Five Ways
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Media Consumed in August

I had plenty of travel time in August, so yay for reading. My primary focus this month was to read as many of the Dragon Award nominees as I could before voting, but there were a number I just didn’t get to or did not finish. I had read some before, luckily, and am particularly pulling for D.B. Butler’s Witchy Eye, which I loved.

Works that are bolded are ones I found particularly outstanding or otherwise remarkable and would recommend.


Robert Aickman, Cold Hand in Mine
Peter S. Beagle: Summerlong

Betsy Cornwall: Mechanica. I wanted to like steampunk Cinderella, but it didn’t feel very new.
Nathan Crowder: Ride Like the Devil (lots of fun for fellow Seattleites)
Pippa DaCosta, The Heartstone Thief
Robert Dugoni: The Trapped Girl (could have done without the complaints about the various restrictions the legal system places on police officers)
Patrick Edwards: Space Tripping
A.W. Exley: Ella the Slayer (I really did not expect to like Cinderella + zombies).
Kate Elliott: Court of Fives, The Poisoned Blade
Ruthanna Emrys: Winter Tide. If you like Lovecraft novels, you need this one.
Carrie Fisher: The Princess Diarist
Eric Flint: 1636: The Ottoman Onslaught
Amy S. Foster: The Rift Uprising
Theodora Goss: The Strange Case of the Alchemist’s Daughter FABULOUS and is the 19th century equivalent of Cat Valente’s The Refrigerator Monologues)
Brian Guthrie: Rise
Renee Carter Hall: Huntress (loved this, but book is structured in a frustrating way)
Elizabeth Hand: Aestival Tide, Icarus Ascending
Faith Hunter: Blood of the Earth
Shirley Jackson: Let Me Tell You: New Stories, Essays, and Other Writings. Not enough writing on craft, but what there is, is solid.
Dennis Lehane: Prayers for Rain
Alison Littlewood, The Hidden People
Gabrielle Matheiu: The Falcon Flies Alone. Modern melodrama that pulls from all over the place in a way that is unexpected.
Robert McCammon: Gone South. McCammon is the frickin’ BEST at this sort of novel. Delicious.
Brian Niemeier, The Secret Kings
Richard Paonelli: Escaping Infinity
Lucian Randolph: The God in the Clear Rock (has my vote for most attention paid to a point of view character’s breasts in a book)
Delia Sherman: The Porcelain Dove (very pretty, but the structure makes it feel as though the book evaporates away just as you hit the end)
Shayne Silvers: Beast Masters
Dale Ivan Smith: Empowered: Agent
Safari Spell: Long Live Dead Reckless
Arkadi and Boris Strugatski: The Dead Mountaineer’s Inn
Anne Tyler: A Spool of Blue Thread
R.R. Virdi: Dangerous Ways
Martha Wells: The Edge of the World

Stuff I’m Watching: Big Brother (yes that’s my guilty pleasure and I don’t know which I loathe more, Josh or Paul), The Defenders, Orphan Black Season 5, Rick and Morty. Watched BRILLO BOX (3¢ OFF), which was an intriguing documentary if you have any interest in Warhol. Also Extraordinary: The Stan Romanek Story, which I thought was pretty silly.

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Cover for Voodoo Planet by Andrew North/Andre NortonMy high school years were steeped in reading from several F&SF authors. Among them, the most influential was quite probably Andre Norton. In arranging my book collection in those early days, Norton was always satisfying, because she wrote a gazillion books and I had most of them. In fact, I know three fantasy landscapes well because I wandered them so often as a young reader: Narnia, Middle Earth, and Norton’s Witch World.

The book I’m working on right now, (working title CIRCUS IN THE BLOODWARM RAIN) tries to get at the feel of some of those books: a protagonist moving across a mysterious landscape laden with both treasures and perils from the past, along the lines of Breed to Come, Forerunner Foray, or Star Man’s Son, 2250 A.D.

Norton, the first female SFWA Grand Master, wrote both fantasy and science fiction, both awesome, but I have a particular fondness for her science fiction, like Moon of Three Rings, Judgement on Janus, and Sargasso of Space. Her Free Traders have a gritty feel that predates many other works with a similar feel, like Star Wars or C.J. Cherryh’s Chanur series.

The problem with talking about Norton is that she’s both prolific and consistent, making it hard to find stand-out books to recommend. So here, rather than a single book out of her 314 titles, are several possible entrances into her work.

    The Witch World series: Like a lot of Norton’s works, this hovers somewhere between science fiction and fantasy, but ends up sliding pretty firmly into fantasy. There are predecessors, long gone, who have left behind objects of great peril and power, and rival factions with differing degrees of what is either magic or technology that amplifies psychic powers. Technically, the series should start with Witch World, where Simon Tregarth of Earth finds himself transported to that world, but my own suggestion would be to back into the series the way I did, starting with Year of the Unicorn and its sequel, The Jargoon Pard, (the overall series is made up of a number of sub-ones) which will give you the flavor of the world before explanations begin.

    The Solar Queen series: The Solar Queen is the name of a Free Trader spaceship. these are early Norton, many originally written as Andrew North. Look to the earliest ones — Sargasso of Space, Plague Ship, Voodoo Planet, and Postmarked the Stars — later cowritten ones lack some of the energy of the early books.

    The Beast Master series: Norton often uses animals in her writing, sometimes as protagonists, but also as helpmates, as with the genetically altered animals that companion and assist telepathic ex-soldier Hosteen Storm. Like the Solar Queen series, the earlier ones written by Norton solo are stronger.

In an earlier post, I mentioned Robert A. Heinlein as someone to read not just because so many of his works are classics in the field but because he’s problematic at times. Norton, on the other hand, never is (at least to my memory). Many of her protagonists are strong females, while others are representative of minorities not found elsewhere in YA F&SF of the time, such as The Sioux Spaceman.

So…I salute you, Alice Mary Norton, and deeply regret never meeting you. You’re one of the people that shaped my writing, and you did that to a significant degree. Here’s to your stories, and all the readers who will find them in the centuries (or so I hope) to come.

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You Should Read This: The Essential Rumi (Coleman Barks translation)

Picture of 13th century ecstatic poet Rumi, illustrating blog post about his work by speculative fiction writer Cat Rambo.
He was not bits of husk, or a puddle that freezes overnight or a comb that cracks when you use it, or a pod crushed open on the ground. He was fine powder in a rough clay dish. He knew what both worlds were worth: a grain of barley.
I first discovered Rumi’s work when I was in graduate school. It spoke to me in a way that few other poems had, seeming to pluck out the questions I had and showing me that the answer was already there.

What:Translation is an art form, and Coleman Barks’ translation does the poet justice. Rumi was a 13th century Persian mystic poet who may well be the most popular poet in America, given how often lines of his poetry show up on Pinterest.

Stop acting so small. You are the universe in ecstatic motion. -Rumi
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Who: I cannot think of anyone who would not benefit from this book, particularly if you like poetry.

Why: Read this if you’re interested in simple language presenting wild and wonderful ecstasy. Read it if you’re wondering where you belong in the world or what you should be doing in it. Read it for lines that will linger with you.

When: Read this when you are first falling in or out of love. Read it when your soul is thirsty.

Where and how: Read this in intervals, taking time to savor each piece and turn it over in your head.

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