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In Celebration of International Women's Day: Feminist Futures Storybundle

Names of Authors in the StorybundleI’m so pleased that my Feminist Futures Storybundle came out in time for International Women’s Day! This bundle celebrates some of the best science fiction being written by women today, gathering a wide range of outlooks and possibilities, including an anthology that gives you a smorgasbord of other authors you may enjoy!

This is my favorite bundle so far, although I’m already assembling one in my head for next year that will be even better and more diverse. Why? Because I used to work in the tech industry, and there I saw how diversity could enhance a team and expand its skillset. Women understand that marketing to women is something other than coming up with a lady-version of a potato chip designed not to crunch or a pink pen sized for our dainty hands. Diversity means more perspectives, and this applies to science fiction as well. I am more pleased with this bundle than any I’ve curated so far.

In her feminist literary theory classic How to Suppress Women’s Writing, science fiction author Joanna Russ talked about the forces working against the works of women (and minority) writers. A counter to that is making a point of reading and celebrating such work, and for me this bundle is part of that personal effort, introducing you to some of my favorites. Ironically enough this bundle idea started with a particular book, Native Tongue by Suzette Haden Elgin, that fell through at the last minute sadly “” but that’s all the more reason to do this theme again next year for Women’s History month again. 😉 But don’t wait till then – you can find the Elgin book currently available online and it’s worth the read.

And in the name of expanding one’s knowledge and enjoyment of women writing SF, the majority of these books are first volumes of series, and I hope if you enjoy them, you’ll find the others as well as telling other people about them. The Kirstein series is the only one where not all the books are available; she’s currently working on book five and plans seven altogether. Many of them are independently or small press published, showing the depth and quality of work such publishing venues can yield.

I come to the task of writing these notes having just finished reading through a slush pile for an anthology I’m editing, If This Goes On, devoted to political science fiction. Some of the themes there are echoed in some of the works here, and it’s been interesting to note the resonances. Other books in the bundle are more lighthearted or escapist. I hope everyone will find at least a few they enjoy, and that many readers will join me in thinking they’re all swell.

I’ll be doing some video interviews with authors about their books – look for the hashtag #thefutureisfeminist on social media or subscribe to my Youtube channel or newsletter to make sure you get notified when they appear!

Here’s the bundle participants:

Athena Andreadis has produced multiple anthologies focused on women writers and I’ve had the pleasure of being in her anthology The Other Half of the Sky. Its sequel To Shape The Dark focuses on female scientists doing science in ways that move outside the traditional modes. This solid, intriguing anthology holds more than a few creative, inventive stories that you will enjoy.

L. Timmel Duchamp’s Alanya to Alanya is the first volume of her Marq’ssan cycle. Like the Gussoff book, it’s set in a near future Seattle and world that has become fiercely divided by gender, visited by aliens with very different ideas about such things. Political and intricate, this book pulls no punches in setting up a world that echoes that of The Handmaid’s Tale while remaining a unique vision. DuChamp is also a literary scholar and publisher; her Aqueduct Press is publishing great stuff.

Caren Gussoff’s The Birthday Problem is set in a near-future Seattle where a nannite plague has overtaken the world. It deals with issues of connection and mathematics in a multiple point of view narrative that showcases her ability with evocative, illuminating prose, and contains figures like former-WNBA center Didi VanNess and The King of Seattle, an ex-rockstar now living in one of Seattle’s iconic landmarks, as well as thirty cats named Ira.

M.C.A. Hogarth’s Spots the Space Marine features a military heroine who’s also a parent in a book that has aptly been called “Pollyanna meets Starship Troopers”. If you’re not familiar with Hogarth’s work, I urge you to check it out. If you’re a fan of furry fiction, you’ll particularly enjoy her Pelted Universe works, but another favorite of mine is Black Blossom.

Happy Snak by Nicole Kimberling is a fresh and funny romp detailing the travails of running a fast-food enterprise in space as unhappy proprietor Gaia Jones finds her life growing increasingly complicated. My only sorrow is that there isn’t a sequel, because Happy Snak is comfort food of the highest grade,

The Steerswoman by Rosemary Kirstein is the first in a fantastic series by the same name. This is a terrific book with a landscape that fascinates and a protagonist exploring that world and its challenges carefully and methodically, to the best of her efforts. I was delighted to be able to secure this book for the bundle.

Louise Marley’s The Terrorists of Irustan deals with a world where women’s roles are severely limited “” and details the struggle as they begin to fight back. Louise writes under a variety of names, including Cate Campbell, Louisa Morgan, and Toby Bishop, every time with an elegance and empathy that is showcased in this early book of heres.

Vonda N. McIntyre is a favorite writer of mine, and here I’ve stuffed a little extra value in the bundle for you with not one but four books in this Starfarers omnibus edition from the Book View Cafe. When a group of scientists find their alien contact project has been cancelled, they go to extreme measures to keep it going. Also: intelligent squidmoths. Does it get better than intelligent squidmoths?

