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You Should Read This: The Face in the Frost by John Bellairs

Cover of fantasy novel The Face in the Frost by John Bellairs.
The books have been reissued, but this is the cover I'm familiar, and which immediately evokes the book for me. I love the magic system in it - read the book to see why.
John Bellairs wrote a host of children’s books, including one of my favorites, The House with a Clock in Its Walls, and a single adult novel, The Face in the Frost. I wish the ratio had been in the opposite direction, because The Face in the Frost just has such an engaging world and characters that I would have loved more of it. Much, much more. It’s a woefully slim little book, and I will not claim that it has the world’s most satisfying ending, but it delights me in so many ways.

Much of the book’s richness lies in the banter between the two old friends (there’s only one place it falls flat, and it says something about the quality of the texture elsewhere that the flat spot drives me a little nuts every time I read it), who are both skilled and eccentric wizards. The friendship is a longtime one, built of mutual affection, exasperation, and shared experience. Pieces of this book are a buddy roadtrip, taken through a series of small kingdoms, some only town-sized, and the supernatural menace is one that is genuinely haunting.

I’ve read other books by Bellairs, but with the exception of The House with a Clock in its Walls (which has lovely Edmund Gorey illustrations as a bonus), I find that his children’s literature falls flat for me, though I know it’s well-loved by many middle-graders. For me, it lacks the menace that both Face in the Frost and Clock in Its Walls hold.

I used part of the first paragraph for the description of Prospero’s house for our clan housing on Dark Castle MUD, (back in the innocent days of the early Net when the majority of us had no idea what copyright meant); for all I know (and hope) it’s still there, but I somehow doubt it. Here it is, for your delectation:

Several centuries (or so) ago, in a country whose name doesn’t matter, there wa a tall, skinny, straggly-bearded old wizard named Prospero, and not the one you are thinking of, either. He lived in a huge, ridiculous, doodad-covered, trash-filled two-story horror of a house that stumbled, staggered, and dribbled right up to the edge of a great shadowy forest of elms and oaks and maples. It was a house whose gutter spouts were worked in the shape of whistling sphinxes and screaming bearded faces; a house whose white wooden porch was decorated with carved bears, monkeys, toads, and fat women in togas holding sheaves of grain; a house whose steep gray-slate roof was capped with a glass-enclosed, twisty-copper-columned observatory. On the artichoke dome of the observatory was a weather-vane shaped like a dancing hippopotamus; as the wind changed, it blew through the nostril’s of the hippo’s hollow head, making a whiny snarfling sound that fortunately could not be heard unless you were up on the roof fixing slates.

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Some Favorite F&SF Reads of 2019

This is by no means an exhaustive list, but includes many of my favorites.

Ninth House by Leigh Bardugo. The success of Lev Grossman’s The Magicians trilogy has led to quite a few other “college for mages” books. This was my favorite of this year’s batch, although I did also enjoy Sarah Gailey’s Magic for Liars.

Pet by Akwaeke Emezi is a young adult novel that is just extraordinary and beautiful and astounding. I’m about to ship it off to my godkid as well as the next book.

Sal and Gabi Break the Universe by Carlos Hernandez is another young adult novel, this time much more humorous than Pet, but with its sadnesses as well. The voice is funny and delightful while still full of all of the insecurities of high school.

Photo by Jaredd Craig on Unsplash
unsplash-logoJaredd Craig
The Grand Dark by Richard Kadrey has a gorgeous, depressing texture, an interesting storyline, and an evocatively detailed world that had its Kafka-esque moments. This is very different than Kadrey’s Sandman Slim books — while they’re fun reads, this feels like a much more serious book without being ponderous.

The Twisted Ones by T. Kingfisher is a spin-off from Arthur Machen’s horror work The White Ones and it is, like all of her books, crazy good. It’s weird to me, however, that in 2019, she’s got a hoarder grandmother story, I’ve got a hoarder grandmother story, and Ellen Klages has a hoarder mother story that I enjoyed as well. Something in the zeitgeist?

The Raven Tower by Ann Leckie. It took me a little while to settle into the voice of this book, but once I got with the groove I was totally hooked. Leckie’s a master of storytelling. There’s a lot that’s hopepunk-y about this book, including the casual community-based heroism of the protagonist as well as the insistence on the power and mutability of stories and language.

