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SFWA Presidential Platform Statement

Cat at World Fantasy Convention 2012
Visiting with a constituent at World Fantasy Con.
Dear SFWA members:

Yep, I’m running for President, even though that’s a two year term. I’ve got a number of projects I want to see through, and this seems the best way to do it. The self-pub and small press qualifications amendment has passed, and I’d like to help SFWA adjust to that large change.

You’ve seen me in action as vice president for a year. I don’t know that it was the most representative year since I spent most of it on the road, but I think I’ve demonstrated that even when other stuff crops up, I do stick around. I had to put a couple of projects on the back burner while waiting for the selfpub/small press qualifiying vote to shake out but now that the vote has passed, I hope to pick up those loose ends. By now, I’m starting to get more of a handle for the internal workings of SFWA, and that should help me be even more effective.

I’ve fixed a few small problems, and I’ve got some other stuff in motion that will solve others. Some of that is fairly visible, such as the push to make it easier for volunteers to find roles within SFWA. Overall SFWA is still suffering some growing pains, and I’ve found my experience as management very helpful there.

Most of you that have worked with me know that I’ve got decent people skills and a solid work ethic. When it comes to the various factions that clash occasionally, I’ve got friends on most sides and pride myself on trying to listen and understand where people are coming from. I’ve tried to be good about touching base with other members of the SFWA team and working well with them, including weekly Google Hangout sessions and phone calls. I don’t mind admitting when I’m wrong, and I try to learn from both my mistakes and what other people pass along. Aside from deciding to run, I am reasonably sane.

I do have other commitments. My first novel comes out this year, its sequel is only half done, and I have family responsibilities. But I removed all other volunteer work last year in order to focus that energy on SFWA, and will continue to do so while in office.

I’d like to mention a major reason I feel comfortable running: some of the people I know will continue to be part of the team. SFWA’s Office Coordinator Kate Baker has been a pleasure to work with this year, alerting me to potential problems, working quickly to identify and solve issues, and going above and beyond on multiple occasions. Along the same lines, talented Jeremy Tolbert is dedicated to the point of madness when it comes to fixing our web problems, our CFO Bud Sparhawk is constantly savvy and on the ball and knows what’s going on, and PR representative Jaym Gates has put a great deal of work into expanding SFWA’s presence in multiple venues. My dream VP has stepped up (I’ll let them post their own announcement rather than out them, though.) Archimedes only needed a lever and a fulcrum in order to move worlds; give me a high performance team, and I know I can work some wonders for the org.

Here’s my VP statement from last year, with some annotations on the goals about how close (or not) I came.

I joined SFWA in 2005, as soon as I made my first qualifying sale. Among the work I’ve done for SFWA are stints on the Nebula short fiction and Norton juries, work with the Copyright Committee, interviews and articles for the SFWA blog, articles for the SFWA Bulletin, assisting with the YA-SIG’s move to a mailing list, and helping develop guidelines for and moderating the discussion forums. At the time I joined, I was excited and proud to be joining the ranks of so many writers I’ve admired, and I continue to be an enthusiastic advocate for and supporter of SFWA.

I have worked with the current administration and know that I can interact smoothly with it to maintain and continue to build the organization as a valuable resource for speculative fiction writers and one whose members can take pride in their membership. I’m pleased to see SFWA continuing to adapt to changes in the publishing landscape, such as the recent rate increase for SFWA-qualifying markets and the work of the Self-Publishing committee, and hope to lead similar efforts.

My priorities as a board officer include:

Building SFWA’s name and influence by reaching out to both established and newer F&SF writers who have not joined but would find it useful. I’d like to see SFWA’s social media presence continue to expand and to work to interest and intrigue potential members.

(I don’t know that I’ve accomplished this in the way that I would have liked. I’ve reached out to some writers, and I’ve tried to build our presence here where I could, but much remains to be done. I’m very excited about the launch of the upcoming SFWA Youtube channel under the able administration of Juliette Wade.)

Preserving SFWA’s institutional memory through archives and collecting existing information.

(Much of this was already underway when I came onboard in the form of the OPPM and the archive project led by Lynne Thomas. I’ve contributed where I can and helped enable some upcoming efforts. I’ve also been reaching out to some places to gather information for the forthcoming new Nebula Awards website and coordinating getting content written.)

Improving the existing volunteer structure in order to more effectively connect volunteers with SFWA’s needs, as well as recognizing and rewarding volunteers more consistently.

(Okay, I’ve done a lot here. We’ve gone from a basically moribund system to one where a number of volunteers are doing interesting things. There’s a group of about a dozen people I still need to find roles for and I HEARTILY apologize to you folks but it’s been kinda crazy. We’re working on bringing in a paid volunteer coordinator. There’s a special discussion board forum for volunteers that includes listings of available roles. I’m also trying to make sure we recognize and aid our volunteers: there will be a volunteer recognition breakfast at the Nebulas Sunday morning that has several cool things lined up for it and we’ve had two actual volunteer newsletters so far with every reason to suspect there will be more.)