Kristine Smith is working in military sf and doing it with panache and grace in the Jani Kilian series. Tight and fast, Code of Conduct will pull you into one of my favorite series, with a set of characters and fascinating worldbuilding that will leave you scrambling to find the next volume in this five book series.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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If you're interested in finding out how to create effective, engaging characters, check out my "Building Characters" class or the Dialogue mini-class. Click "Take an online class with Cat" to find out more about the class.
Lately a couple of stories have arrived in the form of characters. One is Laurel Finch, the little girl in this steampunk snippet, which is tentatively titled “Laurel Finch, Laurel Finch, Where Do You Wander?”. The other is this one, Cathay the Chaos Mage, who is wandering through a city that’s been in my head for a while now, Serendib.

Cathay was a Chaos Mage and didn’t care who knew it. Fear and envy were fine emotions to set someone spinning into a roil, and Cathay could sip from that cup as easily as any other. She dressed sometimes in blue and other times in green or silver or any other color except black. Her sleeves were sewn with opals and moonstones and within their glitter here and there another precious stone, set in no particular order, random as the stars.

A love of gambling was part of Cathay’s definition, and so she often wandered through the doorways of Serendib’s gaming houses, whether they were the high-tech machines of the Southern Quarter or the games of chance and piskie magic played in the alleys across town, in one of the neighborhoods where magic reigned.

Cathay stumbled into Serendib through a one-time doorway, like so many others. She was walking in a wood one moment, and then her foot came down and she was in a city. It made her laugh with delight, the unpredictability of it all, and she soon learned that she had come to the best possible place for a Chaos mage, the city of Serendib, which was made up of odd pockets and uncomfortable niches from other dimensions, a collision of cultures and technologies and economies like no other anywhere.

When she arrived in the city, she had three seeds in her pocket, and so she found an empty lot, precisely between a street where water magic ruled, in constant collision with the road made of fire and iron, so daily fierce sheets of steam arose, driving the delicate indoors and hissing furiously so it sounded as though a swarm of serpents was battling. She dug a hole with her little finger, and then one with her thumb, and a third by staring at the dirt until it moved. Into each she dropped a seed, and covered it up, and sat down to wait.

It was not long till the first inquisitive sprout poked through the dirt, followed by a second. She waited for the third, but it was, by all appearances, uninterested in making an appearance. She shrugged; two were enough for now.

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WIP - A Story of the Rose Kingdom

Picture of a stone lantern.This is from a military fantasy story currently in progress. It’s set in the same world as Tabat, although it does not take place in that city, and is referenced in two other works (“Love’s Footsteps” and The Beasts of Tabat.) I hope you enjoy it:

You cannot smell the roses in the hours before dawn. It is only when sunlight touches the vast blossoms, each as large as a human head, that crowd the tallest branches of the Hedge, that the petals loosen. The perfume seeps out into the air then, first as a hint of sweetness, then stronger.

By midmorning, the smell is so intoxicating that approaching enemies lay down their arms and sit, staring into the air, nostrils flared, breathing, smelling. It grows heavier and heavier throughout all the day, and only begins to ebb when the sun completely slips below the ocean horizon to the west. The Hedge borders the Rose Kingdom on three sides, and on the west is that blue line.

This is what has protected the Rose Kingdom for three handfuls of centuries, years and years of peace and protection engendered by a great ancient enchantment whose details are still argued.

But pieces of that enchantment still linger and are renewed each year when a child is given up to the Hedge to become a Knight of the Rose.

#

When Jordan’s mother gave him up to the Gardeners, he was four years old. He knew this because much of it been made of his fourth birthday. He was given cake and a folded paper boat of his very own. And most preciously a caress from his mother, which was a rare thing indeed.


Most of the time he was an extremely solitary child. Because everyone knew he was would be given to the Hedge, there was no point in teaching him anything. There was no point in wasting any of the household’s resources on him, other than what was necessary to keep him alive and healthy until it was time to give him up.

He had two younger brothers, Coulin and Fedyrmor, but they were only babies. Coulin barely knew enough to talk and Fedyrmor more only cried. Anyway they were watched over by their nursemaids most of the time.

He knew that he was to be taken to the Gardeners. No one had made much secret of it, speaking freely before him though rarely to him. He found himself looking forward to it. Anything might be better then An existence spent lingering in hallways and edges of rooms, ignored and unnoticed. The Gardeners wanted him. That was important. They wanted him, not either of the other two. He was promised to the hedge, it was meant for him. He had a destiny, where most people had to bob around in the streams of their lives not knowing where they would land. At least that was how Jen the housekeeper’s son, with whom Jordan socialized with whenever (although sadly rare) the occasion presented itself, described it all.

“You will have a role,” he said, as Jordan trailed after him helping him spread bird netting over the pillline bushes and their ripening fruit, scarlet hearted berries whose flesh was a watery pink.

“A role?” Jordan tugged the netting around the branches, trying to pull it as Jen did, so it slid over the thorns rather than snagging on them. His efforts were less successful.

Jen secured the netting to the main trunk with a strip of white cotton with edges tipped in blue to show that this harvest was destined for household use rather than commercial purpose.

“An important role, I mean. I’ll be a housekeeper like my mother. but you’ll be a Rose Knight. You’ll defend the kingdom. You’ll keep everyone safe from harm.”

“I suppose.” Jordan considered. The more he thought about it, the more he liked it, the idea that he would be important.

That he would matter.

That people would look at him and see him.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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