbling about it. So before we moved forward, I had to decide whether or not to withdraw it

I made some coffee, went for a walk, and spent a good bit of time thinking about it, talking to my spouse and my best friend, as well as a number of other SFWA folk. I was aware that there was precedent for either decision. In the end, I thought that to withdraw it would be a disservice to the members who liked it and wanted to see it on the ballot. If I wasn’t satisfied that it’s a good story, if I hadn’t previously had a story on a ballot when not involved with the SFWA Board, then I might’ve made a different decision and there are undoubtedly parallel universes where our ballot was different. But if I was appearing on the ballot just because of the Presidency, the time for that would have been last year, when my first novel came out. I think. Maybe. Who knows? Maybe in another universe it did.

However, back in this universe, apparently the fact that in the course of editing the 8,000 word story, what emerged was actually short story rather than novelette length, had managed to escape us all over the course of the past year, and so my happiness at finally getting a chance to tell everyone, huzzah, came to an end a bit precipitously. You’ll forgive any rawness to my tone; I think it’s natural.

This presented me with a new dilemma. I could allow it to be moved to the short story category, which would have bumped off not one, but three stories, which had tied for that slot. But that seemed pretty unfair, and made three people pay for the screw-up, instead of just one. So, I’m withdrawing the story. Kudos to the wonderful reading still on the ballot — there is a ton of great stuff on there and you should read it all.

Should the length issue have gotten caught before now? You bet. But if it had to happen on my watch, I am relieved that it happened to me rather than someone else. Is it a solid gut punch? Sure. But there have been others in my life and this is hardly the worst. I still get to go to the Nebulas and enjoy them as one of the ringmasters of that circus. So…wah! Very sad in some ways, but so it goes. Sometimes one puts one’s big girl pants on and soldiers forward without too much entitled whining.

I will, though, try to squeeze a few drop of lemonade from this lemon. If you like what I’m doing, and if you want me to keep persevering, there’s several ways of encouraging me. You can:

Here is a link to the story.

Today’s been crazy. Tonight I’m working my way through some Tillamook chocoloate peanut butter ice cream, Black Jack, and a few levels of Skyrim.

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Three New SFWA Programs

One of the nice things about having a lot of pots bubbling away, particularly when other people are supervising some of them, is knowing what’s coming up on the menu. So here, in no particular order, is a deeper look at three pet projects that are manifesting.

SFWA Ed will be online education via the web: an array of classes aimed at a range of writers, from new to professional. We’ve got a lot of members who teach, and I know our coordinator has been reaching out to as many as he can. That’s been rolling along splendidly thanks to the undauntable and indefatigable Jonathan Brazee. I believe it will be a mix of paid and free classes; we’re still figuring out all the details.

First Chapters is my attempt to answer the question: how can I know what to vote for in award season without reading every single book? That’s the biggest complaint I hear about any of the awards. Or one of them, now that I think about it. At any rate, this compendium will have a first chapter from eligible books, with the info you need to figure out what category or categories it fits in for awards like the Nebulas, Hugos, Norton, the Dragon Awards, etc. Using it should help someone find the books they want to read in their entirety. If you’re interested in making sure you’re contacted when we start taking chapters, please drop me a line. (If you have been asked not to contact me, please mail your interest to office@sfwa.org.) This project is rolling along thanks to the efforts of Dan Potter and the Publishing Committee.

The Preserve Your Legacy Campaign. So to talk about this one, I have to talk about a SFWA volunteer, Bud Webster, who was frickin’ tireless in working with the SFWA Estates Project, which works to connect authors’ estate with publishers, editors, scholars, etc. Bud was smart and funny and above all, kind. One of the good-hearted people that help keep the world running. This campaign is aimed at helping writers learn how to preserve their literary estate and archive their works. This one’s being driven by the excellent Lawrence Schoen.

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