Assisting SFWA as it determines qualifications for self-published writers as well as how it can best serve such writers.

(DONE. As I’ve said on the discussion boards I fully expect to see this process launched successfully on March 1 with people able to immediately apply.)

Working to address internal miscommunications by better communicating what the board is doing and how people can assist in such efforts. I’d like to help current volunteers and SFWA officers tell other members what they do.

(We’re still working on some of this, but we’re getting better. I have tried to be responsive on the discussion boards whenever questions arose and I’ve made it a point to get to SFWA informational and reading events whenever possible.)

My primary role as VP, though, would be to support SFWA’s President. To assist me in that role, I’ve got good people skills, a sense of humor, and the fact that I don’t take myself overly seriously. I will continue to represent SFWA with the enthusiasm and respect such an august organization deserves.

/End VP Statement

A half year later, my sense of humor remains intact, as does my enthusiasm and respect. It’s certainly been an interesting six months. I’m willing to stick around, if you are willing to trust me to lead you as best I can.

My updated professional qualifications:

I’ve worked as both a writer and an editor. I have over 100 original short story publications, including in such places as Asimov’s, Weird Tales, and Tor.com, and four collections (three solo, one with Jeff VanderMeer). In 2015 my novel BEASTS OF TABAT (the first of a fantasy quartet) will appear from Kevin J. Anderson and Rebecca Moesta’s excellent publishing house, Wordfire Press, while Hydra House will be publishing another two-sided story collection, NEITHER HERE NOR THERE.

My short story, “Five Ways to Fall in Love on Planet Porcelain,” was a 2012 Nebula nominee, while other works have been nominated for the Locus Award and the Million Writers Award. I was the editor for several years of award-winning Fantasy Magazine, receiving a 2012 World Fantasy nomination for my efforts there, and I most recently guest-edited Lightspeed Magazine’s Women Destroy Fantasy issue. I have worked as a volunteer with multiple speculative fiction organizations, including Broad Universe and the Clarion West Writers Workshop.

I’m currently creating the 2015 edition of CREATING AN ONLINE PRESENCE, a guidebook for writers trying to navigate the confusing world of online self-promotion. I teach a popular series of online classes on writing and editing and do some podcast narration.

I am a frequent convention-goer and make a point of organizing or participating in SFWA activities when they’re available at such gatherings. This year, I will be attending ICFA, Emerald City ComicCon, Norwescon, the Nebula Award ceremony, the Locus Awards, GenCon, and Worldcon.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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SFWA and Independent Writers, Part Three: Launches and Lurches

This third of a four part series about the Science Fiction and Fantasy Writers of America’s decision to admit independently published writers talks about the first wave of independent members and SFWA’s efforts to add value for those members. Here is Part One: History of the Organization and Part Two: Bringing in the Indies.

The doors opened on March 1, 2015 and SFWA Executive Director Kate Baker was standing by to process and admit our new folksSwinging the Doors Open to Independent Writers

The doors opened on March 1, 2015 and SFWA Executive Director Kate Baker was standing by to process and admit our new folks. This gave us a chance to observe the new criteria that the Board had been working on for so long in action with a mind for what sort of refinements might be necessary further on down the line in order to make SFWA even more welcoming to independent and small press writers.

I was glad we’d prepped the message boards. The new forums were immediately put to use and introductions made, with plenty of delighted welcomes. There was – in my perception – no contention, only enthusiasm.

Here’s a videocast M.C.A. Hogarth did aimed at indie writers evaluating whether or not to try SFWA:

Some statistics for the number-minded:

  • We admitted twelve new members in that first wave, and there’s been a steady influx since. At the same time, existing members that had independent published experience felt more empowered to step forward and share their knowledge.
  • According to the recent membership survey, 14.10% of the current membership identifies as indie, with another 37.57% considering themselves hybrid.
  • Only a small percentage (less than 5%) derives more than 50% of their income from crowdfunding.

All My Expectations of Indie SFWA Members Confirmed
As I and others had argued repeatedly, the change did not result in an influx of unqualified, affluent hobbyists trying to buy their way into SFWA, and we could, finally, put that particular straw man to rest and play taps while other straw folk were being assembled in the background.

As you can see by the numbers, it wasn’t a massive surge, but a solid number. For some people it was part of a lifelong dream. For others, it was a cautious exploration of just what SFWA had to offer them. More than anything else, these were pragmatic, working writers. In a thread on the discussion boards, people began to share their sales number in a revelatory and instructive way that emphasized what a smart move for SFWA this had been. I still inist one of the smartest moves that happened during my time with the board.

I kept meeting new members at cons, to my pleasure and delight. We began to offer more SFWA-focused programming at conventions, such as a panel about What SFWA Offers at GenCon, Norwescon, the Nebulas (that was a no-brainer), and others.

