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Media Consumed in September

IMG_4106I was on the road for most of September. That photo’s taken in the elevator of the Flatiron Building while I was in NYC, but other places I stayed included Dallas, Texas and Pocatello, Idaho. (More on that to come!) Here’s what I read in September, according to my notes, which always seem to leave out some stuff. Bolded indicates a particularly notable read.

Alex P. Berg. Red Hot Steele.
Jillian Blake. Antisocial.
Ramsey Campbell. The Parasite.
Jessica Cluess A Shadow Bright and Burning.
George Alec Effinger. Heroics.
Justin Evans. The White Devil.
Rumer Godden. Black Narcissus. Interesting because I’d been thinking about omniscient POV, which this book uses.
Joe Hill. The Fireman.
Tami Hoag. Cold Cold Heart,
Aaron James. Assholes* A Theory. Some useful stuff on dealing with bad-faith actors.
Stephen King and Owen King. Gwendy’s Button Box.
Stephen King. End of Watch.
Mur Lafferty. Six Wakes.
Carrie Ann Noble. The Gold Son.
Dan Padavona. Crawlspace.
Sarah Porter. Vassa in the Night.
Susan Kaye Quinn. Third Daughter. Enjoyable steampunk romance with an Indian-flavored milieu.
Ron Ripley. Berkley Street.
Jon Ronson. So You’ve Been Publicly Shamed. Fascinating read about social media and publicity gone awry.
Sherwood Smith. Inda, The Fox, King’s Shield, and Treason’s Shore.
Wendy Corsi Staub. Lullaby and Good Night.
Steven Rasnic Tem. Deadfall Hotel.

I’ve been watching DC’s Legends and am halfway through Season 2 so far.

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Review: The Red Knight By Miles Cameron

In the past I’ve found the promotional bag of books from a con can vary widely in terms of quality. One treasure that emerged from my World Fantasy Convention bag, though, is THE RED KNIGHT by Miles Cameron. I’m about to send my copy off to a friend, and I thought I’d recommend it to other folks as well.

In flavor, it reminds me a little of what I like about Joe Abercrombie – a nice grittiness to the characters, as well as a melange of viewpoints that end up weaving together coherently to deliver a story that pulls you along. The social structure feels medieval, full of knights and squires, but while noble by birth, most are not noble in nature. I like strong female characters in my fiction, and there’s plenty of them in here, including some older ones, which I appreciate. The fighting is nicely choreographed and realistic, without the description ever getting tedious.

It’s the usual some dark mystic force is invading sort of plotline, but it’s enjoyable and tense. I’m a fan of big fat fantasy novels, and this is both engaging and highly satisfactory, to the point where I’m eager to read the next, since THE RED KNIGHT is the first of a trilogy. The jacket says Miles Cameron writes historical fiction under another name, and I’m going to poke around and see if I can’t find his other work, since I enjoyed this so much.

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You Should Read This: Surrealist Games

Image to accompany review of Surrealist Games
I use some surrealist techniques in the Literary Techniques for Genre Fiction class. Check it out if you're interested in adding more depth or texture to your writing.
I’ve been carrying this book around since days in Baltimore, when my ex gave it to me as a Valentine. It came in a charming little boxed set complete with temporary tattoo. Nowadays I have several real tattoos but I still draw on this book, particularly for the Literary Techniques in Speculative Fiction class.

What: Surrealist Games, compiled and presented by Alastair Brotchie is a compedium of games played by members of the Surrealist movement along with illustrations and surrealist quotes. Games include echo poems, provocations, and oral description of objects perceived by touch.

Who: Any writer is the better for a little dose of surreality from time to time, and any forays into the book will yield a few interesting phrases at the least, or perhaps even a whole new mind.

Why: Read it to find some writing games that you can play solo or with similarly-verbally-minded friends. Read it for the equivalent of a poetic whack upside the head. Read it for the creative sparks flung out by its pages.

When: Read it at a time dictated by the roll of a die or the motions of a lizard on the wall.

Where and how: Graze through the pictures and see what inspiration leaps from the paper to your brain. Don’t treat it like a manual, working your way through game 1, game 2, game so on. Instead, let it fall open and see where chance takes you.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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