The Traveling Triple-C Incorporeal Circus by Alanna McFall is actually a book that I edited, so I have a horse in this race, but it is terrific. This reads like a feminist reworking of Beagle’s A Fine and Private Place, and it is a fine and splendid work.

Middlegame by Seanan McGuire is a complicated and interesting book delivered with McGuire’s usual smooth prose and engaging characters. I don’t want to say too much about it for fear of spoilers.

Gideon the Ninth by Tamsyn Muir is like Mervyn Peake’s Gorgmenghast in space with lesbian necromancers. This was a terrific read and (IMO) well worth all the hype. I don’t even know how to describe it but I loved the slow burn of relationship building and the atmosphere and the overall bizarreness of the world. So delightful.

A Song For a New Day by Sarah Pinsker is near-future SF reminisencent of a mash-up of Marge Piercy and Joni Mitchell. This is definitely one of 2019’s hopepunk standouts.

A Choir of Lies by Alexandra Rowland is the follow-up to her amazing A Conspiracy of Truths and it deepens the understanding of the first book in a way that had me going back to read it again. When people are building lists of hopepunk, this and its predecessor definitely should always be included.

Today I am Carey by Martin Shoemaker is a lovely expansion on the award winning story. I really love this piece and it’s very timely.

The Deep by Rivers Soloman (novella) is a fabulous example of how stories can shift forms. Based on a Daveed Diggs by the same name, this is an intense and beautiful translation of the song.

The Fall by Tracy Townsend is the sequel to a book I loved, The Nine, and it was a great continuation of the series, reminiscent of one of my favorite writers, P.C. Hodgell.

The Lesson by Cadwall Turnbull is a fascinating, tightly drawn novel in which humans are forced to co-exist with super-advanced and mostly benevolent aliens, set on the Virgin Islands after the killing of one of the locals by an alien.

Cover of Carpe GlitterIf you’d like to check out something I wrote in 2019, please take a look at modern day fantasy novelette Carpe Glitter! You can find a list of my other 2019 writings here.

Want to recommend a 2019 piece that you enjoyed? Please drop it in the comments!

#SFWAPRO

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5 Holiday Gifts for Speculative Fiction Writers: 2014 Edition

Cup of Coffee
Coffee cup
Last year I provided a list of five gifts for the speculative fiction writer on your list. Here’s another installment of that. Sure, you can go for the old standbys: notebooks, pens, a gift certificate so they can buy books, t-shirts with amusing sayings and, depending on the writer, coffee or chocolate. But if you want to go a little further…well, here you go.

  1. I know I pushed Jeff VanderMeer’s Wonderbook last year, but I’m going to push it again, because it’s just such a cool book and Jeremy Zerfoss’s illustrations are so wacky, wildly beautiful, and wonderful. There aren’t that many books on writing I’d be willing to go back to over and over again, but this is one.
  2. A SFWA membership if they’re eligible, a subscription to Locus Magazine if they’re not. For me, the Science Fiction and Fantasy Writers of America have been a source of professional networking, career advice, and some great friends. If you go to Worldcon, the SFWA suite has always been a welcome place to hang, nosh a little, and talk to some of the greats. In the interest of full disclosure, I am currently the organization’s Vice President, and I’m looking forward to great things next year, which is SFWA’s 50th. If they’re still aspiring, encourage them with a subscription to the F&SF trade journal, Locus Magazine
  3. An anthology (particularly if they write short fiction). One of my favorites from this year was edited by Gardner Dozois and George R.R. Martin, Dangerous Women. If you’re interested in something that I’ve got a story in, the anthologies I appeared in this year were By Faerie Light, Fiction River: Past Crime, Shattered Shields, Stamps, Tramps, and Vamps, and Unidentified Funny Objects 3.
  4. Something to fiddle with. A puzzle, a worry stone, a Lego minifig. Writers are often superstitious creatures and we like our little totems, whether they’re pop culture icons or natural objects.
  5. A ticket somewhere. Get your writer out of the house and somewhere that will provide new ideas. Doing it on the cheap? Plan a day trip with a picnic basket? More extravagant? Well, there’s plenty of choices there, from riding the Orient Express to cruising the world. Tailor your destination to the recipient.

#sfwapro

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