Unexpected Results from the Indie Wave

  • We found we’d done something groundbreaking without realizing it: become the first organization to allow crowdfunded projects to qualify. The question of net versus had been a subject of much discussion during the Board’s conversation, to the point where the overall category was in jeopardy, so I was happy to discover pushing to keep it alive had been useful.
  • Rarely did people have to combine sales in order to prove they’d hit the 3k in one year mark. Instead it was usually a question of “Do you want my sales from Amazon or Kobo? (or something else).
  • A delightful surge of volunteers and new energy should have been expected, but it took me by surprise nonetheless.

New Members Benefits — And Vice Versa
With that surge in volunteer energy came a lot of new stuff, primarily driven by Vice President Maggie Hogarth. People entered wanting to not just to connect with other members but to add their energy to the organization and help it grow to meet their needs.

Among them:

  • The New Release Newsletter. Taken from the description: “The newsletter goes out every two months, and feature science fiction and fantasy new back-list re-releases from SFWA members, including books, stories, games, and other creations.” (SFWA members can sign up for it here. Releases that are announced should be from the month before or the month after the newsletter goes out.) That newsletter goes out to close to 1000 subscribers and has an above-average open rate.
  • The Partners Program has been more successful in some areas than others, but overall it’s tried to build connections with industry contacts. Particularly successful ones include BookBub, HumbleBundle, Kickstarter, Kobo, and Storybundle. Today we launch one of the results of that, the second Storybundle we’ve done, this time the SFWA Fantasy Bundle (that link will go live Wednesday morning!). The Sci-Fi bundle earlier this year netted each of its writers a nice chunk of money, around $900, along with the curator’s payment, an equivalent amount which I donated to SFWA, as I’ll do again with this one. Next year our Self-Publishing Committee will take over running this program, and there will be three bundles altogether.
  • The Netgalley Program was a long long time coming and something I don’t know would have happened without Maggie lending her voice to insist this was something useful for our members, but it’s now something people frequently ask me about. I stole the idea from Broad Universe, which was to buy a membership that our members could use for individual books for a substantially cheaper cost than getting such a membership on their own. Here’s how to use it to promote a book.
  • The SFWA Star Project was a cool effort (and remains one) but it’s been a bit of an uneven project. Originally proposed by Rob Balder, it used a small budget to promote and support worthy crowd-funded projects. Material rewards gained by supporting a Kickstarter go to SFWA’s fundraisers to be used there.
  • Expanded Nebula Programming was a natural outgrowth of the new energy, and programming tried to bring in both partners that year as well as create programming aimed at the new members. One lesson learned that first year was that the usual basic level stuff was not what people wanted, but rather in-depth looks at specific aspects of the industry and how to use SFWA’s services to the most benefit. Another was that we needed to figure out a new bookstore policy in order to accommodate everyone.

Nebula programming for the indies would be an issue both that year and the following one, with many indies feeling they were unrepresented and saying so on the discussion forums. The second year seemed to me to be partly an issue of perception and bad framing rather than actual lack: while many of the panels were aimed at indies as well as hybrid and trad pubbers, they were not marked as being of interest to indies. To my mind, they have progressed significantly each year: for me last year’s highlights included the mentoring program, the chance to hear experts talking about their wide range of expertise in office, and the fact that we managed to give everyone, including the indies, a way to have their books for sale there at the events. (Thank you Sean Wallace!)

Many existing services were already there for the new members such as the Featured Book/Artist program, the Nebula Awards, and appearances at events such as WorldCon, the Baltimore Book Festival, GenCon, and others. Other new things were applicable to all sides, such as the SFWA Speakers Bureau, introduced in early 2016 or the emerging Grants Program. I tried to make sure that indies were represented on the SFWA Recommended Reading List, and continue to do so, as do a number of other people.

All in all – things were swell, and continue to be so.

Next time, in Part Four (the final one) — what does the future hold in store? Includes talking about data from the recent SFWA member survey as well as revelation of at least one cool project designed to help people reading novels for all yearly awards, including the Nebulas, Hugos, Dragon, World Fantasy, among others. *cue mysterious music and exit*

#sfwapro

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SFWA Bulletin and Blog Submission Guidelines

IMG_0557One of the things we’ve been working on behind the scenes is getting submission guidelines for both the SFWA Bulletin and the SFWA Blog up. The former pays ten cents a word, the latter six cents. They’re looking for much the same sort of content, things of interest to professional genre writers; blog articles are a bit shorter and more informal.

Here are the SFWA Bulletin guidelines.

Here are the SFWA blog guidelines.

You do not have to be a SFWA member to write for either publication. I’ve done a number of pieces for both, most recently a series on teaching workshops that finishes up soon.

If you’re not familiar with the blog, it runs a number of articles that are useful, including tips on tools, new markets, industry news, and writing advice.

#sfwapro

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