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You Should Read This: Some Recent Reading

Image of bookshelves filled with books about writingPost-Nebulas, I’ve been going through and trying to clear away a lot from my shelves and TBR list, particularly given that I still had a substantial armload from the International Conference of the Fantastic in the Arts and its munificent book tables. Here’s some particular recent favorites.

  • The Refrigerator Monologues by Catherynne Valente. Funny, fierce, and feminist. Valente gives a voice to some women who’ve got shrewd insight into and experience with the gender norms of the comic book world, including Phoenix, Harlequin, and Gwen Stacy. If you are a woman who loves comic books you should stop reading this and go find it. Fucking fantastic.
  • Deadwood by Pete Dexter. This historical novel is the one the HBO series was based on, and it’s terrific, particularly if you enjoyed that series and want to revisit some of those characters. The plain style of the writing combined with a sharp eye for historical detail is lovely, and it’s a book worth savoring. There are few things on earth more disappointing than reading a regular Western when you’re hoping for a weird one, so let me emphasize again that this is straightforward, non-fantastic fiction.
  • All Systems Red by Martha Wells. Far future SF with one of the most engaging first person narratives I’ve ever have the pleasure of watching in action, Wells’ independent, wry and stubborn Murderbot. Snappy and funny and yet thoroughly engaging. Alas, all too short since it’s a Kindle Single, but luckily it’s billed as the first in a series.
  • The Greatcoats by Sebastian de Castell. Early on in the first book, I knew I’d be picking up the rest, and did so, quickly working my way through to the highly satisfying conclusion. Basically French musketeers and a cool magic system, with the snappy dialogue and fast-paced, high-stakes action you would expect. Very enjoyable. I should note I picked them up due a Kindle deal that’s no longer going; if your budget is limited you will find more bang for your buck elsewhere (IMO).
  • Super Extra Grande by Yoss. In some ways this read like a more modern version of Keith Laumer’s Retief series, with a lot of the things about them that I loved as a teen and less of the stuff I’m not so fond of as an adult. Fast-paced and funny, and Spanglish scattered throughout made it more fun for me, but the mileage for a non-Spanish speaker may vary, I’m not sure. I picked this up because I wanted to read some Cuban science fiction; Yoss is one of the people at the forefront of that.
  • Dreadnought: Nemesis by April Daniels. Superhero YA with a trans main character who is identifiable and fabulous. I’m looking forward to the next in the series. Along the same lines, I want to point to Not Your Sidekick by C.B. Lee, also snappy and fun. I’m so happy to see superhero fiction have become an established thing in fiction; I will happily read as much of it as our fine genre writers can produce.

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You Should Read This: Woman and Nature by Susan Griffin

Cover for Woman and Nature by Susan Griffin to accompany review written by speculative fiction writer Cat Rambo.
She knew her skill and she knew it well. She could speak more than one language. She spoke their language, and she spoke hew own, which they could not speak.
What: Poetry and meditative essay mingle in Woman and Nature: The Roaring Inside Her by Susan Griffin. I found this book in grad school when I was first learning to look into metaphors to find out what they contained.

Who: Read this if you’re a woman, whether or not you call yourself a feminist. Read it if you’re a man trying to write realistic women, because the structures Griffin talks about are ones that affect all of this, but particularly women. Read it if you don’t mind some poetry mixed in with your thinking.

Why: Read this to reexamine the words and metaphors we use to describe both nature and women, to understand the attitudes behind the language.

He says that woman speaks with nature. That she hears voices from under the earth. that wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But dfor him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature.
And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole.

When: Read this when you want to be lulled by words out of your own body and into the material forms of tree and earth and shell.

Where and how: Read this near a window, where you can look out at trees or sky or mountains or water.

#sfwapro

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You Should Read This: The Dictionary. Any Dictionary.

Picture of the Oxford English Dictionary.
The narrower the definition of a word, the more likely it is to delight me.
I love the dictionary. I have, in fact, been known to dip into it for pleasure, to swoon with delight at a new word like lacustrine or neritic. When I was in grad school, we played a version of Balderdash that far predated the boxed set, using an American Heritage dictionary that still sits on my shelf.

What: Any book of words that tells you what’s built into them, whether it’s a dictionary of hobby-related vocabularies or a more complete overview. I’ve got a shelf’s worth of them, including a number of foreign language dictionaries and the beloved Compact edition of the OED my brother gave me one year.

Who: If you are someone who uses words, and want to make sure you are using them correctly, use a dictionary. A while back while I was teaching at Hopkins, a student handed in a piece that was unsettling in a way I’d never encountered before, consistently misusing words. When we talked about it, she revealed she’d written the piece and then used a thesaurus “to make the words fancier.”

Why: If you are going to write, you must know how to use words. They are the basic building block of the trade. Read the dictionary in order to use them with rigorous precision, an appreciation for their history, and an understanding of their grammatical use.

When: All the time. On your phone. While waiting for your bus. When you want to refill your tank of words.

Where and how: The deeper the dictionary, the more interest it holds for me. I like specialized dictionaries that list fashion terms or kinds of birds or words taken from other languages.

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