I just finished the first pass on the slushpile for If This Goes On. The anthology is intended to be half solicited manuscripts; half from the open call, and I’m happy to say that I don’t think it’s going to be hard to pull that together. I’ve got five or six definites on my list right now, and I’m setting them aside. I did read through every story except for a handful of less-than-serious ones; thank you to the slushreaders and publisher Colin Coyle for winnowing those out.
If I can, I’ll take one more pass through the first third or so of the slushpile, when I was reading and not knowing how strong some of the submissions would be. I suspect at least a third of those can be winnowed. Then I’ll ask the publisher to send out that round of rejections.
By then I am hoping I’ll have narrowed things down to a few dozen stories. These manuscripts have officially made it to the final round. At this point I’ll be looking at some things that include:
- Is this a common theme or something unusual? A few commonalities have emerged and I will probably only have one underwater people story, one abortions-are-illegal story, one from-a-child’s-POV story, and one post-apocalyptic landscape story, which may or may not be one of the several that featured a particular dietary item.
- How much bang for the buck does it yield in terms of editorial work? If it’ll be amazeballpants (common editorial jargon), then I’m willing to put more time into it. Along the same lines, I’ve got one serviceable story that would only take a little work to deepen its emotional impact. It’s also a strong contender.
- What’s the tone? I’ve got lots of gritty, desperate stuff and some humor in there to leaven the mix is necessary. At the same time I don’t want things that will seem incongruous next to each other.
- What did the slushreader(s) think? Unfathomable as it may seem, I have been known to be wrong. If I was meh about a story but someone else raved, I’ll certainly go back and take another look.
Then will come the final passes, where I’ll be reluctantly saying goodbye to some stories for reasons that might include:
- They don’t fit the overall theme as strongly as the others.
- They don’t play off other stories, or else are too similar to another piece.
- They will take a lot of editing, but the amount of work required by other pieces with similar strengths/themes is significantly less.
I hope that the slushreaders have learned something from all of this, including a better sense of what submitters may or may not want to avoid, and how varied the slush pile can be. With a few of them we’ve done some talking about stories, but not all. For most slushreaders, I would suggest if you’re passing up more than half the stories, you are not being harsh enough, but if it’s only one in ten, you may be leaving out some stuff the editor will want to see, unless your tastes are perfectly aligned.
The flooring saga continues. One guy came and made the repairs to the subfloor that the flooring people had requested — or so I thought! When the flooring people came back, they weren’t happy with things still, and so the other company is coming back to do that, but can’t get here until the latter part of the month, and since they didn’t understand they needed to level the floor the first time, there’s some additional cost, although they are cutting me a deal on it as an apology. At any rate, someday I will have a usable kitchen, but that time is not now.
Next spring, I need to get new windows for this ancient house. Accordingly, if you ever wanted to give yourself the gift of an edit from an experienced editor/writer/teacher who is also a Locus and World Fantasy Award nominee and Nebula award winner, I highly encourage it. All edits/reads include the chance to identify particular spots for feedback in advance and to ask questions afterward.
One Response
My fingers are crossed as I await your verdict. And since the submissions are blind, if I’m rejected, you’ll never learn which story was mine! Which is ironic … or something.